Scottish Borderers Between 1587 and 1625
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A Passion for Opera the DUCHESS and the GEORGIAN STAGE
A Passion for Opera THE DUCHESS AND THE GEORGIAN STAGE A Passion for Opera THE DUCHESS AND THE GEORGIAN STAGE PAUL BOUCHER JEANICE BROOKS KATRINA FAULDS CATHERINE GARRY WIEBKE THORMÄHLEN Published to accompany the exhibition A Passion for Opera: The Duchess and the Georgian Stage Boughton House, 6 July – 30 September 2019 http://www.boughtonhouse.co.uk https://sound-heritage.soton.ac.uk/projects/passion-for-opera First published 2019 by The Buccleuch Living Heritage Trust The right of Paul Boucher, Jeanice Brooks, Katrina Faulds, Catherine Garry, and Wiebke Thormählen to be identified as the authors of the editorial material and as the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording or in any information storage or retrieval system, without permission in writing from the authors. ISBN: 978-1-5272-4170-1 Designed by pmgd Printed by Martinshouse Design & Marketing Ltd Cover: Thomas Gainsborough (1727-1788), Lady Elizabeth Montagu, Duchess of Buccleuch, 1767. Portrait commemorating the marriage of Elizabeth Montagu, daughter of George, Duke of Montagu, to Henry, 3rd Duke of Buccleuch. (Cat.10). © Buccleuch Collection. Backdrop: Augustus Pugin (1769-1832) and Thomas Rowlandson (1757-1827), ‘Opera House (1800)’, in Rudolph Ackermann, Microcosm of London (London: Ackermann, [1808-1810]). © The British Library Board, C.194.b.305-307. Inside cover: William Capon (1757-1827), The first Opera House (King’s Theatre) in the Haymarket, 1789. -
Walter Scott's Kelso
Walter Scott’s Kelso The Untold Story Published by Kelso and District Amenity Society. Heritage Walk Design by Icon Publications Ltd. Printed by Kelso Graphics. Cover © 2005 from a painting by Margaret Peach. & Maps Walter Scott’s Kelso Fifteen summers in the Borders Scott and Kelso, 1773–1827 The Kelso inheritance which Scott sold The Border Minstrelsy connection Scott’s friends and relations & the Ballantyne Family The destruction of Scott’s memories KELSO & DISTRICT AMENITY SOCIETY Text & photographs by David Kilpatrick Cover & illustrations by Margaret Peach IR WALTER SCOTT’s connection with Kelso is more important than popular histories and guide books lead you to believe. SScott’s signature can be found on the deeds of properties along the Mayfield, Hempsford and Rosebank river frontage, in transactions from the late 1790s to the early 1800s. Scott’s letters and journal, and the biography written by his son-in-law John Gibson Lockhart, contain all the information we need to learn about Scott’s family links with Kelso. Visiting the Borders, you might believe that Scott ‘belongs’ entirely to Galashiels, Melrose and Selkirk. His connection with Kelso has been played down for almost 200 years. Kelso’s Scott is the young, brilliant, genuinely unknown Walter who discovered Border ballads and wrote the Minstrelsy, not the ‘Great Unknown’ literary baronet who exhausted his phenomenal energy 30 years later saving Abbotsford from ruin. Guide books often say that Scott spent a single summer convalescing in the town, or limit references to his stays at Sandyknowe Farm near Smailholm Tower. The impression given is of a brief acquaintance in childhood. -
Itinerary of Prince Charles Edward Stuart from His
PUBLICATIONS OF THE SCOTTISH HISTORY SOCIETY VOLUME XXIII SUPPLEMENT TO THE LYON IN MOURNING PRINCE CHARLES EDWARD STUART ITINERARY AND MAP April 1897 ITINERARY OF PRINCE CHARLES EDWARD STUART FROM HIS LANDING IN SCOTLAND JULY 1746 TO HIS DEPARTURE IN SEPTEMBER 1746 Compiled from The Lyon in Mourning supplemented and corrected from other contemporary sources by WALTER BIGGAR BLAIKIE With a Map EDINBURGH Printed at the University Press by T. and A. Constable for the Scottish History Society 1897 April 1897 TABLE OF CONTENTS PREFACE .................................................................................................................................................... 5 A List of Authorities cited and Abbreviations used ................................................................................. 8 ITINERARY .................................................................................................................................................. 9 ARRIVAL IN SCOTLAND .................................................................................................................. 9 LANDING AT BORRADALE ............................................................................................................ 10 THE MARCH TO CORRYARRACK .................................................................................................. 13 THE HALT AT PERTH ..................................................................................................................... 14 THE MARCH TO EDINBURGH ...................................................................................................... -
How English Baptists Changed the Early Modern Toleration Debate
RADICALLY [IN]TOLERANT: HOW ENGLISH BAPTISTS CHANGED THE EARLY MODERN TOLERATION DEBATE Caleb Morell Dr. Amy Leonard Dr. Jo Ann Moran Cruz This research was undertaken under the auspices of Georgetown University and was submitted in partial fulfillment for Honors in History at Georgetown University. MAY 2016 I give permission to Lauinger Library to make this thesis available to the public. ABSTRACT The argument of this thesis is that the contrasting visions of church, state, and religious toleration among the Presbyterians, Independents, and Baptists in seventeenth-century England, can best be explained only in terms of their differences over Covenant Theology. That is, their disagreements on the ecclesiological and political levels were rooted in more fundamental disagreements over the nature of and relationship between the biblical covenants. The Baptists developed a Covenant Theology that diverged from the dominant Reformed model of the time in order to justify their practice of believer’s baptism. This precluded the possibility of a national church by making baptism, upon profession of faith, the chief pre- requisite for inclusion in the covenant community of the church. Church membership would be conferred not upon birth but re-birth, thereby severing the links between infant baptism, church membership, and the nation. Furthermore, Baptist Covenant Theology undermined the dominating arguments for state-sponsored religious persecution, which relied upon Old Testament precedents and the laws given to kings of Israel. These practices, the Baptists argued, solely applied to Israel in the Old Testament in a unique way that was not applicable to any other nation. Rather in the New Testament age, Christ has willed for his kingdom to go forth not by the power of the sword but through the preaching of the Word. -
Scottish 'Land Reform' Is Just Shameless Legalised Theft
Scottish ‘land reform’ is just shameless legalised theft Duke of Buccleuch Daily Telegraph, 20th March 2003 Some of your more generous readers might try to equate me with Hector in the television serial Monarch of the Glen. We do indeed have something in common with Glenbogle; all estates, on anything but good arable land, share in the struggle for economic survival. A popular misconception is that all acres are pure gold – that lots of acres automatically mean lots of wealth. Sadly, it takes 6,000 acres of our hill and bog to equal 100 acres of good arable land or a 10-acre suburban paddock. Now that there is a suspicion that land reformers are less concerned about the countryside’s welfare than wealth distribution, as they see it, we must be a prime target, sitting on more acres than anyone. To them, all acres are worth the same. We should start from a premise with which everyone would surely agree, the ideal situation whereby there is perfect harmony between all the competing interests that make demands on the countryside: a thriving and happy community of people; sustainable food production; sustainable timber production; nature conservation; good landscaping; public amenity and recreation; and sport. The achievement of this ideal has been due to the traditional family estate that embodies enlightened land management, planning 100 years and more ahead, with consistent policies that transcend individual farm boundaries. In the course of naval duty 50 years ago, I asked the communist Tito of Yugoslavia how his agrarian reforms were progressing. His interpreter hissed that I should change the subject, because they had failed and they were handing the land back to the owners. -
News Release
NEWS RELEASE FOURTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 EXHBITION FACT SHEET Title; THE TREASURE HOUSES OF BRITAIN: FIVE HUNDRED YEARS OF PRIVATE PATRONAGE AND ART COLLECTING Patrons: Their Royal Highnesses The Prince and Princess of Wales Dates; November 3, 1985 through March 16, 1986, exactly one week later than previously announced. (This exhibition will not travel. Loans from houses open to view are expected to remain in place until the late summer of 1985 and to be returned before many of the houses open for their visitors in the spring of 1986.) Credits; This exhibition is made possible by a generous grant from the Ford Motor Company. The exhibition was organized by the National Gallery of Art, Washington, in collaboration v\n.th the British Council and is supported by indemnities from Her Majesty's Treasury and the U.S. Federal Council on the Arts and Humanities. Further British assistance was supplied by the National Trust and the Historic Houses Association. History of the exhibition; The suggestion that the National Gallery of Art consider holding a major exhibition devoted to British art was made by the British Council in 1979. J. Carter Brown, Director of the National Gallery, responded with the idea of an exhibition on the British Country House as a "vessel of civilization," bringing together works of art illustrating the extraordinary achievement of collecting and patronage throughout Britain over the past five hundred years. As this concept carried with it the additional, contemporary advantage of stimulating greater interest in and support of those houses open to public viewing, it was enthusiastically endorsed by the late Lord Howard of Henderskelfe, then-Chairman of the Historic Houses Association, Julian Andrews, Director of the Fine Arts Department of the British Council, and Lord Gibson, Chairman of the National Trust. -
Irish and Scots
Irish and Scots. p.1-3: Irish in England. p.3: Scottish Regents and Rulers. p.4: Mary Queen of Scots. p.9: King James VI. p.11: Scots in England. p.14: Ambassadors to Scotland. p.18-23: Ambassadors from Scotland. Irish in England. Including some English officials visiting from Ireland. See ‘Prominent Elizabethans’ for Lord Deputies, Lord Lientenants, Earls of Desmond, Kildare, Ormond, Thomond, Tyrone, Lord Bourke. 1559 Bishop of Leighlin: June 23,24: at court. 1561 Shane O’Neill, leader of rebels: Aug 20: to be drawn to come to England. 1562 Shane O’Neill: New Year: arrived, escorted by Earl of Kildare; Jan 6: at court to make submission; Jan 7: described; received £1000; Feb 14: ran at the ring; March 14: asks Queen to choose him a wife; April 2: Queen’s gift of apparel; April 30: to give three pledges or hostages; May 5: Proclamation in his favour; May 26: returned to Ireland; Nov 15: insulted by the gift of apparel; has taken up arms. 1562 end: Christopher Nugent, 3rd Lord Delvin: Irish Primer for the Queen. 1563 Sir Thomas Cusack, former Lord Chancellor of Ireland: Oct 15. 1564 Sir Thomas Wroth: Dec 6: recalled by Queen. 1565 Donald McCarty More: Feb 8: summoned to England; June 24: created Earl of Clancare, and son Teig made Baron Valentia. 1565 Owen O’Sullivan: Feb 8: summoned to England: June 24: knighted. 1565 Dean of Armagh: Aug 23: sent by Shane O’Neill to the Queen. 1567 Francis Agard: July 1: at court with news of Shane O’Neill’s death. -
WRAP THESIS Rickard 2002.Pdf
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/2672 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. James I and the Performance and Representation of Royalty by Jane Rickard L A thesis submitted for the degreeof Doctor of Philosophy in RenaissanceStudies University of Warwick, Centre for the Study of the Renaissance December 2002 For James(Mardock not Stuart) with thanks. Contents Introduction 1 Chapter 1: The Performance and Representation of Royalty of James VI 27 The Scottish Political Context 28 The Performance of Royalty in Scotland 37 James's Representation of Royalty: Poetry and Scriptural Exegeses 42 James's Representation of Royalty: Basilikon Doron and The Trew 55 Law of Free Monarchies Elizabeth I: A Contrasting Style of Representation 68 Conclusion: English Expectations 78 Chapter 2: James I's Performance of the Role of King: Magnificence and 81 Extravagance Civic Performance 82 Royal Magnificence in the Court 94 Royal Magnificence on the European Stage 98 Reinforcement or Threat? The Magnificence of those around the King 107 Magnificence as Extravagance 117 James's Verbal Re-Presentation of Royal Magnificence 131 Chapter 3: The Royal Author in England: James's Literary Strategies 139 The Word of God and The Word of the King: James's scriptural exegeses 140 and the King James Bible Royal Authorship: from James's Workesto his manuscript poetry 150 James'sanxieties about interpretation and representation 167 Chapter 4: The Problem of the Reader and the Risk of Royal Self- 176 Demystification James'stextual responsesto his anxieties about textual authority 179 James'stextual responsesto his anxieties about public exposureand 188 political authority . -
Scottish Nationalism
James Madison University JMU Scholarly Commons Masters Theses The Graduate School Summer 2012 Scottish nationalism: The symbols of Scottish distinctiveness and the 700 Year continuum of the Scots' desire for self determination Brian Duncan James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the History Commons Recommended Citation Duncan, Brian, "Scottish nationalism: The symbols of Scottish distinctiveness and the 700 Year continuum of the Scots' desire for self determination" (2012). Masters Theses. 192. https://commons.lib.jmu.edu/master201019/192 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Scottish Nationalism: The Symbols of Scottish Distinctiveness and the 700 Year Continuum of the Scots’ Desire for Self Determination Brian Duncan A Thesis Submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the Degree of Master of Arts History August 2012 Table of Contents Abstract…………………………………………………………………………….…….iii Chapter 1, Introduction……………………………………………………………………1 Chapter 2, Theoretical Discussion of Nationalism………………………………………11 Chapter 3, Early Examples of Scottish Nationalism……………………………………..22 Chapter 4, Post-Medieval Examples of Scottish Nationalism…………………………...44 Chapter 5, Scottish Nationalism Masked Under Economic Prosperity and British Nationalism…...………………………………………………….………….…………...68 Chapter 6, Conclusion……………………………………………………………………81 ii Abstract With the modern events concerning nationalism in Scotland, it is worth asking how Scottish nationalism was formed. Many proponents of the leading Modernist theory of nationalism would suggest that nationalism could not have existed before the late eighteenth century, or without the rise of modern phenomena like industrialization and globalization. -
The Elizabethan Court Day by Day--1591
1591 1591 At RICHMOND PALACE, Surrey. Jan 1,Fri New Year gifts; play, by the Queen’s Men.T Jan 1: Esther Inglis, under the name Esther Langlois, dedicated to the Queen: ‘Discours de la Foy’, written at Edinburgh. Dedication in French, with French and Latin verses to the Queen. Esther (c.1570-1624), a French refugee settled in Scotland, was a noted calligrapher and used various different scripts. She presented several works to the Queen. Her portrait, 1595, and a self- portrait, 1602, are in Elizabeth I & her People, ed. Tarnya Cooper, 178-179. January 1-March: Sir John Norris was special Ambassador to the Low Countries. Jan 3,Sun play, by the Queen’s Men.T Court news. Jan 4, Coldharbour [London], Thomas Kerry to the Earl of Shrewsbury: ‘This Christmas...Sir Michael Blount was knighted, without any fellows’. Lieutenant of the Tower. [LPL 3200/104]. Jan 5: Stationers entered: ‘A rare and due commendation of the singular virtues and government of the Queen’s most excellent Majesty, with the happy and blessed state of England, and how God hath blessed her Highness, from time to time’. Jan 6,Wed play, by the Queen’s Men. For ‘setting up of the organs’ at Richmond John Chappington was paid £13.2s8d.T Jan 10,Sun new appointment: Dr Julius Caesar, Judge of the Admiralty, ‘was sworn one of the Masters of Requests Extraordinary’.APC Jan 13: Funeral, St Peter and St Paul Church, Sheffield, of George Talbot, 6th Earl of Shrewsbury (died 18 Nov 1590). Sheffield Burgesses ‘Paid to the Coroner for the fee of three persons that were slain with the fall of two trees that were burned down at my Lord’s funeral, the 13th of January’, 8s. -
Armoury of His Grace the Duke of Buccleuch and Queensberry
University of Huddersfield Repository Wilcock, Paul The Armoury of His Grace the Duke of Buccleuch and Queensberry Original Citation Wilcock, Paul (2012) The Armoury of His Grace the Duke of Buccleuch and Queensberry. Arms & Armour, 9 (2). pp. 181-205. ISSN 17416124 This version is available at http://eprints.hud.ac.uk/id/eprint/17394/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ The Armoury of His Grace the Duke of Buccleuch and Queensberry It is rare for an historian to walk into a room and be awestruck by what he finds there. This was the author’s experience on being invited to view the Buccleuch Collection of arms at armour at Boughton House. It comprises an outstanding collection of arms and armour spanning almost 600 years. -
(Heaven) and Gaia (Earth), Was the Powerful Goddes
Water n Greek mythology MNEMOSYNE, daughter of the primordial Titan deities Uranus (Heaven) and Gaia (Earth), I was the powerful goddess of memory, the inventor of language and mother of the nine muses. Mnemosyne presided over the spring of memory in the underworld where souls had the choice to drink either from the River Lethe, forget their past life and be re-incarnated, or to drink from her own spring and spend eternity in the peace of the Elysian Fields. The words amnesia, amnesty, mnemonic, monument derive from her name. Jupiter, in the guise of a shepherd, approaches Mnemosyne, seated on the left at the edge of a wood by her spring. Illustration by LeClerc to Isaac de Benserade’s adaptation of Ovid’s Metamorphoses Paris, 1676. ©Trustees of the British Museum. Since ancient times water has been closely linked with memory. Many people believe that the memory of a blessing can be retained in water from holy shrines and can bring healing. In the Middle Ages the power of holy water was considered so great that pilgrims bought small flasks of it hoping that its blessing would accompany them as their journey continued. Some churches locked their fonts to prevent its theft. Homeopathic remedies defy conventional scientific Medieval pilgrim’s understanding by suggesting that water has the ability to lead alloy retain an electromagnetic memory of substances previously ampulla for carrying dissolved in it to the point that no single molecule of the holy water. original substance remains. The River Ise rises in the field at Naseby where the memory of the Civil War battle of 1645 is embedded in the Northamptonshire landscape.