Fall 2016

Contents

New Titles 5

Collector’s Editions 55

Toiletpaper 71

Backlist 75

Photography 76 & Lifestyle 86 Contemporary Art 87 Music 90 Urban Art 91 Architecture & Design 92 Antiques & Collectibles 93

Spazio Damiani 94

Contacts 95

Distributors 96

New Titles

Photography Hiroshi Sugimoto Theaters

In the late 1970s, as Hiroshi Sugimoto was defi ning his artistic voice, he posed a question to himself: “Suppose you shoot a whole movie in a single frame?” The answer that came to him: “You get a shining screen.” For almost four decades, Sugimoto has been photographing the interiors of theaters using a large-format camera and no lighting other than the projection of the running movie. He opens the aperture when a fi lm begins and closes it when it ends. In the resulting images, the screen becomes a luminous white box, its ambient light subtly bringing forward the rich architectural details of these spaces. He began the series by photographing the classic movie palaces built in the 1920s and 30s, their ornate architectural elements a testament to the cultural importance of the burgeoning movie industry. He continued with drive-in theaters. In the last decade, Sugimoto has photographed historic theaters in Europe as well as disused theaters that expose the ravages of Text by Hiroshi Sugimoto time. Taken together, these photographs present an extended 25.4 x 27.9 cm | 10 x 11 inches 176 pages, 130 b&w, clothbound with jacket meditation on the passage of time, a recurring theme in his Rights world except France artwork. Theaters, the third in a series of books on Sugimoto’s ISBN 978-88-6208-477-2 art, presents 130 photographs, 18 of which have never before $60.00 | £40 been published.

Hiroshi Sugimoto has defi ned what it means to be a multi- disciplined contemporary artist, blurring the lines between photography, painting, installation, and architecture. Preserving and picturing memory and time is a central theme of Sugimoto’s photography, including the ongoing series Dioramas, Theaters, and Seascapes. His work is held in numerous public collections including The Metropolitan Museum of Art, ; Museum of Contemporary Art, Tokyo; The National Gallery, ; The National Museum of Modern Art, Tokyo; Smithsonian Institute of Art, Washington, D.C., and Tate, London, among others.

New Titles 7

Photography Terence Donovan Portraits

This is the fi rst book dedicated to the portraiture of legendary photographer Terence Donovan. Donovan’s interest in portraiture spanned the entirety of his four-decade career. During this time, he worked for major British and international magazines including Vogue, Marie Claire, Harper’s Bazaar and Elle. Donovan undertook numerous private portrait commissions, photographing public fi gures from the worlds of the arts, politics, and business, in addition to members of the British Royal family. Some of his many sitters include Yasser Arafat, , Sean Connery, Diana Princess of Wales, Laurence Olivier, and , among many others. Along with his iconic portraits, this book will feature unseen work from Donovan’s archive, never previously published or exhibited. It will also include magazine spreads, contact sheets, and pages from diaries and daybooks—rare ephemera that provide a unique insight into Donovan’s working practice. Text by Philippe Garner 24.5 x 28 cm | 9 ¾ x 11 inches Terence Daniel Donovan (1936–1996) was an English 176 pages, 160 color and b&w, hardbound photographer and fi lm director. Donovan was born in the ISBN 978-88-6208-482-6 $50 | £35 East End of London and took his fi rst photo at the age of 15. The bomb-damaged industrial landscape of his home town became the backdrop of much of his fashion photography, and he set the trend for positioning fashion models in stark and gritty urban environments. Along with David Bailey and Brian Duff y, he captured, and in many ways helped create, the Swinging London of the 1960s: a culture of high fashion and celebrity chic. Donovan also directed some 3,000 television commercials.

New Titles 9

Photography Dennis Hopper Polaroids

After losing himself in Taos, New Mexico, for 15 years, Dennis Hopper returned to Los Angeles in the mid-1980s. In 1987, Hopper began to use a Polaroid camera to document gang graffi ti. He was particularly drawn to the abstract shapes of overlapping paint that appeared when graffi ti had been covered up or written over, reminding him, he said, “that art is everywhere in every corner that you choose to frame and not just ignore and walk by.” The Polaroids presented for the fi rst time in this book are proof of that. Hopper fi rmly considered himself an “Abstract Expressionist and action painter by nature, and a Duchampian fi nger pointer by choice.” Hopper transformed the instantaneous, disposable nature of Polaroid fi lm into pictures as deliberate and fi nal as images achieved by an artist painting on canvas, and these images represent Text by Aaron Rose 23.5 x 20.3 cm | 9 ¼ x 8 inches the fi rst part of his journey back to the world of photography, 132 pages 120 color, clothbound picking up where he had left off in the 1960s. Aaron Rose— ISBN 978-88-6208-476-5 curator, fi lm director, and the founder of the legendary $45 | £30 Alleged Gallery in —contributes a text, which is informed by his deep connection to the Beautiful Losers generation of artists, including Barry McGee, Mike Mills, Chris Johanson, Ari Marcopoulos, and Ed Templeton. This book is a companion to Drugstore Camera (Damiani, 2015) also edited and designed by Michael Schmelling, which presented Hopper’s personal photographs taken in Taos, New Mexico.

Dennis Hopper (1936–2010) was born in Dodge City, Kansas. He fi rst appeared on television in 1954 and quickly became a cult actor, known for fi lms such asRebel Without a Cause (1955), Easy Rider (1969), The American Friend (1977), Apocalypse Now (1979), Blue Velvet (1986) and Hoosiers (1986). In 1988, he directed the critically acclaimed Colors. Hopper was also a prolifi c photographer and published now-classic portraits of celebrities such as and Martin Luther King, Jr. His works are housed in the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; and the Los Angeles County Museum of Art, among others.

New Titles 11

Toiletpaper Maurizio Cattelan and Pierpaolo Ferrari Toiletpaper 13

Toiletpaper is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari and born out of a shared passion for images. The magazine contains no text. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the fi rst issue, in June 2010, Toiletpaper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a magazine, and through its wide distribution, challenges the limits of the contemporary art economy.

Maurizio Cattelan has exhibited internationally in leading institutions and has participated numerous times in the Venice Biennale. He curated the 4th Berlin Biennale with Massimiliano Gioni and Ali Subotnick. He collaborated on 22.5 x 29 cm | 8 ⅞ x 11 ½ inches No Soul for Sale—A Festival of Independents, which took place 40 pages, 22 color, softbound in the Turbine Hall of the Tate Modern in 2010. Cattelan also ISBN 978-88-6208-490-1 conceived the art magazines Permanent Food and Charley. Since $16 | £10 retiring from art, after the acclaimed 2011 retrospective at the Guggenheim Museum in New York City, he has committed himself to publishing Toiletpaper magazine.

Pierpaolo Ferrari is a fashion and advertising photographer and creative researcher. In 2007 he began a productive contribution with L’Uomo Vogue that off ered him the chance to explore the portrait’s potential and radically change its codes. In 2009, he teamed with Maurizio Cattelan to create Toiletpaper. When Limited edition of 500 copies with Toiletpaper fan ISBN 978-88-6208-501-4 he is not shooting, he can be found surfi ng in Costa Rica. $45 | £35

New Titles 1 3

Fashion & Lifestyle Alexi Lubomirski Diverse Beauty

Fashion photographer Alexi Lubomirski was inspired to create this book, which represents diverse beauty without boundaries, after photographing the actress Lupita Nyong’o. Lubomirski was so impressed by Nyong’o’s natural beauty that he felt she didn’t need studio lighting because she radiated light from within. After shooting her, it struck him that he rarely had the chance to photograph beautiful women with a range of diff erent “looks” for professional assignments. Often when he submitted a list of models he was interested in shooting, responses would be along the lines of “We love her, but . . . ”, “Her hair is a problem . . . ”, “She is too dark.” In response, Lubomirski conceived Diverse Beauty, which celebrates many diff erent types of female beauty through sophisticated and lively fashion photographs. Diverse Beauty embraces all beauty and aims to put every type of beauty on a pedestal, so that everyone who looks at it, no matter her race, size, color, or sexual orientation, can identify and see herself as beautiful.

Alexi Lubomirski was born in England to a Peruvian-English

Text by Lupita Nyong’o, Alexi Lubomirski mother and a Polish-French father. Lubomirski has become 25 x 34.5 cm (9 ⅞ x 13 ½ inches) an established name within the fashion industry, shooting for 192 pages, 135 color and b&w, hardbound such publications as Harper’s Bazaar, Vogue, Elle, Numéro, W, ISBN 978-88-6208-479-6 $50.00 | £35 GQ, and Allure. He has also shot cover stars such as Beyonce Knowles, Charlize Theron, Natalie Portman, , Selma Hayek, , , and , among others. In 2008, Lubomirski had his fi rst exhibition, Transit, at MILK gallery in New York, a mixed media commentary on TV culture, comprised of pre-conceived fi lm stills. In 2014, he published his fi rst photography book,Decade , a collection of his celebrity and fashion work from 2003–13.

New Titles 15

Photography James Moore Retrospective

Retrospective spans 50 years of extraordinary photographs by this infl uential mid-20th-century fashion photographer. This is the fi rst time Moore’s work has been gathered into a single monograph. This book surveys his career, starting with Harper’s Bazaar in the 1960s, as well as his work for W, Vogue, Clairol, Cover Girl, and many other major publications and brands. Every image is an intricate exploration of space and beauty, showcasing his attention to detail and clever eye. Moore’s work infl uenced a generation of great fashion photographers. Accompanied by text from leading editors, models, photographers, and designers of the day, Retrospective is the original and ultimate collection of James Moore’s astounding career.

After studying with the legendary art director Alexey Brodovitch, James Moore (1936–2007) began working for Harper’s Bazaar in 1962. From the 1970s to the mid-1990s, Moore directed television commercials for Clairol, Cover Girl, and others, as well as working as a photographer. In the 1980s, he shot the majority

24.5 x 31.5 cm | 9 ¾ x 12 ⅜ inches of the covers for the Italian edition of Harper’s Bazaar. Moore 208 pages, 190 color and b&w, hardbound taught photography at the School of Visual Arts in New York ISBN 978-88-6208-494-9 City and lectured at the Smithsonian as well as at the Rochester $50 | £35 Institute of Photography. In 2004, a retrospective of his work was exhibited at the Carla Sozzani Gallery in Milan.

New Titles 17

Photography Antoine Le Grand Portraits

Portraits is the fi rst monograph on the work of Antoine Le Grand and spans the 20-year career of this acclaimed celebrity photographer. Taken from the pages of leading fashion and lifestyle magazines such as Vogue, W, GQ, and Vanity Fair, Le Grand’s images provide an astonishing collection of portraits of the actors, musicians, and personalities who enliven our culture. Through his irony, witty storytelling, and concise visual aesthetic, Le Grand has created indelible imagery of celebrities such as Iggy Pop, Gilbert and George, Harrison Ford, Al Pacino, Tim Burton, Woody Allen, and Jean Nouvel. The book includes over 250 portraits and an introduction by the French visionary Jean-Paul Goude.

French photographer Antoine Le Grand was born in 1956 and is widely known for his striking portraits of celebrities. The Introduction by Jean-Paul Goude 27.5 x 27.5 cm | 11 x 11 inches secret of his work is that he does not shoot “stars” but people 316 pages, 280 color and b&w, hardbound and artists that he admires: fi lmmakers, actors and actresses, ISBN 978-88-6208-503-8 musicians, architects. He has photographed major fi gures in $50 | £35 the contemporary art world, from Marina Abramović to David Lynch, from Charlotte Rampling to Al Pacino. His photography has appeared in Elle, Vanity Fair, , W, Libération, Vogue Hommes, and GQ, among others.

New Titles 19

Photography Mariano Vivanco Portraits Nudes Flowers

Mariano Vivanco’s Portraits Nudes Flowers presents ten years of his photographs of the world’s most fashionable faces, including Cindy Crawford, , , Naomi Campbell, Ricky Martin, Antonio Banderas, Emma Watson, and , among many others. Often in black and white, his portraits, nudes, and editorial work apply the principles of pure photography; using simply light and shade, Vivanco renders visible the natural spirit of the sitter. Nudes have been a part of Vivanco’s work since his early studies in Melbourne, Australia, and have since become an integral part of his signature style. Flowers were also part of his early photographic explorations, and Portraits Nudes Flowers contains a never-before-seen series of his fl ower photographs. With a fresh and unexpected take on these highly popular subjects, Vivanco marries his collection of photographs in a modern way.

Lima-born Mariano Vivanco traveled the world with his family from a young age, leaving Peru at the age of ten and Foreword by Domenico Dolce, Stefano Gabbana. eventually settling in New Zealand, where his interest in Text by Gianluca Longo. Conversation with Janet Mock photography began. Inspired by photographers such as 24.5 x 32.6 cm | 9 ¾ x 12 ⅞ inches 224 pages, 200 color, hardbound Edward Steichen and Horst, he moved to London in 2000 ISBN 978-88-6208-489-5 to pursue his passion for fashion photography. Since then, $50 | £35 he has become a leading editorial photographer, regularly shooting for Vogue, Vanity Fair, GQ, Dazed & Confused, and Numéro, among others. Vivanco has published several books, including Ninety Five Chapel Market (2008). Three of his portraits are in the permanent collection of the National Portrait Gallery in London. Vivanco currently lives in London.

New Titles 21

Photography Eric Boman A Wandering Eye. Photographs 1975–2005

Eric Boman embarked on a career in fashion photography in the early 1970s, working for British Vogue, Harper’s & Queen, and The World of Interiors in London, and Marie Claire in Paris. Assignments or wanderlust took him to locations near and far, always with the same Leicafl ex that he would train on whatever caught his eye. This body of personal work has remained unseen for over 45 years, stored away as 35mm slides. Most of the photographs are devoid of people, in contrast to Boman’s professional work, which has almost always involved some form of portraiture. This book presents the photographs juxtaposed for the visual dialogue that emerges. A photograph Edition of 1,000 numbered copies of a glass merchant in Morocco faces a nearly identical one of Text by Kevin Moore 23.5 x 17.1 cm (9 ¼ x 6 ¾ inches) a brass merchant in Tunisia; an image of a manicured Swedish 128 pages, 120 color, hardbound topiary faces a lush rainforest around the corner from Boman’s ISBN 978-88-6208-487-1 house; and a sculptural memorial to a fallen soldier in $45 | £30 faces a desert island in the Caribbean. Beautifully designed in collaboration with renowned book designer Miko McGinty, this book is a tribute to the poetry of a well-traveled eye.

Originally Swedish, Eric Boman moved to England in the mid-1960s to enroll at London’s Royal College of Art and subsequently worked as an illustrator and designer in London and Paris. In 1978, having made his name as a fashion photographer, he moved to New York, where his work has been published in Vogue, Vanity Fair, House & Garden, and The New Yorker, among others. His publications include Eric Boman’s Dames (2005), Blahnik by Boman: Shoes, Photographs and Conversation (2005), and Rare Bird of Fashion: The Irreverent Iris Apfel (2007). Boman is a frequent contributor to American Vogue and divides his time between New York and Long Island.

New Titles 23

Photography Pamela Hanson Private Room

Private Room is a series of photographs of eight diff erent women who Pamela Hanson photographed between 2012 and 2014 at Lafayette House, a small hotel in New York City. Beginning when she photographed Camille Rowe in 2012, the photographs in Private Room progressed into a series of nudes and semi-nudes. Although it began as a personal project, soon after starting Hanson wanted to develop it into a book. Hanson was inspired to shoot in the Lafayette House because of its European feeling. A brownstone built in the 19th century, the hotel is a place of forgotten beauty, with walls lined in gold-leafed wallpaper. Something not seen much in today’s modern New York, it is charming, sexy, romantic, and private. Women photographed by a woman: the intimate and feminine environment captures the essence of each subject. Hanson collaborated with stylist Susan Winget, and together they cast each woman for her individual beauty and personality.

With over 20 years of experience in the fashion industry, Pamela Hanson is a world-renowned photographer whose Edition of 1,000 numbered copies Text by Jack Pierson work has been regularly featured in Porter, Vogue, Vanity 17.1 x 22.9 cm (6 ¾ x 9 inches) Fair, and numerous ad campaigns. Her photographs refl ect 96 pages, 60 color, clothbound contemporary life as seen through the eyes of free-spirited, fun- ISBN 978-88-6208-491-8 $40 | £30 loving, and fashionable young men and women. Hanson began her career as an assistant to Arthur Elgort. Previous books include Girls (2001) and Boys (2006). She grew up in Geneva, spent 20 years in Paris, and now lives in New York City.

New Titles 25

Photography Happy Massee Diary of a Set Designer

Diary of a Set Designer is a book of Polaroids that Happy Massee shot over a 25-year period, while traveling the world as a production designer. This photographic journal is a journey through time—a collection of images taken with the now- defunct Polaroid camera, which at the time was as essential to the art of designing for fi lm as was a measuring tape. The images of personalities, sets, locations, and encounters all tell a story related to Massee’s work and travels, and the people he met while on them. The images in this book, which was designed by Fabien Baron, are raw, unretouched, and candid, and capture his art as well as his life.

After growing up in France and receiving his MFA from the School of Applied Arts in Paris, American-born Happy Massee moved to New York to establish himself as a top production designer. His career has spanned theater, fi lm, commercials, and fashion. He has worked with directors including Wes Anderson, David Lynch, Rob Marshall, and David Fincher. Text by Happy Massee His fi lm credits includeBroken English, Welcome to the Rileys, 21 x 26 cm | 8 ¼ x 10 ¼ inches 160 pages, 140 color, clothbound Two Lovers, and The Immigrant. In the world of fashion, he ISBN 978-88-6208-485-7 has worked with Mert and Marcus, Inez and Vinoodh, Peter $50 | £35 Lindbergh, and Craig McDean. He also received a nomination for Best Production Design at the MTV Music Video Awards for ’s “Take A Bow,” which was elected to the permanent video library of the Museum of Modern Art, New York.

New Titles 27

Contemporary Art Elizabeth Albert Silent Beaches, Untold Stories: New York City’s Forgotten Waterfront

Silent Beaches, Untold Stories: New York City’s Forgotten Waterfront transports the reader into the extraordinary past and present embedded in New York City’s more than 600 miles of coastline through a stunning selection of rare photographs, history, new fi ction, and contemporary art. Each of ten chapters centers on one of New York City’s lesser-known waterfront spaces: Dead Horse Bay, where the pre-automobile city’s legions of horses once met their maker; Hart Island, New York City’s still-active SILENT BEACHES. UNTOLD STORIES NEW YORK CITY’S FORGOTTEN WATERFRONT potter’s fi eld, where over 800,000 of New York City’s unclaimed dead have been laid to rest; Sandy Ground, one of the earliest free black communities in the nation, made prosperous through oystering and strawberry farming. Elizabeth Albert has written historical texts on each location, setting the stage where history, fi ction, and image coalesce into a powerful and haunting experience. Silent Beaches features the work of internationally known and notable contemporary artists, including Joel Meyerowitz, Mary Mattingly, Carrie Mae Weems, Joel Sternfeld, and Spencer Finch. Silent Beaches Edited by Elizabeth Albert. Text by Elizabeth Albert, also contains new fi ction by Susan Choi, Nelly Reifl er, Ravi Bill Cheng, Susan Choi, Elizabeth Gaff ney, et al. Howard, Antoine Wilson, and others. 24 x 30 cm | 9 ½ x 11 ⅞ inches 128 pages, 80 color and b&w, softcover ISBN 978-88-6208-500-7 Elizabeth Albert is a Brooklyn-based visual artist and Associate $39.95 | £30 Professor at St. John’s University in New York. She has received fellowships from the NEA/Mid-Atlantic Arts Council and the Pollock-Krasner Foundation, Inc., and residencies from Byrdcliff e and the MacDowell Colony. Her paintings are exhibited nationally and are in the collections of the Butler Institute, Youngstown, Ohio; the Naples Art Museum, Florida; and the International Museum of Collage, Assemblage, and Construction, Santa Fe. Silent Beaches, Untold Stories is based on the exhibition she curated for St. John’s University in 2013.

New Titles 29

Photography Susan Burnstine Absence of Being

Absence of Being is a haunting, intensely personal, yet universal exploration of the subconscious world, which began with Susan Burnstine’s fi rst, highly praised monograph,Within Shadows (2011). Burnstine’s creative journey began at the age of four, when she began to suff er from debilitating night terrors. Each morning, her mother encouraged her to try to neutralize the frightening images by reinterpreting them into some positive form of art. The process allowed her to hold this paralyzing unconscious world at bay. Burnstine’s night terrors have continued, with varying degrees of frequency and intensity, to this day. However, rather than let them defi ne her life, Burnstine has chosen to let them defi ne her art. Building on the childhood coping skill fostered by her mother, she now fi nds and captures images that psychologically purge her dreams and better allow her to experience reality. Finding no existing camera that could create what her mind envisioned, Burnstine began to build her own until she arrived at the prototype for Text by Del Zogg, Chantel Paul, Susan Burnstine the handmade cameras she continues to use. The results are 24 x 24 cm | 9 ½ x 9 ½ inches 96 pages, 80 b&w, hardbound instantly recognizable, dreamlike images, which have been ISBN 978-88-6208-475-8 described as 21st century Impressionism, and which speak $50 | £35 directly to the viewer’s subconscious.

Susan Burnstine’s work has been widely published and is represented in galleries worldwide. She has had over 25 international solo exhibitions, and her work is held in numerous museum and private collections, including the Museum of Photographic Arts, San Diego; The Museum of Fine Arts, Houston; The University of Maine Museum of Art, Bangor; and The University of Texas Jerry and Marilyn Comer Collection, Dallas, among others. She is also a monthly columnist for Black + White Photography magazine.

New Titles 31

Photography Brian Young The Train NYC, 1984

Brian Young took the pictures in The Train NYC, 1984, the year he moved to New York, when the city was recovering from an economic depression that began in the mid-1970s but whose eff ects were still quite visible. The loss of manufacturing followed by loss of population to suburbs led to large-scale urban decay and a decline in social services. Abandoned shells of burnt-out cars littered roadways, and muggings were a fact of daily life. The beginnings of the crack cocaine epidemic, with its coincident escalating crime, created an atmosphere of citywide malaise. Graffi ti exploded and spread across the city landscape, in particular on the subway system. Although considered vandalism, graffi ti's proliferation can be thought of as an act of social protest, an outcry for relief and reform, or a platform for the dispossessed. It was a bleak time; it was Gotham.

After moving to New York in 1984 to attend classes the International Center for Photography, he began assisting Eugene Richards in the processing and printing production 30 x 29.8 cm | 8 ¼ x 11 ¾ inches of materials for publication of the book Below The Line: Living 112 pages, 80 color, hardbound Poor in America (1987). In addition to being a master printer, ISBN 978-88-6208-492-5 $45 | £30 Brian Young has taught black-and-white photography at International Center of Photography, New York, since 1988 and has taught workshops in numerous countries, including Brazil, Mexico, and Spain. He continues to collaborate with prominent analogue photographers who believe in the unique beauty of fi lm and the gelatin silver print.

New Titles 33

Photography Jacqueline Roberts Nebula

Jacqueline Roberts makes portraits on glass and aluminum plates using a 150-year-old technique called wet plate collodion. The long exposures required by the process ease the subjects into detaching themselves from their immediate surroundings; they appear to the viewer almost as if suspended in time and in space. Roberts’s portraits emerge from that captivating state of limbo to evoke the transitional stage from childhood to adolescence. “Nebula,” Latin for mist, refl ects on the turmoil of growing up, with all its relational, psychological, and emotional changes.

Spanish photographer Jacqueline Roberts was born in Paris in 1969. Her portraits have been featured in magazines such as New York Magazine, Royal Photographic Society Journal, Drome, and Photographer’s Companion, among others. She has published three books and has exhibited her work internationally. Roberts lives in Germany.

Text by Frank Kalero 25.5 x 30 cm | 10 x 11 ⅞ inches 144 pages, 87 b&w, hardbound ISBN 978-88-6208-486-4 $45 | £30

New Titles 35

Photography Hans Neumann and Gabriel Rivera-Barraza Nuevo New York

Nuevo New York is a collection of portraits and interviews with infl uential Latin Americans who moved to New York City to pursue their goals and ambitions. Each personality is an important fi gure in fashion, the arts, or philanthropy, and has called New York home for at least fi ve years. Readers will become acquainted with how these individuals came to be who they are today and understand how this city has been a muse and a keystone to their success. Nuevo New York showcases the great diversity of the Latin American community in the thriving cultural and artistic capital of the United States.

Hans Neumann was born in 1981 in Lima, Peru, and moved to new York in 2004, beginning his career assisting fashion photographers including fellow Peruvian Mario Testino. Neumann shoots editorial photography for clients such as Interview, W, and Condé Nast. He also shoots for J Crew, Stuart Weitzman, David Yurman, Armani Exchange, and Maybelline. Text by Ben Rodriguez-Cubeñas, Hans Neumann, Gabriel Rivera-Barraza 25.5 x 30 cm | 10 x 11 ⅞ inches Born in Durango, Mexico, Gabriel Rivera-Barraza is the founder 176 pages, 98 color and b&w, hardbound and president of GRB Communications, which develops and ISBN 978-88-6208-495-6 positions emergent Latin talents. He consults for a select group $50 | £35 of artists and international brands, including the Spanish luxury fashion house Delpozo. He is also the chair of the Young International Circle for El Museo del Barrio, New York, where he has led fundraising activities.

New Titles 37

Photography Simon Eeles Australiana

Australiana is the result of a cross-continental road trip photographer Simon Eeles took in his homeland of Australia after years of working in the U.S. and other countries. When he returned, he spent time at his mother’s house in Tasmania. Playing with his camera, he showed his nieces and nephews what it was their uncle had been doing during his long time away from home. Spending time with the people he loved, he noticed something in those moments. It was something about the hard Australian light and his family’s honest youthfulness that seemed very Australian. Roberts believes that Australia’s culture is “colorful and loud in a land of hardness,” and that this is due to the country’s perceived “newness” and even naivety. Australiana presents a portrait of the people who reside in the geographically separated, diverse landscapes that make up this unique country.

Born on a small dairy farm in Longford, Tasmania, in 1983, Simon Roberts Eeles studied photography at the Royal Melbourne Institute of Technology. He won Harper’s Bazaar’s 24.1 x 30.5 cm | 9 ½ x 12 inches young photographer of year in 2009 and was runner-up in 96 pages, 60 color, hardbound ISBN 978-88-6208-499-4 the ANIYFF awards in 2010. He assisted acclaimed fashion $35 | £25 photographer Craig McDean from 2012–15.

New Titles 39

Photography Landon Nordeman Out of Fashion

HIONOUT OF FASHION LANDON NORDEMANOUT OF FAS T OF FASHIONOUT OF FASHION LANDON NORDEMANOU For the past eight seasons, photographer Landon Nordeman DON NORDEMAN LANDON NORDEMANOUT OF FASHION LAN has infi ltrated the world of fashion, shooting hundreds of N LANDON NORDEMANOUT OF FASHION LANDON NORDEMA NOUT OF FASHION LANDON NORDEMANOUT OF FASHIO shows backstage at fashion weeks in New York, Milan, and ASHIONOUT OF FASHION LANDON NORDEMANOUT OF F Paris. Originally commissioned by New York magazine and ORDEMAN LANDON NORDEMANOUT OF FASHION LANDON N NORDEMAN LANDON NORDEMANOUT OF FASHION LANDON the New York Times, Nordeman’s inimitable eye brings a F FASHIONOUT OF FASHION LANDON NORDEMANOUT O fresh and bold perspective to contemporary photography. FASHIONLANDON NORDEMANOUT OF FASHION LANDON N ORDEMANOUT OF FASHIONLANDON NORDEMAN OUT OF Nordeman sees photographs where most people don’t and has EMAN LANDON NORDEMANOUT OF FASHION LANDON NORD gained a cult following on Instagram for his surprising images, HIONOUT OF FASHION LANDON NORDEMANOUT OF FAS OUT OF FASHION LANDON NORDEMANOUT OF FASHION which are fi lled with vivid color, complex gesture, and funny juxtapositions. Searching for the eternal in the ephemeral, 23.5 x 16 cm | 9 ¼ x 6 ¼ inches Nordeman blurs the line between reality and fi ction, document 128 pages, 112 color, hardbound ISBN 978-88-6208-496-3 and art, and shows the exclusive world of fashion to itself and $45 | £30 to us like never before.

For more than a decade, Landon Nordeman has traveled the world to photograph gatherings of people at animal competitions, sporting events, political rallies, and in the world of fashion. His photographs have appeared in The New Yorker, Time, Vanity Fair, and Vogue, among others. His photographs are in the collections of the Museum of Fine Arts Houston and the Columbus Museum of Art. Nordeman lives and works in New York City. This is his fi rst monograph.

New Titles 41

Contemporary Art FAQ

FAQ is an art publication conceived and edited by Maurizio Cattelan and Myriam Ben Salah and commissioned by Le Dictateur. The fi rst volume will be published to coincide with the tenth anniversary edition of Le Dictateur, and will then be published annually. FAQ, or Frequently Asked Questions, references an attempt to synthesize a recurrent fl ow, a tenor, an ideal visual representation of a given and very subjective “now.” Born out of an acute image consumption disorder, FAQ refl ects the mental assimilation of a relentless roving within physical and virtual art spaces: from galleries to Tumblr accounts, museums, or artists studios. It can be seen as a portable exhibition, a show on paper, a project of restitution, a hybrid object that you can leaf and scroll through. Far from being a rational enterprise, its lack of rules, hierarchy, order—or concept for that matter—make it expressly and brazenly as personal and biased as possible. FAQ refl ects the obsessive mannerism of its authors. The fi rst issue includes works by Thomas Bayrle, Neil Beloufa, Caroll Dunham, Andra Ursuta, Jon Rafman, Kathy Grannan, Llyn Foulkes, Camille Henrot, Steven Shaerer, Korakrit Arunanondchai, and Judith Edited by Maurizio Cattelan, Myriam Ben Salah Bernstein, among many others. 15.5 x 21 cm | (6 x 8 ¼ inches) 120 pages, 80 color, accordion fold ISBN 978-88-6208-502-1 $35 | £25

New Titles 43

Photography Xavier Guardans Self-Portraits

Surrounded and inspired by a group of powerful female artists, Xavier Guardans created Self-Portraits over more than a decade, a body of work that exudes the confi dence of women in the 21st century. Rooted in the classicism of his European origins, Guardans returns to black-and-white photography in his third publication with a new perspective in portraiture, subverting the common understanding of self and the relationship between photographer and subject. This new book off ers his interpretation of the interchangeable roles of masculine and feminine today. Guardans utilizes the voice of each artist to accompany the images. What results is a personal narrative of their experience with the artist in nature. The intriguing balance of his vision with the selection of abstract surfaces and textures makes this a timeless, poignant volume.

Text by Emilie Lee, Sarita Louise Moore, Anja Skidan, Grace Villamil Fine art photographer Xavier Guardans was born in Barcelona 28 x 28 cm | 11 x 11 inches and currently lives and works in Brooklyn, New York. 96 pages, 46 b&w, clothbound with jacket Guardans’s previous publications include Traveling Lights (2015) ISBN 978-88-6208-484-0 $50 | £35 and Windows (2014), both published by Damiani.

New Titles 45

Photography Curt Richter Thousand Words. Portraits from the Key West Literary Seminar

Curt Richter’s portraits reveal insights into his sitters beyond the visible surface. His ability to connect to his subjects is apparent in their faces, and their candor makes evident the trust he gains. He approaches portraiture with the belief that a photograph can steal a bit of a subject’s soul. The intention with all his photographs, regardless of the subject matter, is to create a storyline. The narrative thread that bonds Thousand Words is the Key West Literary Seminar. There is probably no island in the world that holds the literary heritage that Key West can claim. For the last eight years, Richter has photographed anyone involved with the seminar willing to sit for a portrait, and this series documents a slice of time in a community with a long history.

Curt Richter was born and raised in New York City and Text by Ann Beattie 29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches picked up his fi rst camera at the age of 12. Those streets, 96 pages, 48 b&w, hardbound movie theaters, and museums were a fertile playground for ISBN 978-88-6208-478-9 anyone hoping to become an artist. He has received many $45 | £30 grants and commissions including a Guggenheim Fellowship and commissions from the N.E.A. and N.E.H. His prints are in numerous public collections including the Museum of Modern Art, New York; The National Portrait Gallery, Washington, D.C.; Victoria and Albert Museum, London; and Bibliothèque Nationale, Paris. His fi rst monograph, A Portrait of Southern Writers, was published in 2000. He moved to Finland as a Fulbright Senior Scholar in 1997 and continues to work and live in New York and Helsinki.

New Titles 47

Photography Randi Malkin Steinberger No Circus

No Circus brings together a collection of Randi Malkin Steinberger’s photographs of buildings tented for termite fumigation around Los Angeles. Randomly coming across these shrouded structures aroused her sense of wonder from the time she arrived in this city in the early 1990s. Whenever she spotted the colorful stripes, she pulled her car off the road to photograph them, knowing that the tent could be undraped at any moment. Intrigued by the way the colors and shapes of the tents “show off ” the forms below and highlight the beauty of the poor plants on the outside, still fl ourishing, unaware that they are slowly being poisoned. These cloaked structures Text by D.J. Waldie are ubiquitous in the Los Angeles landscape yet they are most 22.9 x 17.8 cm | 9 x 7 inches often seen as a mere fl ash of color as one drives by. Beyond 128 pages, 69 color, hardbound their intended purpose of fumigation, they unwittingly allow ISBN 978-88-6208-480-2 $35 | £25 us to stop and contemplate not only architectural form and the meaning of home, but also the Southern California lifestyle that currently has all eyes upon it.

Randi Malkin Steinberger is an American photographer and documentary fi lmmaker whose work has been shown worldwide. Malkin Steinberger’s experience as a photographer and fi lmmaker was shaped by her studies in Italy, where she lived for ten years while launching a photography school and gallery. She has produced artists’ books that are now part of the permanent collections of New York’s Museum of Modern Art and The Whitney Museum of American Art, and The Art Institute and Museum of Contemporary Art in Chicago. Malkin Steinberger’s documentary fi lms include Holi-days, which was shot in Jerusalem, Florence, and Las Vegas, and aired on the Sundance Channel. She is represented by Sears Peyton Gallery in New York and Los Angeles. Malkin Steinberger resides in Los Angeles.

New Titles 49

Photography Marco Craig NYC Marathon: Do Not Cross

In NYC Marathon: Do Not Cross, the Milanese photographer Marco Craig gathers the photos he took as he ran the New York City Marathon. Craig describes his experience at the most famous marathon in the world through images from inside the race and not from the edges, thus off ering a perspective from someone who experiences the atmosphere and the energy of the competition in person. “The idea was to produce portraits of the real element that nourishes and makes this race special: the public,” says Craig. “Every year, tens of thousands of people pour into the streets to encourage all the participants in the Marathon. Through the boroughs Text by Federico Rampini of Brooklyn, Queens, the Bronx, and Manhattan, the crowd 30.5 x 22.9 cm | 12 x 9 inches 80 pages, 60 color, hardbound accompanies you with its support, aff ection, inventiveness, ISBN 978-88-6208-497-0 off ering water and food, encouraging you and screaming the $45 | £30 name printed on your shirt. And all this even manages to give you respite from the atrocious eff ort needed to fi nish the race. New York can be a cruel and merciless city, but not on the day of the Marathon.”

Marco Craig, born in Milan in 1970, began his career as an assistant at the prestigious photography studio Ballo&Ballo. He has collaborated with signifi cant fashion and design magazines such as Wallpaper, Vogue, Elle Decor, Io Donna, Vanity Fair, Brutus Japan, and many others. He has also collaborated with major Italian and international advertising agencies. Aside from photographing for fashion and design, Craig is responsible for the international public image of artists in the music world, as well as advertising campaigns for international brands such as Diesel, Audi, Trussardi, Ikea, and L’Oréal.

New Titles 51

Photography Joan Myers and Nathaniel Tarn The Persephones

In The Persephones, internationally known poet Nathaniel Tarn and photographer Joan Myers have collaborated on an elegant retelling of the myth of Persephone’s abduction by Hades into the Underworld. First published in 1974, and again in 2009 in a limited collector’s edition (both of which are out of print), Tarn’s poems have attracted a devoted readership. This beautifully designed and produced edition pairs the poems with Myers’s stunning photographs, many of which were shot at the sites from which the myth originated.

Nathaniel Tarn is an American poet, essayist, translator, and former publisher whom poet and critic Kenneth Rexroth has called “one of the most outstanding poets of his generation.” He has published over 30 books in his various disciplines and his work has been translated into ten languages.

Joan Myers is the author of Fire and Ice: Timescapes (Damiani, 2014). Her highly acclaimed work has been the focus of three Smithsonian exhibitions, more than 50 solo and 80 group Edition of 500 numbered copies shows, and eight books. Her work is held in the permanent Text by Nathaniel Tarn 18 x 23.8 cm | 7 x 9 inches collections of Bibliothèque National de Paris, Center for 60 pages, 30 color, hardbound Creative Photography in Tucson, and the Museum of ISBN 978-88-6208-498-7 Modern Art in New York, among others. $40 | £30

New Titles 53

Collector’s Editions Carrie Mae Weems Kitchen Table Series

Kitchen Table Series is the fi rst publication dedicated solely to this early and important body of work by the American artist Carrie Mae Weems. The 20 photographs and 14 text panels that make up Kitchen Table Series tell a story of one woman’s life, as conducted in the intimate setting of her kitchen. The kitchen, one of the primary spaces of domesticity and the traditional domain of women, frames her story, revealing to New for fall 2016 us her relationships—with lovers, children, friends—and Edition of 25 signed and numbered prints her own sense of self, in her varying projections of strength, Untitled (Man Reading Newspaper), 1990/1999 vulnerability, aloofness, tenderness, and solitude. Weems Silver gelatin print Image size: 25.2 x 25.2 cm (9 ⅞ x 9 ⅞ inches) herself is the protagonist of the series, though the woman she Sheet size: 27.7 x 35.5 cm (11 x 14 inches) depicts is an archetype. Kitchen Table Series seeks to reposition and reimagine the possibility of women and the possibility Text by Sarah Lewis and Adrienne Edwards 24.8 x 34.3 cm (9 ¾ x 13 ½ inches) of people of color, and has to do with, in the artist’s words 86 pages, 34 b&w, hardbound with jacket “unrequited love.” The collector’s edition of Kitchen Table Series ISBN 978-88-6208-471-0 includes a signed and numbered silver gelatin print of Untitled $3,000 | £2,200 (Man Reading Newspaper), 1990/1999.

Andrew Moore Dirt Meridian

The acclaimed photographer Andrew Moore takes to the air to create an intimate vision of the High Plains. The title refers to the 100th meridian, the longitude that neatly bisects the United States and has long been considered the dividing line between the fertile green East and dry brown West. Much of the meridian traverses America’s “fl yover country,” those remote and sparsely populated landscapes with a long history of repeated drought and failed dreams. Yet other parts of the meridian overlap bustling and contentious zones such as the heavily fracked New for fall 2016 Bakken formation in North Dakota. Dirt Meridian interweaves Edition of 25 signed and numbered prints Cash Meier Barn, 2012 both these stories together: the enduring myths and rich history Archival inkjet print of a place where so little meets the eye, alongside a portrayal Image size: 35.5 x 27.7 cm (14 x 11 inches) of those who continue to live amidst its vast and severe Sheet size: 50.8 x 40.6 cm (20 x 16 inches) magnifi cence. The collector’s edition ofDirt Meridian includes Text by Kent Haruf, Toby Jurovics, Inara Verzemnieks a signed and numbered color print of Cash Meier Barn, 2012. 24.8 x 34.3 cm (9 ¾ x 13 ½ inches) 140 pages, 73 color, hardbound ISBN 978-88-6208-470-3 $600 | £450

56 Dennis Hopper Polaroids

This limited edition of Polaroids (see p. 11) includes a numbered print of Untitled (Diamonds), 1987, which has been certifi ed authentic by the Hopper Art Trust.

New for fall 2016 Edition of 25 numbered prints Untitled (Diamonds), 1987 Giclée print Image size: 19.1 x 19.3 cm (7 ½ x 7 ⅝ inches) Sheet size: 21.5 x 25.5 cm (8 ½ x 10 inches)

Text by Aaron Rose 23.5 x 20.3 cm | 9 ¼ x 8 inches 132 pages 120 color, clothbound ISBN 978-88-6208-488-8 $500 | £350

David Leventi Opera

Photographing the interiors of some of the most storied and illustrious opera houses around the world, David Leventi has constructed an arresting, visually rich survey of grand architecture. Opera brings together in one publication images from over 40 opera houses, spanning four continents and over 400 years of history, and includes a foreword by Plácido Domingo. Taken over an eight-year period and shot on a large format camera, the images demonstrate Leventi’s meticulous approach to his subject, revealing these temples of music in all Edition of 15 signed and numbered prints their wealth of architectural detail and design. The collector’s Palais Garnier, 2009 edition of Opera includes a color print of Palais Garnier, 2009. C-print Image size: 35.6 x 28.2 cm | 14 x 11 inches Sheet size: 38.1 x 30.5 cm | 15 x 12 inches

Text by Plácido Domingo, Marvin Heiferman, Thomas Mellins 33.8 x 28 cm | 13 ¼ x 11 inches 120 pages, 40 color, clothbound with jacket ISBN 978-88-6208-440-6 Release date: spring 2016 $700 | £490

Collector’s Editions 57 Hiroshi Sugimoto The Long Never

The Long Never is a unique collector’s edition book containing 65 artworks by Hiroshi Sugimoto. Composed of photographs from fi ve series—Meteorites, Dioramas, Pre-Photographic Time Recording Devices, Lightning Fields, and Seascapes—the sequence of images conjures a natural history of the planet, perhaps even one untouched by humans. The black-and-white photographs are hand-tipped onto the pages of the book, which is wrapped in silk cloth. Celebrated author Jonathan Safran Foer has written an original story. Foer’s text sits on the Edition of 300 signed and numbered books Text by Jonathan Safran Foer page underneath each artwork, so the reader must lift up each 26.6 x 35.5 cm | 10 ½ x 14 inches photograph in order to read the story. 140 pages, 65 b&w, clothbound with aluminum slipcase Release date: fall 2014 ISBN 978-88-6208-384-3 The Long Never is limited to an edition of 360 copies. Three $750 | £500 hundred copies of the edition, signed and numbered by Sugimoto, are available with a custom-made brushed aluminum slipcase.

An exclusive edition of 50 copies of The Long Never includes one signed and numbered copy of the book and one of two silver gelatin prints by Sugimoto, Lightning Fields 289 or Lightning Fields 304. Each artwork, which the artist produced for this edition only, was printed in an edition of 25 with 5 artist’s proofs. Each numbered print is signed by Sugimoto. The book and print are housed in a custom-made brushed aluminum box.

Each an edition of 25 signed and numbered prints Top: Lightning Fields 289, 2014 Bottom: Lightning Fields 304, 2014 Gelatin silver prints Image size: 25.5 x 32 cm | 10 x 12 ⅝ inches Sheet size: 27.5 x 34.2 cm | 10 ⅞ x 13 ½ inches ISBN 978-88-6208-460-4 $11,000 | £7,200

58 Joel Meyerowitz Morandi’s Objects

In the spring of 2015, the photographer Joel Meyerowitz sat at the work table in Giorgio Morandi’s Bologna home, in the exact spot where the painter sat for over 40 years making his quiet, sublime still lifes. Here Meyerowitz looked at, touched, studied, and connected with the more than 250 objects that Morandi painted. Using only the warm natural light in the room, he photographed Morandi’s objects: vases, shells, pigment-fi lled bottles, silk fl owers, tins, cans, funnels, watering cans. In the photographs, each object sits on Morandi’s table, which still bears the marks the painter Edition of 25 signed and numbered prints drew to set the positions of his subjects. In the background is The Last Object, 2015 the same paper that Morandi left on the wall, now brittle and Archival digital print yellow with age. Meyerowitz’s portraits of these dusty, aged Image size: 22.8 x 28 cm (9 x 11 inches) Sheet size: 25.4 x 30.5 cm (10 x 12 inches) objects are not only works of art themselves, but they off er ISBN 978-88-6208-453-6 insight into the humble subjects that Morandi transformed into his subtle and luminous paintings. For this collector’s edition of Morandi’s Objects, Joel Meyerowitz has printed an edition of 25 each of the photographs The Last Object and White Bottles.

Edition of 25 signed and numbered prints White Bottles, 2015 Archival digital print Image size: 22.8 x 28 cm (9 x 11 inches) Sheet size: 25.4 x 30.5 cm (10 x 12 inches) ISBN 978-88-6208-473-4

Text by Joel Meyerowitz, Maggie Barrett 25.4 x 32 cm (10 x 12 5/8 inches) 116 pages, 65 color, clothbound Release date: spring 2016 $1,000 / £750

Collector’s Editions 59 Peter Schlesinger A Photographic Memory 1968–1989

The photographs of artist Peter Schlesinger are a visual diary of an extraordinary life that has intersected with some of the brightest names in the worlds of art, fashion, and society. Schlesinger’s remarkable journey began in 1966 when, as an 18-year-old student at UCLA, he met the artist David Hockney. The couple moved to London, where Schlesinger met and photographed luminaries including Cecil Beaton, Paloma Picasso, and Manolo Blahnik. This monograph presents the Edition of 30 signed and numbered prints The Deck at La Piscine Deligny, 1975 full range of Schlesinger’s photographic work. The collector’s C-print edition includes a signed and numbered color print of The Deck Image size: 30. 5 x 22.8 cm | 12 x 9 inches at La Piscine Deligny, 1975. Sheet size: 35.5 x 28 cm | 14 x 11 inches

Text by Peter Schlesinger, Hilton Als 24.8 x 28.6 | 9 ¾ x 11 ¼ inches 176 pages, 150 color, hardbound Release date: spring 2016 ISBN 978-88-6208-459-8 $500 | £300

Matthew Brookes Les Danseurs

Matthew Brookes’s style of photography leans toward the natural, raw emotion of his subjects. In his fi rst book, Brookes has turned his lens toward the professional male ballet dancers of Paris. For a year in the life of these dancers, he took them out of their regular environment of rehearsals and performances and photographed them in a raw space, where they were allowed to explore the physicality of dance in its essential form. Brookes’s stunning series of portraits depicts the pure physicality of the male dancer. This collector’s edition includes a signed and numbered black-and-white print of Feet I, 2014. Edition of 25 signed and numbered prints Feet I, 2014 C-print Image size: 20. 5 x 26.5 cm | 8 ⅛ x 10 ⅜ inches Sheet size: 21.6 x 28 cm | 8 ½ x 11 inches

Text by Marie-Agnès Gillot 21.5 x 28.7 cm | 8 ½ x 11 ¼ inches 68 pages, 40 b&w, hardbound Release date: spring 2016 ISBN 978-88-6208-467-3 $450 | £290

60 Dan Martensen Wolves Like Us: Portraits of the Angulo Brothers

In 2010, photographer Dan Martensen was introduced to the Angulo brothers by fi lmmaker Crystal Moselle, who had just begun work on her hit documentary The Wolfpack. The fi lm chronicles the lives of six home-schooled boys, who gained most of their knowledge of the outside world from the movies they watched at home. Confi ned to their four-bedroom apartment in New York City’s Lower East Side for 14 years, the siblings recreated cult-classic fi lms, fashioning props as well as costumes from the contents of their apartment. Martensen Edition of 25 signed and numbered prints Mukunda as Death in the Graveyard, 2015 photographed the boys, capturing the cinema-inspired world C-print they had created, while also documenting their fi rst forays into Image size: 20.5 x 26.5 cm | 8 x 10 ½ inches to the world outside. The collection of intimate portraits and Sheet size: 21.6 x 28 cm | 8 ½ x 11 inches still lifes in Wolves Like Us adds another layer to the captivating Text by Crystal Moselle, Joseph Akel story of the Angulo brothers and is a testament to the enduring 21.6 x 28 cm | 8 ½ x 11 inches spirit of creativity. The collector’s edition of Wolves Like Us 160 pages, 168 color, softcover Release date: spring 2016 includes a signed and numbered color print of Mukunda as Death ISBN 978-88-6208-461-1 in the Graveyard, 2015. $300 | £200

Matthew Brandt Lakes & Reservoirs

For his series Lakes & Reservoirs, Matthew Brandt photographed lakes and reservoirs in the western United States and then submerged each print in water collected from the subject of the photograph. Prints are soaked for days, weeks, or even months, and this process infl uences the layers of color that comprise the image. The resulting photographs range from mostly representational to completely abstract. This series considers the current condition not only of our lakes and reservoirs, but Edition of 17 unique signed also of traditional color photography. This edition of Lakes & and numbered prints, matted Reservoirs is limited to 17 copies and includes the book and a Container, 2014 unique matted print numbered and signed by the artist. Each of C-print Image size: 28.4 x 35.4 cm | 11 x 14 inches the 17 prints in the Lakes & Reservoirs series is titled Container, Sheet size: 37 x 44.5 cm | 14 x 17 ½ inches plus its unique number. The prints comprising this collector’s edition are not reproduced in the book. 35 x 28 cm | 13 ¾ x 11 inches 176 pages, 120 color, hardbound Release date: fall 2014 ISBN 978-88-6208-375-1 $3,000 | £2,000

Collector’s Editions 61 Joseph Szabo Rolling Stones Fans

On June 17th, 1978, Joe Szabo accompanied two of his high school students to a Rolling Stones concert. The kids needed the ride from Philadelphia to JFK Stadium in Long Island, New York, and Szabo thought he would be able to take some good photographs. Thirty-fi ve years after the event, Szabo selected the best shots from that day when 90,000 fans gathered to hear the Stones and presents them here in Rolling Stones Fans. This Edition of 20 signed and numbered prints collector’s edition is limited to 20 copies and includes a signed Delight, 1978 and numbered print, Delight. Gelatin silver print Image size: 25.4 x 33 cm | 10 x 13 inches Sheet size: 27.9 x 33.5 cm | 11 x 14 inches

24.5 x 22.5 cm | 9 ¾ x 9 inches 104 pages, 100 b&w, hardbound Release date: fall 2014 ISBN 978-88-6208-435-2 $650 | £450

Andrew Moore Cuba

Cuba off ers a series of poignant interiors that display the changing fortunes of the country over its 500-year history, with portraits and landscapes that hint at the changes coming to this island nation. Originally published as Inside Havana in 2002 to wide acclaim, this new version expands that book with fi ner and larger reproductions, older photographs never before seen or published, as well as new work made specifi cally for this edition. This collector’s edition includes a signed and numbered photograph and is housed in a slipcase. Edition of 50 signed and numbered prints Casa de Verano, El Vedado, 1999 Archival inkjet print Also available Image size: 28.5 x 36 cm | 11 ¼ x 14 ⅛ inches Edition of 300 signed and numbered books Sheet size: 30 x 38 cm | 11 ¾ x 15 inches ISBN 978-88-6208-236-5 $150 | £100 Text by Joel Smith, Orlando Luis Pardo Lazo 40 x 30 cm | 15 ¾ x 11 ¾ inches 128 pages, 68 color, hardbound with slipcase Release date: fall 2012 ISBN 978-88-6208-258-7 $750 | £500

62 Andrew Moore Detroit Disassembled

For Andrew Moore, the wonder of Detroit’s transformation is its demonstration of nature’s power to devour, and, through destruction, to renew. He has remarked, “One could say that Edition of 50 signed and numbered prints Detroit has become America’s version of an open city. It’s been Waiting Room with Snowdrift, 2008 left undefended against an onslaught of scrappers, vandals, and Archival C-print Image size: 28 x 35.5 cm | 11 x 14 inches the forces of nature. It’s a city of hundreds, if not thousands, of Sheet size: 30.5 x 38 cm | 12 x 15 inches empty homes, apartment buildings, factories, libraries, hospitals, schools, and churches. All are abandoned and most are Text by Andrew Moore, Philip Levine 34.5 x 27 cm | 13 ½ x 10 ½ inches unguarded, barely salvageable, and slated for demolition that 128 pages, 70 color, hardbound with jacket and slipcase gets delayed year after year.” His depiction of Detroit questions Release date: fall 2010 what the changing, precarious future of America holds. ISBN 978-88-6208-140-5 $ 750 | £500

This collector’s edition of Detroit Disassembled includes the book and one of the two prints at left, signed, numbered, and titled on its verso. Moore printed these photographs in 2015 in an edition of 5 copies each.

Each an edition of 5 signed and numbered prints Top: National Time, 2009 Bottom: The Rouge, 2008 Archival inkjet prints Image size: 42.6 x 53.3 cm | 16 ¾ x 21 inches Sheet size: 50.7 x 60.8 cm | 20 x 23 ⅝ inches ISBN 978-88-6208-118-4RT (National Time) ISBN 978-88-6208-118-4FR (The Rouge) $4,000 | £2,700

Collector’s Editions 63 Julian Wasser The Way We Were: The Photography of Julian Wasser

This long-overdue monograph presents an astonishing panorama of a bygone Los Angeles from photographer Julian Wasser. The Way We Were is replete with iconic images such as a 1968 shot of Joan Didion leaning against a Corvette Stingray in Hollywood. But photographs of and Angelica Huston at Nicholson’s Mulholland Drive home, or the Fonda family lined up on the family sofa, paint Edition of 50 signed and numbered prints Marcel Duchamp and Eve Babitz, 1963 a picture of a very private Hollywood of the 1960s and 70s, Silver gelatin print when privacy was possible and celebrity culture had not yet Image size: 30.7 x 20.5 cm | 12 x 8 inches completely consumed the country. This collector’s edition Sheet size: 32 x 24.7 cm | 12 ⅝ x 9 ¾ inches includes a numbered and signed photograph and is issued Edited by Brad Elterman in a cloth slipcase. Wasser’s famous print captures Marcel 24.1 x 31.7 cm | 9 ½ x 12 ½ inches Duchamp playing chess with a naked Eve Babitz at his 144 pages, 150 b&w, hardbound with slipcase Release date: fall 2014 seminal 1963 exhibition at the Pasadena Art Museum. ISBN 978-88-6208-377-5 $700 | £420

Ari Marcopoulos Shit and Die: Maurizio Cattelan Photographed by Ari Marcopoulos

Shit and Die: Maurizio Cattelan Photographed by Ari Marcopoulos is a limited edition that includes a portrait of Maurizio Cattelan by Ari Marcopoulos, the book Shit and Die, and a zine by Marcopoulos. Shit and Die was published to accompany an exhibition of the same name at Palazzo Cavour in Turin, curated by Cattelan, Myriam Ben Salah, and Marta Papini in 2014. Marcopoulos’s zine documents the exhibition backstage. Edition of 25 signed and numbered prints, matted Maurizio Cattelan by Ari Marcopoulos, 2014 C-print Image size: 27.6 x 41.2 cm | 10 ⅞ x 16 ½ inches Sheet size: 30.5 x 45.6 cm | 12 x 18 inches

Edited by Maurizio Cattelan, Myriam Ben Salah, Marta Papini 23 x 29 cm | 9 x 11 ½ inches 160 pages, 120 color, softcover Release date: fall 2014 ISBN 978-88-6208-409-3 $500 | £350

64 Derek Ridgers 78–87 London Youth

Taken in the streets, clubs, basements, and bars of London between 1978 and 1987, this book brings together an incredible series of images from the British photographer Derek Ridgers. Since fi rst picking up a camera in 1971, Ridgers has felt compelled to record the characters that make up the social scenes around him. These photographs bridge the extremities of youth culture in the U.K., from punk through the birth of acid house, and document the changing faces of fashion, music, Edition of 15 signed and numbered prints Tuinol Barry, Kings Road, 1983 and culture through individuals and infl uential social scenes C-print in a time of DIY attitudes. This collector’s edition includes the Image size: 28.5 x 36 cm | 11 ¼ x 14 ¼ inches numbered and signed print Tuinol Barry, Kings Road. Sheet size: 36.6 x 44.3 cm | 14 ⅜ x 17 ½ inches

Text by John Maybury 21.5 x 31.5 cm | 8 ½ x 12 ⅜ inches 160 pages, 120 b&w, hardbound Release date: fall 2014 ISBN 978-88-6208-405-5 $650 | £450

Tom Bianchi Fire Island Pines: Polaroids 1975–1983

Growing up in the 1950s, Tom Bianchi would head into downtown Chicago and pick up 25-cent “physique” magazines at newsstands. In one, he found a photograph of bodybuilder Glenn Bishop on Fire Island. Years later, Bianchi began traveling to New York and was invited to spend a weekend at Fire Island Pines, where he encountered a community of gay men. Using an SX-70 Polaroid camera, Bianchi documented his friends’ lives in the Pines, amassing an image archive of people, Edition of 67 signed and numbered prints Untitled, 250, 1978 parties, and private moments. These photos, accompanied Giclée print by Bianchi’s moving memoir of the era, record the birth and Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches development of a new culture. Soaked in sun, , camaraderie, Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches and reverie, Fire Island Pines conjures a magical bygone era. Edited by Ben Smales. Text by Edmund White, This collector’s edition of 67 numbered copies comes in Tom Bianchi an orange cloth slipcase with a tipped-in cover image and 21.5 x 25.5 cm | 8 ½ x 10 inches 212 pages, 350 color, hardcover with jacket and slipcase contains a signed and numbered giclée print. Release date: spring 2014 ISBN 978-88-6208-314-0 $750 | £500

Collector’s Editions 65 Nick Waplington Alexander McQueen: Working Process

In 2008, Alexander McQueen commissioned the photographer Nick Waplington to document the creation of his Fall 2009 collection—all the way from inception to runway showing. Unfortunately, this fall/winter collection was to be the last that McQueen would stage before his untimely death. Every step of the creative process is documented in fascinating detail, and readers receive a rare insight into the inner Edition of 100 signed and numbered prints Untitled, 2009 workings of McQueen’s creative process. Waplington was C-print given unprecedented access to McQueen and his staff , Image size: 15.8 x 23.4 cm | 6 ¼ x 9 ¼ inches including Sarah Burton, the current creative director. Most Sheet size: 23.8 x 29.4 cm | 9 ⅜ x 11 ½ inches notably, McQueen edited the sequence of photographs in the Edited by Alexander McQueen, Nick Waplington. book’s layout. This collector’s edition includes a signed and Text by Susannah Frankel numbered print and is housed in a linen slipcase. 26.3 x 30.5 cm | 10 ⅜ x 12 inches 304 pages, 200 color, hardcover with jacket and slipcase Release date: spring 2014 ISBN 978-88-6208-356-0 $1,500 | £990

Jessica Todd Harper The Home Stage

The title of Jessica Todd Harper’s The Home Stage is a double entendre that alludes to both the homebound lifestyle of families with small children as well as to the idea that home is the stage on which children fi rst learn how to live. Her nuanced treatment of her subjects and environs, coupled with her elegant compositions, unique color palette, and theatrical handling of light transforms each room and yard into stage Edition of 15 signed and numbered prints sets. No detail is left untouched by her eye. Private but Self Portrait with Nicholas, Becky, and Marshall, 2009 Inkjet pigment print universal, she is genuine, tender, uninhibited, and humorous. Image size: 35.5 x 28 cm | 14 x 11 inches This collector’s edition includes the signed and numbered Sheet size: 38 x 30.5 cm | 15 x 12 inches print Self Portrait with Nicholas, Becky, and Marshall.

Text by Alain de Botton, Alison Nordström 28 x 24 cm | 11 x 9 ½ inches 112 pages, 50 color, hardbound Release date: fall 2014 $650 | £450 ISBN 978-88-6208-406-2

66 Richard Corman Madonna NYC 83

Madonna NYC 83 celebrates a moment in early 1980s New York that has been reappraised in recent years for its fecund interactions and overlaps between the worlds of fashion, art, and music. The vital, edgy restlessness in the city spawned adventurous personal styles and music that merged rap, funk, punk, and pop. Madonna represented this sensibility like no one else, and she was determined to defi ne a look for herself,

Edition of 50 signed and numbered prints and to carve out a space in the public imagination. After her Cinderella, 1983 countless subsequent incarnations over the past three decades, Archival pigment print it is extraordinary to revisit these early years. This collector’s Image size: 23.5 x 31.2 cm | 9 ¼ x 12 ¼ inches Sheet size: 24.9 x 32.5 cm | 9 ¾ x 12 ¾ inches edition is housed in a silk slipcase and includes a signed and numbered print, Cinderella. 24 x 31.5 cm | 9 ½ x 12 ½ inches 96 pages, 80 color and b&w, clothbound with slipcase Release date: spring 2014 ISBN 978-88-6208-346-1 $750 | £500

Xavier Guardans Windows

Windows is the debut volume of photographer Xavier Guardans. The photographs in Windows were taken in 2006 while he was exploring the Kenyan bush. Guardans’ portraits of Turkana, Samburu, Masai, Rendille, Gabra, and Pokot people were shot through the window of his Toyota Land Cruiser. His world is both dark and light, expressed elegantly through black-and-white fi lm. The balance in these images is both solid and ephemeral. This collector’s edition is housed in a slipcase and includes a signed and numbered print.

Edition of 25 signed and numbered prints Nangorot. Turkana, Loiyangalani, 2006 Archival pigment print Image size: 26.8 x 26.8 cm | 10 ½ x 10 ½ inches Sheet size: 28 x 28 cm | 11 x 11 inches

Text by Christopher Harth, Amanda Schmitt 28 x 28 cm | 11 x 11 inches 80 pages, 25 b&w, clothbound with jacket and slipcase Release date: fall 2014 ISBN 978-88-6208-350-8 $390 | £250

Collector’s Editions 67 Tierney Gearon Alphabet Book

This book by Tierney Gearon takes the form of a children’s alphabet book. Each letter of the alphabet is illustrated with a photograph by Gearon that animates the letter: A is “Airplane Adventure,” B is “Bear Boy,” C becomes “Clown Car,” and so on. At once an inventive photo book and an enchanting take on the classic children’s alphabet book, this volume is Gearon’s most charming and lighthearted work to date. This collector’s edition includes a signed and numbered color print. Edition of 100 signed and numbered prints Instant Incognito, 2010 Archival pigment print Image size: 21.8 x 16.3 cm | 8 ⅝ x 6 ⅜ inches Sheet size: 24 x 18 cm | 9 ½ x 7 inches

23.5 x 16.5 cm | 9 ¼ x 6 ½ inches 56 pages, 25 color, hardcover with jacket and slipcase Release date: spring 2014 ISBN 978-88-6208-351-5 $490 | £330

Klaus Mitteldorf Work: Klaus Mitteldorf Photographs 1983–2013

Work: Klaus Mitteldorf Photographs 1983–2013 is a catalogue raisonné of the work of Brazilian photographer Klaus Mitteldorf from 1983 to 2013. Now primarily involved in fashion photography, Mitteldorf began his career as a surf photographer in Brazil in the 1970s. This collector’s edition includes the numbered and signed photograph Tributo a Tarsila.

Edition of 10 signed and numbered prints Tributo a Tarsila, 1997 Ultrachrome inkjet print Print size: 45.1 x 30 cm | 17 ¾ x 11 ¾ inches Sheet size: 48.9 x 33.8 cm | 19 ¼ x 13 ¼ inches

Text by Rubens Fernades Junior, Simonetta Persichetti, Diogenes Moura 24 x 30 cm | 9 ½ x 11 ¾ inches 360 pages, 800 color and b&w, softcover English & Portuguese Release date: spring 2015 ISBN 978-88-6208-425-3 $600 | £450

68 Ed Templeton Deformer

Eleven years in the making and compiling more than 30 years worth of material, Ed Templeton’s Deformer is a multimedia scrapbook of his upbringing in suburban Orange County, California. Its photographs give a sun-drenched glimpse of what it might be like to be young and alive in what Templeton refers to as “the suburban domestic incubator.” Deformer intertwines photographs, paintings, drawings, sketchbook pages, disciplinary letters from his grandfather, and religious Edition of 200 signed and numbered prints notes from his mother into a magnifi cent narrative of teenage Cross, 2004 isolation and social criticism. This collector’s edition includes C-print a signed and numbered photograph. Image size: 20.3 x 29 cm | 8 x 11 ⅜ inches Sheet size: 20.3 x 29 cm | 8 x 11 ⅜ inches

24 x 29 cm | 9.5 x 11.5 inches 176 pages, 150 color, hardbound Release date: fall 2008 ISBN 978-88-6208-060-6 $600 | £300

Collector’s Editions 69

Toiletpaper Toiletpaper

Toiletpaper is an artists’ magazine and book series Maurizio Cattelan and Pierpaolo Ferrari created by Maurizio Cattelan and Pierpaolo Toiletpaper Volume II: Ferrari, born out of a shared obsession with Platinum Collection images. Each picture in a Toiletpaper publication 23.8 x 34.5 cm | 9 ½ x 13 ½ inches 240 pages, 200 color, hardbound springs from an idea, often simple, but through a Limited to 1,000 copies complex orchestration of people it becomes the IncludesIn Toiletpaper watch materialization of the artists’ mental outbursts. ISBNI 978-88-6208-445-1 $150 | £100 Toiletpaper creates a world that displays ambiguous narratives and a troubled imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. Maurizio Cattelan and The resulting publications are themselves works Pierpaolo Ferrari Toiletpaper Volume II of art that, through the accessible and widely 22.9 x 30.5 cm | 9 x 12 inches distributed media of magazines and books, challenge 240 pages, 200 color, hardbound the limits of the contemporary art economy. $65 | £45 ISBN 978-88-6208-427-7

Kenzine is a collaboration between Toiletpaper magazine and the Parisian clothing label Kenzo. Founder Kenzo Takada is known for his synthesis of Japanese style with Parisian high fashion. The current creative directors, Humberto Leon and Carol Lim, Maurizio Cattelan and embarked on the Kenzine project with Kenzo’s avant- Pierpaolo Ferrari Toiletpaper Diamond Collection garde aesthetic sense. Set in a graphic and futuristic Limited edition of 1,000 copies universe, the magazine conveys an optimistic utopia includes the book and a special issue magazine with an element of surprise. The viewer witnesses at 22.9 x 30.5 cm | 9 x 12 inches once something instantly recognizable and familiar, Book: 256 pages, 150 color, but upon closer refl ection records an observation into hardbound with jacket Magazine: 40 pages. 20 color, the unknown. The images in Kenzine contain subtle softcover visual tricks that become more powerful the longer ISBN 978-88-6208-347-8 you are exposed to them. $130 | £85

Maurizio Cattelan and Pierpaolo Ferrari Toiletpaper Volume I (second edition, red cover) Edited by Dennis Freedman 22.9 x 30.5 cm | 9 x 12 inches 232 pages, 150 color, hardback ISBN 978-88-6208-210-5 $65 | £40

72 Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper Magazine 7 Toiletpaper Magazine 12 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 22 color, softcover 40 pages, 22 color, softcover ISBN 978-88-6208-280-8 ISBN 978-88-6208-428-4 $16 | £10 $16 | £10

Maurizio Cattelan and Kenzo and Toiletpaper Pierpaolo Ferrari Kenzine Vol. 1 Toiletpaper Magazine 8 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 22 color, softcover 40 pages, 22 color, softcover ISBN 978-88-6208-343-0 ISBN 978-88-6208-286-0 $35 | £25 $16 | £10

Maurizio Cattelan and Kenzo and Toiletpaper Pierpaolo Ferrari Kenzine Vol. 2 Toiletpaper Magazine 9 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 22 color, softcover 40 pages, 22 color, softcover ISBN 978-88-6208-371-3 ISBN 978-88-6208-294-5 $35 | £25 $16 | £10

Maurizio Cattelan and Kenzo and Toiletpaper Pierpaolo Ferrari Kenzine Vol. 3 Toiletpaper Magazine 10 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 22 color, softcover 40 pages, 22 color, softcover ISBN 978-88-6208-385-0 ISBN 978-88-6208-339-3 $35 | £25 $16 | £10

Maurizio Cattelan and Kenzo and Toiletpaper Pierpaolo Ferrari Kenzine Vol. 4 Toiletpaper Magazine 11 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 22 color, softcover 40 pages, 22 color, softcover ISBN 978-88-6208-430-7 ISBN 978-88-6208-394-2 $35 | £25 $16 | £10

Toiletpaper 73

Backlist Photography

Mark Abrahams Cass Bird Text by James Frey Rewilding 24 x 31.4 cm | 9 ½ x 12 ½ inches Text by Sally Singer, Jack 304 pages, 150 b&w, clothbound Halberstam Rights world except Germany 18 x 24 cm | 7 x 9 ½ inches ISBN 978-88-6208-138-2 88 pages, 42 b&w, clothbound $70 | £45 ISBN 978-88-6208-218-1 $35 | £20

Mariam Amurvelashvili Matthew Brandt Endless Questions Lakes & Reservoirs 22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches 35 x 28 cm | 13 ¾ x 11 inches 112 pages, 70 b&w, hardbound 176 pages, 120 color, hardbound ISBN 978-88-6208-447-5 ISBN 978-88-6208-374-4 $35 | £24 $65 | £40

Marco Anelli Matthew Brookes Portraits in the Presence of Les Danseurs Marina Abramović Text by Marie-Agnès Gillot Text by Marina Abramović, 21.5 x 28.7 cm | 8 ½ x 11 ¼ inches Klaus Biesenbach, Chrissie Iles 68 pages, 40 b&w, hardbound 22.6 x 22.6 cm | 8 ⅞ x 8 ⅞ inches ISBN 978-88-6208-433-8 192 pages, 1,600 color, softcover $45 | £30 ISBN 978-88-6208-249-5 $40 | £25

Stephanie Berger Kristin Capp Merce Cunningham: Beyond Brasil the Perfect Stage Text by Paulo Venancio Filho, Text by Nancy Dalva Sergio Alcides 22.8 x 22.8 cm | 9 x 9 inches 22.5 x 22.5 cm | 8 ⅞ x 8 ⅞ inches 96 pages, 100 color, hardbound 120 pages, 98 b&w, hardbound with slipcase English & Portuguese ISBN 978-88-6208-465-9 ISBN 978-88-6208-455-0 $50 | £35 $40 | £25

Tom Bianchi James Casebere Fire Island Pines: Polaroids Works 1975–2010 1975–1983 Edited and with text by Okwui Edited by Ben Smales. Text by Enwezor. Text by Toni Morrison, Edmund White, Tom Bianchi Hal Foster, Ford Morrison 21.5 x 25.5 cm | 8 ½ x 10 inches 29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches 212 pages, 150 color, hardbound 320 pages, 250 color, hardbound with jacket with jacket ISBN 978-88-6208-270-9 ISBN 978-88-6208-186-3 $50 | £35 $80 | £50

76 Gusmano Cesaretti Richard Corman Fragments of Los Angeles, Madonna NYC 83 1969–1989 24 x 31.5 cm | 9 ½ x 12 ½ inches In association with Alleged Press 96 pages, 80 color and b&w, Edited by Aaron Rose. Text by clothbound Jeff rey Deitch, Michael Mann ISBN 978-88-6208-288-4 24 x 30.5 cm | 9 ½ x 12 inches $49.95 | £34 164 pages, 100 b&w, hardbound ISBN 978-88-6208-275-4 $50 | £35

Ludovic Cesari Alessandro Cosmelli and Damiani Factory Gaia Light Text by Phil Bicker Brooklyn Buzz 24 x 28 cm | 9 ½ x 11 inches Text by Gavin Keeney, Jamie Wellford 160 pages, 100 color, hardbound 16.8 x 23.8 cm | 6 ⅝ x 9 ⅜ inches ISBN 978-88-6208-421-5 208 pages, 94 color, softcover $40 | £25 ISBN 978-88-6208-241-9 $40 | £25

Michel Comte Alessandro Cosmelli and Michel Comte and MILK: Gaia Light A Collaboration 1996–2016 Milano Buzz Interview by Bobby Woods 17.1 x 22.8 cm | 6 ¾ x 9 inches 24.1 x 34 cm | 9 ½ x 13 ⅜ inches 208 pages, 120 color, softcover 336 pages, 265 color, clothbound ISBN 978-88-6208-393-5 with jacket $40 | £25 ISBN 978-88-6208-446-8 $75 | £50

Mariana Cook Chris Craymer Justice: Faces of the Human From the Heart Rights Revolution 24.1 x 30.5 cm | 9 ½ x 12 inches Text by Anthony Lewis 192 pages, 48 color, 87 b&w, 25 x 29.2 cm | 9 ⅞ x 11 ½ inches hardbound 216 pages, 99 b&w, clothbound ISBN 978-88-6208-452-9 with jacket $50 | £35 ISBN 978-88-6208-261-7 $50 | £35

Mariana Cook Stéphane Coutelle Stone Walls: Personal Boundaries Insomnies Text by Wendell Barry, Susan 24 x 17 cm | 9 ½ x 6 ¾ inches Allport, Lucy Breathitt, Thomas 160 pages, 100 color, clothbound Cummins, Robert O. Paxton, et al ISBN 978-88-6208-303-4 28 x 28 cm | 11 x 11 inches $40 | £25 192 pages, 82 b&w, hardbound with sleeve ISBN 978-88-6208-169-6 $50 | £35

Backlist 77 Philip-Lorca diCorcia Hans Feurer Eleven Text by Gianni Jetzer Edited by Dennis Freedman. 24 x 34 cm | 9 ½ x 13 ½ inches Interview by Jeff Rian 200 pages, 175 color, clothbound 24.8 x 33 cm | 9 ½ x 13 inches ISBN 978-88-6208-292-1 272 pages, 144 color, hardbound $65 | £40 with jacket ISBN 978-88-6208-167-2 $75 | £50

Cheryl Dunn Fischerspooner Festivals Are Good Egos In association with Standard Press Edited by Meredith Mowder. 29.2 x 19 cm | 11 ½ x 7 ½ inches Text by Klaus Biesenbach, 128 pages, 80 color, hardbound Gavin Brown, Jeff rey Deitch, ISBN 978-88-6208-466-6 Warren Fischer, Casey Spooner $40 | £25 24.2 x 28 cm | 9 ½ x 11 inches 96 pages, 70 color, hardbound ISBN 978-88-6208-429-1 $45 | £30

Sasha Eisenman Ron Galella California Girls New York 24.2 x 30 cm | 9 ½ x 11 ¾ inches Edited by Nick Vogelson. 240 pages, 200 color, softcover Text by William Van Meter ISBN 978-88-6208-366-9 22.8 x 28 cm | 9 x 11 inches $50 | £35 176 pages, 150 b&w, hardbound ISBN 978-88-6208-355-3 $49.95 | £34

Brad Elterman Tierney Gearon Dog Dance: The Photographs Alphabet Book of Brad Elterman 23.5 x 16.5 cm | 9 ¼ x 6 ½ inches Edited by Sandy Kim. Text By 56 pages, 26 color, hardbound Olivier Zahm with jacket 16.8 x 23.8 cm | 6 ½ x 9 ½ inches ISBN 978-88-6208-320-1 96 pages, 100 color and b&w, $40 | £25 hardbound ISBN 978-88-6208-297-6 $35 | £25

Deborah Feingold Greg Gorman Music Outside the Studio Introduction by Anthony Text by James Nachtwey, DeCurtis Greg Gorman 25.4 x 25.4 cm | 10 x 10 inches 30.5 x 30.5 cm | 12 x 12 inches 108 pages, 60 b&w, hardbound 156 pages, 140 b&w, hardbound ISBN 978-88-6208-311-9 with jacket $45 | £30 ISBN 978-88-6208-391-1 $50 | £30

78 Xavier Guardans Jessica Todd Harper Traveling Lights The Home Stage Text by Amelia Rina Text by Alain de Botton, 27.9 x 27.9 cm | 11 x 11 inches Alison Nordström 84 pages, 39 b&w, clothbound 28 x 24 cm | 11 x 9 ½ inches ISBN 978-88-6208-387-4 112 pages, 50 color, hardbound $50 | £30 ISBN 978-88-6208-364-5 $45 | £30

Xavier Guardans Jessica Todd Harper Windows Interior Exposure Text by Christopher Harth, Text by Larry Fink. Interview by Amanda Schmitt Sarah A. McNear 28 x 28 cm | 11 x 11 inches 28 x 24 cm | 11 x 9 ½ inches 80 pages, 25 b&w, clothbound 112 pages, 50 color, hardbound ISBN 978-88-6208-323-2 English & Italian $60 | £39 ISBN 978-88-6208-016-3 $45 | £24.99

Torkil Gudnason Dennis Hopper Body Vase Drugstore Camera 25.4 x 30.5 cm | 10 x 12 inches Edited by Michael Schmelling. 80 pages, 70 color, clothbound Text by Marin Hopper ISBN 978-88-6208-296-9 23.5 x 20.3 cm | 9 ¼ x 8 ½ inches $40 | £25 96 pages, 60 b&w, clothbound ISBN 978-88-6208-403-1 $45 | £30

Philippe Halsman David Lykes Keenan Philippe Halsman’s Jump Book Fair Witness 22 x 28 cm | 8 ⅝ x 11 inches Text by Eli Reed 96 pages, 194 b&w, hardbound 24.1 x 20.3 cm | 9 ½ x 8 inches with jacket 160 pages, 100 b&w, hardbound ISBN 978-88-6208-420-8 ISBN 978-88-6208-389-8 $45 | £30 $45 | £29

Charles Harbutt Daniel King Departures and Arrivals Ukraine Youth, Between Days 24 x 29 cm | 10 ½ x 11 ½ inches 22.8 x 30.5 cm | 9 x 12 inches 120 pages, 93 b&w, clothbound 96 pages, 80 color, hardbound ISBN 978-88-6208-243-3 ISBN 978-88-6208-398-0 $50 | £35 $40 | £25

Backlist 7 9 Jeremy Kost Joan Liftin Fractured Marseille Interview by Franklin Sirmans. 30.5 x 23.5 cm | 12 x 9 ¼ inches Text by Glenn O’Brien, Garrett Neff 112 pages, 64 b&w, hardbound 23 x 28 cm | 9 x 11 inches ISBN 978-88-6208-449-9 208 pages, 180 color, hardbound $50 | £35 ISBN 978-88-6208-363-8 $49.95 | £35

David Lachapelle Lima, Peru Landscape Edited by Mario Testino. Text by Shana Nys Dambrot, Text by Mario Vargas Llosa Paul Watson 23 x 33 cm | 9 x 13 inches 33 x 30 cm | 13 x 11 ¾ inches 224 pages, 190 color, hardbound 88 pages, 80 color, softcover English, Italian & Spanish ISBN 978-88-6208-331-7 ISBN 978-88-89431-92-4 $45 | £29 $65 | £35

Gillian Laub Lipstick Flavor: Southern Rites A Contemporary Art Story 24.1 x 26.7 cm | 9 ½ x 10 ½ inches with Photography 160 pages, 100 color, clothbound Edited by Jérôme Sans, Marla ISBN 978-88-6208-413-0 Hamburg Kennedy $50 | £35 24.4 x 31.7 cm | 9 ⅜ x 12 ½ inches 208 pages, 120 color and b&w, hardbound ISBN 978-88-6208-426-0 $50 | £35

David Leventi Magnum Photos with Reda: 150 Opera 24 x 28 cm | 9 ½ x 11 inches Text by Plácido Domingo, Marvin 180 pages, 102 color and b&w, Heiferman, Thomas Mellins clothbound 33.8 x 28 cm | 13 ¼ x 11 inches ISBN 978-88-6208-408-6 120 pages, 40 color, clothbound $50 | £35 with jacket ISBN 978-88-6208-397-3 $50 | £30

Julien Levy Eric Maillet Every Day Is Doomsday Silent Conversations 28 x 19 cm | 11 x 7 ½ inches Text by Jérôme Sans 144 pages, 110 color, clothbound 24.6 x 30.5 cm | 9 ¾ x 12 inches ISBN 978-88-6208-442-0 192 pages, 150 color and b&w, $50 | £35 hardbound ISBN 978-88-6208-415-4 $50 | £35

80 Ari Marcopoulos Joel Meyerowitz Out & About Morandi’s Objects In association with Alleged Press Text by Joel Meyerowitz, Edited by Aaron Rose. Text by Maggie Barrett Harmony Korine, Diego Cortez 25.4 x 32 cm | 10 x 12 ⅝ inches 24 x 31.5 cm | 9 ½ x 12 ½ inches 116 pages, 65 color, clothbound 248 pages, 200 b&w, clothbound ISBN 978-88-6208-453-6 with sleeve $50 | £35 Italian & English ISBN 978-88-89431-13-9 $65 | £35

Caleb Cain Marcus William Meyers Goddess Outer Boroughs: New York Text by Richard Ford Beyond Manhattan 25 x 29.1 cm | 8 ½ x 11 ½ inches 22.2 x 19.7 cm | 8 ¾ x 7 ¾ inches 116 pages, 90 color, hardbound 208 pages, 160 b&w, hardbound ISBN 978-88-6208-418-5 with jacket $50 | £35 ISBN 978-88-6208-401-7 $50 | £30

Dan Martensen Bart Michiels Photographs from the American The Course of History Southwest Text by Sonja Fessel, Simon 30 x 24.5 cm | 11 ¾ x 9 ½ inches Schama 100 pages, 60 color, clothbound 31.5 x 27 cm | 12 ⅜ x 10 ⅝ inches ISBN 978-88-6208-232-7 156 pages, 70 color, clothbound $50 | £35 ISBN 978-88-6208-305-8 $65 | £39

Dan Martensen Sabine Mirlesse Wolves Like Us: Portraits of As If It Should Have Been a Quarry the Angulo Brothers Damiani Factory Text by Crystal Moselle, Text by Eduardo Cadara Joseph Akel 30 x 24 cm | 11 ¾ x 9 ½ inches 21.6 x 28 cm | 8 ½ x 11 inches 64 pages, 60 color, clothbound 160 pages, 168 color, softcover ISBN 978-88-6208-310-2 ISBN 978-88-6208-443-7 $40 | £25 $35 | £24

Rania Matar Klaus Mitteldorf L’Enfant-Femme Next Introduction by Her Majesty Text by Joseph Akel Queen Noor. Text by Lois Lowry, 25 x 30.5 cm | 9 ⅞ x 12 inches Kristen Gresh 96 pages, 60 color, hardbound 24.1 x 31.7 cm | 9 ½ x 12 ½ inches ISBN 978-88-6208-456-7 152 pages, 97 color, clothbound $50 | £35 ISBN 978-88-6208-450-5 $50 | £35

Backlist 81 Klaus Mitteldorf Tom Munro Work: Photographs 1983–2013 Text by Madonna. Interview 24 x 30 cm | 9 ½ x 11 ¾ inches with Pierre Alexandre de Looz 360 pages, 800 color and b&w, 24 x 34 cm | 9 ½ x 13 inches softcover 240 pages, 127 color and b&w, English & Portuguese clothbound with jacket ISBN 978-88-6208-291-4 ISBN 978-88-6208-125-2 $50 | £35 $75 | £50

Carlo Mollino Joan Myers Polaroids Fire and Ice: Timescapes Text by Fulvio Ferrari, Text by Joan Myers, Kathleen Napoleone Ferrari, James Crump, Stewart Howe Silvio Curto 31.1 x 24.1 cm | 12 ¼ x 9 ½ inches 21.5 x 26.5 cm | 8 ½ x 10 ½ inches 160 pages, 140 color, hardbound 288 pages, 400 color, clothbound ISBN 978-88-6208-392-8 ISBN 978-88-6208-378-2 $50 | £30 $65 | £40

Andrew Moore Marc Ohrem-Leclef Cuba Olympic Favela Text by Joel Smith, Orlando Luis Text by Luis Perez-Oramas, Pardo Lazo Itamar Silva, David Kelley 40 x 30 cm | 15 ¾ x 11 ¾ inches 24.1 x 31.1 cm | 11 x 11 inches 128 pages, 68 color, hardbound 88 pages, 50 color, hardbound ISBN 978-88-6208-252-5 ISBN 978-88-6208-338-6 $75 | £50 $50 | £30

Andrew Moore Christine Osinski Detroit Disassembled Summer Days Staten Island 22.5 x 33 cm | 10 x 13 inches Interview by A. H. Data. 136 pages, 70 color, hardbound Text by Paul Moakley ISBN 978-88-6208-118-4 30.5 x 24.1 cm | 12 x 9 ½ inches $50 | £34.95 96 pages, 51 b&w, hardbound ISBN 978-88-6208-448-2 $40 | £25

Andrew Moore Elizabeth Peyton Dirt Meridian Portrait of an Artist: Text by Kent Haruf, Toby Jurovics, Photographs 1994–2008 Inara Verzemnieks Text by Richard Klein, Rirkrit 34.5 x 27.9 cm | 13 ½ x 11 inches Tiravanija 132 pages, 60 color, hardbound 28 x 20 cm | 11 x 8 inches ISBN 978-88-6208-412-3 112 pages, 62 color, clothbound $50 | £35 ISBN 978-88-6208-077-4 $45 | £24.99

82 Giuseppe Pino Portraits of an Urban Hymn David Scheinbaum The Way They Were: Portraits & Hip Hop: Portraits of an Stories from the 20th Century HIP HOP Urban Hymn

30 x 30 cm | 11 ¾ x 11 ¾ inches PHOTOGRAPHS Text by Brian Hardgrove, Michael DAVID SCHEINBAUM 304 pages, 250 b&w, hardbound Eric Dyson, Gaye Theresa Johnson. ISBN 978-88-6208-341-6 Interview with Frank H. Goodyear III $70 | £45 26 x 30 cm | 10 ¼ x 11 ¾ inches 160 pages, 100 color and b&w, hardbound ISBN 978-88-6208-273-0 $50 | £34

Norma I. Quintana Peter Schlesinger Circus: A Traveling Life A Photographic Memory 1968–1989 Text by Mona Simpson Text by Peter Schlesinger, Hilton Als 28 x 28 cm | 11 x 11 inches 24.8 x 28.6 cm | 9 ¾ x 11 ¼ inches 144 pages, 120 b&w, hardbound 176 pages, 150 color, hardbound ISBN 978-88-6208-365-2 ISBN 978-88-6208-436-9 $60 | £39 $50 | £35

Terry Richardson David Seltzer Terrywood Knowledge of the Raw Text by Jeff rey Deitch, Al Moran Text by Eric Fischl 25 x 30 cm | 10 x 12 inches 24.1 x 30.4 cm | 9 ½ x 12 inches 228 pages, 150 color, hardbound 160 pages, 100 color and b&w, with jacket hardbound ISBN 978-88-6208-251-8 ISBN 978-88-6208-417-8 $60 | £40 $45 | £30

Derek Ridgers Andres Serrano 78–87 London Youth Holy Works Text by John Maybury Text by Germano Celant, James Frey 21.5 x 31.5 cm | 8 ½ x 12 ½ inches 24 x 31 cm | 9 ½ x 12 inches 160 pages, 120 b&w, hardbound 112 pages, 60 color, clothbound ISBN 978-88-6208-359-1 ISBN 978-88-6208-209-9 $50 | £30 $50 | £30

Lynn Saville David Benjamin Sherry Dark City: Urban America at Night It’s Time Text by Geoff Dyer Text by Neville Wakefi eld 33.8 x 27 cm | 13 ¼ x 10 ⅝ inches 22 x 30 cm | 9 x 12 inches 128 pages, 80 color, hardbound 96 pages, 60 color, clothbound ISBN 978-88-6208-411-6 ISBN 978-88-6208-093-4 $50 | £35 $50 | £29.99

Backlist 8 3 David Benjamin Sherry Hiroshi Sugimoto Quantum Light Dioramas Text by Collier Schorr 25.2 x 27.8 cm | 10 x 11 inches 21 x 27 cm | 8 ¼ x 10 ⅝ inches 118 pages, 56 b&w, clothbound 72 pages, 70 color, clothbound with jacket ISBN 978-88-6208-213-6 Rights world except France $50 | £30 ISBN 978-88-6208-327-0 $65 | £40

Erica Simone Hiroshi Sugimoto Nue York: Self-Portraits of a Seascapes Bare Urban Citizen 25.2 x 27.8 cm | 10 x 11 inches NUE YORK 30.5 x 24.7 cm | 12 x 9 ¾ inches 272 pages, 213 b&w, clothbound ERICA SIMONE 88 pages, 48 color, hardbound with jacket English & French Rights world English ISBN 978-88-6208-464-2 ISBN 978-88-6208-416-1 $40 | £25 $70 | £45

Brian Bowen Smith Joseph Szabo Projects Rolling Stones Fans 24 x 30.5 cm | 9 ½ x 12 ½ inches 24.5 x 22.5 cm | 9 ¾ x 9 inches 168 pages, 100 b&w, hardbound 104 pages, 100 b&w, hardbound ISBN 978-88-6208-263-1 ISBN 978-88-6208-399-7 $60 | £40 $39 | £25

Aaron Stern Alexey Titarenko I Woke Up in My Clothes The City Is a Novel Text by David Wagoner, Rich Appel Text by Alexey Titarenko, Gabriel 24 x 30 cm | 9 ½ x 11 ¾ inches Bauret, Brett Abbott, Sean Corcoran 96 pages, 50 color, clothbound 24.1 x 26.7 cm | 9 ½ x 10 ½ inches ISBN 978-88-6208-352-2 208 pages, 122 b&w, clothbound $45 | £25 with jacket ISBN 978-88-6208-414-7 $60 | £40

Joni Sternbach Michael Thompson Surf Site Tin Type Portraits Text by Lyle Rexer, April M. Watson, Edited by Vince Aletti. Chris Malloy, Johnny Abegg Text by Julianne Moore 30.5 x 24.8 cm | 12 x 9 ¾ inches 26 x 33 cm | 10 x 13 inches 192 pages, 123 b&w, hardbound 216 pages, 147 color, clothbound ISBN 978-88-6208-380-5 with jacket $45 | £29 English, Italian & French Rights world except Germany and Asia ISBN 978-88-6208-156-6 $65 | £45

84 Charles H. Traub Ben Watts Dolce Via: Italy in the 1980’s Montauk Dreaming Text by Max Kozloff , Luigi Ballerini 22.2 x 22.2 cm | 8 ¾ x 8 ¾ inches 30 x 24 cm | 11 ¾ x 9 ½ inches 144 pages, 140 color, hardbound 112 pages, 60 color, hardbound ISBN 978-88-6208-388-1 ISBN 978-88-6208-344-7 $45 | £29 $50 | £30

Charles H. Traub Jork Weismann Lunchtime Asleep at the Chateau 21.5 x 21.5 cm | 8 ½ x 8 ½ inches Text by Bret Easton Ellis 140 pages, 100 color, hardbound 33 x 24 cm | 12 x 9 inches ISBN 978-88-6208-423-9 184 pages, 87 color, clothbound $45 | £30 ISBN 978-88-6208-242-6 $50 | £35

Diego Uchitel James Welling Polaroids Glass House Text by Diane von Furstenberg Text by Noam Elcott, Sylvia Lavin 25 x 31.5 cm | 9 ¾ x 12 ½ inches 32.2 x 24.8 cm | 12 ¾ x 9 ¾ inches 240 pages, 200 color and b&w, 112 pages, 45 color, hardbound clothbound ISBN 978-88-6208-161-0 ISBN 978-88-6208-239-6 $50 | £35 $50 | £35

Carlo Van de Roer Amani Willett The Portrait Machine Project Disquiet Damiani Factory Damiani Factory 24,5 x 30.5 cm | 9 ¾ x 12 inches 16.5 x 24 cm | 6 ½ x 9 ½ inches 88 pages, 40 color, clothbound 128 pages, 60 color, clothbound ISBN 978-88-6208-268-6 ISBN 978-88-6208-274-7 $40 | £25 $40 | £25

Julian Wasser Stephan Würth The Way We Were: The Ikinga Photography of Julian Wasser Text by Joseph Akel Edited by Brad Elterman. Text by 24.1 x 24.1 cm | 9 ½ x 9 ½ inches Julian Wasser 72 pages, 31 color, clothbound 24.1 x 31.7 cm | 9 ½ x 12 ½ inches ISBN 978-88-6208-444-4 176 pages, 150 b&w, hardbound $45 | £30 ISBN 978-88-6208-349-2 $60 | £39

Backlist 85 Fashion & Lifestyle

Ara Gallant Bob Recine Edited by David Wills. Text by Alchemy Of Beauty Text by René Ricard. Photographs 23.5 x 31 cm | 9 ½ x 12 ½ inches by Mario Sorrenti, Robbie Fimmano 260 pages, 100 color, hardbound and Bob Recine English & French 24 x 31.2 cm | 9 ½ x 12 inches ISBN 978-88-6208-120-7 (English) 164 pages, 130 color and b&w, ISBN 978-88-6208-126-9 (French) hardbound with jacket $60 | £39 ISBN 978-88-6208-212-9 $65 | £40

Embroidery Italian Fashion Stephen Sprouse: Xerox / Rock / Text by Giusy Ferra, Valentino, Art: An Archive of Drawings and Gianfranco Ferre, Anna Molinari, Ephemera 1970s–1980s Roberto Cavalli, et al Edited by Carol McCranie, Javier 24 x 31.5 cm | 9 ½ x 12 ½ inches Magri. Text by , 280 pages, 240 color, clothbound Carol McCranie with embroidery 21.5 x 28 cm | 8 ½ x 11 inches English & Italian 208 pages, 200 color, hardbound ISBN 978-88-89431-23-8 (English) ISBN 978-88-6208-370-6 ISBN 978-88-89431-39-9 (Italian) $50 | £35 $99 | £60

Fashion at the Time of Fascism: Nick Waplington Italian Modernist Lifestyle, Alexander McQueen: Working Process 1922–1943 Edited by Alexander McQueen Edited by Mario Lupano, and Nick Waplington. Text by Alessandra Vaccari Susannah Frankel 23 x 29.5 cm | 9 x 11 ½ inches 24 x 29 cm | 9 ½ x 11 ½ inches 400 pages, 700 color and b&w, 304 pages, 160 color, hardbound hardbound with jacket English & Italian ISBN 978-88-6208-295-2 ISBN 978-88-6208-051-4 (English) $60 | £40 ISBN 978-88-6208-061-3 (Italian) $60 | £39

Maripol Nick Waplington Little Red Riding Hood The Isaac Mizrahi Pictures: Text by Maripol. Conversation New York City 1989–1993 with Marc Jacobs 25 x 28.4 cm | 9 ⅞ x 11 ¼ inches 24 x 30 cm | 9 ½ x 11 ½ inches 168 pages, 119 color, hardbound 268 pages, 350 color, hardbound ISBN 978-88-6208-451-2 English & French $50 | £35 ISBN 978-88-6208-136-8 (English) ISBN 978-88-6208-143-6 (French) $65 | £40

Harri Peccinotti Vivienne Westwood H.P. Shoes Text by Derek Birdsall Edited by Luca Beatrice, 23 x 30 cm | 9 ½ x 12 inches Matteo Guarnaccia 228 pages, 200 color, hardbound 24 x 31.5 cm | 9 ½ x 12 ½ inches with jacket 192 pages, 120 color, hardbound English & Italian with sleeve ISBN 978-88-6208-074-3 English & Italian $60 | £34 ISBN 978-88-89431-84-9 (English) ISBN 978-88-89431-83-2 (Italian) $65 | £39

86 Contemporary Art

Jennifer Bartlett Electrical Banana: Masters of Epic Systems Psychedelic Art Text by Barry Schwabsky Text by Paul McCartney, Norman 28.5 x 28.5 cm | 11 ¼ x 11 ¼ inches Hathaway, Dan Nadel 88 pages, 75 color, clothbound 23.5 x 26 cm | 9 ½ x 10 ¼ inches ISBN 978-88-6208-410-9 208 pages, 150 color, softcover $45 | £30 ISBN 978-88-6208-204-4 $39.95 | £27

Daniel Brush Okwui Enwezor and Text by Oliver Sacks, David Chika Okeke-Agulu Revere McFadden, Brett Littman. Contemporary African Art Interview by Paul Keegan Since 1980 34.2 x 33 cm | 13 ½ x 13 inches 24 x 31.5 cm | 9 ½ x 12 ½ inches 276 pages, 250 color, hardbound 368 pages, 400 color, softcover with jacket ISBN 978-88-6208-092-7 Rights world except USA $60 | £45 ISBN 978-88-6208-278-5 $85 | £50

Colors: A Book About a Magazine Monir Shahroudy Farmanfarmaian About the Rest of the World Cosmic Geometry Text by Francesco Bonami. Edited by Hans Ulrich Obrist, Karen Interview with Luciano Benetton Marta. Text by Nader Ardalan, Media and Oliviero Toscani Farzin, Eleanor Sims. Conversation 24.5 x 33.8 cm | 9 ⅝ x 13 ¼ inches with Hans Ulrich Obrist 240 pages, 300 color, clothbound 24.5 x 29.4 cm | 9 ½ x 11 ½ inches with jacket 296 pages, 200 color, clothbound ISBN 978-88-6208-424-6 ISBN 978-88-6208-175-7 $50 | £35 $70 | £45

Johan Creten Daniel Firman In association with Galerie Perrotin In association with Galerie Perrotin Text by Jan Hoet. Interview by Léa Text by Emmanuel Latreille, Thierry Chauvel-Lévy Raspail. Interview by Hou Hanru 21 x 27 cm | 8 ¼ x 10 ½ inches 21 x 27 cm | 8 ¼ x 10 ½ inches 264 pages, 200 color, hardbound 192 pages, 250 color, hardbound ISBN 978-88-6208-308-9 ISBN 978-88-6208-309-6 $50 | £34 $40 | £25

Dzine Fischerspooner: New Truth Nailed: The History of Nail Culture Edited with text by Meredith and Dzine Mowder. Text by Klaus Biesenbach, In association with Standard Press Gavin Brown, Jeff rey Deitch, Text by Kim Hastreiter, Luis Gispert, Warren Fischer, Casey Spooner Yone, Jamel Shabazz, Fred Braithwaite 24.2 x 28 cm | 9 ½ x 11 inches a.k.a. Fab 5 Freddy 256 pages, 220 color, hardbound 24.4 x 29.3 cm | 9 ½ x 11 ½ inches ISBN 978-88-6208-328-7 216 pages, 290 color, hardbound $50 | £35 ISBN 978-88-6208-205-1 $45 | £30

Backlist 87 Natalie Frank Mike Mills Tales of the Brothers Grimm Graphics / Films Drawings by Natalie Frank. Edited In association with Alleged Press by Karen Marta. Text by Claire 24 x 31.5 cm | 9 x 12 inches Gilman, Linda Nochlin, Julie 164 pages, 100 b&w, hardbound Taymor, Jack Zipes English & Italian 22.8 x 30.5 cm | 9 x 12 inches ISBN 978-88-6208-075-0 272 pages, 250 color, hardbound $50 | £24.99 ISBN 978-88-6208-386-7 $60 | £39

Chris Johanson Gianni Motti Please Listen I Have Something In association with Galerie Perrotin to Tell You About What Is Text by Elisabeth Lebovici, Françoise In association with Alleged Press Ninghetto, Marie-Olivier Wahler, Text by Aaron Rose, Sean Kennerly, Jade Lindgaard, Fabrice Stroun, et al Jack Hanley 21 x 27 cm | 8 ¼ x 10 ⅝ inches 24 x 31.5 cm | 9 ½ x 12 ½ inches 240 pages, 200 color and b&w, 208 pages, 180 color, hardbound hardbound English & Italian ISBN 978-88-6208-361-4 ISBN 978-88-89431-45-0 $50 | £34 $50 | £27.50

JR and Art Spiegelman Kaz Oshiro The Ghosts of Ellis Island In association with Galerie Perrotin 21.7 x 27 cm | 8 ½ x 10 ½ inches Text by Michael Duncan, Ed Schad 120 pages, 90 color, hardbound 21 x 27 cm | 8 ¼ x 10 ½ inches ISBN 978-88-6208-395-9 144 pages, 120 color, hardbound $39.95 | £25 ISBN 978-88-6208-342-3 $40 | £25

JR and José Parlá Parallel Views: Italian and Japanese The Wrinkles of the City: Art from the 1950s, 60s and 70s Havana Cuba Edited and with text by by Allan In association with Standard Press Schwartzman. Text by Joshua Mack, Text by Clara Astiasarán, Carolyn Christov-Bakargiev, Nicholas Janet Batet, Michael Betancourt, Cullinan, Ming Tiampo Jeff rey Deitch 28 x 30.5 cm | 11 x 12 inches 30 x 30 cm | 11 ¾ x 11 ¾ inches 408 pages, 249 color, clothbound 160 pages, 150 color, hardbound with jacket with jacket ISBN 978-88-6208-400-0 ISBN 978-88-6208-250-1 $75 | £45 $49.95 | £35

Barry McGee José Parlá In association with Alleged Press In Medias Res Edited by Aaron Rose Text by Manon Slome, Greg 24 x 31.5 cm | 9 ½ x 12 ½ inches Tate, Carlo McCormick, Michael 204 pages, 200 color, hardbound Betancourt, Isolde Brielmaier, et al ISBN 978-88-6208-096-5 24 x 29.2 cm | 9 ½ x 11 ½ inches $49.95 | £29.99 256 pages, 220 color, hardbound ISBN 978-88-6208-362-1 $60 | £39

88 José Parlá John Severson Segmented Realities John Severson’s Surf Text by Michael Rooks, Rey Parlá, Text by Gerry Lopez, Drew Kampion. Steve Swieter, Mike Jensen, Farzad Interview by Nathan Howe 24 x 29.2 cm | 9 ½ x 11 ½ inches 24 x 31 cm | 9 ½ x 12 ¼ inches 96 pages, 70 color, hardbound 212 pages, 200 color and b&w, ISBN 978-88-6208-422-2 hardbound $45 | £30 ISBN 978-88-6208-326-3 $45 | £29

Paola Pivi Shit and Die In association with Galerie Perrotin Edited by Maurizio Cattelan, Text by Massimiliano Gioni, Jens Myriam Ben Salah, Marta Papini Hoff mann 23 x 29 cm | 9 x 11 ½ inches 21 x 27 cm | 8 ¼ x 10 ½ inches 152 pages, 100 color, softcover 192 pages, 100 color, hardbound English & Italian ISBN 978-88-6208-319-5 ISBN 978-88-6208-402-4 $50 | £34 $30 | £19

Carlos Rolon Gary Simmons Boxed: A Visual History and Paradise the Art of Boxing Text by Gwen Allen, Nancy Edited and with text by Carlos Princenthal, Charles Wylie. Dzine Rolon. Text by Franklin Conversation with Okwui Enwezor Sirmans 24.2 x 29.2 cm | 9 ½ x 11 ½ inches 24 x 29.2 cm | 9 ½ x 11 ½ inches 192 pages, 150 color, clothbound 208 pages, 150 color, hardbound ISBN 978-88-6208-240-2 ISBN 978-88-6208-354-6 $50 | £35 $60 | £39

Claude Rutault Tabboo! The Art of Stephen In association with Galerie Perrotin Tashjian Text by Claude Rutault. Interview Edited by Lia Gangitano. Text by Hans Ulrich Obrist by Jack Pierson, Elisabeth Kley, 21 x 27 cm | 8 ¼ x 10 ⅝ inches Lia Gangitano 238 pages, 200 color, hardbound 24 x 30.5 cm | 9 ½ x 12 inches ISBN 978-88-6208-321-8 224 pages, 150 color, hardbound $50 | £34 ISBN 978-88-6208-264-8 $50 | £35

Kenny Scharf Ed Templeton Kolors Deformer In association with Standard Press In association with Alleged Press Text by Jeff rey Deitch 24 x 29 cm | 9 ½ x 11 ½ inches 21.6 x 26.7 cm | 8 ½ x 10 ½ inches 176 pages, 150 color and b&w, 96 pages, 68 color, hardbound hardbound ISBN 978-88-6208-287-7 ISBN 978-88-6208-050-7 $40 | £25 $55 | £25

Backlist 89 Music

Cy Twombly Keziah Jones and Native Maqari Paradise Captain Rugged Edited by Julie Sylvester. Text by 16.5 x 24 cm | 6 ½ x 9 ½ inches Walter Hartsarich, Gabriella Belli, 120 pages, 110 color, hardbound, Philip Larratt-Smith includes a card to download an 25 x 34.5 cm | 9 ¾ x 13 ½ inches album by Keziah Jones 172 pages, 90 color, clothbound English & French with jacket ISBN 978-88-6208-340-9 (English) ISBN 978-88-6208-376-8 ISBN 978-88-6208-336-2 (French) $60 | £39 $45 | £29

Carrie Mae Weems Moby Kitchen Table Series Destroyed Text by Sarah Lewis and 29 x 22.8 cm | 11 ½ x 9 inches Adrienne Edwards 128 pages, 55 color, hardback, 24.8 x 34.3 cm | 9 ¾ x 13 ½ inches includes Destroyed CD 86 pages, 34 b&w, hardbound English, Italian, German, ISBN 978-88-6208-462-8 Spanish & French $50 | £35 ISBN 978-88-6208-155-9 $39.95 | £25

Peter Zimmermann Sound & Vision In association with Galerie Perrotin Texts by Luca Beatrice, 21 x 27 cm | 8 ¼ x 10 ½ inches Alberto Campo 96 pages, 250 color, hardbound 20 x 28 cm | 8 x 11 inches ISBN 978-88-6208-307-2 260 pages, 200, softcover $40 | £25 English & Italian ISBN 978-88-89431-98-6 (English) ISBN 978-88-89431-55-9 (Italian) $35 | £22

Sound Zero Texts by Fabio de Luca, Uwe Husslein, Aaron Rose, Valerio Dehò 16.5 x 23 cm | 6 ½ x 9 inches 200 pages, 150 color, hardbound English, Italian & German ISBN 978-88-89431-65-8 (English) ISBN 978-88-89431-64-1 (Italian) ISBN 978-88-89431-63-4 (German) $48 | £27.50

Roger Harris This Is My Generation. Rock Legends of the 1950s, 60s, 70s and 80s on Stage Today Text by Bob Eisenberg, Roger Harris 22.9 x 22.9 cm | 9 x 9 inches 96 pages, 80 color, hardbound ISBN 978-88-6208-493-2 $30 | £20

90 Urban Art

Chaz Bojorquez Phil Frost The Art and Life of Chaz Bojorquez Text by Pushead, Carlo McCormick Edited by Mario Klefi sch, Alberto 28 x 28 cm | 11 x 11 inches Scabbia. Text by François Chastenet, 162 pages, 164 color, hardbound Greg Escalante, Usugrow English & Italian 24 x 28 cm | 9 ½ x 13 inches ISBN 978-88-6208-024-8 160 pages, 140 color, hardbound $45 | £24.99 ISBN 978-88-6208-121-4 $50 | £30

Dumbo Rae Martini Acts of Vandalism and Stories 24 Carat Dirt of Love 24 x 30 cm | 9 ½ x 11 ½ inches Text by Barry McGee, Federico 208 pages, 150 color, hardbound Sarica, Kyri Chenven ISBN 978-88-6208-207-5 20 x 29 cm | 8 x 11 ½ inches $40 | £25 136 pages, 130 color, hardbound English & Italian ISBN 978-88-89431-95-5 $35 | £19

Alex Fakso Stefano Pane Fast or Die People Think I’m Cool: The Life Text by Andrea Caputo, and Art of Pane Alessandro Zuek Simonetti 23 x 28.7 cm | 9 ½ x 11 inches 24 x 31 cm | 9 ½ x 12 ½ inches 208 pages, 140 color, hardbound 112 pages, 60 color, softcover English & Italian ISBN 978-88-6208-164-1 ISBN 978-88-6208-183-2 $35 | £19.95 $39 | £24.95

Alex Fakso Raptuz Heavy Metal Mother Road Text by Alex Fakso, Giovanna Text by Lorenzo Bonini, Raptuz Calvenzi, Jamel Shabazz 22.8 x 22.8 cm | 9 x 9 inches 30 x 18 cm | 12 x 7 inches 144 pages, 100 color, hardbound 164 pages, 100 color, hardbound ISBN 978-88-6208-229-7 ISBN 978-88-89431-49-8 $35 | £20 $35 | £19

Frontier: The Line of Style Tsang Tsou Choi Edited by Claudio Musso, Fabiola The King of Kowloon: The Art Naldi. Text by Mubi Brighenti, of Tsang Tsou Choi Claire Calogirou, Dado, Stewart Edited and with text by David Home, Christian Omodeo, et al Spalding. Text by Hans Ulrich 16.5 x 23 cm | 6 ½ x 9 inches Obrist, Hon Hanru, Ou Ning 176 pages, 100 color, softcover 24.5 x 27 cm | 9 ⅝ x 10 ⅝ inches English & Italian 240 pages, 150 color, hardbound ISBN 978-88-6208-300-3 English & Chinese $40 | £25 ISBN 978-88-6208-271-6 $50 | £35

Backlist 91 Architecture & Design

Diller Scofi dio & Renfro Qualities of Duration: The Lincoln Center Inside Out Architecture of Phillip Smith 23.8 x 31.8 cm | 9 ⅜ x 12 ½ inches and Douglas Thompson 288 pages, 800 color, clothbound Text by Alastair Gordon ISBN 978-88-6208-244-0 22.9 x 22.9 cm | 9 x 9 inches $85 | £50 222 pages, 357 color, hardbound ISBN 978-88-6208-231-0 $50 | £35

Stewart Grimshaw Thomas R. Schiff The Loveliest Valley: A Garden Prospect in Sussex Text by Michael Speaks, Ann Cotter Text by Stewart Grimshaw, 42.5 x 24.8 cm | 16 ½ x 10 inches Christopher Gibbs, Mary Keen, 304 pages, 250 color, clothbound Julian and Isabel Bannerman, with jacket William Pye, and Tessa Traeger ISBN 978-88-6208-195-5 30 x 25 cm | 11 ¾ x 9 ⅞ inches $80 | £50 240 pages, 265 color, hardbound with jacket ISBN 978-88-6208-441-3 $65 | £40

The Haas Brothers Walter Vallini Haas Brothers Walter Vallini Architect: Text by Laura Dern, Vincent Gallo, Works 2000–2012 Simon and Nikolai Haas 19 x 22 cm | 7 ¾ x 8 ¾ inches 22 x 29 cm | 8 ½ x 11 ½ inches 96 pages, 80 color, hardbound 176 pages, 150 color, softcover ISBN 978-88-6208-279-2 ISBN 978-88-6208-373-7 $30 | £20 $50 | £35

The Haas Brothers Village: One Land Two Systems Haas Brothers Volume II: Afreaks and Platform Paradise 21.6 x 29.2 cm | 8 ½ x 11 ½ inches Edited and with text by Malkit 160 pages, 120 color, softcover Shoshan, Maurizio Bortolotti ISBN 978-88-6208-434-5 16.5 x 24 cm | 6 ½ x 9 ½ inches $50 | £35 256 pages, 200 color, softcover ISBN 978-88-6208-254-9 $30 | £19

Maria Pergay Jeff Zimmerman Complete Works 1957–2010 Text by John Drury. Interview by Text by Suzanne Demisch, Sean Kelly Stephane Danant, Adam Lindeman 24 x 28 cm | 9 ½ x 11 inches 25.4 x 29.8 cm | 10 x 11 ¾ inches 224 pages, 210 color, hardbound 290 pages, 300 color, hardbound ISBN 978-88-6208-358-4 with jacket $60 | £39 ISBN 978-88-6208-174-0 $80 | £50

92 Antiques & Collectibles

Longines Watches 100 Superlative Rolex Watches Edited by John Goldberger. Edited by John Goldberger. Text by Giampiero Negretti Text by Giampiero Negretti 21 x 29 cm | 8 ½ x 11 ½ inches 24 x 32 cm | 9 ½ x 12 ½ inches 304 pages, 280 color, hardbound 256 pages, 700 color, hardbound English, Italian & French with leather ISBN 978-88-89431-40-5 (English) English & Italian ISBN 978-88-89431-41-2 (Italian) ISBN 978-88-6208-031-6 (English) ISBN 978-88-89431-47-4 (French) ISBN 978-88-6208-032-3 (Italian) $99 | £60 $200 | £99.99

Omega Sportswatches Edited by John Goldberger. Text by Giampiero Negretti 21.5 x 29 cm | 8 ½ x 11 ½ inches 144 pages, 450 color, hardbound English & Italian ISBN 978-88-89431-70-2 (English) ISBN 978-88-89431-97-9 (Italian) $89 | £50

Omega Watches Edited by John Goldberger. Text by Giampiero Negretti 21 x 29 cm | 8 ½ x 11 ½ inches 272 pages, 200 color, hardbound English & Italian ISBN 978-88-89431-27-6 (English) ISBN 978-88-89431-24-5 (Italian) $89 | £55

John Goldberger Patek Philippe Steel Watches Limited edition of 300 copies numbered and signed by the author 24 x 32.5 cm | 9 ½ x 12 ¾ inches 440 pages, 900 color, hardbound with cork, plexiglass slipcase ISBN 978-88-6208-304-1 $800 | £500

Manfred Rössler Zenith 21 x 29 cm | 8 ½ x 11 ½ inches 328 pages, 700 color, hardbound English & Italian ISBN 978-88-6208-069-9 (English) ISBN 978-88-6208-068-2 (Italian) $150 | £80

Backlist 93 Via dello Scalo, 3/2 ABC 40131 Bologna, Italy Tel. +39 051 438 07 47 [email protected] www.spaziodamiani.com

In June 2015, Damiani opened a new gallery space, Spazio Damiani. Past exhibitions include Morandi’s Objects by Joel Meyerowitz and Dirt Meridian by Andrew Moore. Spazio Damiani off ers a continuing program of exhibitions devoted to showcasing the work of signifi cant contemporary artists along with lectures and other events. Spazio Damiani is open to the public from Monday to Friday, 12:00 to 6:00 pm, and by appointment.

94 Contacts

Damiani Press Offi ces Via dello Scalo, 3/2 ABC Europe 40131 Bologna, Italy [email protected] Tel. +39 051 635 68 58 [email protected] London www.damianieditore.com Claire Sawford [email protected] President and Publisher Marketing, Media, Brand Andrea Albertini Management [email protected] T: +44 (0)20 7722 4114

Editorial Offi ce New York Eleonora Pasqui Artbook | D.A.P. [email protected] Luke P. Brown [email protected] Sales and Marketing 155 6th Avenue, 2nd fl oor Enrico Farinazzo New York, NY 10013-1507 [email protected] T: +1 212 627 1999 F: +1 212 627 9484 www.artbook.com

Printed in April 2016 by Grafi che Damiani – Faenza Group, Italy

Design: Robin Brunelle, Matsumoto Incorporated, New York Editor: Amy Wilkins, Matsumoto Incorporated, New York

Unless otherwise indicated, all photographs are copyright the artists.

Cover: Antoine Le Grand, Iggy Pop (detail), 2002. From Portraits (p. 19) Pages 4–5: Susan Burnstine, Across the Line (detail), 2010. From Absence of Being (p. 31) Pages 54–55: Andrew Moore, Cash Meier Barn (detail), 2012. From Dirt Meridian (p. 82) Pages 70–71: Concept and images by Maurizio Cattelan and Pierpaolo Ferrari. From Toiletpaper (pp. 72–73) Pages 74–75: Cy Twombly, Untitled (detail), 1989. From Cy Twombly Paradise (p. 90)

Information in this catalogue is accurate at press time. Prices, specifi cations, and terms are subject to change without notice.

95 Distributors

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