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A Global Dialogue on Luxury in the 21St Century

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A GLOBAL DIALOGUE ON LUXURY IN THE ��ST CENTURY PRESENTED BY NEUE LUXURY Issue No.2 bpmcorp.com.au BPM HEAD OFFICE 332 South Road Hampton East VIC 3188 WELCOME Telephone +613 9555 9821 Facismile +613 9555 9824 A note from BPM. www.bpmcorp.com.au JOHN PUBLISHER The BPM paper is published twice yearly by 3 Deep Design Pty Ltd under the ALBRECHT Neue Luxury masthead. 3 Deep 35A/91 Moreland Street Footscray, Victoria 3011 Australia Telephone +61 3 9687 4899 Facsimile +61 3 9687 5133 Email: [email protected] Web: www.3deep.com.au Welcome to the second issue of The BPM Paper; a broadsheet capturing EDITOR IN CHIEF Brett Phillips the unique perspectives, insights and dialogue from those redefining our [email protected] engagement with luxury in the 21st century, whilst celebrating those at the Telephone +61 3 9687 4899 nexus of creativity, art and commerce. EDITOR Roj Amedi One of the great virtues of art is that it enables us to see the world differently, [email protected] while affording us the freedom to explore the intersections of our senses, EXECUTIVE CREATIVE DIRECTOR emotions and intellect. In this spirit, our second issue explores the many David Roennfeldt INSIGHT By Ray Edgar JA: The most notable phenomenon in the last eight years has been a very layers, dimensions and nuances of obsession. [email protected] affluent Asian community initiating the repatriation and reassessment of Once upon a time collectors were as eclectic and obsessive as the grand their own art and artefacts. The most notable example in the antiques CREATIVE DIRECTOR th Obsession is a strange beast. Complex in nature and more often than not Lachlan Sumner auction house themselves and true collectors filled their homes with their industry is the 18 century Qing dynasty vase that turned up in an English stigmatised as a negative condition or disorder over which we have no control. [email protected] obsessions. “It’s become too sanitised,” says John Albrecht, proprietor and provincial auction house, which was eventually sold for £65 million. For some, including BPM, obsession can be liberating, a modus operandi of managing director of Leonard Joel, lamenting a change in collecting habits. RE: What else is highly coveted at present? SPECIAL PROJECTS DIRECTOR sorts that provides an effectual mechanism to sharpen resolve, channel effort Brett Phillips Since its inception 95 years ago Leonard Joel has been a grand JA: Anything in post-war modern design: furniture, objects, lighting, fittings. or help clarify intent. For others, obsession can be a burden of compulsion, [email protected] auction house. “We basically sell every category across every price RE: What’s driving the popularity of mid-century design? obligation, apprehension and fear. point,” explains Albrecht. JA: Globally there has been a profound change of taste in the past ten years INTERNS Tom Clapin However, in the world of collecting, it’s the collectors themselves who and a movement away from the traditional. It’s being influenced by the Our September issue is obsessed with the iconoclasts, leaders, makers and are the rare commodity. Architecture is partly to blame for changing tastes. way people live. Everyone has lots of windows and no walls. Architecture brands that pursue their ideas relentlessly, unceasingly and with a singular ACCOUNTS Once bountiful, baroque interiors—synonymous with the classic collector has had a profound affect on the way people collect. Gary Charman vision that makes it possible for them to change our view of the world. We [email protected] —have been replaced by far more minimalist interiors. Meanwhile RE: Out of all of the obsessive collectors, the people who unwittingly explore the art of edification and how the luxury bestowed upon the Roman values too have changed—price, not aesthetic, dominates discussion. came across an object of extreme value, like the Rare Late Victoria Diamond Catacomb Saints (p2) played a role in abating the iconoclasm of the 17th ADVERTISING & DISTRIBUTION Albrecht marks the change occurring in the 1980s. “Pre-1980s was the Pendant or the Rare Antique Natural Pearl, are what seem to truly excite you. Brett Phillips century. We contrast the obsessions of Italian architect Achille Salvagni (p17) [email protected] period where connoisseurs loved things because they were beautiful, not JA: It was complete chance that the natural pearl survived in a box of with that of curator, director and polygot, Adeline Ooi (p20). Without because they were valuable. That is rarely found today.” costume jewellery for the best part of 50 years. It went to a Fifth Avenue apprehension, fear or anxiety we obsess over the complex, evocative and © Neue Luxury MMXV As part of the venerable auction house’s 95th anniversary celebrations, jeweller in New York for $US130,000, and really made a difference in the ISSN: 2201-6309 monumental portraiture of artist Johan Van Mullem (p4) and contrast his Albrecht produced a book on ninety-five treasures that captured the soul lives of those who sold the piece. They had no idea what they had. They’re oeuvre with that of botanical artist, Azuma Makoto (p7). In expanding our SPECIAL THANKS: and eclecticism of collecting. Albrecht reflects on the public’s changing the stories I really like. When you have gracious undemanding sellers, you John Albrecht, Roj Amedi, Donna Anthony, Fiona Banner, Les Banner, Niamh Barry, Hayley Bonham, Ashley Bramich, global footprint we also travel a few miles outside the Basque city of San Daniel Burns, Mark Buxton, Fiona Byrne, Michelle Campbell, Mario-Luca Carlucci, Earl Carter, Rosanna Cator, Gary Charman, taste and obsessions. can often deliver a sensational result. I describe our industry as ‘the Tom Clapin, Derek Cohen, Alessandro Corallo, Stephen Crafti, Cara Cunningham, Neil Davies, Paola DiTrocchio, Aaron Dunn, Sebastián to speak with Chef Andoni Luis Aduriz—a man whose vision and Ray Edgar, Inge Fransen, Rainald Franz, David Gonzalvo Gargallo, Andy Gaunt, Sam Gray, Jonathan Hallinan, Briony economy of beautiful things and interesting people’. When interesting culinary obsessions know no bounds (p9). Hamilton, Angela Hesson, Graham Imeson, Flavio Incarbone, Damian J Cessario, Karina Jessica, Paul Koudounaris, Shawn RAY EDGAR: What’s the distinction between passion and obsession? people, with beautiful stories and beautiful things come together; that to Kuruneru, David LaChapelle, Benjamin Law, Vincent Lazzara, Monique Le Grand, Bonnie Ledsam, Katarina Ljahovic, Andoni Luiz Aduriz, Azuma Makoto, Stephanie Marsh, Matthew Martin, Thomas Matyk, Peter McNeil, Kyungah Min, Sean JOHN ALBRECHT: Obsession is passion out of control. me is exciting. It’s not necessarily about the most valuable things. Mulquiney, Eri Narita, Susana Nieto Muñoz, Adeline Ooi, Charlemagne Palestine, Ally Parry, Napoleon Perdis, George Pesutto, Each of the artisans and brands featured within this issue are finding success Brett Phillips, Angelika Pirkl, Allain Pool, John Poulakis, Mary Poulakis, Ross Poulakis, Steven Pranica, Marek Reichman, RE: What creates an obsession? RE: The Rare Victorian Sterling Silver Mounted Novelty Claret Jug in the form not just through their endeavours but by acknowledging their roles as cultural Michiel Reuevecamp, Tim Richardson, Georgio Riello, David Roennfeldt, Troy Roennfeldt, Noriaki Sakamoto, Achille JA: People ultimately collect memories. If bottle-tops remind them of a Walrus seems more quirky than beautiful. Salvagni, Kathryn Simon, Tanit Sindin Cordery, Kaya Sorhaindo, Maryanne Stanic, Lachlan Sumner, Melvin Tanaya, Daniel ambassadors, sensory agents and hubs of knowledge. As a consequence each Thawley, Paul Tierney, Sissel Tolaas, Natalie Toman, Megan Travers, Al Trombetta, Kathleen Twentyman, Lyna Ty, Walter of something, that’s usually where the obsession begins. There’s almost JA: It went to London in the end. If it’s quirky and challenging and a little Van Beirendonck, Johan Van Mullem, Natalie Van Mullum, Oscar Villegas, Lucy Waddington, Alice Walters, Samuel Willett, are forging long lasting and more meaningful relationships with their patrons Christian Witt-Dörring, Carla Wood. 101 Collins Street, 3 Deep, Achille Salvagni Architetti, AKG Images, Art Basel, BPM, always an element of nostalgia driving a collector. bit spooky and not just pleasant, it will find a market. There was a whole and audiences. A notion to which BPM strongly subscribes and one we strive Corinne Vionnet, Cover to Cover, CTC Commercial Translation Centre, David LaChapelle, Execujet, Ferretti Group, Folie RE: Who are the obsessive collectors? Victorian period where it got pretty grotesque—attaching live beetles to Á Plusieurs, Harrolds Luxury Department Store, IPG Media, Leonard Joel, MagCirc, MAK–Österreichisches Museum für to fulfil as part of our own remit. It seems fitting for me to be able to bring angewandte Kunst, Mugaritz, Multyflex, National Gallery of Victoria, Publishers Internationale, Qantas, Song for the Mute, JA: I’ve never met a barrister that didn’t collect in an interesting way— brooches and rendering with animals. The Victorian period has a reputation this culture to life in such a potent and engaging way for you to discover. Sonos, Sutton PR Asia, Vranken Pommery, Walter Van Beirendonck. anything from a stuffed piranha to a non-descript European painting. for a reason, being sort of lavish, over the top and nonsensical. Page footer image credits: Maimonides (commons.wikimedia.org/wiki/User:Blaisio Ugolino). Beau Brummell (commons. RE: Do collectors fit a particular demographic? RE: Yet the Victorian period usually suggests stuffiness? wikimedia.org/wiki/User:BrummellEngrvFrmMiniature). Ugo Betti (commons.wikimedia.org/wiki/User:Indeciso42). Peter I trust that you will enjoy the issue. I know that our team has obsessed over Saville (flickr.com/photos/dullhunk). Kanye West (lickr.com/photos/super45). Barbra Streisand (commons.wikimedia. JA: It’s not age specific, but they undoubtedly require the funding to make JA: Both. Decadent and stuffy. But definitely decadent, org/wiki/User:lifescript). Paul Getty (commons.wikimedia.org/wiki/File:J_Paul_Getty_crop.jpg).
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