A Community Treasure

Total Page:16

File Type:pdf, Size:1020Kb

A Community Treasure A COMMUNITY TREASURE SPRING 2019 EDITION Dear Friends, Patrons & Members, Welcome to Spring 2019 at the Colonial! As usual our calendar is full of won- or perks at participating local businesses and organizations, and a Free derful new movies, classic films and special events! One-Year Subscription to Film Comment Magazine (Director and Visionary Memberships Only). We have also introduced a new discounted membership This May marks two years since we opened the expanded Colonial - and this for Activer Military & Veterans and a new monthly plan called The Film Lovers fall will mark the 20th Anniversary of the Colonial’s reopening! We appreciate Club that gives you Free Admission to all regular Classic, Cult Cinema and everyone’s continued enthusiasm and support throughout the years. Fright Night Films! As we head into our next chapter, we are not only dedicated to offering you And those are just a few of the many new and exciting things we have more film, more live entertainment and more guest presentations from our planned for you in the near future. neighborhood non-profits and community groups, we are also focused on revitalizing our membership program and messaging. As we head into our 20th year of operation, we want to thank you for allowing us to bring you the best film and live events to your community. You may have already spotted our new logo on our emails, letters, posters and pamphlets. As much as we loved our classic Colonial logo with medallion Wishing you all the best this spring, motif, we (and many of you) thought it was time for a new logo that better reflected our current mission to inspire audiences by presenting exceptional and eclectic film and performance for all. The new logo can also be seen on our new Membership Cards that many of you have already received or will be Ken Metzner, Executive Director receiving upon renewal. On behalf of the staff and the Board of Directors of ACT Speaking of our membership programs, you may have noticed that some new names for our various membership levels – along with some new ad- ditional benefits, including No Processing Fees on Film Tickets, Discounts The historic Colonial Theatre marquee and bank building. Photo by John Schaeffer. CLASSICS ON SUNDAYS MIDNIGHT LACE MERMAIDS Sun, Apr 7 @ 1:30 PM Sun, May 12 @ 1:30 When the American wife (Doris Day) of a Special Mother's Day Screening! wealthy London-based financier (Rex Har- Fifteen-year-old Charlotte Flax (Winona rison) starts receiving frightening phone Ryder) is tired of her wacky mom (Cher) mov- calls, she believes her life is in danger, but ing their family to a different town any time when she protests to her family following a she feels it is necessary. When they move to near-fatal accident, they and the police doubt a small Massachusetts town and Mrs. Flax her claims and even her sanity. This often begins dating a shopkeeper (Bob Hoskins), overlooked gem also stars Roddy McDowall, Charlotte and her sister, Kate (Christina John Gavin and Myrna Loy. 1960. NR. 103 min. Ricci), hope that they can finally settle down. Digital. MIDNIGHT COWBOY* Sun, Apr 14 @ 1:30 PM 50th Anniversary Screening! Convinced CLÉO FROM 5 TO 7* of his irresistible appeal to women, Texas Sun, May 19 @ 1:30 PM dishwasher Joe Buck (Jon Voight) quits his Selfish pop singer Cléo (Corinne Marchand) job and heads for New York City, thinking has two hours to wait until the results of her he'll latch on to some rich dowager. New biopsy come back. After an ominous tarot card York, however, is not as hospitable as he reading, she visits her friends, all of whom fail imagined, and Joe soon finds himself liv- to give her the emotional support she needs. ing in an abandoned building with a small- Wandering around Paris, she finally finds com- time con man named Enrico "Ratso" Rizzo fort talking with a soldier in a park. On leave (Dustin Hoffman). The two form a rough from the Algerian War, heputs her troubles in alliance, and together they kick-start perspective. As they talk and walk, Cléo comes Joe's hustling career just as Ratso's health to terms with her selfishness, finding peace begins to deteriorate. 1969. R. 113 min. Digital Restoration. before the results come back. In French with English Subtitles. 1962. NR. 90 min. Digital. MIDNIGHT RUN Sun, May 5 @ 1:30PM THE DIRTY DOZEN A former policeman-turned-bounty hunter Sun, May 26 @ 1:30 PM Jack Walsh (Robert De Niro) is tasked with As D-Day approaches, General Worden locating a mob accountant named "The Duke" (Ernest Borgnine) and Colonel Breed (Robert (Charles Grodin) and bringing him to L.A. The Ryan) hand the roguish Major Reisman job should be a "midnight run” (nice and easy (Lee Marvin) an important assignment: He in bounty hunter lingo). But when Jack finds must train a team of soldiers to parachute The Duke, the FBI and the mob are anxious to across enemy lines and assassinate German get their hands on him, too. In a cross-country personnel at a French chateau. The soldiers, chase, Jack must evade the authorities, hide recruited from murderers, rapists and crimi- from the mob and prevent The Duke's erratic nals on death row, are promised commuted personality from driving him mad. A brilliant sentences. In spite of their history, the 12 men buddy comedy/road trip flick from the director of the original Going in Style prove a spirited and courageous unit. This and Beverly Hills Cop. 1988. R. 127 min. Digital. classic, big-screen actioner features an all-star cast that includes Charles Bronson, Jim Brown, Donald Sutherland, Telly Savalas, John Cassavetes, Richard Jaeckel, Trini Lopez, Ralph Meeker, Clint Walker, Robert Webber, Stuart Cooper, and George Kennedy. 1967. NR. 150 min. 35mm. *MIDNIGHT COWBOY AND CLEO FROM 5 TO 7 ARE ALSO PART OF OUR ILLUMINATING CINEMA FILM & DISCUSSION SERIES. SEE PAGE 3 FOR MORE DETAILS. Tickets to classic films are $5 - $8. Schedule and ticket prices subject to change, so please confirm online or by phone. www.thecolonialtheatre.com | 610-917-1228 2 CLASSICS ON SUNDAYS ILLUMINATING CINEMA MIDNIGHT COWBOY THE LONGEST DAY CLÉO FROM 5 TO 7 Sun, Jun 9 @ 1:30 PM Tickets: $20-$25 Special screening in honor of the 70th Connect with film fans for fun, refreshments and engaging conversation. Anniversary of this historic event! Each presentation begins with a pre-show introduction from a guest speaker In 1944, the U.S. Army and Allied forces who offers insight to help sharpen your focus on the respective film. After the plan a huge invasion landing in Normandy, film, reconvene for a convivial conversation with the speaker and each other. France. Despite bad weather, General In addition to admission to the film screening and discussions, your Illumi- Eisenhower gives the okay and the Allies nating Cinema ticket includes a free small popcorn, a free small soda, and land at Normandy. General Norman Cota $5 beer or wine. Tickets are limited, so we encourage advance purchases. (Robert Mitchum) travels with his men onto Please Note: Film Screening-only tickets for all Illuminating Cinema titles Omaha Beach. With much effort, and many are also available for purchase. See page 2 for more details. casualities, they get off the beach, traveling deep into French territory. The German Sun, Apr 14 - Midnight Cowboy military, due to arrogance, ignorance and a sleeping Adolf Hitler, delay their 1:00 PM - Introduction in the Garden Suite response to the Allied landing, with crippling results. The All-Star International 1:30 PM - Film Screening in the 1903 Theatre Cast includes John Wayne, Henry Fonda, Sean Connery, Eddie Albert, Richard 3:30 PM - Discussion/Q&A in the Garden Suite Burton, Red Buttons, Roddy McDowall and many more! US. 1962. NR. 178 min. Digital. Sun, May 19 - Cléo from 5 to 7 1:00 PM - Introduction in the Garden Suite 1:30 PM - Film Screening in the 1903 Theatre JAWS 2 3:00 PM - Discussion/Q&A in Garden Suite Sun, Jun 23 @ 1:30 PM Just when you thought it was safe to go FATHER'S DAY MARATHON back to the movies… Jaws 2 swims into the Colonial! Years after the shark attacks that DAD'S A CHAMP! ROCKY & CREED left Amity Island reeling, Chief Martin Brody MARATHON (Roy Scheider) finds new trouble lurking in the Sun, Jun 16, 1:00-7:15 PM waters. Mayor Larry Vaughn (Murray Hamilton) Treat dad to a knock-out afternoon of Philly-set wants to rid the beach town of the stain on its classics with the Colonial's Dad’s a Champ! reputation. But the disappearance of a pair Rocky & Creed Marathon! On the card: the res- of divers suggests that all is not right. When toration of the original Rocky, the winner of our Brody voices his warnings about holding a audience sequel poll -Rocky IV, and the first sailing competition, everyone thinks it's post-traumatic stress. That is, until installment of the incredibly cool Creed series! a shark fin cuts through the water. A fun sequel with a good sense of humor See your favorite film - or go the distance and and suspense, Jaws 2 is ripe for rediscovery on the big screen! US. 1978. PG. see all three! Visit our website for showtimes, 116 min. Digital. Sponsored by Shorty's Sunflower Cafe! run times and ticket info! THE CINCINNATI KID Sun, Jun 30 @ 1:30 PM ANNUAL SUMMER EVENT Young poker player Eric Stoner (Steve McQueen), also known as the "Cincinnati Kid," JAWS wants to build his reputation by beating the Sat, Jun 22 @ 4:00 PM best player around, Lancey "The Man" Howard There’s only one way to truly welcome (Edward G.
Recommended publications
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • The Art Book
    The Art Book 2008 – 15:1 Articles Prodigious Enchantments NORBERT LYNTON 3 Can Art be Evil? Portrait of a Nazi Propagandist JOHN A WALKER 5 Process as Communication VICTORIA KELLER 7 Living it Up in Fifteenth-Century Florence: Magnificence, the Medici and the Renaissance Palace GABRIELE NEHER 9 Translating Apples TACITA DEAN 11 ARTISTS' SELF-PORTRAITS FROM THE UFFIZI BY ANTONIO PAOLUCCI ET AL. BRITTA C DWYER 13 PANIC ATTACK! ART IN THE PUNK YEARS BY MARK SLADEN AND ARIELLA YEDGAR (EDS) JOHN A WALKER 14 MUDMAN: THE ODYSSEY OF KIM JONES BY SANDRA Q FIRMIN AND JULIE JOYCE (EDS) DAVID McCARTHY 15 HARRY THUBRON: COLLAGES AND CONSTRUCTIONS 1972-1984 BY NORBERT LYNTON AND JON THOMPSON BETH L WILLIAMSON 16 IKE TAIGA AND TOKUYAMA GYOKURAN: JAPANESE MASTERS OF THE BRUSH BY FELICE FISCHER WITH KYOKO KINOSHITA CRAIG BUNCH 19 BETWEEN WORLDS: VOYAGERS TO BRITAIN 1700-1850 BY JOCELYN HACKFORTH-JONES ET AL. PATRICIA ANDREW 20 SEAMAN SCHEPPS: A CENTURY OF NEW YORK JEWELRY DESIGN BY AMANDA VAILL AND JANET ZAPATA ROBERTA BERNABEI 21 ONCE UPON A TIME WALT DISNEY: THE SOURCES OF INSPIRATION FOR THE DISNEY STUDIOS BY BRUNO GIRVEAU, LELLA SMITH AND PIERRE LAMBERT VICTORIA DE RIJKE 22 CANALETTO IN ENGLAND A VENETIAN ARTIST ABROAD, 1746- 1755 BY CHARLES BEDDINGTON WITH ESSAYS BY BRIAN ALLEN AND FRANCIS RUSSELL SOPHIE BOSTOCK 23 LEONARDO DA VINCI EXPERIENCE, EXPERIMENT AND DESIGN BY MARTIN KEMP GABRIELE NEHER 24 OUDRY'S PAINTED MENAGERIE: PORTRAITS OF EXOTIC ANIMALS IN EIGHTEENTH-CENTURY EUROPE BY MARY MORTON (ED.) MICHAEL DORSCH 25 Two Saints - Home At Last 27 ‘The Call’ Within and Beyond Africa MARION ARNOLD 29 STILL LIFE AND TRADE IN THE DUTCH GOLDEN AGE BY JULIE BERGER HOCHSTRASSER LARRY SILVER 31 JAPONISME: THE JAPANESE INFLUENCE ON WESTERN ART SINCE 1858 BY SIEGFRIED WICHMANN MAJELLA MUNRO 32 THE MODERN WEST: AMERICAN LANDSCAPES, 1890-1950 BY EMILY BALLEW NEFF ET AL.
    [Show full text]
  • National Arts Awards Monday, October 19, 2015
    2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • GAILY, GAILY the NIGHT THEY RAIDED MINSKY's “In 1925, There
    The one area where it succeeded perfectly was So, Rosenblum began refashioning the film, in its score by Henry Mancini. By this time, using a clever device of stock footage that Mancini was already a legend. After toiling in the would lead into the production footage, rear - GAILY, GAILY music department at Universal (the highlight of ranging and restructuring scenes, and spend - his tenure there would be Orson Welles’ Touch ing a year doing so – the result was stylish and Of Evil) , he hit it big, first with his TV score to visually interesting and it transformed the film THE NIGHT Peter Gunn – which not only provided that from disaster into a hit. THEY RAIDED MINSKY’S Blake Edwards series with its signature sound, but which also produced a best-selling album The score for Minsky’s was written by Charles on RCA – and then in a series of films for which Strouse, who’d already written several Broad - “In 1925, he provided amazing scores, one right after an - way shows, as well as the score for the film other – Breakfast At Tiffany’s, Charade, Hatari, Bonnie and Clyde . The lyrics were by Lee there was this real The Pink Panther, Days Of Wine and Roses , Adams, with whom Strouse had written the religious girl” and many others. Many of those films also pro - Broadway shows Bye Bye Birdie, All-American, duced best-selling albums. Mancini not only Golden Boy, It’s A Bird, It’s A Plane, It’s Super - knew how to score a film perfectly, but he was man and others.
    [Show full text]
  • The Statement
    THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES
    [Show full text]
  • It's a Conspiracy
    IT’S A CONSPIRACY! As a Cautionary Remembrance of the JFK Assassination—A Survey of Films With A Paranoid Edge Dan Akira Nishimura with Don Malcolm The only culture to enlist the imagination and change the charac- der. As it snows, he walks the streets of the town that will be forever ter of Americans was the one we had been given by the movies… changed. The banker Mr. Potter (Lionel Barrymore), a scrooge-like No movie star had the mind, courage or force to be national character, practically owns Bedford Falls. As he prepares to reshape leader… So the President nominated himself. He would fill the it in his own image, Potter doesn’t act alone. There’s also a board void. He would be the movie star come to life as President. of directors with identities shielded from the public (think MPAA). Who are these people? And what’s so wonderful about them? —Norman Mailer 3. Ace in the Hole (1951) resident John F. Kennedy was a movie fan. Ironically, one A former big city reporter of his favorites was The Manchurian Candidate (1962), lands a job for an Albu- directed by John Frankenheimer. With the president’s per- querque daily. Chuck Tatum mission, Frankenheimer was able to shoot scenes from (Kirk Douglas) is looking for Seven Days in May (1964) at the White House. Due to a ticket back to “the Apple.” Pthe events of November 1963, both films seem prescient. He thinks he’s found it when Was Lee Harvey Oswald a sleeper agent, a “Manchurian candidate?” Leo Mimosa (Richard Bene- Or was it a military coup as in the latter film? Or both? dict) is trapped in a cave Over the years, many films have dealt with political conspira- collapse.
    [Show full text]
  • 1,000 Films to See Before You Die Published in the Guardian, June 2007
    1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation.
    [Show full text]
  • The Daily Egyptian, April 06, 1982
    Southern Illinois University Carbondale OpenSIUC April 1982 Daily Egyptian 1982 4-6-1982 The aiD ly Egyptian, April 06, 1982 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_April1982 Volume 67, Issue 128 Recommended Citation , . "The aiD ly Egyptian, April 06, 1982." (Apr 1982). This Article is brought to you for free and open access by the Daily Egyptian 1982 at OpenSIUC. It has been accepted for inclusion in April 1982 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Spring book 'Daily ~gyptian co-op axed; Tuesday, April II, 1982-Vol. fn, No. 128 future in doubt By Mike Anthony $1,<100, it will lead to the demise Staff Writer of the co-op. U the Student Center charges The Undergraduate Student the USO "that amount of money " Organization will oot have a to run the co-op, it will be forced book CCHlp this spring and to close," Rogers said whether there will be future c0- Cook said, "I feel that ops rema::na in doobt, ...:.:urding students own the Student to Jerry Cook, USO chief of Center. The book co-op provides staff. a service to the entire student The flnt CCHlp last January, body and we shouldn't be ill which more than $10,000 charged for the use 01 the worth of books changed bands Student Center because we're ::.!'I" JOg 581 s~ta, was ter­ paying for it." Illed successful by both However, Corker and Dean University administrators and Isbell, SIU System treasurer student leaders.
    [Show full text]
  • Glastonburyminiguide.Pdf
    GLASTONBURY 2003 MAP Produced by Guardian Development Cover illustrations: John & Wendy Map data: Simmons Aerofilms MAP MARKET AREA INTRODUCTION GETA LOAD OF THIS... Welcome to Glastonbury 2003 and to the official Glastonbury Festival Mini-Guide. This special edition of the Guardian’s weekly TV and entertainments listings magazine contains all the information you need for a successful and stress-free festival. The Mini-Guide contains comprehensive listings for all the main stages, plus the pick of the acts at Green Fields, Lost and Cabaret Stages, and advice on where to find the best of the weird and wonderful happenings throughout the festival. There are also tips on the bands you shouldn’t miss, a rundown of the many bars dotted around the site, fold-out maps to help you get to grips with the 600 acres of space, and practical advice on everything from lost property to keeping healthy. Additional free copies of this Mini-Guide can be picked up from the Guardian newsstand in the market, the festival information points or the Workers Beer Co bars. To help you keep in touch with all the news from Glastonbury and beyond, the Guardian and Observer are being sold by vendors and from the newsstands at a specially discounted price during the festival . Whatever you want from Glastonbury, we hope this Mini-Guide will help you make the most of it. Have a great festival. Watt Andy Illustration: ESSENTIAL INFORMATION INFORMATION POINTS hygiene. Make sure you wash MONEY give a description. If you lose There are five information your hands after going to the loo The NatWest bank is near the your children, ask for advice points where you can get local, and before eating.
    [Show full text]
  • FILMS and THEIR STARS 1. CK: OW Citizen Kane: Orson Welles 2
    FILMS AND THEIR STARS 1. CK: OW Citizen Kane: Orson Welles 2. TGTBATU: CE The Good, the Bad and the Ugly: Clint Eastwood 3. RFTS: KM Reach for the Sky: Kenneth More 4. FG; TH Forest Gump: Tom Hanks 5. TGE: SM/CB The Great Escape: Steve McQueen and Charles Bronson ( OK. I got it wrong!) 6. TS: PN/RR The Sting: Paul Newman and Robert Redford 7. GWTW: VL Gone with the Wind: Vivien Leigh 8. MOTOE: PU Murder on the Orient Express; Peter Ustinov (but it wasn’t it was Albert Finney! DOTN would be correct) 9. D: TH/HS/KB Dunkirk: Tom Hardy, Harry Styles, Kenneth Branagh 10. HN: GC High Noon: Gary Cooper 11. TS: JN The Shining: Jack Nicholson 12. G: BK Gandhi: Ben Kingsley 13. A: NK/HJ Australia: Nicole Kidman, Hugh Jackman 14. OGP: HF On Golden Pond: Henry Fonda 15. TDD: LM/CB/TS The Dirty Dozen: Lee Marvin, Charles Bronson, Telly Savalas 16. A: MC Alfie: Michael Caine 17. TDH: RDN The Deer Hunter: Robert De Niro 18. GWCTD: ST/SP Guess who’s coming to Dinner: Spencer Tracy, Sidney Poitier 19. TKS: CF The King’s Speech: Colin Firth 20. LOA: POT/OS Lawrence of Arabia: Peter O’Toole, Omar Shariff 21. C: ET/RB Cleopatra: Elizabeth Taylor, Richard Burton 22. MC: JV/DH Midnight Cowboy: Jon Voight, Dustin Hoffman 23. P: AP/JL Psycho: Anthony Perkins, Janet Leigh 24. TG: JW True Grit: John Wayne 25. TEHL: DS The Eagle has landed: Donald Sutherland. 26. SLIH: MM Some like it Hot: Marilyn Monroe 27.
    [Show full text]
  • Films Winning 4 Or More Awards Without Winning Best Picture
    FILMS WINNING 4 OR MORE AWARDS WITHOUT WINNING BEST PICTURE Best Picture winner indicated by brackets Highlighted film titles were not nominated in the Best Picture category [Updated thru 88th Awards (2/16)] 8 AWARDS Cabaret, Allied Artists, 1972. [The Godfather] 7 AWARDS Gravity, Warner Bros., 2013. [12 Years a Slave] 6 AWARDS A Place in the Sun, Paramount, 1951. [An American in Paris] Star Wars, 20th Century-Fox, 1977 (plus 1 Special Achievement Award). [Annie Hall] Mad Max: Fury Road, Warner Bros., 2015 [Spotlight] 5 AWARDS Wilson, 20th Century-Fox, 1944. [Going My Way] The Bad and the Beautiful, Metro-Goldwyn-Mayer, 1952. [The Greatest Show on Earth] The King and I, 20th Century-Fox, 1956. [Around the World in 80 Days] Mary Poppins, Buena Vista Distribution Company, 1964. [My Fair Lady] Doctor Zhivago, Metro-Goldwyn-Mayer, 1965. [The Sound of Music] Who's Afraid of Virginia Woolf?, Warner Bros., 1966. [A Man for All Seasons] Saving Private Ryan, DreamWorks, 1998. [Shakespeare in Love] The Aviator, Miramax, Initial Entertainment Group and Warner Bros., 2004. [Million Dollar Baby] Hugo, Paramount, 2011. [The Artist] 4 AWARDS The Informer, RKO Radio, 1935. [Mutiny on the Bounty] Anthony Adverse, Warner Bros., 1936. [The Great Ziegfeld] The Song of Bernadette, 20th Century-Fox, 1943. [Casablanca] The Heiress, Paramount, 1949. [All the King’s Men] A Streetcar Named Desire, Warner Bros., 1951. [An American in Paris] High Noon, United Artists, 1952. [The Greatest Show on Earth] Sayonara, Warner Bros., 1957. [The Bridge on the River Kwai] Spartacus, Universal-International, 1960. [The Apartment] Cleopatra, 20th Century-Fox, 1963.
    [Show full text]