Women's History Month Booklist Biographies
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Oral History Interview with Edith Wyle, 1993 March 9-September 7
Oral history interview with Edith Wyle, 1993 March 9-September 7 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview EW: EDITH WYLE SE: SHARON EMANUELLI SE: This is an interview for the Archives of American Art, the Smithsonian Institution. The interview is with Edith R. Wyle, on March 9th, Tuesday, 1993, at Mrs. Wyle's home in the Brentwood area of Los Angeles. The interviewer is Sharon K. Emanuelli. This is Tape 1, Side A. Okay, Edith, we're going to start talking about your early family background. EW: Okay. SE: What's your birth date and place of birth? EW: Place of birth, San Francisco. Birth date, are you ready for this? April 21st, 1918-though next to Beatrice [Wood-Ed.] that doesn't seem so old. SE: No, she's having her 100th birthday, isn't she? EW: Right. SE: Tell me about your grandparents. I guess it's your maternal grandparents that are especially interesting? EW: No, they all were. I mean, if you'd call that interesting. They were all anarchists. They came from Russia. SE: Together? All together? EW: No, but they knew each other. There was a group of Russians-Lithuanians and Russians-who were all revolutionaries that came over here from Russia, and they considered themselves intellectuals and they really were self-educated, but they were very learned. -
Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb. -
The Graduation Exercises Will Be Official
TheMONDAY, Graduation MAY THE EIGHTEENTH Exercises TWO THOUSAND AND FIFTEEN NINE O’CLOCK IN THE MORNING THOMAS K. HEARN, JR. PLAZA THE CARILLON: “Mediation from Thaïs” . Jules Massenet Raymond Ebert (’60), University Carillonneur William Stuart Donovan (’15), Student Carillonneur THE PROCESSIONAL . Led by Head Faculty Marshals THE OPENING OF COMMENCEMENT . Nathan O . Hatch President THE PRAYER OF INVOCATION . The Reverend Timothy L . Auman University Chaplain REMARKS TO THE GRADUATES . President Hatch THE CONFERRING OF HONORARY DEGREES . Rogan T . Kersh Provost Carlos Brito, Doctor of Laws Sponsor: Charles L . Iacovou, Dean, School of Business Stephen T . Colbert, Doctor of Humane Letters Sponsor: Michele K . Gillespie, Dean-Designate, Wake Forest College George E . Thibault, Doctor of Science Sponsor: Peter R . Lichstein, Professor, Department of Internal Medicine Jonathan L . Walton, Doctor of Divinity Sponsor: Gail R . O'Day, Dean, School of Divinity COMMENCEMENT ADDRESS . Stephen Colbert Comedian and Late Night Television Host THE HONORING OF RETIRING FACULTY FROM THE REYNOLDA CAMPUS Bobbie L . Collins, M .S .L .S ., Librarian Ronald V . Dimock, Jr ., Ph .D ., Thurman D. Kitchin Professor of Biology Jack D . Ferner, M .B .A ., Lecturer of Management J . Kendall Middaugh, II, Ph .D ., Associate Professor of Management James T . Powell, Ph .D ., Associate Professor of Classical Languages David P . Weinstein, Ph .D ., Professor of Politics and International Affairs FROM THE MEDICAL CENTER CAMPUS James D . Ball, M .D ., Professor Emeritus of Radiology William R . Brown, Ph .D ., Professor Emeritus of Radiology Frank S . Celestino, M .D ., Professor Emeritus of Family and Community Medicine Wesley Covitz, M .D ., Professor Emeritus of Pediatrics Robert L . -
AM One-Sheet W Logo Revised121913
One of the most durable and worthwhile jewels in public television’s crown. TV Worth Watching American Masters , THIRTEEN’s award-winning biography series, celebrates our arts and culture. Created and launched in 1986 by Susan Lacy, the series set the standard for documentary film profiles, accruing widespread critical acclaim. Awards include 67 Emmy nominations and 26 awards — nine for Outstanding Non-Fiction Series since 1999 and five for Outstanding Non-Fiction Special — 12 Peabody Awards; three Grammys; an Oscar; two Producers Guild Awards for Outstanding Producer of Non-Fiction Television; and the 2012 IDA Award for Best Continuing Series. American Masters enjoys recognition from film events across the country and international festivals from London to Berlin and Toronto to Melbourne. Other honors include The Christopher Awards and the Chicago International Television Awards as Outstanding Documentary Series, and the Banff Grand Prize and the Television Critics Association Award for Outstanding Movies. When it comes to biography, no one’s doing it better than American Masters. Wall Street Journal American Masters has produced an exceptional library, bringing unique originality and perspective to exploring the lives and illuminating the creative journeys of our most enduring writers, musicians, visual and performing artists, dramatists, filmmakers and those who have left an indelible impression on our cultural landscape. Balancing a broad and diverse cast of characters and artistic approaches, while preserving historical authenticity and intellectual integrity, these portraits reveal the style and substance of each subject. The series enters its 28 th season on PBS in 2014 beginning with Salinger — premiering January 21 on PBS (check local listings) — the series’ 200 th episode. -
Death and Dying in 20Th Century African American Literature Chayah Amayala Stoneberg-Cooper University of South Carolina - Columbia
University of South Carolina Scholar Commons Theses and Dissertations 1-1-2013 Going Hard, Going Easy, Going Home: Death and Dying in 20th Century African American Literature Chayah Amayala Stoneberg-Cooper University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Stoneberg-Cooper, C. A.(2013). Going Hard, Going Easy, Going Home: Death and Dying in 20th Century African American Literature. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/2440 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. GOING HARD, GOING EASY, GOING HOME: DEATH AND DYING IN TWENTIETH-CENTURY AFRICAN AMERICAN LITERATURE by Chayah Stoneberg-Cooper Bachelor of Arts University of Oregon, 2001 Master of Arts University of California, San Diego, 2003 Master of Arts New York University, 2005 Master of Social Work University of South Carolina, 2011 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English Literature College of Arts and Sciences University of South Carolina 2013 Accepted by: Qiana Whitted, Major Professor Kwame Dawes, Committee Member Folashade Alao, Committee Member Bobby Donaldson, Committee Member Lacy Ford, Vice Provost and Dean of Graduate Studies © Copyright by Chayah Stoneberg-Cooper, 2013 All Rights Reserved. ii DEDICATION This work is dedicated to my family and friends, often one and the same, both living and dead, whose successes and struggles have made the completion of this work possible. -
CWC Newsletter Summer (July:Aug) 2020
CALIFORNIA WRITERS CLUB Summer 2020 SACRAMENTO WRITER California Writers Club, Sacramento Monthly mee7ng, 1-hour Zoom presenta7on (includes Q&A) Saturday, July 18, 2020; 1 p.m. PDT Frederick K. Foote, Jr. short story writer and poet “Novel Issues Confronting Black Writers” With all that is going on around us in this society and across the world right now (the death of George Floyd and others, the Black Lives Matter protest marches, and the whole issue of race relations--globally), it is particularly apropos to have a speaker who can offer our members some insight into the world-changing historic events happening right before our eyes--and on a massive, unheard-of scale. Take a walk on the Black side and see the writing world from that perspective. Learn: • Essential differences between blacks and whites in the US • The impact of race on critical judgment • The impact of capitalism on black art • Language barriers in black writing • Steps that can reduce obstacles between black and white writers Frederick K. Foote, Jr. was born in Sacramento, California and educated in Vienna, Virginia, and northern California. Since 2014 Frederick has published over three hundred stories and poems including literary, science fiction, fables, and horror genres. Frederick has published two short story collections, For the Sake of Soul (2015) and Crossroads Encounters (2016). To see a list of Frederick’s publications, go to https://fkfoote.wordpress.com/ www.SacramentoWriters.org CWC Sacramento is a 501c3 nonprofit educational organization First Friday Networking Zoom July 3, 2020 at 10 a.m. Mini-Crowdsource Opportunity The CWC First Friday Zoom network meeting will be an opportunity to bring your most intractable, gruesome, horrendous, writing challenge to our forum of compassionate writers for solution. -
The Poetry of Rita Dove
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Winter 1999 Language's "bliss of unfolding" in and through history, autobiography and myth: The poetry of Rita Dove Carol Keyes University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Keyes, Carol, "Language's "bliss of unfolding" in and through history, autobiography and myth: The poetry of Rita Dove" (1999). Doctoral Dissertations. 2107. https://scholars.unh.edu/dissertation/2107 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMi films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Nikki Giovanni
Nikki Giovanni and if ever I touched a life I hope that life knows that I know that touching was and still is and will always be the true revolution “ — “When I Die” from My House (1972) Biography Quick Facts Nikki Giovanni was born on June 7, 1943 in Knoxville, Tennessee under * Born in 1943 her birth name, Yolande Cornelia Giovanni, Jr. She was raised in Cincin- nati, Ohio where she left high school as a junior in order to attend Fisk * Black” Rights University, a historically black institution. As an undergraduate, she poet, activist, became increasingly involved in politics surrounding race as well as art. and educator She involved herself with the Black Arts Movement and in 1964 led the * First published organizing of the influential civil rights organization, the Student Non- book of poetry violent Coordinating Committee (Reid 46). As she became more active was Black in the struggle surrounding race in the sixties she edited a student literary Judgment journal. During this time, Giovanni began to emerge as a revolutionary Black Rights poet. Giovanni’s poetry spans over thirty years, from her first book in 1968 to her most recent collection Blues For All the Changes (1998). In her most comprehensive work of poetry, The Selected Poems of Nikki Giovanni (1996), the reader experiences vast changes in a poet’s early contentious poetry and later, more personal poetry. This page was researched and submitted by Ryan Wahlberg and Bianca Ward on 5/23/01. 1 © 2009 Regents of the University of Minnesota. All rights reserved. The University of Minnesota is an equal opportunity educator and employer. -
Valeska Soares B
National Museum of Women in the Arts Selections from the Collection Large-Print Object Labels As of 8/11/2020 1 Table of Contents Instructions…………………………………………………..3 Rotunda……………………………………………………….4 Long Gallery………………………………………………….5 Great Hall………………….……………………………..….18 Mezzanine and Kasser Board Room…………………...21 Third Floor…………………………………………………..38 2 National Museum of Women in the Arts Selections from the Collection Large-Print Object Labels The large-print guide is ordered presuming you enter the third floor from the passenger elevators and move clockwise around each gallery, unless otherwise noted. 3 Rotunda Loryn Brazier b. 1941 Portrait of Wilhelmina Cole Holladay, 2006 Oil on canvas Gift of the artist 4 Long Gallery Return to Nature Judith Vejvoda b. 1952, Boston; d. 2015, Dixon, New Mexico Garnish Island, Ireland, 2000 Toned silver print National Museum of Women in the Arts, Gift of Susan Fisher Sterling Top: Ruth Bernhard b. 1905, Berlin; d. 2006, San Francisco Apple Tree, 1973 Gelatin silver print National Museum of Women in the Arts, Gift from the Trustees of the Corcoran Gallery of Art (Gift of Sharon Keim) 5 Bottom: Ruth Orkin b. 1921, Boston; d. 1985, New York City Untitled, ca. 1950 Gelatin silver print National Museum of Women in the Arts, Gift of Joel Meyerowitz Mwangi Hutter Ingrid Mwangi, b. 1975, Nairobi; Robert Hutter, b. 1964, Ludwigshafen am Rhein, Germany For the Last Tree, 2012 Chromogenic print National Museum of Women in the Arts, Gift of Tony Podesta Collection Ecological concerns are a frequent theme in the work of artist duo Mwangi Hutter. Having merged names to identify as a single artist, the duo often explores unification 6 of contrasts in their work. -
The Materiality of Text and Body in Painting and Darkroom Processes: an Investigation Through Practice
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2003 The Materiality of Text and Body in Painting and Darkroom Processes: An Investigation through Practice Robinson, Deborah http://hdl.handle.net/10026.1/1738 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. The Materiality of Text and Body in Painting and Darkroom Processes: An Investigation through Practice by Deborah Robinson A thesis submitted to the University of Plymouth in partial fulfilment for the degree of Doctor of Philosophy School of Art and Design Faculty of Arts and Education June 2003 The Materiality of Text and Body in Painting and Darkroom Processes: An Investigation through Practice Deborah Claire Robinson This research study ennploys practice-based strategies through which material processes might be opened to new meaning in relation to the feminine. The purpose of the written research component is to track the material processes constituting a significant part of the research findings. Beginning with historical research into artistic and critical responses to Helen Frankenthaler's painting, Mountains and Sea, I argue that unacknowledged male desire distorted and consequently marginalised reception of her work. I then work with the painting processes innovated by Frankenthaler and relate these to a range of feminist ideas relating to the corporeal, especially those with origins in Irigaray's writings of the 1980s. -
Executive Order 13978 of January 18, 2021
6809 Federal Register Presidential Documents Vol. 86, No. 13 Friday, January 22, 2021 Title 3— Executive Order 13978 of January 18, 2021 The President Building the National Garden of American Heroes By the authority vested in me as President by the Constitution and the laws of the United States of America, it is hereby ordered as follows: Section 1. Background. In Executive Order 13934 of July 3, 2020 (Building and Rebuilding Monuments to American Heroes), I made it the policy of the United States to establish a statuary park named the National Garden of American Heroes (National Garden). To begin the process of building this new monument to our country’s greatness, I established the Interagency Task Force for Building and Rebuilding Monuments to American Heroes (Task Force) and directed its members to plan for construction of the National Garden. The Task Force has advised me it has completed the first phase of its work and is prepared to move forward. This order revises Executive Order 13934 and provides additional direction for the Task Force. Sec. 2. Purpose. The chronicles of our history show that America is a land of heroes. As I announced during my address at Mount Rushmore, the gates of a beautiful new garden will soon open to the public where the legends of America’s past will be remembered. The National Garden will be built to reflect the awesome splendor of our country’s timeless exceptionalism. It will be a place where citizens, young and old, can renew their vision of greatness and take up the challenge that I gave every American in my first address to Congress, to ‘‘[b]elieve in yourselves, believe in your future, and believe, once more, in America.’’ Across this Nation, belief in the greatness and goodness of America has come under attack in recent months and years by a dangerous anti-American extremism that seeks to dismantle our country’s history, institutions, and very identity. -
The Schlesinger Library Now in Another Portrait Within the Library
The Schlesinger A FITTING HOME FOR FFL’S RECORD OF ADVOCACY Library ON BEHALF OF WOMEN AND CHILDREN by Jane M. Rohan to documenting the lives and historical with the founding of Mother’s Day with endeavors of women, the library is her “Mother’s Day Proclamation.” Wreturned to Boston in spring $&'$( 2010 to address students at several area )*))+-!// The library has two highly distinguished 34)* )<[ members paid a special visit to the Arthur "////3)$) #)[ and Elizabeth Schlesinger Library on audiovisual material (roughly 90,000). centuries of global cuisine and includes the History of Women in America. The #4# !///4)) Schlesinger Library, which is part of the \#N: = Radcliffe Institute for Advanced Study R4N$ Elizabeth David, and Julia Child. When at Harvard University, is located on the rich collection of artifacts housed at > former campus of Radcliffe College in the Schlesinger, and a portrait of the ?@#&[ Cambridge, Massachusetts. This newly aviation pioneer who disappeared while March 2009, they were able to view its \$[$# beloved donation from Julia Child, which the world’s largest and most prestigious the library. includes one of her copper pots, her archive of women’s history. #4$)< Julia Ward Howe, a prominent American Schlesinger Library was an important !"#$ abolitionist and social activist, is featured resource for Nora Ephron’s recent donation, the Schlesinger Library now in another portrait within the library. The ))[Julie and Julia. includes the correspondence of many poet most famous for writing “The Battle [## Hymn of the Republic” later became a The second special collection, the activists, and missionaries. Dedicated )[<$ archives of Radcliffe College, documents ® THE AMERICAN FEMINIST 13 powerful story of strong women and their efforts.” Z:)[/-//=:$ @\)R >K me on a tour of the Schlesinger.