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The Inventory of the Joan Fontaine Collection #570
The Inventory of the Joan Fontaine Collection #570 Howard Gotlieb Archival Research Center TABLE OF CONTENTS Film and Video 1 Audio 3 Printed Material 5 Professional Material 10 Correspondence 13 Financial Material 50 Manuscripts 50 Photographs 51 Personal Memorabilia 65 Scrapbooks 67 Fontaine, Joan #570 Box 1 No Folder I. Film and Video. A. Video cassettes, all VHS format except where noted. In date order. 1. "No More Ladies," 1935; "Tell Me the Truth" [1 tape]. 2. "No More Ladies," 1935; "The Man Who Found Himself," 1937; "Maid's Night Out," 1938; "The Selznick Years," 1969 [1 tape]. 3. "Music for Madam," 1937; "Sky Giant," 1938; "Maid's Night Out," 1938 [1 tape]. 4. "Quality Street," 1937. 5. "A Damsel in Distress," 1937, 2 copies. 6. "The Man Who Found Himself," 1937. 7. "Maid's Night Out," 1938. 8. "The Duke ofWestpoint," 1938. 9. "Gunga Din," 1939, 2 copies. 10. "The Women," 1939, 3 copies [4 tapes; 1 version split over two tapes.] 11. "Rebecca," 1940, 3 copies. 12. "Suspicion," 1941, 4 copies. 13. "This Above All," 1942, 2 copies. 14. "The Constant Nymph," 1943. 15. "Frenchman's Creek," 1944. 16. "Jane Eyre," 1944, 3 copies. 2 Box 1 cont'd. 17. "Ivy," 1947, 2 copies. 18. "You Gotta Stay Happy," 1948. 19. "Kiss the Blood Off of My Hands," 1948. 20. "The Emperor Waltz," 1948. 21. "September Affair," 1950, 3 copies. 22. "Born to be Bad," 1950. 23. "Ivanhoe," 1952, 2 copies. 24. "The Bigamist," 1953, 2 copies. 25. "Decameron Nights," 1952, 2 copies. 26. "Casanova's Big Night," 1954, 2 copies. -
AM One-Sheet W Logo Revised121913
One of the most durable and worthwhile jewels in public television’s crown. TV Worth Watching American Masters , THIRTEEN’s award-winning biography series, celebrates our arts and culture. Created and launched in 1986 by Susan Lacy, the series set the standard for documentary film profiles, accruing widespread critical acclaim. Awards include 67 Emmy nominations and 26 awards — nine for Outstanding Non-Fiction Series since 1999 and five for Outstanding Non-Fiction Special — 12 Peabody Awards; three Grammys; an Oscar; two Producers Guild Awards for Outstanding Producer of Non-Fiction Television; and the 2012 IDA Award for Best Continuing Series. American Masters enjoys recognition from film events across the country and international festivals from London to Berlin and Toronto to Melbourne. Other honors include The Christopher Awards and the Chicago International Television Awards as Outstanding Documentary Series, and the Banff Grand Prize and the Television Critics Association Award for Outstanding Movies. When it comes to biography, no one’s doing it better than American Masters. Wall Street Journal American Masters has produced an exceptional library, bringing unique originality and perspective to exploring the lives and illuminating the creative journeys of our most enduring writers, musicians, visual and performing artists, dramatists, filmmakers and those who have left an indelible impression on our cultural landscape. Balancing a broad and diverse cast of characters and artistic approaches, while preserving historical authenticity and intellectual integrity, these portraits reveal the style and substance of each subject. The series enters its 28 th season on PBS in 2014 beginning with Salinger — premiering January 21 on PBS (check local listings) — the series’ 200 th episode. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
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34 MAY | JUNE 2016 THE PENNSYLVANIA GAZETTE Julian Wasser’s photographic love affair with Hollywood began more than half a century ago. He’s been loving and hating and shooting it ever since. WASSERWASSERWASSER By Samuel Hughes PHOTOGRAPHY BY JULIAN WASSER WORLDWORLDWORLDTHE PENNSYLVANIA GAZETTE MAY | JUNE 2016 35 Goin’ to à Go Go: Cool fans and hot cars at the Whisky à Go Go (1964, Life). one point during our long, “It always was,” he agrees. “I was in the careening, R-rated conversa- Navy, in San Diego. I came up here, and it At tion over lunch at La Scala was like Sodom and Gomorrah—a dream! Presto, I tell Julian Wasser C’55 that I I saw how everybody—guys and girls—they wish I could go back with him to some were all beautiful. I said, ‘Can I live here? of those early shoots in the Los Angeles How am I even gonna get a date?’” of his salad days. He assesses my sanity But you did all right, I say. through probing eyes. Then: “Do it!” “Yeah, well—the Sixties came along, Click. and that became my decade.” Click. “It was a golden age and a hopeful time,” he writes in the introduction to The Way Until a few months ago, Wasser wasn’t We Were: The Photography of Julian even a blip on my radar. Then in January Wasser, a coffee-table book of his work we got a call from David Pullman C’83 published two years ago by Damiani. [“Alumni Profiles,” April 1997]. -
Julia Child, Louisette Bertholle, Simone Beck - Pdf Download Free Book
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Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
Executive Order 13978 of January 18, 2021
6809 Federal Register Presidential Documents Vol. 86, No. 13 Friday, January 22, 2021 Title 3— Executive Order 13978 of January 18, 2021 The President Building the National Garden of American Heroes By the authority vested in me as President by the Constitution and the laws of the United States of America, it is hereby ordered as follows: Section 1. Background. In Executive Order 13934 of July 3, 2020 (Building and Rebuilding Monuments to American Heroes), I made it the policy of the United States to establish a statuary park named the National Garden of American Heroes (National Garden). To begin the process of building this new monument to our country’s greatness, I established the Interagency Task Force for Building and Rebuilding Monuments to American Heroes (Task Force) and directed its members to plan for construction of the National Garden. The Task Force has advised me it has completed the first phase of its work and is prepared to move forward. This order revises Executive Order 13934 and provides additional direction for the Task Force. Sec. 2. Purpose. The chronicles of our history show that America is a land of heroes. As I announced during my address at Mount Rushmore, the gates of a beautiful new garden will soon open to the public where the legends of America’s past will be remembered. The National Garden will be built to reflect the awesome splendor of our country’s timeless exceptionalism. It will be a place where citizens, young and old, can renew their vision of greatness and take up the challenge that I gave every American in my first address to Congress, to ‘‘[b]elieve in yourselves, believe in your future, and believe, once more, in America.’’ Across this Nation, belief in the greatness and goodness of America has come under attack in recent months and years by a dangerous anti-American extremism that seeks to dismantle our country’s history, institutions, and very identity. -
The Schlesinger Library Now in Another Portrait Within the Library
The Schlesinger A FITTING HOME FOR FFL’S RECORD OF ADVOCACY Library ON BEHALF OF WOMEN AND CHILDREN by Jane M. Rohan to documenting the lives and historical with the founding of Mother’s Day with endeavors of women, the library is her “Mother’s Day Proclamation.” Wreturned to Boston in spring $&'$( 2010 to address students at several area )*))+-!// The library has two highly distinguished 34)* )<[ members paid a special visit to the Arthur "////3)$) #)[ and Elizabeth Schlesinger Library on audiovisual material (roughly 90,000). centuries of global cuisine and includes the History of Women in America. The #4# !///4)) Schlesinger Library, which is part of the \#N: = Radcliffe Institute for Advanced Study R4N$ Elizabeth David, and Julia Child. When at Harvard University, is located on the rich collection of artifacts housed at > former campus of Radcliffe College in the Schlesinger, and a portrait of the ?@#&[ Cambridge, Massachusetts. This newly aviation pioneer who disappeared while March 2009, they were able to view its \$[$# beloved donation from Julia Child, which the world’s largest and most prestigious the library. includes one of her copper pots, her archive of women’s history. #4$)< Julia Ward Howe, a prominent American Schlesinger Library was an important !"#$ abolitionist and social activist, is featured resource for Nora Ephron’s recent donation, the Schlesinger Library now in another portrait within the library. The ))[Julie and Julia. includes the correspondence of many poet most famous for writing “The Battle [## Hymn of the Republic” later became a The second special collection, the activists, and missionaries. Dedicated )[<$ archives of Radcliffe College, documents ® THE AMERICAN FEMINIST 13 powerful story of strong women and their efforts.” Z:)[/-//=:$ @\)R >K me on a tour of the Schlesinger. -
Julia Child, Louisette Bertholle, Simone Beck - Pdf Free Book
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Show Your Card Cultural Month Activitites
SPECIyourAL PULL- guide explore the opportunities SECTION OUT News and Information From Mount Prospect Public Library September/October 2010 Going Green Celebrate It’s More Than Your Freedom Recycling to Read! Green Fair Abraham Lincoln: Self-Made in America Saturday, September 25, 1-3 p.m. Tuesday, October 12-Tuesday, October 26 Going green is about considering A world-class traveling exhibit, his contemporaries, he embraced a new Think the planet when you weigh your “Abraham Lincoln: Self-Made in emphasis on personal initiative, risk- options. Every day we make America,” featuring reproduction taking, and ambition. He was only 22 for Yourself decisions that either add to the stress artifacts from the Abraham Lincoln when he left his family home to find his on natural resources or lessen it. For Presidential Library and Museum own way,” notes Illinois State Historian READ example, the simple choice to buy in Springfield, Illinois, is coming to Thomas Schwartz. “After enduring a locally grown food can benefit the Mount Prospect Public Library. This series of personal failures in business, he BANNED environment in several ways: less free exhibit is a wonderful learning became a prosperous attorney, devoted BOOKS energy is used to transport the food; opportunity, and all are invited to tour husband and father, successful politician, fewer chemicals are used to keep it during the Library’s regular hours. and, finally, the 16th President of the September 24- the food from rotting on its way to The exhibition covers Lincoln’s United States. While Lincoln benefited market; and it helps support small childhood, his self-education, his careers from close association with a number October 1 local farmers and keeps the land as a surveyor and lawyer, his family life, of powerful friends, his own talents and Celebrate your freedom to read! for agricultural use as opposed to the Lincoln-Douglas Debates, the 1860 ambitions combined with hard work Intellectual freedom—the freedom development. -
Portland, Oregon
TIM TO THRIVE PROMOTING SAFETY, INCLUSION AND WELL-BEING FOR LGBTQ YOUTH…EVERYWHERE! FEBRUARY 13-15, 2015 PORTLAND, OREGON PRESENTING SPONSOR: CO-PRESENTING TIME TO THRIVE: Hilton Portland & Executive Tower Map Please Note: Conference registration tables are located in the lobby level of the hotel. BALLROOM LEVEL “B” PLAZA LEVEL “PL” Windows Windows SERVICE AREA UPS STORE SERVICE AREA PARLOR BANQUET KITCHEN A PAVILION EAST s w W o POOL ind ind o W B w GRAND BALLROOM s PAVILION I II WEST GRAND STAIRCASE C FROM LOBBY LEVEL PLAZA ELEVATORS FROM ATHLETIC FOYER CLUB 1 2 3 4 5 LOBBY, 23RD, Access to Exhibit Hall BANQUET STAIRS TO KITCHEN GRAND BALLROOM LOBBY, AND/OR 3RD FLOOR HRC Store CEU BALLROOM FOYER AT&T PLAZA LEVEL, 8 7 6 3RD FLOOR & GUEST ROOM PLAZA SUITE STORAGE FLOORS ACCESS STAIRS GE ESCALATORS TO/ A THROUGH THE ELEVATORS VICE ATHLETIC CLUB FROM LOBBY LEVEL OR R (then take grand staircase to plaza T AREA FOR THE 3RD or elevators to higher floors) S SE FLOOR, LOBBY ELEVATORS & BALLROOM BROADWAY ROOM GE STORAGE A VICE 1 2 3 4 5 6 7 8 IV III II I R OR AREA T SE S BANQUET 21 GALLERIA 22 24 26 Bar 20 Food & Beverage 23 25 27 Windows 19 GENDER NEUTRAL 18 17 16 15 14 13 12 11 10 9 BATHROOMS EXHIBITORS BALLROOM FOYER IN BALLROOM LEVEL 1 HRC 2 True Colors Fund 3 The Trevor Project 4 AIR 5 AT&T League 6 NEA 3RD FLOOR CONFERENCE LEVEL “3” 7 NEA 8 Act Against AIDS Windows GALLERIA IN BALLROOM LEVEL 1 Welcoming Schools 2 Gender Spectrum 15 NASW STUDIO DIRECTORS COUNCIL FORUM 3 PFLAG 16 KIPP DC OOM T R S 4 Teaching Tolerance 17 GSA Network EA ARD -
Paul and Julia Child: a Timeline
by WILLIAM BROWN and DOUG FREW directed by WILLIAM BROWN STUDY GUIDE prepared by Maren Robinson, Dramaturg This Study Guide for To Master the Art was prepared by Maren Robinson and edited by edited by Karen A. Callaway and Lara Goetsch for TimeLine Theatre, its patrons and educational outreach. Please request permission to use these materials for any subsequent production. © TimeLine Theatre 2010 — STUDY GUIDE — Table of Contents About the Playwrights .................................................................................................. 3 The Interview: William Brown ..................................................................................... 3 The People: Julia and Paul Child ................................................................................. 6 The Childs in Paris and Beyond ................................................................................... 9 Paul and Julia Child: A Timeline ............................................................................... 10 Other Players .............................................................................................................. 12 The Organizations ....................................................................................................... 15 The Locations .............................................................................................................. 16 The Context ................................................................................................................. 17 Post-War France: A Timeline