Collected Poems of John Donne
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Poems of John Donne
1/ THE LIBRARY OF THE UNIVERSITY OF NORTH CAROLINA ENDOWED BY THE DIALECTIC AND PHILANTHROPIC SOCIETIES PR22U5 .A5 C5 1901, v. 2 UNIVERSITY OF N.C. AT CHAPEL HILL 10001490423 This book is due at the LOUIS R. WILSON LIBRARY on the last date stamped under "Date Due." If not on hold it may be renewed by bringing it to the library. DATE DS. T DATE DUE RET DUE KL1 '1 fit o n tHGf ..1. _ r\ *C\ n \j n f 1 All -"\ a« »/*V JAN23 9! 1 1 7QQ2 ArK V) r POEMS OF JOHN DONNE. Digitized by the Internet Archive in 2014 https://archive.org/details/poemsofjohndonne02donn_0 POEMS .tf** C 6~ OF )*0 I JOHN DONNE^ E. K. CHAMBERS. WITH AN INTRODUCTION BY GEORGE S AINTSBURY. NEW EDITION. VOL. II. LONDON: NEW YORK: A. H. BTJLLEN, CHARLES SCRIBNER'S SONS, 18 Cecil Court, W.C. i53~7 Fifth Avenue. xgoj^ 1901. Richard Clay &,Sons, Limited, London & Bungay. CONTENTS OF VOL. II. PAGE Table of Contents ... vii Letters to Several Personages— To Mr. Christopher Brooke : The Storm I „ „ „ The Calm 4 To Sir Henry Wotton ... 7 To Sir Henry Goodyere 10 To Mr. Rowland Woodward .. ... 12 To Sir Henry Wotton 14 To the Countess of Bedford 15 To the Countess of Bedford 17 To Sir Edward Herbert. 20 To the Countess of Bedford 22 To the Countess of Bedford, on New Year's Day 26 To the Countess of Huntingdon ... ... 29 To M[r] Ifzaak] W[alton] ... 32 To M[r] T. W 33 To M[r] T. -
William Blake
.,, '•I I I• 1J I I 11~ -· II I It~ I "I 1 rj.. I 1'111 .., l:l111i1l II' I i!1 ".IU - I. I ' 'I l ~ ,11 I ~ ii ·1 ... u",,.11 '"·' I '" 111 lit TH E COMPLETE POET R Y AN D SELECTED PROSE OF John Dorine & TH E COMPLETE POET R Y OF William Blake )))))))))))))))))))))))))))))))))))))))))))))))))) WITH AN INTRODU C TION BY Robert Silliman Hillyer ))))))))))))))))))))))))))))))))))))))))))))))))~~ THE MODERN LIBRARY NEW YORK Contents INTRODVCTION by Robert Silliman Hillyer THE COMPLETE POETRY AND SELECTED PROSE OF JOHN DONNE THE POEMS SONGS AND SONETS The Good-morrow 3 Song 3 Womans Constancy 4 The Undertaking S The Sunne rising 6 The Indifferent 6 Loves Usury 7 The Canonization 8 The Triple Foote 9 Lovers infiniteuesse Io Song II The Legacie I 2 A Feaver I3 Aire and Angells I3 Breake of Day 14 The Anniversarie IS A Valediction: of my name, in the window 16 T wicknam Garden 18 A Valediction: of the booke I9 Communitie 21 Loves Growth 21 Loves Exchange 22 Confined Love 23 The Drearne 24 A Valediction: of weeping 25 Loves Alchymie 26 The Flea 26 v CONTE NTS vii vi CON TENT S S4 The Curse 27 Raderus The Message 28 Mercurius Gallo-Beligicus S4 Ralphius SS A Nocturnall upon S. Lucies Day 29 The Lier SS Witchcraft by a Picture 30 The Baite 30 The Apparition 3I E LEGIES The Broken Heart 32 A Valediction: forbidding mourning 33 I. Jealosie s6 The Extasie 34 II. The Anagram S7 Loves Deitie 36 III. Change s8 Loves Diet 37 IV. -
Time, Death, and Mutability : a Study of Themes in Some Poetry of The
TIME, DEATH, and MUTABILITY: A Study of Themes in Some Poetry of the Renaissance - Spenser, Shakespeare, and Donne Jean Miriam Gerber B.A., Pennsylvania State University, 1961 A THESIS SUBMITTED IN PARTIAL FULFUHE3T OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English Jean Miriam Gerber, 1968 Simon Fraser University J~Y,1968 EXA XINIMG COK4ITTEX APPROVAL (name) Senior Supervisor \ ( name) Examining Cormittoe " - ( name ) Examining Conunittee PARTTAL COPYRIGIIT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Sttldies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Title of Thesis/~issertation: Author: (signature ) (name ) (date) ACKNOWLEDGMENTS The author wishes to thank Mr. Clark Cook for his many suggestions and close attention. Special thanks are also due to Mr. James Sandison who read this study in manuscript. Above all I wish to thank Dr. F. B. Candelaria, who supervised the thesis. ABSTRACT This study was undertaken in order to exanine some examples of Renaissance poe+zy in the light of the themes of love, death, time, and mutability. -
Jesse Sharpe Phd Thesis
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Andrews Research Repository ‘AND THE WORD WAS MADE FLESH’: THE PROBLEM OF THE INCARNATION IN SEVENTEENTH-CENTURY DEVOTIONAL POETRY Jesse David Sharpe A Thesis Submitted for the Degree of PhD at the University of St. Andrews 2012 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/3185 This item is protected by original copyright This item is licensed under a Creative Commons License 'AND THE WORD WAS MADE FLESH': THE PROBLEM OF THE INCARNATION IN SEVENTEENTH-CENTURY DEVOTIONAL POETRY Jesse David Sharpe A thesis for the degree of Doctor of Philosophy University of St Andrews School of English 22 May 2012 i ABSTRACT In using the doctrine of the Incarnation as a lens to approach the devotional poetry of seventeenth-century Britain, ‘“And the Word was made flesh”: The Problem of the Incarnation in Seventeenth-Century Devotional Poetry’ finds this central doctrine of Christianity to be a destabilising force in the religious controversies of the day. The fact that Roman Catholics, the Church of England, and Puritans all hold to the same belief in the Incarnation means that there is a central point of orthodoxy which allows poets from differing sects of Christianity to write devotional verse that is equally relevant for all churches. This creates a situation in which the more the writer focuses on the incarnate Jesus, the less ecclesiastically distinct their writings become and the more aware the reader is of how difficult it is to categorise poets by the sects of the day. -
The Poetics of Estrangement in John Donne's Divine Poems and Sermons
Wilfrid Laurier University Scholars Commons @ Laurier Theses and Dissertations (Comprehensive) 2020 Holy Estrangement: The Poetics of Estrangement in John Donne's Divine Poems and Sermons Anton Bergstrom [email protected] Follow this and additional works at: https://scholars.wlu.ca/etd Part of the Literature in English, British Isles Commons Recommended Citation Bergstrom, Anton, "Holy Estrangement: The Poetics of Estrangement in John Donne's Divine Poems and Sermons" (2020). Theses and Dissertations (Comprehensive). 2250. https://scholars.wlu.ca/etd/2250 This Dissertation is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Theses and Dissertations (Comprehensive) by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. HOLY ESTRANGEMENT: THE POETICS OF ESTRANGEMENT IN JOHN DONNE’S DIVINE POEMS AND SERMONS by Anton Erik Bergstrom Bachelor of Arts Honours, University of Saskatchewan, 2007 Master of Arts, Queen’s University, 2008 DISSERTATION Submitted to the Department of English and Film Studies in partial fulfilment of the requirements for Doctor of Philosophy in English and Film Studies Wilfrid Laurier University © Anton Erik Bergstrom 2020 i Abstract This dissertation examines literary estrangement, that is the act and effect of making the familiar strange in a literary work, in the religious poems and sermons of the poet-preacher John Donne (1572–1631). My study uncovers and explores what Donne “estranges,” how he achieves this, and for what purpose, as well as the practices and modes of thinking that shaped his poetics. In Donne’s religious verse and prose, making the familiar and traditional tropes, images, doctrines, and events of Christianity strange forms active readers and revitalizes those elements, imbuing them with newfound interest, significance, and affective power. -
Petrarchan Reform and Reform of Petrarch in Early Modern England
University of Nevada, Reno Petrarchan Reform and Reform of Petrarch in Early Modern England A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English By Satyaki Kanjilal Dr. James Dillon Mardock/ Dissertation Advisor December, 2015 © by Satyaki Kanjilal 2015 All Rights Reserved THE GRADUATE SCHOOL We recommend that the dissertation prepared under our supervision by Satyaki Kanjilal Entitled Petrarchan Reform and the Reform of Petrarch in Early Modern England be accepted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Dr. James Dillon Mardock, Advisor Dr. Eric Rasmussen, Committee Member Dr. Philip Boardman, Committee Member Dr. Kevin Stevens, Committee Member Dr. Kenneth Lucey, Graduate School Representative David W. Zeh, Ph. D., Dean, Graduate School December, 2015 i Abstract Discussions of Petrarchism in early modern English studies often focus on its influence on secular love lyrics, but Petrarch’s Canzoniere also has a religious undertone. Petrarch’s speaker in the in-vita section of Canzoniere focuses on the image of Laura, where he fluctuates between committing to God and committing to the image of Laura. After Laura’s death, Petrarch’s speaker gradually goes through despair in the in-morte section of Canzoniere to learn of his mistake and eventually commit to God. John Calvin, in his Institutes of Christian Religion, points out that a supplicant never definitively knows the state of his election. This uncertainty creates within the speaker a fluctuation between the state of hope for his soul’s salvation and a state of despair at the prospect of the damnation of his soul. -
A Level English Literature PAPER 3 POETRY
A Level English Literature PAPER 3 POETRY SPECIMEN PAPERS Pearson Edexcel Level 3 Advanced GCE in English Literature Paper 3 (9ET0/03) Introduction______________________________________ This specimen paper has been produced to complement the sample assessment materials for Pearson Edexcel Level 3 Advanced GCE in English Literature and is designed to provide extra practice for your students. The specimen papers are part of a suite of support materials offered by Pearson. The specimen papers do not form part of the accredited materials for this qualification. Write your name here Surname Other names Pearson Edexcel Centre Number Candidate Number Level 3 GCE English Literature Advanced Paper 3: Poetry Specimen Papers for first teaching Paper Reference September 2015 9ET0/03 Time: 2 hours 15 minutes You must have: Total Marks prescribed texts (clean copies) and source booklet (enclosed) Instructions • Use black ink or ball-point pen. • Fill in the boxes at the top of this page with your name, centre number and candidate number. • Answer one question in Section A and one question in Section B. • Answer the questions in the spaces provided – there may be more space than you need. • In your answers, you must not use texts that you have used in your coursework. Information • The total mark for this paper is 60. • The marks for each question are shown in brackets – use this as a guide as to how much time to spend on each question. Advice • Read each question carefully before you start to answer it. • Check your answers if you have time at the end. Turn over S49217A ©2015 Pearson Education Ltd. -
THE METAPHYSICAL POETRY META Apresentar Um Panorama Histórico Contextualizado Sobre a Poesia Metafísica E Seus Principais Representantes
Aula 2 THE METAPHYSICAL POETRY META Apresentar um panorama histórico contextualizado sobre a poesia metafísica e seus principais representantes. OBJETIVOS Ao final desta aula, o aluno deverá: Reconhecer e identificar os principais elementos da poesia metafísica, tal como se encontram inscritos nos poemas de John Donne. PRÉ-REQUISITOS Familiaridade com a problemática do conceito de Literatura; O contexto sócio-histórico da formação da história da literatura inglesa. Luiz Eduardo Oliveira Literatura de Língua Inglesa II INTRODUÇÃO Nesta segunda aula, conheceremos mais de perto a produção poética de John Donne, o contexto no qual produziu suas obras, um pouco de sua biografia e, finalmente sua recepção e apreciação crítica. Trabalharemos, ao final da aula, com o poema, “Elegy XX”, que foi traduzido para o português em pleno século XX por Augusto de Campos e musicado por Caetano Veloso (https://www.youtube.com/watch?v=-YX4K5Beibc). Observaremos a sua complexidade de sua estrutura, o uso inusitado de imagens e metáforas, as referências ao momento sócio-histórico e, cla- ro, sua beleza poética, maracada pela fluidez do seu ritmo e a sonoridade cristalina de suas rimas. John Donne is regarded as both the pioneer and the chief spokesperson of metaphysical poetry. Robert Browning rightly complemented on Donne‘s poetic proliferation by the words: ―Who was the Prince of wits, amongst whom he reign‘d / High as a Prince, and as great State maintain‘d?”. Donne had a prosperous literary life, garnished with numerous love poems, songs, sonnets, elegies, satires, sermons, religious verse and treatises but a majority of Donne‘s poetical works were published posthumously, barring a few like The Anniversaries (1612) and Devotions Upon Emergent Occasions (1623). -
The Broadview Anthology of BRITISH LITERATURE Volume 2 The
The Broadview Anthology of BRITISH LITERATURE Volume 2 The Renaissance and the Early Seventeenth Century GENERAL EDITORS Joseph Black, University of Massachusetts Leonard Conolly, Trent University Kate Flint, Rutgers University Isobel Grundy, University of Alberta Don LePan, Broadview Press Roy Liuzza, University of Tennessee Jerome J. McGann, University of Virginia Anne Lake Prescott, Barnard College Barry V. Quails, Rutgers University Claire Waters, University of California, Davis broadview press CONTENTS PREFACE ; '.',.' xxiv ACKNOWLEDGMENTS xxxn INTRODUCTION TO THE RENAISSANCE AND THE EARLY SEVENTEENTH CENTURY xxxv Humanism xxxvn Scientific Inquiry .... ."."....... xxxvm The Reformation in England , XL Wales, Scotland, Ireland ,. XLVI Edward VI, Mary I, and Elizabeth I XLVIII Elizabeth I and Gender '.". XLIX Homoeroticism and Transgendering ......... ^ .. LII Economy and Society in the Sixteenth and Seventeenth Centuries LIV "The Wide World's Imagined Corners" ., LXIII The Stuarts and the Civil Wars • • • • '••.•'• LXIV Literary Genres • • • • • • LXIX Literature in Prose, and the Development of Print Culture LXIX Poetry LXXVII The Drama LXXX The English Language in the Sixteenth and Seventeenth Centuries LXXXIV HISTORY OF THE LANGUAGE AND OF PRINT CULTURE LXXXVII JOHN SKELTON I... ^.. ^ 1 The Tunning of Elinour Rumming 2 To Mistress Isabell Pennell 11 To Mistress Margaret Hussey (Website) Philip Sparrow (Website) SIR THOMAS MORE l'. 12 Utopia:The Best State of a Commonwealth and the New Island of Utopia 14 Thomas More to Peter Giles ...:.. 14 Bookl ..:......:. .„:.... 16 Book 2 ......I ./......I 33 Chapter 1 . ..!...:. • • • • 33 Chapter 2: The Cities, and Especially Amaurote '. 34 Chapter 3: The System of Local Government ...'.' 36 Chapter 4: Crafts and Occupations 36 Chapter 5: Their Dealings With One Another . -
The Metaphysical Poet: John Donne and His Religious Experience in Poetry
ORIGINAL ARTICLE © UIJIR | ISSN (O) - XXXX-XXXX June 2020 | Vol. 1 Issue.1 www.uijir.com THE METAPHYSICAL POET: JOHN DONNE AND HIS RELIGIOUS EXPERIENCE IN POETRY DR. MUNA SHRESTHA Assistant Professor of Tribhuvan University, Nepal Mahendra Multiple Campus, Nepalgun, Nepal E-Mail:[email protected] ABSTRACT This paper tries to interpret John Donne’s as a religious poet. His works are better understood through the optic of Biblical knowledge, the backdrop of God’s revelation of Himself. A poet’s heart is filled with sympathy by the Spirit of his Maker and mind is illumined by His Word recognizes a much deeper sense of inspiring reality. In his poems, Donne uses the most effective and intimate of words to express his relation with God. The metaphysical poetry not only explains the existence of earthly things, but also reveals the religious significance of unnoticed or hitherto unappreciated aspects of temporal things. He also portrays satire in his poetry that deal the problem of true religion and it is a matter of great importance to Donne. He argues that it is better to examine carefully one's religious beliefs than blindly to follow any established tradition. Key words: John Donne, metaphysical poetry, religious, God. 1. INTRODUCTION English metaphysical poetry is the richest and most widely ranging in the language. Its style was most enthusiastic in the seventeenth century and it not only brought the best devotional poetry but also the finest lyrics, satires, pastorals and visionary meditations of that era (Edwin Honig). The poets gave the signal to the readers to enter into a new empire of poetry with a sense of attachment and belonging between different objects of nature and human sentiments, feeling and passion. -
INDEX 279 © in This Web Service Cambridge
Cambridge University Press 978-0-521-54003-2 - The Cambridge Companion to: John Donne Edited by Achsah Guibbory Index More information INDEX Abbot, George (Archbishop of Canterbury) Bell, Beaupre´ 37 26, 96, 97 Bell, Ilona 107 absolutism 3, 17, 83–98, 140, 168; see also Bellarmine, Cardinal 8 monarchy Bernard (St.) 178 A Catholike Appeale for Protestants Beza, Theodore 77 73–74, 76 Bible 66, 75, 109, 152, 160, 162, 169, 177 Act of Supremacy 2 1 Corinthians 136, 145 Aesop 126 Deuteronomy 162 agape 144, 145 Ecclesiastes 130 alchemy 103, 146, 170, 242 Ephesians 145 Alford, Henry 238 Exodus 162 Alleyn, Edward 18 Ezekiel 225 ambition 13, 36, 83, 89, 90, 91, 242 Genesis 162 Amichai, Yehuda 244 Hebrews 160 Andrewes, Lancelot 170, 171, 174 Job 222, 224 Andrews, Dr. 27 John 149, 177 Anne, Queen 16, 42 Lamentations of Jeremiah 151, 162 apostasy 8, 18, 242 Luke 185 Aquinas, Thomas (St.) 170 Matthew 129 Aristotle 175 Psalms 162, 188, 226 Arminians 78, 96, 97–98 Revelation 162, 180 Arminius, Jacobus 78 Romans 77, 145 Ash, Randolf Henry; see Byatt, A. S., Song of Songs 146 Possession Bishops’ Order of 1599 49, 118, 123 atheism 66–67 Bodin, Jean 91 Augustine (St.) 145, 146, 170, 175, 237, 239 body/bodies/embodiment 52–53, 61–63, 111–12, 135–36, 142, 155, 157, Bacon, Sir Francis 171 158–59, 160, 163–64, 175, 205–07, Bahti, Timothy 113 208–13, 214, 225, 247–57 Baker, Sir Richard 6, 234 body/soul connection 60–63, 105, 111–12, Bald, R. C. -
Critical Survey of Poetry
More Critical Survey of Poetry: British, Irish, & Commonwealth Poets John Donne by Edmund Miller Other literary forms Although John Donne (duhn) is know n chiefly as a lyric poet, the posthumous volume Poems, by J.D., w hich includes the lyrics, represents only a small part of his literary output. Donne w as famous in his ow n age mainly as a preacher; in fact, he w as probably the most popular preacher of an age w hen preaching held the same fascination for the general public that the cinema has today. Various sermons of Donne’s w ere published during his lifetime, and several collections w ere published in the follow ing decades. Without a commitment to Donne’s religious values, how ever, few today w ould w ant to read through many of his sermons. Donne must, how ever, be credited w ith the careful articulation of the parts of his sermons, w hich create a Table of Contents resounding unity of theme; and his control of prose rhythm and his ingenious imagery retain their Other literary forms pow er, even if modern readers are no longer disposed to see the majesty of God mirrored in such w riting. Achievements Biography John Donne Analysis (Library of Congress) “Kind pity chokes my spleen” “The Autumnal” “To His Mistress Going to Bed” “The Canonization” “The Flea” “The Ecstasy” “A Valediction: Forbidding Mourning” “Twickham Garden” “A Nocturnal upon St. Lucy’s Day, Being the Shortest Day” Verse letters Epithalamia Memorial verse “Infinitati Sacrum” Holy Sonnets Bibliography Excerpts from Donne’s sermons thus have a continuing vitality for general readers in a w ay that excerpts from the sermons of, for example, Lancelot Andrew es cannot.