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In the Aftermath of the Emanuel Nine in the September
For Immediate Release: September 21, 2015 Press Contacts: Natalie Raabe, (212) 286-6591 Molly Erman, (212) 286-7936 Adrea Piazza, (212) 286-4255 In the Aftermath of the Emanuel Nine In the September 28, 2015, issue of The New Yorker, in “Blood at the Root” (p. 26), David Remnick travels to Charleston, South Caro- lina, and explores the city’s resistance and resilience in the aftermath of the June murders of nine people at Emanuel A.M.E. Church. Like many people in Charleston, Pastor Norvel Goff, Sr., at Emanuel, says that members of the community remain in shock and immense pain “(‘post-traumatic-stress syndrome’ was the term they often used), but they were alive, and feeling joy in their pews—and at their jobs, and at their Bible classes and dinner tables and Sunday strolls—because of the depth of their spiritual lives,” Remnick writes. “This was the way of a church that had been around since the days when enslaved black men and women, in a quest for safety, community, dignity, co- hesion, empowerment, ritual, and peace, broke from white churches and built ‘invisible’ institutions, sometimes called ‘hush harbors.’ ” The black church, even as it has changed, aged, and, in some places, lost ground to mega-churches, Remnick writes, remains a powerful insti- tution of black life, and of black political influence. The families of the Emanuel Nine shocked the nation with their message of forgive- ness at the killer Dylann Roof ’s hearing the day after the murders. That forgiveness is hard to understand for anyone “who hasn’t had to cope with that kind of powerlessness,” James H. -
SYNCHRONICITY and VISUAL MUSIC a Senior Thesis Presented to the Faculty of the Department of Music Business, Entrepreneurship An
SYNCHRONICITY AND VISUAL MUSIC A Senior Thesis Presented to The Faculty of the Department of Music Business, Entrepreneurship and Technology The University of the Arts In partial fulfillment of the requirements for the degree of BACHELOR OF SCIENCE By Zarek Rubin May 9, 2019 Rubin 1 Music and visuals have an integral relationship that cannot be broken. The relationship is evident when album artwork, album packaging, and music videos still exist. For most individuals, music videos and album artwork fulfill the listener’s imagination, concept, and perception of a finished music product. For other individuals, the visuals may distract or ruin the imagination of the listener. Listening to music on an album is like reading a novel. The audience builds their own imagination from the work, but any visuals such as the novel cover to media adaptations can ruin the preexisted vision the audience possesses. Despite the audience’s imagination, music can be visualized in different forms of visual media and it can fulfill the listener’s imagination in a different context. Listeners get introduced to new music in film, television, advertisement, film trailers, and video games. Content creators on YouTube introduce a song or playlist with visuals they edit themselves. The content creators credit the music artist in the description of the video and music fans listen to the music through the links provided. The YouTube channel, “ChilledCow”, synchronizes Lo-Fi hip hop music to a gif of a girl studying from the 2012 anime film, Wolf Children. These videos are a new form of radio on the internet. -
Tesi Di Fabio Marchi
II Dal 1993 Al 1997: le prime tre evoluzioni di Björk L’idea originaria era che ogni traccia di Debut doveva avere un produttore diverso, in realtà dopo l’incontro con Nellee Hooper ogni singola traccia del disco ebbe vita a se ma con un unico produttore. Esotico, eclettico ma anche coerente e fluido, l’album dimostrava una maturità poetica con reminiscenze classiche e palpiti di dance-music meno commerciale. Björk dava vita così ad un pop elettronico sofisticato, emozionante e davvero innovativo. Singolo guida di Debut fu Human beheaviour . I timpani che aprivano il brano, davano alla canzone un sapore arabeggiante. Il singolo dimostra una interpretazione vocale piuttosto originale, in un ritmo quasi spiazzante rispetto ai canoni di una cultura pop dei primi anni 90. Con l’esordio di Björk da solista va associato anche il suo ingresso nella videoarte. All’inizio degli anni ‘90, anche la politica e il palinsesto di MTV, subiva un’importante cambiamento: il videoclip si inseriva con una certa predominanza negli investimenti e consequenzialmente nelle promozioni delle major discografiche. Regista e apripista di questa nuova immagine di Björk fu Michel Gondry, figura allora emergente ma molto richiesta nel mondo dei videoclip. L’idea del video, nata principalmente da Björk, la ritraeva in una casetta di legno immersa in un bosco illuminato da stelle attorno al quale ruotava un orso gigante di peluche. Il tutto in un ambiente surreale e molto naif. Il video, nonostante le paure di un qualcosa di troppo azzardato fu un successo. La One Little Indian puntava a 40 mila copie vendute per Debut (più o meno il numero dei fan degli Sugarcubes); non si aspettava che nei soli primi tre mesi il disco avrebbe venduto 600 mila copie e che il milione, sarebbe arrivato molto presto. -
March 2014 Newsletter.Pub
WILLIAMSBURG UNITARIAN UNIVERSALISTS A WELCOMING, WORSHIPING, WITNESSING CONGREGATION WUU NEWS March 2014 March 2, 2014 9:15 am The Circle: Contemplative Worship “I Want to be Loving” Eva Burke, Worship Leader We all want to be loved, but above all, our most heartfelt wish is to love, deeply and universally. Realisti- cally, though, there are times when this seems like an unreachable ideal. What then? How can we express ourselves, genuinely and skillfully, when showing overt love doesn't work? 11:15 am "The Problem With Being Right" All-Ages Worship Service Rev. Kristin Grassel Schmidt It isn't easy when opinions we hold dear are challenged. It is even less easy when such challenge reveals we have been wrong. This Sunday we will explore the need to be right, how it can be a barrier to growth and justice, and what it might feel like to let that need go. 11:00 am, OWL for registered class participants (Parker House) March 9, 2014 **Reminder: Daylight Savings Time Begins at 2:00 am today, Don’t forget to “Spring Forward” an hour this morning or you will miss services** 9:15 am The Circle: Contemplative Worship “Loving the Unlovable” Rev. Jennifer Ryu 11:15 am "Loving the Unlovable" Rev. Jennifer Ryu We begin our month-long relection on love by considering those who are the hardest to love. Rev. Jen- nifer is seeking one or two people to share your stories in a 3-minute "From the Heart" about loving when loving is hard. Natalie Miller Moore has offered to help coach those who would like some extra help. -
Cash Transfers and Child Schooling
WPS6340 Policy Research Working Paper 6340 Public Disclosure Authorized Impact Evaluation Series No. 82 Cash Transfers and Child Schooling Evidence from a Randomized Evaluation Public Disclosure Authorized of the Role of Conditionality Richard Akresh Damien de Walque Harounan Kazianga Public Disclosure Authorized The World Bank Public Disclosure Authorized Development Research Group Human Development and Public Services Team January 2013 Policy Research Working Paper 6340 Abstract The authors conduct a randomized experiment in rural children who are traditionally favored by parents for Burkina Faso to estimate the impact of alternative cash school participation, including boys, older children, and transfer delivery mechanisms on education. The two- higher ability children. However, the conditional transfers year pilot program randomly distributed cash transfers are significantly more effective than the unconditional that were either conditional or unconditional. Families transfers in improving the enrollment of “marginal under the conditional schemes were required to have children” who are initially less likely to go to school, such their children ages 7–15 enrolled in school and attending as girls, younger children, and lower ability children. classes regularly. There were no such requirements under Thus, conditionality plays a critical role in benefiting the unconditional programs. The results indicate that children who are less likely to receive investments from unconditional and conditional cash transfer programs their parents. have a similar impact increasing the enrollment of This paper is a product of the Human Development and Public Services Team, Development Research Group. It is part of a larger effort by the World Bank to provide open access to its research and make a contribution to development policy discussions around the world. -
Verirrte Stutzer
Kultur Auch ohne die gängigen Rockerunifor- Ezra Koenig, der wie seine drei Partner POP men haben sie zusammen mit ihren beiden 23 ist, aber auch problemlos als 16-Jähriger Kollegen Rostam Batmanglij und Chris durchginge, setzt sich sehr aufrecht hin, Verirrte Stutzer Baio ein unlängst veröffentlichtes Debüt- wenn er nach Simon gefragt wird, und sagt album eingespielt, das als eines der aufre- verdächtig behutsam und etwas zu freund- Die Jungs von der New gendsten Ereignisse dieser Saison gilt. lich, dass alle in der Band dieses „sehr, sehr Im Internet versetzen sie seit Monaten respektieren“ würden, dass es aber ein Yorker Band Vampire Weekend die Welt der Musikblogs in Aufruhr, und in nervtötender Reflex sei, wenn alle Welt an widersprechen allen den einschlägigen Feuilletons amerikani- Paul Simon denke, sobald Nichtafrikaner gängigen Rock’n’Roll-Klischees. scher und englischer Zeitungen zeigen sich sich an afrikanischer Musik versuchten. die Experten angetan. Bereits im vergange- „Wir haben einfach den Zauber der afri- zra Koenig und Christopher Tomson, nen Sommer feierte ein Autor der „New kanischen Musik entdeckt und beschlos- die in einer fensterlosen Rumpelkam- York Times“ die erste Single des Quartetts sen, das mit unseren eigenen Ideen zu Emer ihrer Plattenfirma sitzen, trinken als „eines der beeindruckendsten Debüts kreuzen“, entgegnet er leicht entnervt. Ab- Mineralwasser ohne Kohlensäure und Cola des Jahres“. gesehen davon scheinen sich dieser Tage ohne Zucker und sehen eher nicht so aus, „Wir staunen nur, dass die Hallen, in de- immer mehr nachgewachsene Rockabenteu- wie man sich junge, gefeierte Rockmusiker nen wir spielen, immer größer und voller rer von sogenannter Weltmusik inspirie- aus New York vorstellt. -
15 Tips for 5 Cities
#6 Companion Magazine #6 / 2015 Free for guests of 25h hotels € 5,50 / £ 4,00 $ 6,00 CHF companion-magazine.com A magazine by freundevonfreunden.com for 25hours Hotels featuring Fashion & Style, Food & Drink, Art & Entertainment, Wellness & Activity, People & Business from Berlin, Hamburg, Frankfurt, Vienna, Zurich & beyond Beyond Kale & A Way Success Company With Wood Highly successful entre- Yoga teacher and chef Belén Berlin Lumberjacks – preneur Bobby Dekeyser on Vázquez Amaro shares one Albrecht von Alvensleben the intricacies of valuing of her favorite dishes – and Max Pauen aka Bullen- material possessions. a winter special. berg make the cut in oak. A tour to the family forest. Interview, p. 13 Recipe, p. 16 Portrait, p. 26 15 TIPS WOVEN FOR 5 CITIES PLAY- Bits & Pieces, p. 4 GROUNDS One could call them playing fields – the nature-inspired, woven rugs and textile objects by Alexandra Kehayoglou. The designer specializes in items that usually just lay flat THE DO-IT-YOURSELF WOMAN on the ground, adding a third dimension and a touch of nature to any home. Lately, her craft has also extended to Pop star, feminist, do-it-yourself heroine, poster girl of art and fashion installations. COMPANION met with the the internet generation: Claire Boucher does it all. She Argentinian rising star in her Buenos Aires studio to speak achieved stardom in 2012 with her indie music project about heritage and happy accidents. Grimes. With “Art Angels,” the long-awaited follow-up to her breakthrough album “Visions,” the Canadian has once Spielwiesen könnte man sie nennen – die von der Natur in- again shown how a woman in the pop music industry can spirierten gewebten Teppiche und textilen Objekte von take her career into her own hands. -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) FEB CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 13 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 16, 19 BEYONCE STX 14; WM 7 TASHA COBBS LEONARD GA 4, 11, 12, 14; ZACARIAS FERREIRA TSA 17 HOTBOII HS 20 -L- GS 12 21 SAVAGE B200 53; RBA 29; RLP 24; H100 JUSTIN BIEBER B200 187; RBL 24; A40 3, 12, LA FIERA DE OJINAGA RMS 33 STEPHEN HOUGH CL 6 LABRINTH STX 22 100; RBH 36, 38; RP 22 23; AC 7, 11; DA 20, 36; H100 9, 12, 28, 85; COCHREN & CO. -
Pre-Pedidos: 11 - Octubre - 2019
CLICK AQUÍ PARA VISITAR EL INDICE CON TODOS LOS LISTADOS DISPONIBLES descuento del 9% para pedidos de este listado recibidos hasta el 18 - octubre - 2019 inclusive PRE-PEDIDOS: 11 - OCTUBRE - 2019 WORMHOLE GRUMPTRONIX - NIGHTMOVES # 3: 14.30 € WISDOM DIRTY SHEETS / LOVEFIX / NIGHTMOVES / COSMIC GLIDE 13.01 € WORMO2.3 12" TECHNO / HOUSE / ACID / REPRESS: 02 - Diciembre - 2019 NLD ELECTRO As with the previous 2 releases in the 3-part Grumptronix series, the A-side features the duo's most sought A1 after tracks from their back catalogue. This concluding chapter features the futuristic-funk and vocoder- laden 'Dirty Sheets', an enigmatic electro classic that has been become almost impossible to find for collectors. This is followed by the travelling and morphing sounds of 'Lovefix' - a track that is long regarded A2 as one of the greatest electro tracks of the era. As with the rest of the series, the two reissue tracks are featured alongside 2 previously unheard, unreleased productions that were created during the same time period, at the same studio in Tampa, Florida. The first previously unreleased track is 'Nightmoves', a B1 potential future classic. An immediate call to the dancefloor that provides the discerning DJ with something to break through even the most monotonous of sets. The final track of the series is 'Cosmic Glide', a bouncy rhythm with purple, funk-fuelled keys that are equal parts future and past. Nightmoves #3 B2 is last in the series, but by absolutely no means least. WORMO2's transmission is complete, over and out 12.80 € MODEIGHT VENDA - OVIO EP 11.65 € MODEIGHT008 12" HOUSE / MINIMAL-HOUSE Vinyl Only / 180 grams UKR Following his recent Australian tour, Modeight label mastermind Silat Beksi now connects the dots between A1 Europe's thriving minimal underground and the emerging scene down under by showcasing Aussie modular specialist Venda for Modeight's 8th vinyl release. -
From English to Code-Switching: Transfer Learning with Strong Morphological Clues
From English to Code-Switching: Transfer Learning with Strong Morphological Clues Gustavo Aguilar and Thamar Solorio Department of Computer Science University of Houston Houston, TX 77204-3010 fgaguilaralas, [email protected] Abstract Hindi-English Tweet Original: Keep calm and keep kaam se kaam !!!other #office Linguistic Code-switching (CS) is still an un- #tgif #nametag #buddhane #SouvenirFromManali #keepcalm derstudied phenomenon in natural language English: Keep calm and mind your own business !!! processing. The NLP community has mostly focused on monolingual and multi-lingual sce- Nepali-English Tweet narios, but little attention has been given to CS Original: Youtubene ma live re ,other chalcha ki vanni aash in particular. This is partly because of the lack garam !other Optimistic .other of resources and annotated data, despite its in- English: They said Youtube live, let’s hope it works! Optimistic. creasing occurrence in social media platforms. Spanish-English Tweet In this paper, we aim at adapting monolin- Original: @MROlvera06 @T11gRe go too gual models to code-switched text in various other other cavenders y tambien ve a @ElToroBoots tasks. Specifically, we transfer English knowl- ne ne other English: @MROlvera06 @T11gRe go to cavenders and edge from a pre-trained ELMo model to differ- also go to @ElToroBoots ent code-switched language pairs (i.e., Nepali- English, Spanish-English, and Hindi-English) Figure 1: Examples of code-switched tweets and using the task of language identification. Our their translations from the CS LID corpora for Hindi- method, CS-ELMo, is an extension of ELMo English, Nepali-English and Spanish-English. The LID with a simple yet effective position-aware at- labels ne and other in subscripts refer to named enti- tention mechanism inside its character convo- ties and punctuation, emojis or usernames, respectively lutions. -
A Level Music
A level Music Areas of Study – Other Perspectives NB: updates to this document were made in April 2021 and these are highlighted in yellow. © artwork: Mark Bolitho | Origami photography Pearson Education Ltd/Justin Hoffman Introduction This qualification features a Component entitled Appraising. The purpose of this component is for students to develop their listening and appraising skills through the study of music across a variety of styles and genres. The content is grouped into six areas of study, containing either two or three set works. This component gives students the opportunity to reflect on, analyse and evaluate music in aural and/or written form. To achieve this objective, students need to use their knowledge and understanding of musical elements, context and language to make critical judgements about the repertoire and context of music within the areas of study. Students should also study a range of pieces beyond these set works. The suggested other musical pieces for each area of study (see Appendix 4 of the specification) provide students with breadth, enabling them to place their knowledge of musical elements, context and language in a wider context, and apply their knowledge and understanding to more pieces of music. The suggested other music can help students to relate their learning to music in the set works, but their study is not compulsory. Teachers can identify and teach other pieces of music to support their students’ learning. The following music and musicians are examples of how each of the areas of study can be approached from a diverse range of other perspectives. The pieces have been chosen to encourage students to think beyond the mainstream and over-represented composers and styles of music, and instead to consider alternative and less well-known types and origins of music. -
Vide O Clipe: Forças E Sensações No Caos
UNIVERSIDADE ESTADUAL DE CAMPINAS FACULDADE DE EDUCAÇÃO DISSERTAÇÃO DE MESTRADO Vide o clipe: forças e sensações no caos Autor: Pamela Zacharias Sanches Oda Orientador: Prof. Dr. Antonio Carlos Rodrigues de Amorim Este exemplar corresponde à redação final da Dissertação defendida por Pamela Zacharias Sanches Oda e aprovada pela Comissão Julgadora. Data: 15 / 02 / 2011 2011 ii iii Ao Lucas, Meu amor, amigo e companheiro, que possibilitou através de seu incentivo, de seu olhar crítico e de sua imensa paciência a concretização deste trabalho. iv AGRADECIMENTOS Agradecer é estar em estado de graça. Assim me sinto ao traçar as últimas linhas dessa dissertação. Nesse momento, rememoro todo o trajeto do mestrado e percebo que o que me trouxe aqui se iniciou bem antes da escrita do projeto, bem antes de fazer minha inscrição para o processo seletivo. O início de tudo está em um tempo não situável e deve-se a tantos corpos que não haveria espaço para agradecê-los nestas páginas. Por isso o estado de graça, a gratidão ampla e imensurável por estar onde estou e poder deixar um registro de um pedacinho de minha vida no mundo, mesmo que perdido entre as estantes de uma biblioteca acadêmica. Isso porque este texto é apenas a materialidade simbólica de tudo o que este trabalho me trouxe e vai além, muito além do que ele apresenta. Agradeço, portanto, ao prof. dr. Antônio Carlos de Amorim, por ter se interessado em me orientar e ter me possibilitado tantos encontros teóricos e principalmente humanos; ao grupo de pesquisa OLHO e, em especial ,ao Humor