The Anchor Seventeenth-Century Series Is Published by Doubleday
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Poems of John Donne
1/ THE LIBRARY OF THE UNIVERSITY OF NORTH CAROLINA ENDOWED BY THE DIALECTIC AND PHILANTHROPIC SOCIETIES PR22U5 .A5 C5 1901, v. 2 UNIVERSITY OF N.C. AT CHAPEL HILL 10001490423 This book is due at the LOUIS R. WILSON LIBRARY on the last date stamped under "Date Due." If not on hold it may be renewed by bringing it to the library. DATE DS. T DATE DUE RET DUE KL1 '1 fit o n tHGf ..1. _ r\ *C\ n \j n f 1 All -"\ a« »/*V JAN23 9! 1 1 7QQ2 ArK V) r POEMS OF JOHN DONNE. Digitized by the Internet Archive in 2014 https://archive.org/details/poemsofjohndonne02donn_0 POEMS .tf** C 6~ OF )*0 I JOHN DONNE^ E. K. CHAMBERS. WITH AN INTRODUCTION BY GEORGE S AINTSBURY. NEW EDITION. VOL. II. LONDON: NEW YORK: A. H. BTJLLEN, CHARLES SCRIBNER'S SONS, 18 Cecil Court, W.C. i53~7 Fifth Avenue. xgoj^ 1901. Richard Clay &,Sons, Limited, London & Bungay. CONTENTS OF VOL. II. PAGE Table of Contents ... vii Letters to Several Personages— To Mr. Christopher Brooke : The Storm I „ „ „ The Calm 4 To Sir Henry Wotton ... 7 To Sir Henry Goodyere 10 To Mr. Rowland Woodward .. ... 12 To Sir Henry Wotton 14 To the Countess of Bedford 15 To the Countess of Bedford 17 To Sir Edward Herbert. 20 To the Countess of Bedford 22 To the Countess of Bedford, on New Year's Day 26 To the Countess of Huntingdon ... ... 29 To M[r] Ifzaak] W[alton] ... 32 To M[r] T. W 33 To M[r] T. -
William Blake
.,, '•I I I• 1J I I 11~ -· II I It~ I "I 1 rj.. I 1'111 .., l:l111i1l II' I i!1 ".IU - I. I ' 'I l ~ ,11 I ~ ii ·1 ... u",,.11 '"·' I '" 111 lit TH E COMPLETE POET R Y AN D SELECTED PROSE OF John Dorine & TH E COMPLETE POET R Y OF William Blake )))))))))))))))))))))))))))))))))))))))))))))))))) WITH AN INTRODU C TION BY Robert Silliman Hillyer ))))))))))))))))))))))))))))))))))))))))))))))))~~ THE MODERN LIBRARY NEW YORK Contents INTRODVCTION by Robert Silliman Hillyer THE COMPLETE POETRY AND SELECTED PROSE OF JOHN DONNE THE POEMS SONGS AND SONETS The Good-morrow 3 Song 3 Womans Constancy 4 The Undertaking S The Sunne rising 6 The Indifferent 6 Loves Usury 7 The Canonization 8 The Triple Foote 9 Lovers infiniteuesse Io Song II The Legacie I 2 A Feaver I3 Aire and Angells I3 Breake of Day 14 The Anniversarie IS A Valediction: of my name, in the window 16 T wicknam Garden 18 A Valediction: of the booke I9 Communitie 21 Loves Growth 21 Loves Exchange 22 Confined Love 23 The Drearne 24 A Valediction: of weeping 25 Loves Alchymie 26 The Flea 26 v CONTE NTS vii vi CON TENT S S4 The Curse 27 Raderus The Message 28 Mercurius Gallo-Beligicus S4 Ralphius SS A Nocturnall upon S. Lucies Day 29 The Lier SS Witchcraft by a Picture 30 The Baite 30 The Apparition 3I E LEGIES The Broken Heart 32 A Valediction: forbidding mourning 33 I. Jealosie s6 The Extasie 34 II. The Anagram S7 Loves Deitie 36 III. Change s8 Loves Diet 37 IV. -
Time, Death, and Mutability : a Study of Themes in Some Poetry of The
TIME, DEATH, and MUTABILITY: A Study of Themes in Some Poetry of the Renaissance - Spenser, Shakespeare, and Donne Jean Miriam Gerber B.A., Pennsylvania State University, 1961 A THESIS SUBMITTED IN PARTIAL FULFUHE3T OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English Jean Miriam Gerber, 1968 Simon Fraser University J~Y,1968 EXA XINIMG COK4ITTEX APPROVAL (name) Senior Supervisor \ ( name) Examining Cormittoe " - ( name ) Examining Conunittee PARTTAL COPYRIGIIT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Sttldies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Title of Thesis/~issertation: Author: (signature ) (name ) (date) ACKNOWLEDGMENTS The author wishes to thank Mr. Clark Cook for his many suggestions and close attention. Special thanks are also due to Mr. James Sandison who read this study in manuscript. Above all I wish to thank Dr. F. B. Candelaria, who supervised the thesis. ABSTRACT This study was undertaken in order to exanine some examples of Renaissance poe+zy in the light of the themes of love, death, time, and mutability. -
Jesse Sharpe Phd Thesis
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Andrews Research Repository ‘AND THE WORD WAS MADE FLESH’: THE PROBLEM OF THE INCARNATION IN SEVENTEENTH-CENTURY DEVOTIONAL POETRY Jesse David Sharpe A Thesis Submitted for the Degree of PhD at the University of St. Andrews 2012 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/3185 This item is protected by original copyright This item is licensed under a Creative Commons License 'AND THE WORD WAS MADE FLESH': THE PROBLEM OF THE INCARNATION IN SEVENTEENTH-CENTURY DEVOTIONAL POETRY Jesse David Sharpe A thesis for the degree of Doctor of Philosophy University of St Andrews School of English 22 May 2012 i ABSTRACT In using the doctrine of the Incarnation as a lens to approach the devotional poetry of seventeenth-century Britain, ‘“And the Word was made flesh”: The Problem of the Incarnation in Seventeenth-Century Devotional Poetry’ finds this central doctrine of Christianity to be a destabilising force in the religious controversies of the day. The fact that Roman Catholics, the Church of England, and Puritans all hold to the same belief in the Incarnation means that there is a central point of orthodoxy which allows poets from differing sects of Christianity to write devotional verse that is equally relevant for all churches. This creates a situation in which the more the writer focuses on the incarnate Jesus, the less ecclesiastically distinct their writings become and the more aware the reader is of how difficult it is to categorise poets by the sects of the day. -
The Poetics of Estrangement in John Donne's Divine Poems and Sermons
Wilfrid Laurier University Scholars Commons @ Laurier Theses and Dissertations (Comprehensive) 2020 Holy Estrangement: The Poetics of Estrangement in John Donne's Divine Poems and Sermons Anton Bergstrom [email protected] Follow this and additional works at: https://scholars.wlu.ca/etd Part of the Literature in English, British Isles Commons Recommended Citation Bergstrom, Anton, "Holy Estrangement: The Poetics of Estrangement in John Donne's Divine Poems and Sermons" (2020). Theses and Dissertations (Comprehensive). 2250. https://scholars.wlu.ca/etd/2250 This Dissertation is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Theses and Dissertations (Comprehensive) by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. HOLY ESTRANGEMENT: THE POETICS OF ESTRANGEMENT IN JOHN DONNE’S DIVINE POEMS AND SERMONS by Anton Erik Bergstrom Bachelor of Arts Honours, University of Saskatchewan, 2007 Master of Arts, Queen’s University, 2008 DISSERTATION Submitted to the Department of English and Film Studies in partial fulfilment of the requirements for Doctor of Philosophy in English and Film Studies Wilfrid Laurier University © Anton Erik Bergstrom 2020 i Abstract This dissertation examines literary estrangement, that is the act and effect of making the familiar strange in a literary work, in the religious poems and sermons of the poet-preacher John Donne (1572–1631). My study uncovers and explores what Donne “estranges,” how he achieves this, and for what purpose, as well as the practices and modes of thinking that shaped his poetics. In Donne’s religious verse and prose, making the familiar and traditional tropes, images, doctrines, and events of Christianity strange forms active readers and revitalizes those elements, imbuing them with newfound interest, significance, and affective power. -
Petrarchan Reform and Reform of Petrarch in Early Modern England
University of Nevada, Reno Petrarchan Reform and Reform of Petrarch in Early Modern England A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English By Satyaki Kanjilal Dr. James Dillon Mardock/ Dissertation Advisor December, 2015 © by Satyaki Kanjilal 2015 All Rights Reserved THE GRADUATE SCHOOL We recommend that the dissertation prepared under our supervision by Satyaki Kanjilal Entitled Petrarchan Reform and the Reform of Petrarch in Early Modern England be accepted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Dr. James Dillon Mardock, Advisor Dr. Eric Rasmussen, Committee Member Dr. Philip Boardman, Committee Member Dr. Kevin Stevens, Committee Member Dr. Kenneth Lucey, Graduate School Representative David W. Zeh, Ph. D., Dean, Graduate School December, 2015 i Abstract Discussions of Petrarchism in early modern English studies often focus on its influence on secular love lyrics, but Petrarch’s Canzoniere also has a religious undertone. Petrarch’s speaker in the in-vita section of Canzoniere focuses on the image of Laura, where he fluctuates between committing to God and committing to the image of Laura. After Laura’s death, Petrarch’s speaker gradually goes through despair in the in-morte section of Canzoniere to learn of his mistake and eventually commit to God. John Calvin, in his Institutes of Christian Religion, points out that a supplicant never definitively knows the state of his election. This uncertainty creates within the speaker a fluctuation between the state of hope for his soul’s salvation and a state of despair at the prospect of the damnation of his soul. -
The Broadview Anthology of BRITISH LITERATURE Volume 2 The
The Broadview Anthology of BRITISH LITERATURE Volume 2 The Renaissance and the Early Seventeenth Century GENERAL EDITORS Joseph Black, University of Massachusetts Leonard Conolly, Trent University Kate Flint, Rutgers University Isobel Grundy, University of Alberta Don LePan, Broadview Press Roy Liuzza, University of Tennessee Jerome J. McGann, University of Virginia Anne Lake Prescott, Barnard College Barry V. Quails, Rutgers University Claire Waters, University of California, Davis broadview press CONTENTS PREFACE ; '.',.' xxiv ACKNOWLEDGMENTS xxxn INTRODUCTION TO THE RENAISSANCE AND THE EARLY SEVENTEENTH CENTURY xxxv Humanism xxxvn Scientific Inquiry .... ."."....... xxxvm The Reformation in England , XL Wales, Scotland, Ireland ,. XLVI Edward VI, Mary I, and Elizabeth I XLVIII Elizabeth I and Gender '.". XLIX Homoeroticism and Transgendering ......... ^ .. LII Economy and Society in the Sixteenth and Seventeenth Centuries LIV "The Wide World's Imagined Corners" ., LXIII The Stuarts and the Civil Wars • • • • '••.•'• LXIV Literary Genres • • • • • • LXIX Literature in Prose, and the Development of Print Culture LXIX Poetry LXXVII The Drama LXXX The English Language in the Sixteenth and Seventeenth Centuries LXXXIV HISTORY OF THE LANGUAGE AND OF PRINT CULTURE LXXXVII JOHN SKELTON I... ^.. ^ 1 The Tunning of Elinour Rumming 2 To Mistress Isabell Pennell 11 To Mistress Margaret Hussey (Website) Philip Sparrow (Website) SIR THOMAS MORE l'. 12 Utopia:The Best State of a Commonwealth and the New Island of Utopia 14 Thomas More to Peter Giles ...:.. 14 Bookl ..:......:. .„:.... 16 Book 2 ......I ./......I 33 Chapter 1 . ..!...:. • • • • 33 Chapter 2: The Cities, and Especially Amaurote '. 34 Chapter 3: The System of Local Government ...'.' 36 Chapter 4: Crafts and Occupations 36 Chapter 5: Their Dealings With One Another . -
INDEX 279 © in This Web Service Cambridge
Cambridge University Press 978-0-521-54003-2 - The Cambridge Companion to: John Donne Edited by Achsah Guibbory Index More information INDEX Abbot, George (Archbishop of Canterbury) Bell, Beaupre´ 37 26, 96, 97 Bell, Ilona 107 absolutism 3, 17, 83–98, 140, 168; see also Bellarmine, Cardinal 8 monarchy Bernard (St.) 178 A Catholike Appeale for Protestants Beza, Theodore 77 73–74, 76 Bible 66, 75, 109, 152, 160, 162, 169, 177 Act of Supremacy 2 1 Corinthians 136, 145 Aesop 126 Deuteronomy 162 agape 144, 145 Ecclesiastes 130 alchemy 103, 146, 170, 242 Ephesians 145 Alford, Henry 238 Exodus 162 Alleyn, Edward 18 Ezekiel 225 ambition 13, 36, 83, 89, 90, 91, 242 Genesis 162 Amichai, Yehuda 244 Hebrews 160 Andrewes, Lancelot 170, 171, 174 Job 222, 224 Andrews, Dr. 27 John 149, 177 Anne, Queen 16, 42 Lamentations of Jeremiah 151, 162 apostasy 8, 18, 242 Luke 185 Aquinas, Thomas (St.) 170 Matthew 129 Aristotle 175 Psalms 162, 188, 226 Arminians 78, 96, 97–98 Revelation 162, 180 Arminius, Jacobus 78 Romans 77, 145 Ash, Randolf Henry; see Byatt, A. S., Song of Songs 146 Possession Bishops’ Order of 1599 49, 118, 123 atheism 66–67 Bodin, Jean 91 Augustine (St.) 145, 146, 170, 175, 237, 239 body/bodies/embodiment 52–53, 61–63, 111–12, 135–36, 142, 155, 157, Bacon, Sir Francis 171 158–59, 160, 163–64, 175, 205–07, Bahti, Timothy 113 208–13, 214, 225, 247–57 Baker, Sir Richard 6, 234 body/soul connection 60–63, 105, 111–12, Bald, R. C. -
Critical Survey of Poetry
More Critical Survey of Poetry: British, Irish, & Commonwealth Poets John Donne by Edmund Miller Other literary forms Although John Donne (duhn) is know n chiefly as a lyric poet, the posthumous volume Poems, by J.D., w hich includes the lyrics, represents only a small part of his literary output. Donne w as famous in his ow n age mainly as a preacher; in fact, he w as probably the most popular preacher of an age w hen preaching held the same fascination for the general public that the cinema has today. Various sermons of Donne’s w ere published during his lifetime, and several collections w ere published in the follow ing decades. Without a commitment to Donne’s religious values, how ever, few today w ould w ant to read through many of his sermons. Donne must, how ever, be credited w ith the careful articulation of the parts of his sermons, w hich create a Table of Contents resounding unity of theme; and his control of prose rhythm and his ingenious imagery retain their Other literary forms pow er, even if modern readers are no longer disposed to see the majesty of God mirrored in such w riting. Achievements Biography John Donne Analysis (Library of Congress) “Kind pity chokes my spleen” “The Autumnal” “To His Mistress Going to Bed” “The Canonization” “The Flea” “The Ecstasy” “A Valediction: Forbidding Mourning” “Twickham Garden” “A Nocturnal upon St. Lucy’s Day, Being the Shortest Day” Verse letters Epithalamia Memorial verse “Infinitati Sacrum” Holy Sonnets Bibliography Excerpts from Donne’s sermons thus have a continuing vitality for general readers in a w ay that excerpts from the sermons of, for example, Lancelot Andrew es cannot. -
The Reputation of John Donne 1779—1873
ACTA UNIVERSITATIS UPSALIENSIS Studia Anglistica Upsaliensia 24 RAOUL GR ANQVIST THE REPUTATION O F JOHN DONNE 1779—1873 UPPSALA 1975 Distributor: Almqvist & Wikseil International Stockholm — Sweden The Reputation of John Donne 1779—1873 Doctoral Dissertation to be publicly examined in Room C 208, HSC, on December 13, 1975, at 10.00 a.m., for the Degree of Doctor of Philosophy (according to Royal proclamation N o. 327, 1969) by Raoul Granqvist UPPSALA 1975 ACTA UNIVERSITATIS UPSALIENSIS Studia Anglistica Upsaliensia 24 Donne at the age of 44\ from an engraving by W. Bromley (originally after the painting that is now in the National Portrait Gallery). Reproduced in John Mayor, Walton's Lives (1825) THE REPUTATION OF JOHN DONNE 1779—1873 BY RAOUL GR ANQVIST UPPSALA 1975 Distributor: Almqvist & Wiksell International, Stockholm, Sweden Doctoral dissertation at the University of Uppsala 1975 © 1975 Raoul Granqvist Printed in Sweden by Libertryck, Stockholm 1975 Phototypesetting: TEXTGRUPPEN I UPPSALA AB ISBN 91-554-0331-X ISSN 0562-2719 Contents References and Abbreviations 7 Illustrations 10 Preface 11 Introduction 17 1. Donne in the Seventeenth Century 17 2. Donne in the Eighteenth Century (before Johnson) 20 PART ONE: 1779-1830 I. Johnson on Donne 27 II. Literary Historians and Antiquarians on Donne 35 1. The Heritage of Johnson 35 a. Donne the Prototype of Metaphysical Wit 35 b. Donne the Satirist 39 c. Donne the Prose-Writer 43 2. Donne in the Anthologies 47 a. Donne in Three Standard Anthologies 48 b. Donne in Selections of Songs and Lyrical Poetry 49 c. Donne in Didactic Selections of Poetry and Prose 52 III. -
Consummation of Sexuality and Religion in the Love and Divine Poetry of John Donne
Consummation of Sexuality and Religion in the Love and Divine Poetry of John Donne NG Pui Lam A Thesis Submitted in Partial Fulfillment of Requirements for a Degree of Master of Philosophy in English Literary Studies © The Chinese University of Hong Kong Nov 2005 The Chinese University of Hong Kong holds the copyright of this thesis. Any person(s) intending to use a part or whole of this thesis in a proposed publication must seek copyright release from the Dean of the Graduate School. UNIVERSITY J纠j ^>4IBRARY SYSTEf^y^ Abstract Abstract of thesis entitled: Consummation of Sexuality and Religion in the Love and Divine Poetry of John Donne. Submitted by Ng Pui Lam for the degree of Master of Philosophy in English Literary Studies at The Chinese University of Hong Kong in Nov 2005. This thesis aims to show the continuity of the emphasis on sex and religion in Donne's love and divine poetry. Though there are two distinctive and even contradictory subgenres in Donne's poetry, namely the love poems in Songs and Sonnets and Elegies and his religious poems, both sex and religion remain the core subjects all the way in Donne's poetry. Donne seduces women in many religious ways in his love poetry. Similarly, he sees God and Satan as lovers fighting for his soul; and he seduces God sexually as his mistress too in his divine poems. Furthermore, Donne's insistence on the consummation of his body and soul even continues after death. His poetry also shows his anxiety about death since death is a separation of the soul and the body in Christian doctrines. -
Fettering Ignatius to Verse: Donne’S Reckoning with the Spiritual Exercises Through His Holy Sonnets
ABSTRACT Title of Document: FETTERING IGNATIUS TO VERSE: DONNE’S RECKONING WITH THE SPIRITUAL EXERCISES THROUGH HIS HOLY SONNETS Brian J. Gilbert, Master of Arts, 2008 Directed By: Professor Gerard Passannante, English Department The purpose of this project is to reestablish the Jesuit influence on John Donne’s Holy Sonnets in order to better understand the spiritual stagnancy expressed by his speakers. In doing so, this thesis will not examine Donne’s poetry as the reproduction of a meditative experience, but as the poet’s conscious efforts to contend with his formative traditions by “fettering” them to verse. In these sonnets, Donne dramatizes a conflicted spiritual heritage through the speakers’ ambivalent responses to the Jesuit meditative model. As Donne’s speakers engage and ultimately reject the requirements of the Spiritual Exercises they uncover the tension between acknowledging one’s past and asserting one’s selfhood. FETTERING IGNATIUS TO VERSE: DONNE’S RECKONING WITH THE SPIRITUAL EXERCISES THROUGH HIS HOLY SONNETS By Brian Joseph Gilbert Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Professor Gerard Passannante, Chair Professor Ralph Bauer Professor Jane Donawerth © Copyright by Brian Joseph Gilbert 2008 Dedication To Heather: For your unwavering support of me, your unfailing confidence in me, and your love of me through everything. Words fail me when I think of you. ii Acknowledgements I am deeply indebted to Jerry Passannante for his support and dedication to this project. He agreed to direct my work without knowing me or my abilities and literally willed me to complete this.