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Drama & Performance Studies New Books
Drama & Performance Studies New Books Catalogue October-December 2021 BLOOMSBURY AND RED GLOBE PRESS In June 2021 Bloomsbury acquired Red Globe Press from Macmillan Education Limited, strengthening Bloomsbury’s commitment to provide quality textbooks and resources to students worldwide. Red Globe Press specialises in publishing for Higher Education students globally in Humanities and Social Sciences, Business and Management, and Study Skills. Here are just a few highlights: 9781137610874 9781352005059 9781352005455 9781137550507 9781352004229 9781352005134 9781137606013 9781352010275 9781137029966 9781137504036 9781352012262 9781137380449 Distribution of Red Globe Press books will be managed from the MDL warehouse (UK/ROW) from 1st July 2021, and the MPS (US) warehouse later in 2021. Books will join bloomsbury.com in the second half of 2021. Booksellers please speak to your local agent (see p.143-144) Contents EBooks Plays for Young People / Modern Plays ������������������������� 2 ePub and ePdf availability is listed under each book entry. See the website for details of vendors, or to purchase individual ebooks direct. Play Collections / Biography ����������������������������������������� 5 Acting & Performance / Musical Theatre . 6 Review Copies Theatre History & Criticism. 7 Email [email protected] (Americas) / [email protected] (outside Americas). The Arden Shakespeare . 8 Major Reference Works ����������������������������������������������� 12 Standing Orders Many series are available on standing order. Representatives, Agents & Distributors . 15 Please contact our trade ordering departments (see pages 15 and 16). Translation Rights Available unless otherwise indicated. Key to Symbols Available on inspection / as exam copies: order online at www.bloomsbury.com. To request any other PB or eBook, email [email protected] (Americas) / [email protected] (outside Americas). Companion website or online resources available. -
Arthur Mathews
Arthur Mathews Agent Katie Haines ([email protected]) In Development: PREPPERS (BBC Comedy) FLEMP (Roughcut Television) TOOTHTOWN with Simon Godley (Yellow Door Productions) Television: ROAD TO BREXIT (Objective/BBC Two) Starring Matt Berry TOAST OF LONDON (Objective/C4) Series 1, 2 & 3 Co-written with Matt Berry Nominated for BAFTA Best Situation Comedy 2014 Winner of the Rose d'Or for Best Sitcom at the 53rd Rose d'Or Festival 2014 Nominated for an RTS Programme Award 2013 TRACEY ULLMAN SHOW (BBC) 2015/16 Sketches FORKLIFTERS (Channel 4) VAL FALVEY (Grand Pictures / RTE1) Series 2 2010; Series 1 2008-9 6 x 30’ - co-written with Paul Woodfull Co-Director (Series 1) THIS IS IRELAND (CHX / BBC2) 2004 Writer and Script Editor BIG TRAIN (Talkback Productions / BBC2) Series 1 & 2 1998-2001 Co-Creator and Writer HIPPIES (Talkback Productions / BBC) 1999 Co-created and co-written with Graham Linehan FATHER TED (Hat Trick Productions / Channel 4) 3 Series 1995-1998 Co-created & Co-written with Graham Linehan HARRY & PAUL (Tiger Aspect Productions / BBC) SERIES C 2010 Various sketches THE EEJITS (Objective / Channel 4) 2007 Comedy Showcase Pilot MODERN MEN (TalkbackThames/Channel 4) 2007 Guest Writer / Script Editor for Armstrong & Bain IT CROWD (TalkbackThames/Channel 4) Series 2 2006 Writing Consultant STEW (Script Editor and Writer) 2003 -2006 Grand Pictures for RTE THE CATHERINE TATE SHOW (Tiger Aspect/BBC2) Series 1 & 2 2004/2005 Sketch Material BRASS EYE (TalkBack /Channel 4) 1997 Various Sketches THE FAST SHOW (BBC2) 1994-1997 -
Thesis Title the Lagermuseum Creative Manuscript and 'Encountering Auschwitz: Touring the Auschwitz-Birkenau State Museum' C
Thesis Title The Lagermuseum Creative Manuscript and ‘Encountering Auschwitz: Touring the Auschwitz-Birkenau State Museum’ Critical Thesis Author Dr Claire Griffiths, BA (Hons), MA, PhD Qualification Creative and Critical Writing PhD Institution University of East Anglia, Norwich School of Literature, Drama and Creative Writing Date January 2015 Word Count 91,102 (excluding appendices) This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract The Lagermuseum My creative manuscript – an extract of a longer novel – seeks to illuminate a little- known aspect of the history of the Auschwitz concentration and death camp complex, namely the trade and display of prisoner artworks. However, it is also concerned with exposing the governing paradigms inherent to contemporary encounters with the Holocaust, calling attention to the curatorial processes present in all interrogations of this most contentious historical subject. Questions relating to ownership, display and representational hierarchies permeate the text, characterised by a shape-shifting curator figure and artworks which refuse to adhere to the canon he creates for them. The Lagermuseum is thus in constant dialogue with my critical thesis, examining the fictional devices which often remain unacknowledged within established -
Jennifer Saunders
Profile Jennifer Saunders Jennifer Saunders with Joanna Lumley in a scene from the Absolutely Fabulous film “Turning can’t be that bad” Home is where the heart is for this 6versatile0 comedienne. By Simon Evans T IS the winter of 1980 and replacement. An impatient Alexei Sayle backstage at The Comic Strip, did it for them: “Ladies and gentlemen, London’s trendiest hang-out, French and Saunders”, he told the The Menopause Sisters are boisterous, baying audience. waiting to make their entrance. On this, their first night at the IThe setting is the Boulevard Theatre, Comedy Strip, the previous act had above Soho’s Raymond Revuebar strip been interrupted by a racist heckler. club, an unlikely host for what would Bottles were thrown, a fight broke out turn out to be a comedy revolution. The and the police were called, but Comic Strip had been running at French and Saunders ploughed on. the venue since October, and The “We were complete novices, we’d Menopause Sisters, better known to you come straight from college and had never and me as Dawn come across anything French and “I don’t need to know like this before,” Jennifer Saunders, recalled Saunders had breezed about everything many years later. through the club that’s happening all The profile of both audition largely performers and because of their the time.” audience at The gender. In those Comic Strip in those days female comedians were distinctly days was very male-dominated, but on thin on the ground. that night, and on many more to follow, Getting through the audition was the duo held their own and found an just the start of it, however. -
Royal Opening of CTID 2008-2009 Issue Director’S Update
Royal opening of CTID 2008-2009 issue Director’s Update LSTM Director Professor Janet Hemingway example being the Malaria in Pregnancy (MiP) Consortium, established in March 2008 with an initial grant of $30 million. LATH has also generated major new business in Malawi, with an exciting initiative funded by the UK’s Department for International Development that will allow us to help Malawi realise the benefits of applied research occurring in-country and integrate these, where appropriate, into its policy and planning activities within the Ministry of Health. In an otherwise upbeat year the only cloud on our horizon is our ability to continue to access HEFCE (Higher Education Funding Council for England) funding. Changes in HEFCE’s accounting requirements mean that the affiliation with the University of Liverpool, which has benefitted both In March 2008 we moved around already made three new senior Institutions for over one hundred years, no 120 staff into our new building. The appointments. Sue Assinder has joined us longer appears viable in its current format. state of the art Category III space in as our Director of Education, while Joe HEFCE is currently funding a consultant to the Centre for Tropical and Valadez and Moses Bockarie have joined look at this issue. Infectious Diseases (CTID) building us to strengthen our International Health allows us to safely handle a number and Disease Control Strategy Groups We look forward to your continued support of pathogens and infected insects respectively. Stewart Tyson has been throughout the coming year as we continue in a way that was not possible in appointed as new Managing Director of to expand and develop the ways in which our old facilities, allowing us to Liverpool Associates in Tropical Health we can improve the health and wellbeing of expand the breadth of our work in (LATH Ltd), our technical assistance those most in need. -
Slapstick 2017 Brings in New Stars and Pays Tribute to Victoria Wood and Rik Mayall
NEWS from SLAPSTICK BRISTOL’S ANNUAL FESTIVAL OF SILENT & CLASSIC SCREEN COMEDY “Stupid Boy!”: Celebrating Dad’s Army with Ian Lavender SLAPSTICK 2017 BRINGS IN NEW STARS AND PAYS TRIBUTE TO VICTORIA WOOD AND RIK MAYALL Diary dates: Wednesday 18th to Sunday 22nd January 2017 Britain’s biggest celebration of silent and classic screen comedy returns to Bristol with a five day programme of archive hilarity that will include tributes to Victoria Wood, Rik Mayall and Pierre Etaix; surprising finds and a star-studded cast of event hosts that will see Roy Hudd, Shazia Mirza, Nigel Planer and Alexei Sayle making their Slapstick debuts Times, dates and venues vary – www.slapstick.org.uk Victoria Wood and Rik Mayall will be among the comedy giants being celebrated when Britain’s biggest festival of vintage screen comedy - Slapstick - returns to Bristol from January 18 to 22. Each is to get a special tribute event during a five-day festival that will showcase 100 years of stand-out film and television hilarity and see veteran entertainer Roy Hudd, the taboo- busting stand-up Shazia Mirza, HI-DI-HI star Jeffrey Holland and two stars of the UK’s first alternative comedy sit-com making their Slapstick debuts. Among the events so far confirmed for the Slapstick 2017 line-up are: • Rory Bremner hosting the festival’s centrepiece Silent Comedy Gala featuring live musical accompaniments by a 25 piece orchestra to films starring Harold Lloyd, Buster Keaton and Laurel & Hardy • Marcus Brigstocke joining Nigel Planer and Alexei Sayle on a revisit to the anarchic -
Introduction
Notes Introduction 1 Labour History Archive and Study Centre: Labour Party National Executive Committee Minutes, 1 March 1934. 2 See N. Copsey, Anti-Fascism in Britain (Basingstoke: Macmillan-Palgrave, 2000), p. 76. 3 See J. Bean, Many Shades of Black: Inside Britain’s Far Right (London: New Millennium, 1999). 4 See Searchlight, no. 128, Feb. 1986, p. 15. 5 See for example, C.T. Husbands, ‘Following the “Continental Model”?: Implications of the Recent Electoral Performance of the British National Party’, New Community, vol. 20, no. 4 (1994), pp. 563–79. 6 For discussion of legitimacy as a social-scientific concept, see D. Beetham, The Legitimation of Power (Basingstoke: Macmillan-Palgrave, 1991). 7 For earlier work on the BNP by this author, see N. Copsey, ‘Fascism: The Ideology of the British National Party’, Politics, vol. 14, no. 3 (1994), pp. 101–8 and ‘Contemporary Fascism in the Local Arena: The British National Party and “Rights for Whites”’, in M. Cronin (ed.) The Failure of British Fascism: The Far Right and the Fight for Political Recognition (Basingstoke: Macmillan- Palgrave, 1996), pp. 118–40. For earlier work by others, see for example C.T. Husbands, ‘Following the “Continental Model”?: Implications of the Recent Electoral Performance of the British National Party’; R. Eatwell, ‘Britain: The BNP and the Problem of Legitimacy’, in H.-G. Betz and S. Immerfall (eds), The New Politics of the Right: Neo-Populist Parties and Movements in Estab- lished Democracies (Basingstoke: Macmillan-Palgrave, 1998), pp. 143–55; and D. Renton, ‘Examining the Success of the British National Party, 1999–2003’, Race and Class, vol. -
An Open Letter to the Mayor, Councillors and Chief Executive of Liverpool City Council
An Open Letter to the Mayor, Councillors and Chief Executive of Liverpool City Council We are appalled by the decision of Liverpool Planning Committee to approve an application for the installation of zipwires across the west facade of St George’s Hall, for the construction of gantries and a landing deck on the top of the Central Library and for change of use of part of the Central Library so that it can be allocated to the operator of the zipwire attraction. Councillors will be in no doubt of the significance of the location. Views of St George’s Hall, St John’s Gardens and the William Brown Street buildings are continually shown, quite rightly, in publicity about the City’s cultural assets. In fact St George’s Hall is the very exemplar of Victorian municipal Classicism. As you know, a Grade I listed building, a Grade II* listed building, a Conservation Area and a World Heritage Site are involved. We strongly disagree with the Council’s view (stated in their recommendation to the Committee) that the level of harm to these heritage assets “will be towards the lower end of the less than substantial harm spectrum.” On the contrary we believe that the proposals will deal a devastating blow to the complex of buildings and the Gardens, to numerous parts of it, and to its overall coherence. We come from a range of backgrounds, from Liverpool and from far afield, but we are united in our love for this extraordinary and wonderful place, and we do not wish to see its significance compromised, if not mutilated. -
Comedy and Distinction: the Cultural Currency of a ‘Good’ Sense of Humour
Sam Friedman Comedy and distinction: the cultural currency of a ‘good’ sense of humour Book (Accepted Version) Original citation: Comedy and distinction: the cultural currency of a ‘good’ sense of humour, Abingdon, Oxon: Routledge, 2014, 228 pages. © 2017 The Author This version available at: http://eprints.lse.ac.uk/59932/ Available in LSE Research Online: September 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Introduction: Funny to Whom? In January 2011, the scheduling plans of Britain’s biggest TV station, BBC 1, were leaked to the press. After the recent success of BBC comedies such as Outnumbered and My Family, BBC1 Controller Danny Cohen apparently told his team of producers that BBC Comedy was becoming ‘too middle class’, and failing in its responsibility to appeal to working class viewers (Gammell, 2011; Revoir, 2011; Leith, 2011). -
Sometimes Always Never PRODUCTION NOTES
Sometimes Always Never PRODUCTION NOTES Running Time: 91 minutes CONTENTS 3 Credits 5 Synopsis 4 About the Production 5 Cast & Crew 7 End Credits SOMETIMES ALWAYS NEVER Hurricane Films in association with Goldfinch Studios, Birdbox Finance and Bondit present a Goldfinch Hurricane Production “Sometimes Always Never” Starring Bill Nighy, Sam Riley, Jenny Agutter, Tim McInnerny, Alice Lowe and Alexei Sayle Line Producer Thomas Mattinson Production Designer Tim Dickel Costume Designer Lance Milligan Casting by Michelle Smith Hair & Makeup by Zoe Brown Sound by Clive Copland VFX Ben Louden Edited by Stephen Haren Composers Edwyn Collins and Sean Read Director of Photography Richard Stoddard Executive Producers Bill Nighy, Andrea Gibson, Geoffrey Iles, Kirsty Bell, Jason Möring, Ron Möring, Phil McKenzie, Sarada McDermott, Luke Taylor and Matthew Helderman Produced by Roy Boulter, Alan Latham and Solon Papadopoulos Written by Frank Cottrell Boyce Directed by Carl Hunter 2 CREDITS CREW Directed by Carl Hunter Written by Frank Cottrell Boyce Produced by Roy Boulter Solon Papadopoulos Alan Latham Executive Producers Andrea Gibson Bill Nighy Kirsty Bell Geoffrey Iles Jason Moring Ron Moring Sarada McDermott Director of Photography Richard Stoddard Production Designer Tim Dickel Edited by Stephen Haren Music Composed by Edwyn Collins & Sean Read Sound Mixer Clive Copland Hair and Makeup Zoe Brown Costume Designer Lance Milligan Casting Michelle Smith 3 CAST BILL NIGHY SAM RILEY JENNY AGUTTER TIM McINNERNY ALICE LOWE AND ALEXEI SAYLE 4 SYNOPSIS Alan is a stylish tailor with moves as sharp as his suits. He has spent years searching tirelessly for his missing son Michael who stormed out over a game of Scrabble. -
2010/11 Annual Review (PDF)
Annual Review 2010/11 My instinct is that an important “ new national institution is just about to be born. David Aaronovitch, The Times” 1 JM_Annual Review_10-11_Portrait.indd 1 8/11/11 15:16:54 Royal Patron Honorary Patrons Rabbi Dr Abraham Levy OBE HRH The Prince of Wales Helen Bamber OBE Lord Moser KCB, CBE Honorary Presidents Rabbi Dr Tony Bayfield CBE Martin Paisner CBE Kenneth Rubens OBE Rt Hon Lord Woolf PC Naaz Coker Chief Rabbi Lord Sacks Sir Martin Gilbert CBE Sir Antony Sher KBE Vice-President Robert Craig Lord Janner Roger Wingate Chairman Museum Director Rt Hon Lord Young of Graffham DL Rickie Burman Trustees Anne Cowen Stephen Grabiner Ilona Rich Robert Craig Harry Handelsman Kenneth Rubens OBE Martin Finegold Lady Levene Henry Solomon Mike Frankl Martin Levy Rick Sopher Jonathan Gestetner Sally Macdonald Delia Goldring Lord Moser KCB, CBE Architects (Development project) Long & Kentish Exhibition Designers (Development project) Event Communications Bankers Coutts & Co Auditors FMCB Chartered Accountants Solicitors Finers Stephens Innocent 2 JM_Annual Review_10-11_Portrait.indd 2 8/11/11 15:16:54 The Jewish Museum is reopened in 2010 by our Royal Patron, HRH The Prince of Wales HRH The Prince of Wales 3 JM_Annual Review_10-11_Portrait.indd 3 8/11/11 15:16:57 A message from the Chairman It is now well over a year since we reopened our inspiring Museum after extensive rebuilding and renovation. In December 2010, we were delighted to welcome our Royal Patron, The Prince of Wales to visit the new Museum and unveil a plaque marking the historic occasion. -
Goldsmiths 87 0079879 6
Stand-Up Comedy and Everyday Life: Post-war British Comedy and the Subversive Strain. Christopher Ritchie. Goldsmiths College, London, Ph. D Drama, 1998. - ME Ia- AM GOLDSMITHS 87 0079879 6 Abstract. This thesis "examinee,,, its to life , . stand-up comedy and relation everyday and presents a model of everyday life in the commodity society. It seeks to define stand up comedy and how it works as a performance mode and will offer a definition of the stand-up comedian. It will examine how jokes reflect opinions and attitudes within everyday life and how they can communicate negative cultural myths, stereotypes and ideologies but also reach beyond the merely absurd and comical to present authentic moments that enable us to locate the truth about ourselves. The thesis seeks to locate a stand-up comedy that enables us to understand ourselves in relation to life in the commodity society. The thesis traces a subversive lineage through post-Second World War comedy from The Goon Show through the satirists of the 1960s and Monty Pylhon's Flying Circus to Alternative Comedy and stand-up comedians in the present day. The 'Alternative Comedy moment' between 1979 and 1981 is central to the thesis as is the relation to American stand-up comedy, Punk and the rise of reactionary humour in Britain. Alternative Comedy is identified and placed in a social, political and counter-cultural context. The achievements and failures of this comedy will be discussed with particular focus on the redefinition of the role of women and sexual politics in stand-up comedy and the creation of a thriving London cabaret and comedy scene.