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Reviving the Pagan Greek Novel in a Christian World Burton, Joan B Greek, Roman and Byzantine Studies; Summer 1998; 39, 2; Proquest Pg
Reviving the Pagan Greek novel in a Christian World Burton, Joan B Greek, Roman and Byzantine Studies; Summer 1998; 39, 2; ProQuest pg. 179 Reviving the Pagan Greek Novel in a Christian World Joan B. Burton N THE CHRISTIAN WORLD of Constantinople, in the twelfth century A.D., there was a revival of the ancient Greek novel, I replete with pagan gods and pagan themes. The aim of this paper is to draw attention to the crucial role of Christian themes such as the eucharist and the resurrection in the shaping and recreation of the ancient pagan Greek world in the Byzan tine Greek novels. Traditionally scholars have focused on similarities to the ancient Greek novels in basic plot elements, narrative tech niques, and the like. This has often resulted in a general dismissal of the twelfth-century Greek novels as imitative and unoriginal.1 Yet a revision of this judgment has begun to take place.2 Scholars have noted that there are themes and imagery in these novels that would sound contemporary to many of their Byzantine readers, for example, ceremonial throne scenes and 1 Thus B. E. Perry, The Ancient Romances: A Literary-Historical Account of Their Origins (Berkeley 1967) 103: "the slavish imitations of Achilles Tatius and Heliodorus which were written in the twelfth century by such miserable pedants as Eustathius Macrembolites, Theodorus Prodromus, and Nicetas Eugenianus, trying to write romance in what they thought was the ancient manner. Of these no account need be taken." 2See R. Beaton's important book, The Medieval Greek Romance 2 (London 1996) 52-88, 210-214; M. -
BYZANTINE CAMEOS and the AESTHETICS of the ICON By
BYZANTINE CAMEOS AND THE AESTHETICS OF THE ICON by James A. Magruder, III A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland March 2014 © 2014 James A. Magruder, III All rights reserved Abstract Byzantine icons have attracted artists and art historians to what they saw as the flat style of large painted panels. They tend to understand this flatness as a repudiation of the Classical priority to represent Nature and an affirmation of otherworldly spirituality. However, many extant sacred portraits from the Byzantine period were executed in relief in precious materials, such as gemstones, ivory or gold. Byzantine writers describe contemporary icons as lifelike, sometimes even coming to life with divine power. The question is what Byzantine Christians hoped to represent by crafting small icons in precious materials, specifically cameos. The dissertation catalogs and analyzes Byzantine cameos from the end of Iconoclasm (843) until the fall of Constantinople (1453). They have not received comprehensive treatment before, but since they represent saints in iconic poses, they provide a good corpus of icons comparable to icons in other media. Their durability and the difficulty of reworking them also makes them a particularly faithful record of Byzantine priorities regarding the icon as a genre. In addition, the dissertation surveys theological texts that comment on or illustrate stone to understand what role the materiality of Byzantine cameos played in choosing stone relief for icons. Finally, it examines Byzantine epigrams written about or for icons to define the terms that shaped icon production. -
Bourbouhakis Curriculum Vitae
Curriculum Vitae Emmanuel C. Bourbouhakis Assistant Professor Department of Classics Princeton University 141 East Pyne Princeton, NJ 08544 Tel: 609-258-3951 Email: [email protected] Current Position 2011- Assistant Professor, Department of Classics, Princeton University Previous Employment 2008-2010 DFG Teaching–Research Fellow, Department of History, Albert-Ludwigs Universität Freiburg 2007-2008 Lecturer, Department of the Classics, Harvard University Education 09/1999-10/2006 PhD in Classical and Byzantine Philology, Harvard University 09/1997-06/1999 MA in Classical Philology, University of Western Ontario 09/1989-06/1993 BA in History, McGill University; Liberal Arts College, Concordia University Ancient Languages Latin, Greek (classical & medieval) Modern Languages Greek (modern), English, French, German, Italian Awards, Honours, Fellowships 2010 Gerda Henkel Stiftung Fellowship 2008 Deutsche Forschungsgemeinschaft Forschungsstipendium (German National Research Foundation Fellowship) at the Albert-Ludwigs Universität Freiburg 2005 Harvard University Humanities Dissertation Fellowship 2004 Dumbarton Oaks Junior Fellowship 2003 DAAD Doctoral Fellowship at the Byzantinisch-Neugriechisches Institut, Freie Universität Berlin 2 2002 Canadian Social Sciences and Humanities Research Council Doctoral Grant Academic Service Princeton University 2011-2012 Search Committee, Byzantine Art and Archaeology 2012-2013 Forbes College Academic Advisor 2012-2013 Department of Classics Seniors Adviser 2012-2013 Department of Classics Undergraduate -
Byzantium's Balkan Frontier
This page intentionally left blank Byzantium’s Balkan Frontier is the first narrative history in English of the northern Balkans in the tenth to twelfth centuries. Where pre- vious histories have been concerned principally with the medieval history of distinct and autonomous Balkan nations, this study regards Byzantine political authority as a unifying factor in the various lands which formed the empire’s frontier in the north and west. It takes as its central concern Byzantine relations with all Slavic and non-Slavic peoples – including the Serbs, Croats, Bulgarians and Hungarians – in and beyond the Balkan Peninsula, and explores in detail imperial responses, first to the migrations of nomadic peoples, and subsequently to the expansion of Latin Christendom. It also examines the changing conception of the frontier in Byzantine thought and literature through the middle Byzantine period. is British Academy Postdoctoral Fellow, Keble College, Oxford BYZANTIUM’S BALKAN FRONTIER A Political Study of the Northern Balkans, – PAUL STEPHENSON British Academy Postdoctoral Fellow Keble College, Oxford The Pitt Building, Trumpington Street, Cambridge, United Kingdom The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org © Paul Stephenson 2004 First published in printed format 2000 ISBN 0-511-03402-4 eBook (Adobe Reader) ISBN 0-521-77017-3 hardback Contents List ofmaps and figurespagevi Prefacevii A note on citation and transliterationix List ofabbreviationsxi Introduction .Bulgaria and beyond:the Northern Balkans (c.–) .The Byzantine occupation ofBulgaria (–) .Northern nomads (–) .Southern Slavs (–) .The rise ofthe west,I:Normans and Crusaders (–) . -
Representations and Manifestations of an Empire
BetweenThe Oxford Constantines Byzantine Society presents representations and manifestations of an empire Friday 4 March 2011 Provisional Schedule 10:00 Session 1 2:15 Session 3 Representing the Self: Understanding Late Roman The imperial cult of saints in the Macedonian Dynasty Mausolea in Pannonia and Dalmatia Miroslav Popovic Zsolt R. Magyar University of Belgrade Central European University, Budapest Labelling the Local: The Archangel Michael of Chonai The Architecture of The Episcopal Church in Doclea Alex Rodriguez Suarez (Montenegro) University of London – King’s College Tatjana Koprivica History Institute of Montenegro, Podgorica ‘The Land of the Beautiful Horses’: The archaeology of medieval stables in Cappadocia Byzantine Fortifications in the Iberian Peninsula Filiz Tütüncü Çağlar Danielle Donaldson University of Victoria, Canada Trinity College, Cambridge 4:30 Session 4 11:45 Session 2 Mantzikert reversed? The last campaign of Alexios I Journey to the East: Beyond Space and Time (The Life of Komnenos in the Alexiad of Anna Komnene St. Macarius the Roman) Roman Shlyakhtin Z. D. Ainalis Central European University, Budapest University of Paris I–Panthéon-Sorbonne A tale of two castles: Katsamon, Ras and the grand Singing Your Praises: Depictions of Emperors and strategy of John II Komnenos Imperial Rule in the Hymnic Collection of James of Maximilian C G Lau Edessa Oriel College, Oxford Simon Ford Exeter College, Oxford ‘In the world but not of it’: the contribution of the monastic economy to the functioning of trading Rural -
The Case of Michael Glykas' Letter Collection and Biblos Chronike In
DOI 10.1515/bz-2020-0036 BZ 2020; 113(3): 837–852 Eirini-Sophia Kiapidou Writing lettersand chronography in parallel: the case of Michael Glykas’ letter collection and Biblos Chronike in the 12th century Abstract: This paper focuses on the 12th-century Byzantine scholarMichael Gly- kas and the two main pillars of his multifarious literaryproduction, Biblos Chronike and Letters, thoroughly exploring for the first time the nature of their interconnection. In additiontothe primary goal, i.e. clarifying as far as possible the conditions in which these twoworks were written, taking into account their intertextuality,itextends the discussion to the mixture of features in texts of dif- ferent literarygenre, written in parallel, by the same author,basedonthe same material. By presentingthe evidence drawnfrom the case of Michael Glykas, the paper attemptstostress the need to abandon the strictlyapplied taxonomical logic in approaching Byzantine Literature, as it ultimatelyprevents us from con- stitute the full mark of each author in the history of Byzantine culture. Adresse: Dr.Eirini-Sophia Kiapidou, UniversityofPatras, Department of Philology,Univesity Campus,26504Rio Achaia, Greece;[email protected] Accordingtothe traditionalmethod of approaching Byzantine Literature,asap- plied – under the influenceofclassical philology – in the fundamental works of Karl Krumbacher,¹ Herbert Hunger² and Hans-Georg Beck³ and indeedrepro- Ι wish to thankProfessor StratisPapaioannou as wellasthe two anonymous readersfor making valuable suggestions on earlier versions of thispaper.All remaining mistakes, of course,are mine. K. Krumbacher,Geschichteder byzantinischen Litteratur vonJustinian bis zum Ende des os- trömischen Reiches (–). München . H. Hunger, Die hochsprachliche profane Literatur der Byzantiner. Handbuch der Altertumwis- senschaft ..,I–II. München . H.-G. -
Conference Booklet
O nd O X F O R D U 22 C E N T R E f o r B Y Z A N T I N E B International R E S E A R C H G r a d u a t e Oxford Centre for S C o n f e re n c e Late Antiquity H I S T O R Y FACULTY The State Between OXFORD Liminality, Transition 2 8 - 2 9 & Transformation FEBRUARY 2 0 2 0 in Late Antiquity & Byzantium The Oxford University Byzantine Society’s XXII International Graduate Conference The State Between: Liminality, Transition and Transformation in Late Antiquity and Byzantium 28th -29th February 2020 History Faculty, Oxford Was conceived and organised by Daniel Gallaher (President) Lorenzo Saccon (Secretary) Josh Hitt (Treasurer) In collaboration with Aikaterini Vavaliou And made possible through the generous support of The Oxford Centre for Byzantine Research (OCBR) www.ocbr.ox.ac.uk The Oxford Centre for Late Antiquity (OCLA) www.ocla.ox.ac.uk Oxford Medieval Studies (OMS) https://www.torch.ox.ac.uk/oxford-medieval-studies The Arts and Humanities Research Council (AHRC) https://ahrc.ukri.org/ The Oxford Research Centre for Humanities (TORCH) www.torch.ox.ac.uk History Faculty, Oxford www.history.ox.ac.uk/home With thanks to the organising committee Cover Image Credit: Chloé Agar Cory Johnson Alberto Ravani Background Photo: Mosaic of Theodora - Basilica of San Vitale (Ravenna, Italy) Philip Atkins John-Francis Martin Sofia Simões Coelho © Petar Milošević / CC BY-SA James Cogbill Callan Meynell Rebekah Wahnon-Pym Graphic Design: Aikaterini Vavaliou for the OUBS Miranda Gronow Raymond Ngoh Julian Wood 2 3 Welcome The conference committee wishes you all a very warm welcome to the Oxford University Byzantine Society’s 22nd International Graduate Conference. -
Discovering Isaac Komnenos and the Letter of Aristeas
READING BETWEEN THE LINES OF A BYZANTINE ‘PARAPHRASE’: (RE)DISCOVERING ISAAC KOMNENOS AND THE LETTER OF ARISTEAS Valeria Flavia Lovato Introduction: the illustrated Octateuchs and Isaac Komnenos In a recent study on the illuminated Octateuchs, Lowden has defined this group of luxurious manuscripts as a typically ‘Byzantine phenomenon’.1 The present paper focuses on one such manuscript, namely the Seraglio Octateuch, generally attributed to the patronage of the sebastokratōr Isaac Komnenos Porphyrogen- netos, son of emperor Alexios I and brother of John II.2 More specifically, in what follows I will focus on the so-called paraphrase of the Letter of Aristeas,3 a unique feature of the Seraglio manuscript. This short text, meant as a sort of introduction to the whole codex, was most likely penned by Isaac Komnenos himself.4 The This article is part of a project funded by the Swiss National Science Foundation (PostDoc. Mobility Grant number P400PH_180700). I would like to thank Tommaso Braccini and Aglae Pizzone for their comments on previous drafts. Special thanks are owed to Nancy Patterson Ševčenko and Michiel Op de Coul for allowing me to read their unpublished work. 1 J. Lowden, Illustrated Octateuch Manuscripts: A Byzantine Phenomenon, in: P. Mag- dalino – R. S. Nelson (eds), The Old Testament in Byzantium. Washington D.C. 2010, 107-152. 2 On Isaac Komnenos as the most likely commissioner of the Seraglio Octateuch see, most recently, K. Linardou, Imperial Impersonations: Disguised Portraits of a Komnenian Prince and his Father, in: A. Bucossi – A. Rodriguez Suarez (eds), John II Komnenos, Emperor of Byzantium. In the Shadow of Father and Son. -
The Eastern Roman Empire (Byzantium) and the Western Way of War the Komnenian Armies
Anistoriton Journal, vol. 11 (2008-2009) Viewpoints 1 The Eastern Roman Empire (Byzantium) and the Western Way of War The Komnenian Armies Byzantium. The word invokes to the modern imagination images of icons, palaces and peaceful Christianity rather than the militarism associated with its European counterparts during the age of the Byzantine Empire. Despite modern interpretations of the Empire, it was not without military dynamism throughout its 800-year hold on the East. During the “Second Golden Age” of Byzantium, this dominion experienced a level of strength and discipline in its army that was rarely countered before or after. This was largely due to the interest of the Komnenian emperors in creating a military culture and integrating foreign ideas into the Eastern Roman Empire. The Byzantine Empire faced unique challenges not only because of the era in which they were a major world power but also for the geography of Byzantium. Like the Rome of earlier eras, the territory encompassed by Byzantium was broad in scope and encompassed a variety of peoples under one banner. There were two basic areas held by the empire – the Haemus and Anatolia, with outposts in Crete, the Crimea and southern Italy and Sicily (Willmott 4). By the time of the Komnenos dynasty, most of Anatolia had been lost in the battle of Manzikert. Manuel I would attempt to remedy that loss, considered significant to the control of the empire. Of this territory, the majority was arid or mountainous, creating difficulties for what was primarily an agricultural economy. This reliance on land-based products helped to bolster the reluctance for war in the eastern Roman Empire. -
Niketas Choniates Versus Manuel I Komnenos: Disputes Concernig Islam in the Context of the Byzantine Tradition
Списание ЕПОХИ Издание на Историческия факултет на ВТУ „Св. св. Кирил и Методий” Том / Volume XXIV (2016), Journal EPOHI [EPOCHS] Книжка / Issue 2 Edition of the Department of History of St. Cyril and St. Methodius University of Veliko Turnovo NIKETAS CHONIATES VERSUS MANUEL I KOMNENOS: DISPUTES CONCERNIG ISLAM IN THE CONTEXT OF THE BYZANTINE TRADITION Dimitar Y. DIMITROV НИКИТА ХОНИАТ СРЕЩУ МАНУИЛ I КОМНИН: ПОЛЕМИКА, СВЪРЗАНА С ИСЛЯМА, В КОНТЕКСТА НА ВИЗАНТИЙСКАТА ТРАДИЦИЯ Димитър Й. ДИМИТРОВ Abstract: Byzantine society had very complex relations with the Islamic Eastern neighbors. Islam, to be sure, started and continued to be menace for Byzantium for the all long eighth centuries they used to coexist. However, Byzantine society needed a certain period of time to accept Islam as another religion, standing against Christianity in the East. After the first Byzantine revenge acts against Judaism a long tradition was formed with two main streams. The first of them envisaged Islam as a demoniac pseudo-religion (or anti-religion), the second being milder and ready to accept the Islamic neighbors not as a whole, but rather as different states, culturally not so different from Byzantium, with diplomacy playing role for keeping balance in the East. Thus, the Byzantine Realpolitik appeared as a phenomenon, what provoked crusaders to accuse Byzantium as being traitor to the Christian cause in the East. In that context should we pose the interesting incident at the end of Manuel I Komnenos’ reign (1143 – 1180). Both Church and society were provoked by the decision of the Emperor to lift up the anathemas against Allah from the trivial ritual of denouncing Islam. -
Osmanli Öncesi Dönemde Trabzon Şehri
T.C. FIRAT ÜN İVERS İTES İ SOSYAL B İLİMLER ENST İTÜSÜ TAR İH ANAB İLİM DALI OSMANLI ÖNCES İ DÖNEMDE TRABZON ŞEHR İ YÜKSEK L İSANS TEZ İ DANI ŞMAN HAZIRLAYAN Prof. Dr. Abdulhalik BAKIR Fatih AKSOY ELAZI Ğ 2009 T.C. FIRAT ÜN İVERS İTES İ SOSYAL B İLİMLER ENST İTÜSÜ TAR İH ANAB İLİM DALI OSMANLI DÖNEM İ ÖNCES İNDE TRABZON ŞEHR İ YÜKSEK L İSANS TEZ İ Bu tez ….. /…../……… tarihinde a şağıdaki jüri tarafından oy birli ği / oy çoklu ğu ile kabul edilmi ştir. Danı şman Üye Üye Prof. Dr. Abdulhalik BAKIR Doç. Dr. Aylin ÇEL İK Doç. Dr. Zahir KIZMAZ Bu tezin kabulü, Sosyal Bilimler Enstitüsü Yönetim Kurulu’nun ....... / ....... / ....... tarih ve ......................... sayılı kararıyla onaylanmı ştır. Doç. Dr. Erdal AÇIKSES ENST İTÜ MÜDÜRÜ I ÖZET Yüksek Lisans Tezi Osmanlı Öncesi Dönemde Trabzon Şehri Fatih AKSOY Fırat Üniversitesi Sosyal Bilimler Enstitüsü Tarih Anabilim Dalı 2009; Sayfa : XIII + 219 Osmanlı Öncesi Dönemde Trabzon Şehri adlı tez çalı şmamızda, Trabzon şehrinin Fatih Sultan Mehmet tarafından Osmanlı Devleti sınırlarına katılmasına kadar geçen dönemdeki iktisadi ve siyasi hayatına dair tarihi malumatlar aktarılmaya çalı şılırken a ğırlıklı olarak 11. yüzyıl ve sonrası dönem ele alınmı ştır. Ticaret merkezi olma vasfını her zaman koruyan Trabzon, Bizans Devletinin sınırları içinde oldu ğu zamanlarda askeri üs kimli ği de kazanmı ştır. Co ğrafyanın da verdi ği avantajla zaman zaman ba ğımsız hareket eden valilerce idare edilen şehir, IV. Haçlı Seferinin ardından kurulan Trabzon Devleti zamanında Selçuklu, Mo ğol, Akkoyunlu, Timur ve Anadolu’ya yerle şmi ş Türk Beylikleri ile beraber Osmanlı gibi güç odaklarıyla da bir devlet merkezi olarak irtibat halinde olmu ştur. -
Abduction and Elopement in the Byzantine Novel Joan B
Abduction and Elopement in the Byzantine Novel Joan B. Burton N THE ANCIENT GREEK NOVELS only rogue suitors or villains perform violent, non-consensual abductions, never the hero. In Theodore Prodromos’s twelfth-century Greek novel, by Icontrast, the hero abducts the heroine with the help of armed accomplices and without her prior knowledge or consent. In a manner unprecedented in the Greek novel, an act of violent non- consensual abduction, characteristic of a villain, belongs to the romantic hero. Although recent scholars have drawn attention to the abduc- tion theme in the twelfth-century novels,1 Prodromos’s remark- able innovation of a non-consensual abduction of the heroine by 2 the hero seems to have escaped notice. This paper looks at 1 See R. Beaton’s fundamental book, The Medieval Greek Romance 2 (London 1996) 63–64; also his “Epic and Romance in the Twelfth Century,” in A. R. Littlewood, ed., Originality in Byzantine Literature, Art and Music (Oxford 1995) 87. See also A. E. Laiou’s important article, “Sex, Consent, and Coercion in Byzantium,” in A. E. Laiou, ed., Consent and Coercion to Sex and Marriage in Ancient and Medieval Societies (Washington 1993: hereafter LAIOU) esp. 200, 211–213, 218. 2 The operating assumption by scholars seems to have been that in the twelfth-century novels all abductions of heroines by heroes were consensual. Yet Beaton’s perhaps seminal misclassification of Prodromos’s hero’s abduc- tion of the heroine as a consensual act seems based on a misremembrance of the plot. Prodromos’s hero, with a group of huntsmen, abducts the heroine from the bathing-place to which she has been led (2.400–454); he does not ride “up to her bedroom window with twenty henchmen”; she does not go “willingly,” hav- ing “already exchanged words with him from her upstairs window” (Beaton, “Epic” [supra n.1] 87).