Twilight Zone Nightmare As a Child Cast
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Arisia 2010 Pocket Program
Maps Quick Ref ARISIA 2011 Main Events Dealers January 14-17 ARISIA BOSTON 2010 Friday NEW LOCATION: Westin Boston Saturday Waterfront Hotel $130/night Sunday Monday Participant Schedules Fan GoH: RenŽ Walling Artist GoH: Josh Simpson Writer GoH: Kelley Armstrong POCKET PROGRAM Webcomic GoH: Shaenon Garrity Pre-Registration $25 until 2010-01-20 B 1st Floor Paul MAPS HOTEL Revere Garage A Main Program Ops Entrance Masquerade, Bone Marrow & Blood Drive President’s CD Gift Sign-ups Fan Tables Shop D Registration Crispus Attucks William Dawes Molly Pitcher Business Center A B Info Desk BC Elevators Arisia Sales Prefunction Thomas Paine Haym President’s B President’s A Solomon Coat Food Cart Check A Front Desk EscalatorsBathrooms Bridge to Garage/ Health Club 2nd Floor (stairs) 201 202 203 204 205 Rooms 207–223 Volunteer Lounge Bathrooms Elevators Aquarium Cambridge Rooms 212–224 Con Ops Atrium & Security Con Suite MAPSHOTEL Escalators Hotel Area Zephyr Patio No access Crow’s Nest: 3rd floor Atrium to Lobby Dealers’ Row: 3rd floor BU Lounge: 10th floor Zephyr Fast Track: Empress (14th floor) Rooms 237–256 Restaurant & Bar Art Show: Charles View (16th floor) QUICK REFERENCE QUICK REFERENCE Access/Handicapped Services go to Information Desk Filk (all night) Crispus Attucks Anime Room Haym Solomon Friday–Sunday 11pm–late Fri/Sat/Sun 7pm–6am Monday after teardown Arisia TV Channel 41 Films Molly Pitcher Movies, live ballroom events, etc. Friday 4pm–1am SciFi Channel replaces BBC channel for the con. Saturday 7pm–1am Art Show Charles View (16th floor) Sunday 6pm–1am Monday 9am–11am (audience choice vote 9am sharp) Friday 6pm–9pm Food Options Saturday 10am–8pm Sunday 10am–8pm Hotel Restaurant on second floor. -
Super! Drama TV April 2021
Super! drama TV April 2021 Note: #=serial number [J]=in Japanese 2021.03.29 2021.03.30 2021.03.31 2021.04.01 2021.04.02 2021.04.03 2021.04.04 Mon Tue Wed Thu Fri Sat Sun 06:00 06:00 TWILIGHT ZONE Season 5 06:00 TWILIGHT ZONE Season 5 06:00 06:00 TWILIGHT ZONE Season 5 06:00 TWILIGHT ZONE Season 5 06:00 #15 #17 #19 #21 「The Long Morrow」 「Number 12 Looks Just Like You」 「Night Call」 「Spur of the Moment」 06:30 06:30 TWILIGHT ZONE Season 5 #16 06:30 TWILIGHT ZONE Season 5 06:30 06:30 TWILIGHT ZONE Season 5 06:30 TWILIGHT ZONE Season 5 06:30 「The Self-Improvement of Salvadore #18 #20 #22 Ross」 「Black Leather Jackets」 「From Agnes - With Love」 「Queen of the Nile」 07:00 07:00 CRIMINAL MINDS Season 10 07:00 CRIMINAL MINDS Season 10 07:00 07:00 STAR TREK Season 1 07:00 THUNDERBIRDS 07:00 #1 #2 #20 #19 「X」 「Burn」 「Court Martial」 「DANGER AT OCEAN DEEP」 07:30 07:30 07:30 08:00 08:00 THE BIG BANG THEORY Season 08:00 THE BIG BANG THEORY Season 08:00 08:00 ULTRAMAN towards the future 08:00 THUNDERBIRDS 08:00 10 10 #1 #20 #13「The Romance Recalibration」 #15「The Locomotion Reverberation」 「bitter harvest」 「MOVE- AND YOU'RE DEAD」 08:30 08:30 THE BIG BANG THEORY Season 08:30 THE BIG BANG THEORY Season 08:30 08:30 THE BIG BANG THEORY Season 08:30 10 #14「The Emotion Detection 10 12 Automation」 #16「The Allowance Evaporation」 #6「The Imitation Perturbation」 09:00 09:00 information[J] 09:00 information[J] 09:00 09:00 information[J] 09:00 information[J] 09:00 09:30 09:30 THE GREAT 09:30 SUPERNATURAL Season 14 09:30 09:30 BETTER CALL SAUL Season 3 09:30 ZOEY’S EXTRAORDINARY -
Hearing Nostalgia in the Twilight Zone
JPTV 6 (1) pp. 59–80 Intellect Limited 2018 Journal of Popular Television Volume 6 Number 1 © 2018 Intellect Ltd Article. English language. doi: 10.1386/jptv.6.1.59_1 Reba A. Wissner Montclair State University No time like the past: Hearing nostalgia in The Twilight Zone Abstract Keywords One of Rod Serling’s favourite topics of exploration in The Twilight Zone (1959–64) Twilight Zone is nostalgia, which pervaded many of the episodes of the series. Although Serling Rod Serling himself often looked back upon the past wishing to regain it, he did, however, under- nostalgia stand that we often see things looking back that were not there and that the past is CBS often idealized. Like Serling, many ageing characters in The Twilight Zone often sentimentality look back or travel to the past to reclaim what they had lost. While this is a perva- stock music sive theme in the plots, in these episodes the music which accompanies the scores depict the reality of the past, showing that it is not as wonderful as the charac- ter imagined. Often, music from these various situations is reused within the same context, allowing for a stock music collection of music of nostalgia from the series. This article discusses the music of nostalgia in The Twilight Zone and the ways in which the music depicts the reality of the harshness of the past. By feeding into their own longing for the reclamation of the past, the writers and composers of these episodes remind us that what we remember is not always what was there. -
Deconstructing Feminine and Feminist Fantastic Through the Study of Living Dolls
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 22 (2020) Issue 4 Article 7 Deconstructing Feminine and Feminist Fantastic through the Study of Living Dolls Raquel Velázquez University of Barcelona Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, Other Feminist, Gender, and Sexuality Studies Commons, Spanish Literature Commons, and the Women's Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Velázquez, Raquel. "Deconstructing Feminine and Feminist Fantastic through the Study of Living Dolls." CLCWeb: Comparative Literature and Culture 22.4 (2020): <https://doi.org/10.7771/1481-4374.3720> This text has been double-blind peer reviewed by 2+1 experts in the field. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
When She's Gone
When She’s Gone Steven Erikson © Steven Erikson 2004 The game got in our blood when the Selkirk Settlers first showed up at the forks of the Red and Assiniboine rivers. Not hard to figure out why. They were farmers one and all and given land along the rivers, each allotment the precise dimensions of a hockey rink. Come winter the whole world froze up and there was nothing to do but skate and whack at frozen rubber discs with hickory sticks. Those first leagues were vicious. There were two major ones, the Northwest League and the Hudson's Bay League. Serious rivals and it all came to a head when Louis Riel, left-wing for the Voyageurs, jumped leagues and signed with the Métis Traders right there at the corner of Portage and Main, posing with a buffalo hide signing bonus. The whole territory went up in flames–the Riel Rebellion–culminating in the slaughter of nineteen Selkirk fans. Redcoats came from the east and refereed the mob that strung Riel up and hung him until dead. The Northwest League got merged into the Hudson's Bay League shortly afterward and a troubled peace came to the land. It was the first slapshot fired in anger, but it wouldn't be the last. The game We sold our soul. No point in complaining, no point in blaming anyone else, not the Yanks, not anyone else. We've done it ourselves and if you were a Yank you'd be saying the same thing. If your country was Italy, France or Belgium, if the city you called home was in England or Scotland or Wales, you're saying the same thing I'm saying right now, at least you'd be if you were thinking about what I'm thinking about. -
Poetry Prose
CONTEMPORARY POETRY AND PROSE Poems by Wallace Stevens Dylan Thomas E. E. Cummings Gavin Ewart Kerker Quinn Ruthven Todd Kenneth Allott Roger Roughton Short Story by Isaac Babel A Labrador Ballad - An Appalachian Ballad A Greenland Folk-Legend July 1936. Monthly. Sixpence CONTEMPORARY POETRY AND PROSE July 1936 Monthly Sixpence CONTENTS POEM E. E. Cummings THREE POEMS Kenneth Allott FAREWELL TO FLORIDA Wallace Stevens Two POEMS TOWARDS A POEM Dylan Thomas DOLLFUSS DAY, 1935 Gavin Ewart WORM INTERVIEWED Ruthven Todd MAKING FEET AND HAND,S Benjamin Peret MORALITY PLAY Kerker Quinn SOLUBLE NOUGHTS AND CROSSES; or, CALIFORNIA, HERE I COME Roger Roughton THE BALLAD OF Miss COLMAN (Anon) THE PROUD LAMKIN (Anon) NUKARPIARTEKAK (Anon) IN THE BASEMENT Isaac Babel Poem by E. E. Cummings little joe gould Has lost his teeth and doesn't know where to find them (and found a secondhand set which click)'little gould used to amputate his appetite with bad brittle candy but just (nude eel) now little joe lives on air Harvard Brevis Est for Handkerchief read Papernapkin no laundry bills likes People preferring Negroes Indians Youse n.b. ye twang of -little joe (yankee) gould irketh sundry who are trying to find their minds (but never had any to lose) and a myth is as good as a smile but little joe gould's quote oral history unquote might (publishers note) be entitled a wraith's progress or mainly awash while chiefly submerged or an amoral morality sort-of-aliveing by innumerable kind-of-deaths (Amerique Je T'Aime and it may be fun to be fooled but it's more fun to be more to be fun to be little joe gould) Three Poems by Kenneth Allott Decor The shunting of course goes on all day and night the coupling, the buffers, the points, the hammering the ever-open door of all-night kitchen (Everything here is fresh every day your lordship.) and the great arc lights splutter every night and the trains are very tiresome with their blue flashes the small hours, all night and every night. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
In Honor of Sandra Levy Festschrift
In Honor of Sandra Levy festschrift In Honor of Sandra Levy festschrift Edited by Susan J. Martin This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License 2021 Publication Notes TITLE In Honor of Sandra Levy EDITOR Susan J. Martin COLLABORATORS Megan Browndorf, Maura Byrne, Pat Sayre-McCoy, and Nancy Spiegel PUBLISHER University of Chicago Library PRODUCTION DESIGN Alissa Miller Text composed with Georgia and Calibri typefaces. Published in Web (PDF) and paper book formats. COVER PHOTO University of Chicago Photographic Archive, [apf2-03096], Hanna Holborn Gray Special Collections Research Center, University of Chicago Library. IDENTIFIER https://openjournals.lib.uchicago.edu/index.php/slevy KEYWORDS festschrift, Slavic librarianship DATE OF PUBLICATION June 2, 2021 COPYRIGHT ©2021 by the author(s) This publication is covered by the following Creative Commons License: Attribution-NonCommerical-NoDerivatives 4.0 International To view a copy of the license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/ SUGGESTION CITATION Martin, Susan J., ed. In Honor of Sandra Levy. Chicago: University of Chicago Library, 2021. i Table of Contents Forward iv Susan J. Martin Tabula Gratulatoria v Scholarly Expression Anxiety in the Twilight Zone: Or, How a 60-year-old show can still 1 - 7 unsettle a modern viewer Maura Byrne Procopius Neuzil and the Bohemian Benedictine Press: A Vignette from 8 - 26 the History of Czech-American Print Culture in Chicago Thomas M. Dousa Seeing the Future in Muscovy in 1584 27 - 36 Dr. Charles J. Halperin A Recipe for Bread 37 - 43 Eve Levin "Belarusians are kitties” how а verbal meme became a national symbol 44 - 70 Anna Rakityanskaya Belarusian émigré and diaspora printed publications in the British Library 71 - 78 collections: a brief overview Dr. -
Women's Spiritual Experiences in Healing From
DRAWING FROM THE WELL: WOMEN’S SPIRITUAL EXPERIENCES IN HEALING FROM CHILD SEXUAL ABUSE by Jill Louise Wylie A thesis submitted to the School of Rehabilitation Therapy In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada September, 2010 Copyright ©Jill Louise Wylie, 2010 Abstract The prevalence of child sexual abuse remains high with girls 1.5 to 3 times more likely to be victims compared to boys. In addition to psychological and emotional challenges, this abuse can lead to spiritual difficulties that impact survivors’ ability to find meaning in their life, find a sense of purpose, experience hope or believe in a world that is just. Spirituality can facilitate healing and this study contributes to that knowledge base by exploring women’s own perspectives. The purpose of this qualitative narrative study is to understand, from women’s perspectives, the role of spiritual experiences in their healing from the impacts of child sexual abuse. Spiritual experiences were defined as any experiences that have a different reality or feeling compared to our usual everyday reality that may seem extraordinary or unexplainable, or very ordinary yet meaningful. Twenty in-depth individual interviews were conducted with ten women survivors of child sexual abuse. Narrative analysis methods were used to derive key themes that represent participants’ perspectives of how spiritual experiences enhance healing. Results of this study show that spiritual experiences opened doorways to self, shifted energy, expanded perspective, revealed truths, connected to the present moment, created possibilities of the positive and were an enduring source of support and strength. -
Albany Student Press 1981-05-01
11111 i-l 11111I j1111 M 111111 mi 11 II 111111iI 11iI 11II1111 I I I 11 II I I I II I I II II I I i II Trackmen Romp page 18 April 28, 1981 Danes Sweep Colgate as Esposito Gets Record by Bob Bellaflore sixth when Rhodes (2-3) doubled to to bunt him over, but Masseroni's As a rule, Division III teams are the right field corner. Designated throw pulled Rowlands off the bag not supposed to beat Division I runner Steve Shucker went to third and both men were on. Kratley Cocks' New Contract is Recommended teams. on Colgate hurlcr Joe Spofford's struck out on three pitches, but Staats singled to right and Nuti by Belli Sexer So much for rules. wild pitch, and came in on Lynch's portant llial he be shown .support. scored. positive recommendation he looks The Albany State varsity baseball line single to center. Faeully and students afire over Marlin said lhai on a personal all accounts one of Ihe besl teachers team won its eighth game in a row Colgate's runs were all unearned. Colgate went up 2-1 in the next Vice President for Academic Af for "a balance of leaching and in ihc university should be sum level he had "mixed emotions" and scholarship and university service." and increased their already im They got one in the fifth when John inning. Tortorello went deep in the fairs David Martin's recommenda "severe reservations" about his marily canned" for not publishing pressive record to 10-1 by sweeping Kratley reached on a force play, hole at shortstop to field Dave tion thai Political Science Professor Martin's firs! recommendation enough, he said. -
Miles Romney Jr., Chronicler of the Neglected Truth
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1990 Miles Romney Jr., chronicler of the neglected truth Christine L. Johnson The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Johnson, Christine L., "Miles Romney Jr., chronicler of the neglected truth" (1990). Graduate Student Theses, Dissertations, & Professional Papers. 2982. https://scholarworks.umt.edu/etd/2982 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Mike and Maureen MANSFIELD LIBRARY Copying allowed as provided under provisions of the Fair Use Section of the U.S. COPYRIGHT LAW, 1976. Any copying for commercial purposes or financial gain may be undertaken only with the author's written consent. MontanaUniversity of MILES ROMNEY JR. CHRONICLER OF THE NEGLECTED TROTH By Christine L. Johnson B. S., Montana State College, 1958 Presented in partial fulfillment of the requirements for the degree of Master of Arts University of Montana 1990 Approved by Dean, Graduate School / Dat UMI Number: EP36377 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted.