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463
be
g:
g • ELLIS CARTER. "A Day of Fury," (Tech SET LIGHTING nico1or), with Dale Robertson, Jock Mahoney. Harmon Jones, director. (Continued from Page 493) Produce startling animation results WARNER BROTHERS HOLLYWOOD STUDIO PRODUCTION • RUSSELL METTY, "Miracle In The Rain," in record time with depth and stand out more clearly. With Feature and television film productions for which members of the American Society of with Jane Wyman, Van Johnson, Paul Picerni · Bafbara Nichols. Rudy Mate, director. ' men subjects, also, the key-light may Cinematographen were engaged 01 Directors of Photography during the pad month. • WILLIAM MELLOR, "Giant," (Warnercolor) be placed higher and at a more extreme with Elizabeth Taylor, Rock Hudson, James angle to the side of the camera. Dean, Jane Withers. George Stevens, director. Sequences involving special effects in OXBERRY • ARTHUR ARLING, 0 I'll Cry Tomorrow," • SAM LEAVITT, "The Court-Martial of Billy the long shots should carry out those (Wide-screen) with Susan Hayward, Richard Mitchell," (Warnercolor, CinemaScope), with same effects in the corresponding close AMERICAN SOCIETY Conte, Eddie Albert. Daniel Mann, director. Gary Cooper, Ralph Bellamy, Fred Clark, ANIMATION EQUIPMENT OF CINEMATOGRAPHERS Herbert Heyes. Otto Preminger, director. ups. If there is a firelight sequence, for • PAUL VoGEI., "The Tender Trap," (East 'example, the closeups should show the man Color, CinemaScope) with Frank Sinatra, • JOSEPH LASHELL£, "Our Miss Brooks," with • Debbie Reynolds, David Wayne, Celeste Holm. Eve Arden, Robert Rockwell, Jane Morgan, · flicker of light on the subject's face. This ~ i;. OXBERRY ST AND , COMPOUND ARTHUR MILLEII, President Gale Gordon. Al Lewis, director. , Charles Walters, director. is done by moving a smaJI branch or Developed to meet the exacting require• SoL HALPRIN, First Vice-President twig in front of the light source simul WILLIAM SKALL, Second Vice-President • ROBERT PLANCK, " Diane," (EastmanColor, INDEPENDENT menta of the animation industry. Saves CinemaScope) , with Lana Turner, Pedro Ar ,, ating the fire. Cross-lighting, in which ALFRED GILKS, Third Vice-President • HARRY STRADLINC, "Guys and Dolls," Sam hours of labor. Provides complete flexihility WALTER STRENCE, Treasurer mendariz, Marisa Pavan, Roger Moore. David uel Goldwyn Prodn., (Technicolor, Cinema the key-light is set to one side of the Miller, director. and maximum accuracy. CompaCtly and CHARLES G. CLARKE, Secretary Scope) with Marlon Brando, Jean Simmons, subject with little or no fill.light used, is ruggedly constructed. Au• ROBERT DE GRASSE, Sergeant-At-Arms • RussELL HARLAN, "The Last Hunt," (East Frank Sinatra, Vivian Blaine, et al. Jos L very effective in dramatic sequences. manColor, CinemaScope), with Robert Tay tomatically coordinates Mankiewicz, director. Rim-lighting is a very extreme adapta IOARD OF GOVERNORS lor, Stewart Grunger, Lloyd Nolan, Anne Ban • ERNEST LAszLO, "News is Made at Night," fi]m, camera and platen. croft. Richard Brooks director. JOSEPH Brnoc Friedlob Prod., with Dana Andrews, Ida Lup tion of this technique and is executed GEORGE FoLSEY PARAMOUNT ino, Rhonda Fleming, George Sanders, Tho by placing a light directly behind the BURNETT GUFFEY mas Mitchell, Howard Duff. Fritz Lang, di subject so that he screens it, his form WINTON HOCH • LOYAL GRIGGS, WALLACE KELLEY, PEVERELL rector. being outlined with light with his face HAL MoHR MARLEY, "The Ten Commandments," (Vista • LUCIEN BALLARD, "A Kiss Before Dying," going dark, This particular effect must RAY RANNAIIAN Vision, Technicolor), with Charlton Heston, Crown Prod., (Eastman Color, CinemaScope), LEON SHAMROY Anne Baxter, Yul Brynner, et al. Cecil B. De with Robert Wa!?:ller, Jeff Hunter, Virginia be perfectly executed and is not recom PHILIP TANNURA Mille, director. Leith. Gerd Oswald, director. . m~nded except in very dramatic se • LIONEL LINDON, "Too Late, My Love," AL TERNA TE IOARD MEMBERS • WINTON Hoce, AL GILKS, "The Searchers," quences. (VistaVision) with Carol Ohmart, Tom Tryon, C. V. Whitney Pies., (Color, VistaVision), . In lighting players on the set, the ELLIS CARTER Jody Lawrence. Michael Curtiz, director. PAUi. EAGLER with John Wayne, Jeff Hunter, Vera Miles, threefold objective is to have them ade • ROBERT BuRKS, "The Man Who Knew Too FARCION EoouART Ward Bond. John Ford, director. quately lighted for the action, to light IRVING Gr.A~SBERC Much," (VistaVision, Technicolor), with • HAROI.D LIPSTEIN, "Forever, Dar1ing," (Zan OXBERRY OPTICAL STEP Mn.TON KRASNER James Stewart, Doris Day. Alfred Hitch ra Prods., EastmanColor, Wide-screen), with them in key with the mood of the se· cock, director. ERNEST LASZLO Lucille Ball, Desi Arnaz, James Mason, Louis quence, and to make them look good PRINTER Designed for spedal effects RonERT PITTACK • DANIEL FAPP, "The Lady Eve," (Techni Calhern. Alexander Hall, director, on the screen .. If the 16mm cameraman and projection printing. Produces blow, JOHN SEITZ ups or reductions, skip framing, push offs color, Vista Vision), with George Gobel, Mitzi • Boms KAUFMAN, "Patterns," (Harris-My eoproaches his lighting problem with JAMES VAN TREES and traveling mats. Units are equipped Gaynor. Norman Taurog, director. erberg Prods.), (Shooting in N.Y. ), with these points in mind, his camera re PAUL VOGEL 1 wlth 35 MM or 16 MM head. Printers to R.K.0.-RADIO Van Heflin, Beatrice Straight. Fielder Cook, · · sults should compare favora:bly with director. handle TODD A-0 VISTA VISION and • WILFRID CLINE, "Glory," (David Butler those characteristic of the professional other processes require special order. • Guv RoE, "Six Gun Lady," (Lyon & Bart Prod., Technicolor, Superscope), with Mar photoplay. Standard model& are available in 120 days. ALLIED ARTISTS garet O'Brien, Charlotte Greenwood, Arthur lett Prods.), with Peggie Castle, William Hunnicutt. David Butler, producer-director. Tallman, Marie Windsor. Richard Bartlett, ' • HARRY NEUMANN, "Operation Uranium," director. with Leo Gorcey, Huntz Hall, Mary Beth TWENTIETH CENTURY-FOX }Jew Hughes. Edward Bernds, director. • MILTON KRASNER, "The Girl In The Red TELEVISION MOVIES IN LAW ENFORCEMENT OXBERRY COMBINATION ' Each OXBERRY unit I• created by an organization experienced in • ELLS WORTH FREDERICKS, " World Without Velvet Swing," ( CinemaScope, Color) with KENNETH PEACH, "Dr. Hudson's Secret Jour (Continued from Page 463) End," (Color) with Hugh Marlowe, Nancy Ray Milland, Joan Collins, Farley Granger, nal," "Steve Donovan, Western Marsha]," 35-16 MM PROCESS CAMERA:. animation problems and devoted Gates. Edward Bernds, director. Richard Fleischer, director. exclusively to the production of "Fury," "Gangbusters." Especially engineered for animation superior equipment. Also available • FLOYD CROSBY, "Shack Up on 101," with • JOSEPH MacDONALD, "The View From Pom ROBERT DEGRASSE, "Those Whiting Girls," lions last January for their own informa elands and optical printers. Now in pro "re registration devices, pegs and Terry Moore, Frank Lovejoy, Lee Marvin. pey's Head," ( Cinema.Scope, Color), with "Make Room for Daddy," "It's Always Jan." tion, experiments are continuing ·before duction, early delivery. punches, cast aluminum drawing Edward Dein, director. Richard Egan, Dana Wynter, Cameron Mit N1cK MusuRACA, "The Lineup." Write for specificalion sheet. and planning boards. chell. Philip Dunne, director. a premier of such films are made in WALTER STRENGE, "This Is the Life." court. COLUMBIA • LEON SHAMROY, "Good Morning, Miss Write today /or complete brochure ••• Dove," (Color, CinemaScope), with Jennifer ERNE"ST MILLER, "Gunsmoke." Most graphic driver tests. as far as • JAMES WONG How£, "Picnic," (Techni 38 Hudson St., Dept. AC a color, CinemaScope) with William Holden, Jones, Robert Stack. Henry Koster, director. MACK STENGLER, "Ina Ray Hutton Show," the movies are concerned. are revealed "It's Fun to Reduce." The ANIMATION EQUIPMENT Corporation New Rochelle, New York\ Rosalind Russell, Kim Novak. Josh Logan, UNIVERSAL-INTERNATIONAL when the driver is asked to perform director. GEORGE E. CLEMENS, "Schlitz Playhouse of these standard checks: A. Show balance • W1LLIAM DANIELS, ToM TUTWILER, "Away Stars." • BURNETT GuFFEY, "Battle Stations," with All Boats," (Technicolor, VistaVision) with with head back. eyes closed, arms out· John Lund, William Bendix. Lew Seil er, di Jeff Chandler, George Nader, Julie Adams. HENRY SHARP, "Sheena, Queen of the Jun rector. gle." slretched. B. With eyes closed, arms Joseph Pevney, director. outstretched, bring linger to nose. C. • HENRY FREULICH, "The Houston Story," En FITZGERALD, "You Are There." Complete your files of American • MAURY GERTSMAN, "World In My Corner.'' Pick up coin. D. Walking and turning at with Gene Barry, Barbara Hale. William Cas with Audie Murphy, Barbara Rush, Jeff Mor LATHROP WORTH, "The Great Gildersleeve." Cinematographer with issues you tle, director. command. row. Jesse Hibbs, director. LuCIEN ANDROIT, "The Life of Riley." BIICK hove missed or lost. Voluoble tech • RAY .JUNE, "Tambourine," (Welsch Prods., • IRVINC GLASSBERG, "Backlash," (Techni GIL WARRENTON, "Sgt. Preston of the Yukon." So encouraging have been the results Technicolor, CinemaScope) , with Jane Rus nical doto in every issue for future color) with Richard Widmark, Donna Reed. · JOSEPH LASHELL£, "My Friend Flicka." with the new high-speed motion picture sell, Cornel Wilde. Nicholas Ray, director. Rudy Mate, director. reference for both amateur and CARL GUTHRIE, "Cheyenne," "King's Row." films, ihat Sheriff Ed Elder has had /SSIJES • CHARLES LAWTON, "Jubal Troop," (Tech • GEORGE ROBINSON, "The Square Jungle," HAROLD STiNf:, "Casablanca." the department's 16mm camera pressed professional cinematographers. nicolor, CinemaScope), with Glenn Ford, with Tony Curtis, Pat Crowley, Ernest Bor Ernest Borgnine, Valerie French. Delmer goine, Paul-Kelly. Jerry Hopper, director. STUART THOMPSON, "Lttssie." into use to record gang lights, fatal Daves, director. • WILLIAM DANIELS, "The Benny Goodman LLOYD AHERNE, "My Friend Flicka," "G.E.- accident scenes, scenes of viblence, reck Story," (Technicolor), with Steve Allen, Don 20th Century-Fox Show." less driving, and for refreshing memory 30c METRO-GOLDWYN-MAYER AMERICAN CINEMATOGRAPHER na Reed, Berta Gersten, Harry James. Valen NORBERT BRODINE, "The Loretta Young of testifying officers. tine Davies, director. Show." • JOSEPH RUTTENIIERG, .. Kismet," (Eastman "Night motion pictures can be in 1782 No. Orange Dr., Hollywood 28, Calif. Color, CinemaScope), with Howard Keel, Ann • WILLIAM SNYDER, "Decision at Durango," JosEPH B1ROC, "My Friend Flicka," "This Blythe, Dolores Gray, Vincente Minnelli, di (Technicolor), with Rory Calhoun, Martha Earth, This Land." valuable for preserving a record of the rector. Hyer, Dean Jagger. Jack Arnold, director. ALAN STENSVOLD, "Andy's Gang." (Continued on Page 498)
494 • AMF.RICAN CINEMATOG RAPHER • AucusT, 1955 AMERICAN CINEMATOGRAPHER • AIJGUST, 1955 • 495