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Wallace Berman Aleph
“Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle B.A. Art History, Emphasis in Public Art and Architecture University of San Diego, 2006 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN ARCHITECTURE STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2012 ©2012 Chelsea Ryanne Behle. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: __________________________________________________ Department of Architecture May 24, 2012 Certified by: __________________________________________________________ Caroline Jones, PhD Professor of the History of Art Thesis Supervisor Accepted by:__________________________________________________________ Takehiko Nagakura Associate Professor of Design and Computation Chair of the Department Committee on Graduate Students Thesis Supervisor: Caroline Jones, PhD Title: Professor of the History of Art Thesis Reader 1: Kristel Smentek, PhD Title: Class of 1958 Career Development Assistant Professor of the History of Art Thesis Reader 2: Rebecca Sheehan, PhD Title: College Fellow in Visual and Environmental Studies, Harvard University 2 “Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle Submitted to the Department of Architecture on May 24, 2012 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies ABSTRACT In 1956 in Los Angeles, California, Wallace Berman, a Beat assemblage artist, poet and founder of Semina magazine, began to make a film. -
2016 Annual Report & Form 10-K
BRINGING THE CONNECTED ENTERPRISE TO LIFE 2016 ANNUAL REPORT & FORM 10-K 2016 FINANCIAL HIGHLIGHTS Dollars in millions, except per share amounts 2013 2014 2015 2016 Sales $6,351.9 $6,623.5 $6,307.9 $5,879.5 Segment operating earnings1 1,236.8 1,352.0 1,360.5 1,188.7 Net income 756.3 826.8 827.6 729.7 Diluted earnings per share 5.36 5.91 6.09 5.56 Adjusted earnings per share1 5.71 6.17 6.40 5.93 Sales by segment: Architecture & Software 2,682.0 2,845.3 2,749.5 2,635.2 Control Products & Solutions 3,669.9 3,778.2 3,558.4 3,244.3 Return on invested capital1 31.4% 30.1% 32.6% 33.0% Free cash flow1 900.5 922.2 1,077.2 833.7 1 Sales dollars in millions Adjusted EPS Architecture & Software Control Products & Solutions $5.71$6.17 $6.40$5.93 $6,351.9 $6,623.5 $6,307.9 $5,879.5 13 14 15 16 13 14 15 16 Return on Free Cash Flow1 1 Invested Capital dollars in millions 31.4%30.1% 32.6%33.0% $900.5 $922.2 $1,077.2 $833.7 13 14 15 16 13 14 15 16 1 Segment operating earnings, adjusted EPS, free cash flow and return on invested capital are non-GAAP financial measures. Please see the Form 10-K and supplemental section following the Form 10-K for definitions and calculations of these measures. -
Olympia, Washington 98504-3096
Olympia, Washington 98504-3096 January 4, 2008 B U L L E T I N TO: ALL STORES AND CONTRACT LIQUOR STORES FROM: Steve Burnell, Marketing Manager SUBJECT: Merchandise Bulletin #02 1) The following new “L” items are in the Distribution Center. Selected stores will receive one case of these items. Managers are reminded to immediately display these items upon receipt in their outlets. Stores and contract liquor stores not receiving an allocation may place an order in the normal manner. Please order in full cases only. UNITS LIQUOR ALLO- BRAND TYPE UNITS/ UPC RETAIL CATED CODE DESCRIPTION CODE # SIZE CASE # PRICE 1 case 035155 Vincent Van Gogh Acai 265 750 ml 12 33824- $23.95 Blueberry Vodka 91343 Once again, Van Gogh Vodka’s artistic spirit shines with the first Acai-flavored vodka. Van Gogh’s Acai- Blueberry Vodka marries the exotic Acai berry with the sweet blueberry to produce a true martini in a bottle. Swathed in royal purple hues, it tingles the taste buds with a vibrant blend of berries, starting with an overtone of blueberry and finishing with the Acai nectar. Explore your exotic side. Straight or mixed with other fine Van Gogh Flavored Vodkas, Van Gogh’s Acai-Blueberry vodka always makes the Luxury Martini. UNITS LIQUOR ALLO- BRAND TYPE UNITS/ UPC RETAIL CATED CODE DESCRIPTION CODE # SIZE CASE # PRICE 1 case 073452 Dekuyper Lusciouis 475 750 ml 12 80686- $13.95 Pomegranate 36740 Now the flavor that’s on everyone’s lips can be in your drink. Put a sweet and tangy twist on your favorite cocktail with the trendy, new taste of luscious DeKuyper® Pomegranate. -
A Precise Approach JPALS Increment 1 Is Our Most Significant Program to Date in the Maritime Shipboard Marketplace
Volume 14 Issue 3 > 2009 Rockwell Collins Dark Yellow* Rockwell Collins Light Blue Spot color: PANTONE 131 Rockwell Collins Terra Cotta Spot color: PANTONE 299 Process color: C:0 M:30 Y:100 K:10 pot color: PANTONE 173 Process color: C:80 M:15 Y:0 K:0 RGB color: R:229 G:168 B:17 (#D39100) Process color: C:0 M:80 Y:100 K:5 RGB color: R:0 G:164 B:224 (#00A0E2) HorizonsA magazine for the employees and friends of Rockwell Collins, Inc. RockwellCollins Deep Terra Cotta Rockwell Collins Dark Green Rockwell Collins Extra Light Blue* Spot color: PANTONE 180 Spot color: PANTONE 371 Spot color: PANTONE 2915 Process color: C:0 M:90 Y:90 K:10 Process color: C:43 M:0 Y:100 K:56 Process color: C:60 M:5 Y:0 K:0 RGB color: R:79 G:111 B:23 (#4A5F1D) RGB color: R:77 G:190 B:238 (#63B5E8) A precise RGB color: R:217 G:58 B:42 (#30372C) approach JPALS Increment 1 is our Rockwell Collins Orange Rockwell Collins Green Rockwell Collins Dark Gray most significant program Spot color: PANTONE 716 Spot color: PANTONE 385 Spot color: PANTONE Warm Gray 10 Process color: C:0 M:50 Y:90 K:0 Process color: C:3 M:0 Y:100 K:58 Process color: C:0 M:14 Y:28 K:55 to date in the maritime RGB color: R:247 G:148 B:51 (#F17C0F) RGB color: R:129 G:124 B:0 (#6F6A12) RGB color: R:138 G:121 B:102 (#7B6E66) shipboard marketplace Rockwell Collins Yellow* Rockwell Collins Light Green Rockwell Collins Gray Spot color: PANTONE 124 Spot color: PANTONE 384 Spot color: PANTONE Warm Gray 8 Process color: C:0 M:28 Y:100 K:6 Process color: C:18 M:0 Y:100 K:31 Process color: C:0 M:9 Y:16 K:43 -
Town Joins County Plan to Dispose of Solid Waste a Kidney to His Daughter
Page 18 CRANFORD CHRONICLE Thursday, August 14, 1986 f Where else but Kings? romcie SERVING CRANFORD, GARWOOD and KENILWORTH :Vol. 93 No. 34 Published Every Thursday Thursday, August 21, 1986 " USPS 136 800 Second Class Postage Paid Cranford, N.J. 30 CENTS to our own Homemade Salads. In brief Town joins county When it comes to serving a delightful change of pace for a summer dinner, our Deli Corner make a special addition to any dinner. And this week's specials Blood drive nothing can beat an entree of tender veal. go from our Oriental Vegetables to our Pesto Tortellini. The Jaycees will sponsor a plan to dispose Try our own Kings Select Veal and taste for yourself. As lean as can be, it's For salad ideas of your own, simply turn to our Farmer's Corner for blood drive to benefit two' hemophiliac residents, Judd high in protein, low in cholesterol and just the thing to highlight a. dinner for everything from Jersey Fresh Scallions and Cucumbers to California Bartlefts and Kopicki and Tom Kane. The drive two, four or more. • %' Honeydews. -- • will take place at the Community I of solid waste Let our nijjjk}',Kings Select Veal specials inspire you to choose anything from For more entree ideas, come to our Seafood Corner. Our specials include Center Friday from 4:30 to 8:30 | After reviewing several options, am afraid we will have to provide Cutlets to a ,'B$iieless Shoulder Roast. Ip addition, let our outdoor-grill Block Island Bluefish Fillets, Maine Lobsters and North Atlantic Squid, not to p.m. -
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia 2008 Karen Peta Hall Bachelor of Arts (Honours) Discipline of English and Cultural Studies School of Social and Cultural Studies ii Abstract Genres are constituted, implicitly and explicitly, through their construction of the past. Genres continually reconstitute themselves, as authors, producers and, most importantly, readers situate texts in relation to one another; each text implies a reader who will locate the text on a spectrum of previously developed generic characteristics. Though science fiction appears to be a genre concerned with the future, I argue that the persistent presence of lost race stories – where the contemporary world and groups of people thought to exist only in the past intersect – in science fiction demonstrates that the past is crucial in the operation of the genre. By tracing the origins and evolution of the lost race story from late nineteenth-century novels through the early twentieth-century American pulp science fiction magazines to novel-length narratives, and narrative series, at the end of the twentieth century, this thesis shows how the consistent presence, and varied uses, of lost race stories in science fiction complicates previous critical narratives of the history and definitions of science fiction. In examining the implicit and explicit aspects of temporality and genre, this thesis works through close readings of exemplar texts as well as historicist, structural and theoretically informed readings. It focuses particularly on women writers, thus extending previous accounts of women’s participation in science fiction and demonstrating that gender inflects constructions of authority, genre and temporality. -
Rockwell Automation Inc
ROCKWELL AUTOMATION INC FORM 11-K (Annual Report of Employee Stock Plans) Filed 6/29/2001 For Period Ending 12/31/2000 Address 777 EAST WISCONSIN AVENUE SUITE 1400 MILWAUKEE, Wisconsin 53202 Telephone 414-212-5299 CIK 0001024478 Industry Electronic Instr. & Controls Sector Technology Fiscal Year 09/30 SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 11-K ANNUAL REPORT Pursuant to Section 15(d) of the Securities Exchange Act of 1934 For the fiscal year ended December 31, 2000 ROCKWELL RETIREMENT SAVINGS PLAN FOR CERTAIN EMPLOYEES ROCKWELL INTERNATIONAL CORPORATION 777 East Wisconsin Avenue, Suite 1400 Milwaukee, Wisconsin 53202 ROCKWELL RETIREMENT SAVINGS PLAN FOR CERTAIN EMPLOYEES TABLE OF CONTENTS PAGE NO. -------- INDEPENDENT AUDITORS' REPORT 1 FINANCIAL STATEMENTS: Statements of Net Assets Available for Benefits December 31, 2000 and 1999 2 Statements of Changes in Net Assets Available for Benefits Years Ended December 31, 2000 and 1999 3 Notes to Financial Statements 4 FORM 5500 SUPPLEMENTAL SCHEDULE: Schedule of Assets Held for Investment Purposes, December 31, 2000 10 SIGNATURE S-1 EXHIBIT: Independent Auditors' Consent S-2 INDEPENDENT AUDITORS' REPORT To the Rockwell Retirement Savings Plan for Certain Employees and to Participants therein: We have audited the accompanying statements of net assets available for benefits of Rockwell Retirement Savings Plan for Certain Employees (the "Plan") as of December 31, 2000 and 1999, and the related statements of changes in net assets available for benefits for the years then ended. These financial statements are the responsibility of the Plan's management. Our responsibility is to express an opinion on these financial statements based on our audits. -
March 21–25, 2016
FORTY-SEVENTH LUNAR AND PLANETARY SCIENCE CONFERENCE PROGRAM OF TECHNICAL SESSIONS MARCH 21–25, 2016 The Woodlands Waterway Marriott Hotel and Convention Center The Woodlands, Texas INSTITUTIONAL SUPPORT Universities Space Research Association Lunar and Planetary Institute National Aeronautics and Space Administration CONFERENCE CO-CHAIRS Stephen Mackwell, Lunar and Planetary Institute Eileen Stansbery, NASA Johnson Space Center PROGRAM COMMITTEE CHAIRS David Draper, NASA Johnson Space Center Walter Kiefer, Lunar and Planetary Institute PROGRAM COMMITTEE P. Doug Archer, NASA Johnson Space Center Nicolas LeCorvec, Lunar and Planetary Institute Katherine Bermingham, University of Maryland Yo Matsubara, Smithsonian Institute Janice Bishop, SETI and NASA Ames Research Center Francis McCubbin, NASA Johnson Space Center Jeremy Boyce, University of California, Los Angeles Andrew Needham, Carnegie Institution of Washington Lisa Danielson, NASA Johnson Space Center Lan-Anh Nguyen, NASA Johnson Space Center Deepak Dhingra, University of Idaho Paul Niles, NASA Johnson Space Center Stephen Elardo, Carnegie Institution of Washington Dorothy Oehler, NASA Johnson Space Center Marc Fries, NASA Johnson Space Center D. Alex Patthoff, Jet Propulsion Laboratory Cyrena Goodrich, Lunar and Planetary Institute Elizabeth Rampe, Aerodyne Industries, Jacobs JETS at John Gruener, NASA Johnson Space Center NASA Johnson Space Center Justin Hagerty, U.S. Geological Survey Carol Raymond, Jet Propulsion Laboratory Lindsay Hays, Jet Propulsion Laboratory Paul Schenk, -
History, It Is Checkered
Historical Notes ----------------------------------------------------------------------------------------------------------- Date: Mon, 3 Nov 1997 23:30:10 +0500 From: "Chuck Rippel" <crippel@...> Subject: [R-390] BA Receiver Fun - Targets Thanks for the many notes I received about posting some targets for our BA receivers. I was astounded at the number of affirmative replies received. As many know, I find listening a great deal of fun and very challenging. There are basically two styles of listening. Short Wave Listening is where the operator tunes in to a particular program. Short Wave Broadcast DX'ing is listening for very weak or seasonally challenging radio broadcasts or stations. In most cases, the language used by the broadcaster is not english as they are serving the local population. It is DX'ing v/s Listening where I intend to focus. Being a good SWBC DX'er is a bit like being a good detective. Various clues are pieced together to arrive at a conclusion. In our case, identifying an unknown station. Some of those clues are: Time Frequency Language Programming Music Style Time: Audibility of a station depends on the time it is broadcasting and the frequency it is on. Typically, the frequencies over 10 mhz are best during local day light and below, local dark. Signals below 7 mhz generally require darkness between the transmitter and receiver locations. However, not always and we will explore the opportunities when that rule can be expanded a bit. Frequency: Armed with the time and knowledge of propagation, frequency is the next big clue. There is general frequency consideration or band consideration. An example might be if a station on 4915 were being heard at 2200UTC on the East Coast. -
Rockwell Collins 10-K
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ፤ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED SEPTEMBER 30, 2008 អ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Commission file number 001-16445 Rockwell Collins, Inc. (Exact name of registrant as specified in its charter) Delaware 52-2314475 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 400 Collins Road NE Cedar Rapids, Iowa 52498 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (319) 295-1000 SECURITIES REGISTERED PURSUANT TO SECTION 12(b) OF THE ACT: Title of each class Name of each exchange on which registered Common Stock, par value $.01 per share New York Stock Exchange (including the associated Preferred Share Purchase Rights) SECURITIES REGISTERED PURSUANT TO SECTION 12(g) OF THE ACT: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes No អ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes No ፤ Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Rockwell Automation, Inc. (Exact Name of Registrant As Specified in Its Charter)
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 ____________ Form 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended September 30, 2016 Commission file number 1-12383 Rockwell Automation, Inc. (Exact name of registrant as specified in its charter) Delaware 25-1797617 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 1201 South 2 nd Street Milwaukee, Wisconsin 53204 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: +1 (414) 382-2000 Securities registered pursuant to Section 12(b) of the Act : Title of each class Name of each exchange on which registered Common Stock, $1 Par Value New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☑ No ☐ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ☐ No ☑ Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes ☑ No ☐ Indicate by check mark whether the registrant has submitted electronically and posted on its corporate Web site, if any, every Interactive Data File required to be submitted and posted pursuant to Rule 405 of Regulation S-T during the preceding 12 months (or for such shorter period that the registrant was required to submit and post such files). -
An Cruitire 2015
An CRUITIRE Vol. 2 No. 1 Nollaig / December 2015 Contents 3……Cairde na Cruite Events 15……O’Carolan Harp Festival, Nobber 3……An Chúirt Chruitireachta 16……Monaco World Harp Festival 6……Cairde na Cruite’s Spring Concert 18……Muckross Harp Trail 7……Cairde na Cruite’s Christmas Concert 20……Harp Days in Denmark 8……Harpers Meeting National Gallery of Ireland 21……Harp 2015: 15 Memorable Moments 10….News and Events 22……New Albums & Reviews 12….1916 Centenary Celebrations 24……Notices 13….New Publications 25……Castle Fogarty and the O’Ffogerty harp 14….Yeats 150: Harp Festival of Moons 28……An Chúirt Chruitireachta 2016 The cover photo was taken by Kieran Cummins at Cairde na Cruite’s annual harp festival An Chúirt Chruitireachta in An Grianán, Co. Louth, July 2015 Editor: Caitríona Rowsome Editorial Committee: Caitríona Rowsome, Roisin McLaughlin President: Sheila Larchet Cuthbert Committee: Chairperson: Roisin McLaughlin; Festival Director: Áine Ní Dhubhghaill; Secretary: Helen Price; Treasurer: Kieran Cummins; Membership Secretary: Orla Belton; Harp Hire: Caitríona Rowsome; Cormac de Barra, Kathleen Loughnane, Dearbhail Finnegan, Aisling Ennis, Claire O’Donnell, Rachel Duffy Registered Charity: No. CHY 9687 Contact: E mail: [email protected] Website: www.cairdenacruite.com www.facebook.com/CairdeNaCruite Membership: Family €30 p.a. Individual €20 p.a. Student €10 p.a. An Cruitire contents © Cairde na Cruite unless otherwise stated. An Cruitire is the newsletter of Cairde na Cruite and is issued annually on the first week in December. Cairde na Cruite Events An Chúirt Chruitireachta 2015 The 30th anniversary of An Chúirt Chruitireachta 2015 was memorable for many reasons with Irish and international participants and artists celebrating for the first time in Ireland the collaboration between Irish and Colombian harpists.