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JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES. -
David Roche (Ed.), Steven Spielberg: Hollywood Wunderkind & Humanist
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist Julia Echeverría-Domingo Electronic version URL: http://journals.openedition.org/miranda/14731 DOI: 10.4000/miranda.14731 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Julia Echeverría-Domingo, “David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist ”, Miranda [Online], 17 | 2018, Online since 02 October 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/14731 ; DOI: https://doi.org/10.4000/miranda.14731 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist 1 David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist Julia Echeverría-Domingo REFERENCES David Roche (ed.), Steven Spielberg: Hollywood Wunderkind & Humanist (Montpellier: Presses Universitaires de la Méditerranée, 2018), 348 p, ISBN 978-2367812649. 1 This collective work provides an engaging and deeply respectful approach to Steven Spielberg, one of the most commercially successful and at the same time critically despised filmmakers of his time. As its editor David Roche acknowledges in his introduction, he himself was reluctant at first to deal with a filmmaker who is recognized for his emotional manipulation and popcorn blockbusters (11). This initial reticence, which is probably common to many other scholars, is soon dispelled by a thought-provoking collection of essays that situate Spielberg not just as a studio director in the classical sense but also as a gifted auteur. -
Understanding Steven Spielberg
Understanding Steven Spielberg Understanding Steven Spielberg By Beatriz Peña-Acuña Understanding Steven Spielberg Series: New Horizon By Beatriz Peña-Acuña This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Beatriz Peña-Acuña Cover image: Nerea Hernandez Martinez All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0818-8 ISBN (13): 978-1-5275-0818-7 This text is dedicated to Steven Spielberg, who has given me so much enjoyment and made me experience so many emotions, and because he makes me believe in human beings. I also dedicate this book to my ancestors from my mother’s side, who for centuries were able to move from Spain to Mexico and loved both countries in their hearts. This lesson remains for future generations. My father, of Spanish Sephardic origin, helped me so much, encouraging me in every intellectual pursuit. I hope that contemporary researchers share their knowledge and open their minds and hearts, valuing what other researchers do whatever their language or nation, as some academics have done for me. Love and wisdom have no language, nationality, or gender. CONTENTS Introduction ................................................................................................. 1 Chapter One ................................................................................................. 3 Spielberg’s Personal Context and Executive Production Chapter Two .............................................................................................. 19 Spielberg’s Behaviour in the Process of Film Production 2.1. -
The Sugarland Express (Spielberg 1974): Una Aproximación a Sus Hombres
THE SUGARLAND EXPRESS (SPIELBERG 1974): UNA APROXIMACIÓN A SUS HOMBRES AUTOR José Díaz-Cuesta CILAP, Universidad de La Rioja en Logroño (España) [email protected] El texto fílmico The Sugarland Express (Spielberg 1974), titulado en España Loca evasión, es encuadrado por Lester Friedman en su libro Citizen Spielberg (2006), atendiendo a la temática de las películas, dentro de aquéllas que pertenecen al género melodramático de acción y/o aventura. El director reconocía en 1988 que “I don’t think I’ve ever not made a melodrama” (Spielberg 1988: 13). Aquí, además, como ya sucedía en Duel (Spielberg 1971), se cruza con la road movie. Continuando la tarea de analizar las representaciones de masculinidades en toda la filmografía de este director (Díaz-Cuesta 2010, 2012), parece oportuno abordar ahora la obra que supone la primera incursión directa en el cine. Para el análisis de las representaciones de masculinidades en esta obra seguimos un método analítico-sintético que sigue los cuatro entornos o sites en los que Pat Kirkham y Janet Thumim (1993: 11) enmarcan las masculinidades en el cine: el cuerpo, la acción, el mundo externo y el mundo interno. En el cuerpo, Kirkham y Thumim distinguen entre el representado por la star persona del actor y el que se incorpora al personaje de la película en cuestión. En el caso de The Sugarland Express el protagonismo central lo ocupa una madre, Lou Jean Poplin (encarnada por Goldie Hawn), alrededor de la cual pivotan los hombres que se cruzan en su camino: su marido Clovis (William Atherton), el policía al que secuestran, Matthew Slide (Michael Sacks), y el capitán Harlis Tanner (Ben Johnson), sin olvidarnos del niño Langston (Harrison Zanuck). -
Tuesday 12 April 2016, London. This June, Audiences at BFI Southbank Will Be Enchanted by the Big-Screen Thrills of Steven Spie
WITH ONSTAGE APPEARANCES FROM: DIRECTORS CRISTI PUIU, RADU JUDE, ANCA DAMIAN, TUDOR GIURGIU, RADU MUNTEAN AND MICHAEL ARIAS; BROADCASTERS MARK KERMODE AND JONATHAN MEADES Tuesday 12 April 2016, London. This June, audiences at BFI Southbank will be enchanted by the big-screen thrills of Steven Spielberg as we kick off a two month season, beginning on Friday 27 May with a re-release of the sci-fi classic Close Encounters of the Third Kind (Director’s Cut) (1977) in a brand new 35mm print, exclusively at BFI Southbank. We also welcome the most exciting talent behind the ‘New Wave’ of Romanian cinema to BFI Southbank, including directors Cristi Puiu and Radu Jude, as we celebrate this remarkable movement in world cinema with a dedicated season Revolution In Realism: The New Romanian Cinema. The BFI’s ever popular Anime Weekend returns to BFI Southbank from 3-5 June with the best new films from the genre, while this month’s television season is dedicated to Architecture on TV, with onscreen appearance from JG Ballard, Iain Nairn and Raymond Williams. The events programme for June boasts film previews of Notes on Blindness (Pete Middleton, James Spinney, 2016) and Race (Stephen Hopkins, 2016), and a TV preview of the new BBC drama The Living and the Dead starring Colin Morgan and Charlotte Spencer. New releases will include the Oscar-nominated Embrace of the Serpent (Ciro Guerra, 2015) and Apichatpong Weerasethakul’s latest film Cemetery of Splendour (2015). The BFI’s new Big Screen Classics series offers films that demand the big-screen treatment, and this month include The Night of the Hunter (Charles Laughton, 1955), Once Upon a Time in the West (Sergio Leone, 1968) and Days of Heaven (Terrence Malick, 1978). -
Cinematographic Space As a Material and the American Territory As a Subject: ''Duel'' and ''The Sugarlan
Cinematographic Space as a Material and the American Territory as a Subject : ”Duel” and ”The Sugarland Express” Antoine Gaudin To cite this version: Antoine Gaudin. Cinematographic Space as a Material and the American Territory as a Subject : ”Duel” and ”The Sugarland Express”. David Roche. Steven Spielberg, Hollywood Wunderkind and Humanist, Presses Universitaires de la Méditerranée, 2018, 978-2-36781-264-9. hal-02264816 HAL Id: hal-02264816 https://hal.archives-ouvertes.fr/hal-02264816 Submitted on 7 Aug 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. CINEMATOGRAPHIC SPACE AS A MATERIAL AND THE AMERICAN TERRITORY AS A SUBJECT: DUEL AND THE SUGARLAND EXPRESS1 Antoine Gaudin in David Roche (dir.), Steven Spielberg, Hollywood Wunderkind and Humanist, Presses Universitaires de la Méditerranée, 2018. As his recent film Bridge of Spies once again illustrates, Spielberg has always been a rigorous stylist of cinematic space. From the layered deep focus composite shots of Close Encounters of the Third Kind, to the malleability of the digital scenery of The Adventures of Tintin, the experimental scenery of Hook and editing of Saving Private Ryan, and the exploration of emblematic locations like the amusement park in Jurassic Park and the airport in The Terminal, this concern for space takes on various forms throughout the filmmaker’s work. -
Michael Krasny Has Interviewed a Wide Range of Major Political and Cultural Figures Including Edward Albee, Madeleine Albright
Michael Krasny has interviewed a wide range of major political and cultural figures including Edward Albee, Madeleine Albright, Sherman Alexei, Robert Altman, Maya Angelou, Margaret Atwood, Ken Auletta, Paul Auster, Richard Avedon, Joan Baez, Alec Baldwin, Dave Barry, Harry Belafonte, Annette Bening, Wendell Berry, Claire Bloom, Andy Borowitz, T.S. Boyle, Ray Bradbury, Ben Bradlee, Bill Bradley, Stephen Breyer, Tom Brokaw, David Brooks, Patrick Buchanan, William F. Buckley Jr, Jimmy Carter, James Carville, Michael Chabon, Noam Chomsky, Hillary Rodham Clinton, Cesar Chavez, Bill Cosby, Sandra Cisneros, Billy Collins, Pat Conroy, Francis Ford Coppola, Jacques Cousteau, Michael Crichton, Francis Crick, Mario Cuomo, Tony Curtis, Marc Danner, Ted Danson, Don DeLillo, Gerard Depardieu, Junot Diaz, Leonardo DiCaprio, Joan Didion, Maureen Dowd. Jennifer Egan, Daniel Ellsberg, Rahm Emanuel, Nora Ephron, Susan Faludi, Diane Feinstein, Jane Fonda, Barney Frank, Jonathan Franzen, Lady Antonia Fraser, Thomas Friedman, Carlos Fuentes, John Kenneth Galbraith, Andy Garcia, Jerry Garcia, Robert Gates, Newt Gingrich, Allen Ginsberg, Malcolm Gladwell, Danny Glover, Jane Goodall, Stephen Greenblatt, Matt Groening, Sammy Hagar, Woody Harrelson, Robert Hass, Werner Herzog, Christopher Hitchens, Nick Hornby, Khaled Hosseini, Patricia Ireland, Kazuo Ishiguro, Molly Ivins, Jesse Jackson, PD James, Bill T. Jones, James Earl Jones, Ashley Judd, Pauline Kael, John Kerry, Tracy Kidder, Barbara Kingsolver, Alonzo King, Galway Kinnell, Ertha Kitt, Paul Krugman, Ray -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Emmy Nominations
2021 Emmy® Awards 73rd Emmy Awards Complete Nominations List Outstanding Animated Program Big Mouth • The New Me • Netflix • Netflix Bob's Burgers • Worms Of In-Rear-Ment • FOX • 20th Century Fox Television / Bento Box Animation Genndy Tartakovsky's Primal • Plague Of Madness • Adult Swim • Cartoon Network Studios The Simpsons • The Dad-Feelings Limited • FOX • A Gracie Films Production in association with 20th Television Animation South Park: The Pandemic Special • Comedy Central • Central Productions, LLC Outstanding Short Form Animated Program Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Maggie Simpson In: The Force Awakens From Its Nap • Disney+ • A Gracie Films Production in association with 20th Television Animation Once Upon A Snowman • Disney+ • Walt Disney Animation Studios Robot Chicken • Endgame • Adult Swim • A Stoopid Buddy Stoodios production with Williams Street and Sony Pictures Television Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) The Flight Attendant • After Dark • HBO Max • HBO Max in association with Berlanti Productions, Yes, Norman Productions, and Warner Bros. Television Sara K. White, Production Designer Christine Foley, Art Director Jessica Petruccelli, Set Decorator The Handmaid's Tale • Chicago • Hulu • Hulu, MGM, Daniel Wilson Productions, The Littlefield Company, White Oak Pictures Elisabeth Williams, Production Designer Martha Sparrow, Art Director Larry Spittle, Art Director Rob Hepburn, Set Decorator Mare Of Easttown • HBO • HBO in association with wiip Studios, TPhaeg eL o1w Dweller Productions, Juggle Productions, Mayhem Mare Of Easttown • HBO • HBO in association with wiip Studios, The Low Dweller Productions, Juggle Productions, Mayhem and Zobot Projects Keith P. Cunningham, Production Designer James F. Truesdale, Art Director Edward McLoughlin, Set Decorator The Undoing • HBO • HBO in association with Made Up Stories, Blossom Films, David E. -
Arts and Sciences and Officers
Ac:acre"nv 01 Motion Picture Arts and Sciences and Officers 1980-1981 President Fay Kamn First Vice President Marvin E. Mirisch Vice President Charles M. Powell Vice President Arthur Hamilton Treasurer Gene Allen Secretary Donald C. Rogers Executive Director James M. Roberts Academy of Motion Picture Arts and Sciences 8949 Wilshire Boulevard Beverly Hills, California 90211 (213) 278-8990 On cover A singing telegram by the dance troupe outlined the rules by which Academy Awards are given The Academy's headquarters in Beverly Hills was the site of its many screenings, salutes and tribute programs. Eighth Annual Student Film Award winners ,posed with special guests and Academy officials prior to the presentation ceremony. Oscar's domain continued to expand as the Academy increased its special programming in 1980-81 to include new seminars, lectures and an extraordinarily wide variety of film presentations. Background-a print of "Wings;' first picture to win an Academy Award for Best Picture, was presented to the Academy this year by Paramount Pictures. The cover theme is carried through this report, using photos from the Margaret Herrick Library's collection of four-million stills, to chronicle the growth of the film industry. Report from the President am pleased to present to you the traditionally send us foreign language film fourth annual report of the Academy entries. This year I was able to extend the of Motion Picture Arts and Sciences Academy's greetings to filmmakers and and the Academy Foundation . The film-lovers abroad as the guest of France events of the past year documented and Greece and to represent the U.S., Ihere reflect the Academy's continuing as well as the Academy, in heading a efforts to fulfill one of the promises of its delegation accompanying the first five charter - to foster educational activities American films sent in a generation to the between the professional community People's Republic of China. -
John Williams
JOHN WILLIAMS AWARDS/NOMINATIONS GRAMMY AWARD (201 4) THE BOOK THIEF Best Instrumental Composition ACADEMY AWARD NOMINATION (2013) THE BOOK THIEF Best Original Score BAFTA AWARD NOMINATION (2013) THE BOOK THIEF Best Original Music GOLDEN GLOBE AWARD NOMINATION THE BOOK THIEF (2013) Best Original Score ACADEMY AWARD NOMINATI ON (2012 ) LINCOLN Best Original Score GOLDEN GLOBE AWARD NOMINATION LINCOLN (2012) Best Original Score GRAMMY AWARD NOMINATION (2012) THE ADVENTURES OF TINTIN – THE SECRET Best Score Soundtrack for Visual Media OF THE UNICORN BAFTA AWARD NOMINATIO N (2012 ) LINCOLN Best Original Music CRITIC’S CHOICE AWARD (2012) LINCOLN Best Score ACADEMY AWARD NOMINATION (2011) TINTIN Best Original Score ACADEMY AWARD NOMINATION (2011) TINTIN Best Original Score ACADEMY AWARD NOMINATION (2011) WAR HORSE Best Ori ginal Score BAFTA AWARD NOMINATION (2011) WAR HORSE Best Original Music GOLDEN GLOBE AWARD NOMINATION (2011) WAR HORSE Best Original Score CRITICS CHOICE AWARD NOMINATION WAR HORSE (2011) Best Score 1 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS ANNIE AWARD NOMINATION (2011) TINTIN Best Music in a Feature Production EMMY AWARD (2009) GREAT PERFORMANCES Outstanding Original Main Title Theme Music GRAMMY AWARD (2008) “The Adventures of Mutt” Best Instrumental Composition from INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL GRAMMY AWARD (2006) “A Prayer for Peace” Best Instrumental Composition from MUNICH GRAMMY AWARD (2006) MEMOIRS OF A GEISHA Best Score Soundtrack Album GRAMMY AWARD NOMINATION (2006) -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE