How Grace Helbig Charmed the Pants Off Her 2.1M Youtube Fans
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Sunday Morning Grid 4/12/15 Latimes.Com/Tv Times
SUNDAY MORNING GRID 4/12/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Bull Riding Remembers 2015 Masters Tournament Final Round. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News Paid Program Luna! Poppy Cat Tree Fu Figure Skating 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Explore Incredible Dog Challenge 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX In Touch Joel Osteen Fox News Sunday Midday Paid Program I Love Lucy I Love Lucy 13 MyNet Paid Program Red Lights ›› (2012) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Cosas Local Jesucristo Local Local Gebel Local Local Local Local RescueBot RescueBot 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Cooking Chefs Life Simply Ming Lidia 28 KCET Raggs Space Travel-Kids Biz Kid$ News TBA Things That Aren’t Here Anymore More Things Aren’t Here Anymore 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY) Doki Ad Dive, Olly Dive, Olly E.T. the Extra-Terrestrial 34 KMEX Paid Program Al Punto (N) Fútbol Central (N) Fútbol Mexicano Primera División: Toluca vs Atlas República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written Best Praise Super Kelinda Jesse 46 KFTR Paid Program Hocus Pocus ›› (1993) Bette Midler. -
Identity / Vlog
Identity Our deeply interconnected social media environment world challenges our understanding of how we fit into the world and demands that we craft and project a personal brand online. We create media, or watch and share it, in order to express and perform our identities and affiliate ourselves with our communities. Affiliative Loop Theater Affiliative videos target micro-audiences by reflecting Working within the constraints of the now-defunct social viewers back to themselves, operating on a level of intimacy video platform Vine, users iterated on a unique kind of and recognition similar to in-jokes. These videos rely on performance that relied on the 6.5-second loop as a defining recognizable phrases and situations, incentivizing viewers to formal element. Fast edits, absurd switches in logic, over-the- share them to their networks to express their own identities. top acting, and nonsensical phrases and situations coined a That affiliative videos cost little to produce allows them to number of memes and found the videos shared far outside target narrowly carved audiences that have not received such their originating platform as Vine compilations. The strange, specialized attention in traditional media. wacky humor was performed for friends and followers on the social network, an expression of self-identity. Shit Girls Say | 1:18 | 2011 | Shit THINGS ONLY TRANS GUYS Girls Say UNDERSTAND | 9:01 | 2016 | Sam Swipe up to scroll through a selection of Vine videos. Shit White Girls Say...to Black Girls | Barnes 2:01 | 2012 | chescaleigh -
The List: All Primetime Series on Television Calendar Year 2015
The List: All Primetime Series on Television Calendar Year 2015 Source: Nielsen, Live+7 data provided by FX Networks Research. 12/29/14-12/27/15. Original telecasts only. Excludes repeats, specials, movies, news, sports, programs with only one telecast, and Spanish language nets. Cable: Mon-Sun, 8-11P. Broadcast: Mon-Sat, 8-11P; Sun 7-11P. "<<" denotes below Nielsen minimum reporting standards based on P2+ Total U.S. Rating to the tenth (0.0). Important to Note: This list utilizes the TV Guide listing service to denote original telecasts (and exclude repeats and specials), and also line-items original series by the internal coding/titling provided to Nielsen by each network. Thus, if a network creates different "line items" to denote different seasons or different day/time periods of the same series within the calendar year, both entries are listed separately. The following provides examples of separate line items that we counted as one show: %(7 V%HLQJ0DU\-DQH%(,1*0$5<-$1(6DQG%(,1*0$5<-$1(6 1%& V7KH9RLFH92,&(DQG92,&(78( 1%& V7KH&DUPLFKDHO6KRZ&$50,&+$(/6+2:3DQG&$50,&+$(/6+2: Again, this is a function of how each network chooses to manage their schedule. Hence, we reference this as a list as opposed to a ranker. Based on our estimated manual count, the number of unique series are: 2015³1,415 primetime series (1,524 line items listed in the file). 2014³1,517 primetime series (1,729 line items). The List: All Primetime Series on Television Calendar Year 2015 Source: Nielsen, Live+7 data provided by FX Networks Research. -
An Analysis on Youtube Rewinds
KADİR HAS UNIVERSITY GRADUATE SCHOOL OF SOCIAL SCIENCES NEW MEDIA DISCIPLINE AREA POPULAR CULTURE REPRESENTATION ON YOUTUBE: AN ANALYSIS ON YOUTUBE REWINDS SİDA DİLARA DENCİ SUPERVISOR: Assoc. Prof. Dr. Çiğdem BOZDAĞ MASTER’S THESIS ISTANBUL, AUGUST, 2017 i POPULAR CULTURE REPRESENTATION ON YOUTUBE: AN ANALYSIS ON YOUTUBE REWINDS SİDA DİLARA DENCİ SUPERVISOR: Assoc. Prof. Dr. Çiğdem BOZDAĞ MASTER’S THESIS Submitted to the Graduate School of Social Sciences of Kadir Has University in partial fulfillment of the requirements for the degree of Master’s in the Discipline Area of New Media under the Program of New Media. ISTANBUL, AUGUST, 2017 i ii iii TABLE OF CONTENTS Abstract Acknowledgements List of Figures List of Chapters 1. Introduction 2. Literature Review 2.1 Commercializing Culprit or Social Cement? What is Popular Culture? 2.2 Sharing is caring: user-generated content 2.3 Video sharing hype: YouTube 3. Research Design 3.1 Research Question 3.2 Research Methodology 4. Research Findings and Analysis 4.1 Technical Details 4.1.1 General Information about the Data 4.1.2 Content Analysis on Youtube Rewind Videos 5. Conclusion References iv ACKNOWLEDGEMENTS I would first and foremost like to thank my thesis advisor Assoc. Prof. Dr. Çiğdem BOZDAĞ of the Faculty of Communication at Kadir Has University. Prof. Bozdağ always believed in me even I wasn’t sure of my capabilities. She kindly guided me through the tunnel of the complexity of writing a thesis. Her guidance gave me strength to keep myself in right the direction. I would like to thank Assoc. Prof. Dr. Eylem YANARDAĞOĞLU whose guidance was also priceless to my studies. -
090617-Session-2-Keynote-John-Zuern Safra
Page 1 of 20 090617-Session-2-Keynote-John-Zuern_Safra Speaker Key: MS: Max Saunders MS: Monica Soeting ID: Isabel Duran JZ: John Zuern F: Female M: Female H: Hannah R: Rosanna J: Julia 00:00:00 MS: Good morning ladies and gentlemen, if we can start this session please, welcome back for the last day of the conference and our final keynote talk. Before we move on to that I just want to invite Monica Soeting and Isabel Duran to say a little bit about the European Journal, so over to Monica. MS: Right, thank you very much, Max. Actually just three things we want to talk about really briefly. Firstly, at the European Journal we’re firefighting, we’d really like to invite you to send us articles based on your papers of this conference, so would you please think about that and contact me if you want to. Thank you very much for that. Now, Isabel’s going to very shortly say something about her next conference. ID: Good morning everyone, I said it on the first day but some of you were not here yet, so just we should announce that IABE 2019 will be hosted by the Complutense University of Madrid, the Department of English Studies where I teach and where I belong. And, well, you know, Madrid is a very nice place to visit, the university has a tube station right in the middle of the campus so it’s approachable and reachable. The hotels are reasonably inexpensive, so it’s, I think, a good place to have a conference. -
You Tube Profit Models
Contact Information Winny Paola Nieto Parra YouTube: The BusinessYouTube Model CSU Stanislaus [email protected] Paola Nieto, California State University Stanislaus Books by YouTuber’s Alfie Deyes, Michelle Phan, and Zoe Sugg. YouTuber of PewDIePie Zoe Sugg in the cover of Company Magazine. The New Path Companies are starting to stray from solely endorsing traditional celebrities and moving into the tight knit communities of YouTube. Unlike traditional celebrities, people see YouTubers as approachable friends and equals. However, YouTubers need to be careful not to violate the trust of their viewers and disclose the fact a brand is sponsoring them. http://i.ytimg.com/vi/g1vLIN7pXHA/maxresdefault.jpg https://charlotteslife93.files.wordpress.com/2014/12/img_7516.jpg YouTubers’ Business Model Bethany Mota in a beauty video. YouTuber Grace Helbig’s show in E! YouTubers are able to profit for themselves in multiple ways. One way is through revenue generated by advertising in their videos, but YouTube usually keeps around 45% of that revenue. Some YouTubers are also expanding into the book business by publishing their own books like Alfie Deyes’ “The Pointless Book” from the Pointlessblog YouTube channel and Zoe Sugg’s “Girl Online” from the YouTube channel Zoella. Others like Michelle Phan have expanded in all other Medias. She has a book called “Make Up” and her own cosmetics line http://tve-static-eonline.nbcuni.com/prod/image/340/215/Grace_S1_2560x1450_1280x725_423161923927.jpg http://celebmafia.com/wp-content/uploads/2014/03/zoella-company-magazine-uk-april-2014-cover_1.jpg from L'Oreal .She also has endorsed products including Dr. Pepper, Toyota and SanDisk. -
Sunday Morning Grid 4/19/15 Latimes.Com/Tv Times
SUNDAY MORNING GRID 4/19/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Bull Riding Making Cancer History PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å Hockey Washington Capitals at New York Islanders. (N) Å Hockey 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC News (N) Å This Week News (N) Wildlife Outback 2015 Draft Academy NBA Basketball 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX In Touch Joel Osteen Fox News Sunday Midday Pre-Race NASCAR Racing Sprint Cup Series: Food City 500. (N) 13 MyNet Paid Program Paid Program 18 KSCI Breast Red Paid Church Faith Paid Program 22 KWHY Cosas Local Jesucristo Local Local Gebel Local Local Local Local RescueBot RescueBot 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Cooking Fresh Simply Ming Lidia 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Insight Rick Steves’ Europe: A Cultural Carnival Over Hawai’i (TVG) Å 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY) Doki (TVY) Dive, Olly Dive, Olly The Fugitive ››› 34 KMEX Paid Program Al Punto (N) Fútbol Central (N) Fútbol Mexicano Primera División República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Fórmula 1 Gran Premio de Baréin. -
For Immediate Release Tribeca Film Festival Announces Inaugural Digital Creators Program Featuring First Ever Marketplace for Di
FOR IMMEDIATE RELEASE TRIBECA FILM FESTIVAL ANNOUNCES INAUGURAL DIGITAL CREATORS PROGRAM FEATURING FIRST EVER MARKETPLACE FOR DIGITAL AND ONLINE CONTENT, AND THIRD ANNUAL TRIBECA N.O.W. (New Online Work) SHOWCASE SPECIAL SCREENINGS FEATURE GRACE HELBIG, HANNAH HART, SWOOZIE, SHAY CARL, LISA SCHWARTZ, THE GREGORY BROTHERS, CHARLES TRIPPY, MILO VENTIMIGLIA, EMMA BELL AND FROM THE FINE BROTHERS - MIRCEA MONROE AND MISSI PYLE *** Special events include a conversation with Josh Hutcherson and Jake Avnet on Indigenous Media’s Film Incubator NEW YORK, NY– March 14, 2016 –The 15th annual Tribeca Film Festival (TFF), presented by AT&T, today announced the inaugural Tribeca Digital Creators Market and Special Screenings program. The first ever marketplace for digital and online content will connect online creators with industry, including buyers, producers and agents, and set a new standard for the creation, sale and showcase of digital series and standalone content. The daylong program on Thursday April 21st will also feature a lineup of special screenings, open to the public, featuring highly anticipated new work from well-known and burgeoning online storytellers from digital studios such as YouTube Red, StyleHaul, Fullscreen, Indigenous Media, New Form Digital and Maker Studios. The 2016 Tribeca Film Festival will run from April 13-24 in New York City. “There are exceptional stories being made for digital platforms and passionate, engaged fan bases for these stories. Our goal is to create an event that serves both the industry and creators by bringing visibility to their work and assisting their development,” said Genna Terranova, Festival Director, Tribeca Film Festival. “With this new platform, we hope to encourage quality storytelling in digital media and beyond, and give the public a first look at what their favorite creators are working on.” Special Screenings will debut alongside the Tribeca Digital Creators Market with the debut of five anticipated premieres, along with conversations with the creators. -
The Drivers and Impacts of Social Media Influencers: the Role of Mimicry
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2018 THE DRIVERS AND IMPACTS OF SOCIAL MEDIA INFLUENCERS: THE ROLE OF MIMICRY Chung-Wha Ki University of Tennessee Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Recommended Citation Ki, Chung-Wha, "THE DRIVERS AND IMPACTS OF SOCIAL MEDIA INFLUENCERS: THE ROLE OF MIMICRY. " PhD diss., University of Tennessee, 2018. https://trace.tennessee.edu/utk_graddiss/5070 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Chung-Wha Ki entitled "THE DRIVERS AND IMPACTS OF SOCIAL MEDIA INFLUENCERS: THE ROLE OF MIMICRY." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Retail, Hospitality, and Tourism Management. Youn-Kyung Kim, Major Professor We have read this dissertation and recommend its acceptance: Heejin Lim, John G. Orme, Jeremy E. Whaley Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) THE DRIVERS AND IMPACTS OF SOCIAL MEDIA INFLUENCERS: THE ROLE OF MIMICRY A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Chung-Wha Ki August 2018 Copyright © 2018 by Chung-Wha Ki All rights reserved. -
Julian Smith CS
Fabrizio Cilento What Julian Smith Hates (and Loves) About Facebook: Social Media Parody As Self-Promotion YouTube is the third most trafficked site on the Internet, after Google and Facebook. Each month over one billion unique users watch six billion hours of video, with one hundred hours of video being uploaded every minute. The YouTube Partner Program launched in 2007 has allowed more than a million creators to earn money from their YouTube videos, with the result that the number of people subscribing daily has more than tripled in the last year.1 As a consequence of this exponential acceleration of production and consumption, the modality through which users experience humor online has transformed, creating a scene of young comedians who are especially skilled in circulating their own content. Through the case study of humorist Julian Smith, this essay investigates what makes YouTube comedians/entrepreneurs successful. In order to understand and critique the channel juliansmith87 and its connections to various social media platforms, I adopt two strategies. On one hand, I focus on a specific video from the channel called 25 Things I Hate About Facebook; on the other I discuss the channel on a macro-level, looking at it from inception to current state. While 25 Things has not achieved the viral success of other videos by Smith,2 it created an aesthetic formula characterized by two elements: a self-reflexive approach to digital media and a high production value. Today Smith’s channel has an average of two and a half million views per video, with peaks of thirteen million, and his visual style has become widely imitated. -
Deaf and Disabled Women on Youtube
Disability Visibility Podcast Episode 10: Deaf and Disabled Women on YouTube Guests: Rikki Poynter and Annie Segarra Host: Alice Wong Transcript by Cheryl Green For more information: https://disabilityvisibilityproject.com/podcast/ Introduction [radio static, voices singing with hip-hop beat] LATEEF: This is the Disability Visibility Podcast with your host, Alice Wong. ALICE WONG: Heyyyy! Welcome to the disability visibility podcast, conversations on disability politics, culture, and media. I’m your audio co-pilot, Alice Wong. YouTube is basically our online encyclopedia. You can find anything and everything. Today’s episode is on Deaf and disabled media makers on YouTube Rikki Poynter and Annie Segarra. Rikki and Annie are two women I follow on Twitter who are prolific YouTubers. We talk about the creative process and work behind creating accessible videos, finding community on YouTube, and specific campaigns they each created such as Rikki’s No More Craptions, and Annie’s The Future Is Accessible. And by the way, you’ll hear two terms during this episode: Vlogging and VidCon. Vlogging is similar to blogging but in video form. VidCon is a huge annual event where creators on YouTube come together and celebrate and learn from each other. Are you ready? Away we go! [electronic beeping] ELECTRONIC VOICE: 5, 4, 3, 2, 1! Rikki Poynter, Deaf YouTuber ALICE: So, Rikki, thank you so much for joining me today. I'm really delighted to get a chance to talk to you and learn more about your work on accessibility and your media on YouTube. So, tell me a little bit about yourself. -
Youtube Celebrity and the Future of Online Video
Western Washington University Western CEDAR Scholars Week 2016 - Poster Presentations May 20th, 9:00 AM - 12:00 PM YouTube Celebrity and the Future of Online Video Nicole Shapiro Western Washington University Follow this and additional works at: https://cedar.wwu.edu/scholwk Part of the Higher Education Commons Shapiro, Nicole, "YouTube Celebrity and the Future of Online Video" (2016). Scholars Week. 21. https://cedar.wwu.edu/scholwk/2016/Day_two/21 This Event is brought to you for free and open access by the Conferences and Events at Western CEDAR. It has been accepted for inclusion in Scholars Week by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. YouTube Celebrity and the Future of Online Video Nicole Shapiro Abstract In recent years, the rise of online video streaming services has become so great that traditional media, such as television, are worried about a potential eclipse in popularity and prevalence. YouTube is the largest online streaming platform, with over 1 billion users, and accounts for one-third of all internet traffic. This study analyzes YouTube’s attempt to professionalize the platform through a new service YouTube Red – taking amateurs, making them professionals and crafting them into celebrities – and what that means for the future of online video. This study looks at other scholarly works to analyze what makes a celebrity, the professionalization of celebrity and key elements to YouTube celebrity; and how that relates to recent news and trends in the YouTube community. It also examines YouTube Red’s potential impact on aspiring professional YouTube celebrities.