Interview with ALEXEI SAYLE
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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
Drama & Performance Studies New Books
Drama & Performance Studies New Books Catalogue October-December 2021 BLOOMSBURY AND RED GLOBE PRESS In June 2021 Bloomsbury acquired Red Globe Press from Macmillan Education Limited, strengthening Bloomsbury’s commitment to provide quality textbooks and resources to students worldwide. Red Globe Press specialises in publishing for Higher Education students globally in Humanities and Social Sciences, Business and Management, and Study Skills. Here are just a few highlights: 9781137610874 9781352005059 9781352005455 9781137550507 9781352004229 9781352005134 9781137606013 9781352010275 9781137029966 9781137504036 9781352012262 9781137380449 Distribution of Red Globe Press books will be managed from the MDL warehouse (UK/ROW) from 1st July 2021, and the MPS (US) warehouse later in 2021. Books will join bloomsbury.com in the second half of 2021. Booksellers please speak to your local agent (see p.143-144) Contents EBooks Plays for Young People / Modern Plays ������������������������� 2 ePub and ePdf availability is listed under each book entry. See the website for details of vendors, or to purchase individual ebooks direct. Play Collections / Biography ����������������������������������������� 5 Acting & Performance / Musical Theatre . 6 Review Copies Theatre History & Criticism. 7 Email [email protected] (Americas) / [email protected] (outside Americas). The Arden Shakespeare . 8 Major Reference Works ����������������������������������������������� 12 Standing Orders Many series are available on standing order. Representatives, Agents & Distributors . 15 Please contact our trade ordering departments (see pages 15 and 16). Translation Rights Available unless otherwise indicated. Key to Symbols Available on inspection / as exam copies: order online at www.bloomsbury.com. To request any other PB or eBook, email [email protected] (Americas) / [email protected] (outside Americas). Companion website or online resources available. -
A Critical Method for Analyzing the Rhetoric of Comic Book Form. Ralph Randolph Duncan II Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 Panel Analysis: A Critical Method for Analyzing the Rhetoric of Comic Book Form. Ralph Randolph Duncan II Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Duncan, Ralph Randolph II, "Panel Analysis: A Critical Method for Analyzing the Rhetoric of Comic Book Form." (1990). LSU Historical Dissertations and Theses. 4910. https://digitalcommons.lsu.edu/gradschool_disstheses/4910 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The qualityof this reproduction is dependent upon the quality of the copysubmitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Dilbert": a Rhetorical Reflection of Contemporary Organizational Communication
UNLV Retrospective Theses & Dissertations 1-1-1998 "Dilbert": A rhetorical reflection of contemporary organizational communication Beverly Ann Jedlinski University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Jedlinski, Beverly Ann, ""Dilbert": A rhetorical reflection of contemporary organizational communication" (1998). UNLV Retrospective Theses & Dissertations. 957. http://dx.doi.org/10.25669/3557-5ql0 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS Uns manuscript has been reproduced from the microfilm master. UMI fifans the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afifrct reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these wiH be noted. -
Arthur Mathews
Arthur Mathews Agent Katie Haines ([email protected]) In Development: PREPPERS (BBC Comedy) FLEMP (Roughcut Television) TOOTHTOWN with Simon Godley (Yellow Door Productions) Television: ROAD TO BREXIT (Objective/BBC Two) Starring Matt Berry TOAST OF LONDON (Objective/C4) Series 1, 2 & 3 Co-written with Matt Berry Nominated for BAFTA Best Situation Comedy 2014 Winner of the Rose d'Or for Best Sitcom at the 53rd Rose d'Or Festival 2014 Nominated for an RTS Programme Award 2013 TRACEY ULLMAN SHOW (BBC) 2015/16 Sketches FORKLIFTERS (Channel 4) VAL FALVEY (Grand Pictures / RTE1) Series 2 2010; Series 1 2008-9 6 x 30’ - co-written with Paul Woodfull Co-Director (Series 1) THIS IS IRELAND (CHX / BBC2) 2004 Writer and Script Editor BIG TRAIN (Talkback Productions / BBC2) Series 1 & 2 1998-2001 Co-Creator and Writer HIPPIES (Talkback Productions / BBC) 1999 Co-created and co-written with Graham Linehan FATHER TED (Hat Trick Productions / Channel 4) 3 Series 1995-1998 Co-created & Co-written with Graham Linehan HARRY & PAUL (Tiger Aspect Productions / BBC) SERIES C 2010 Various sketches THE EEJITS (Objective / Channel 4) 2007 Comedy Showcase Pilot MODERN MEN (TalkbackThames/Channel 4) 2007 Guest Writer / Script Editor for Armstrong & Bain IT CROWD (TalkbackThames/Channel 4) Series 2 2006 Writing Consultant STEW (Script Editor and Writer) 2003 -2006 Grand Pictures for RTE THE CATHERINE TATE SHOW (Tiger Aspect/BBC2) Series 1 & 2 2004/2005 Sketch Material BRASS EYE (TalkBack /Channel 4) 1997 Various Sketches THE FAST SHOW (BBC2) 1994-1997 -
Jennifer Saunders
Profile Jennifer Saunders Jennifer Saunders with Joanna Lumley in a scene from the Absolutely Fabulous film “Turning can’t be that bad” Home is where the heart is for this 6versatile0 comedienne. By Simon Evans T IS the winter of 1980 and replacement. An impatient Alexei Sayle backstage at The Comic Strip, did it for them: “Ladies and gentlemen, London’s trendiest hang-out, French and Saunders”, he told the The Menopause Sisters are boisterous, baying audience. waiting to make their entrance. On this, their first night at the IThe setting is the Boulevard Theatre, Comedy Strip, the previous act had above Soho’s Raymond Revuebar strip been interrupted by a racist heckler. club, an unlikely host for what would Bottles were thrown, a fight broke out turn out to be a comedy revolution. The and the police were called, but Comic Strip had been running at French and Saunders ploughed on. the venue since October, and The “We were complete novices, we’d Menopause Sisters, better known to you come straight from college and had never and me as Dawn come across anything French and “I don’t need to know like this before,” Jennifer Saunders, recalled Saunders had breezed about everything many years later. through the club that’s happening all The profile of both audition largely performers and because of their the time.” audience at The gender. In those Comic Strip in those days female comedians were distinctly days was very male-dominated, but on thin on the ground. that night, and on many more to follow, Getting through the audition was the duo held their own and found an just the start of it, however. -
Mafalda and Women's Rights
Middle Atlantic Review of Latin American Studies, 2020 Vol. 4, No. 1, 80-102 Mafalda and Women’s Rights: A Canvass of the Sixties Mariana De Maio Lehigh University [email protected] Nathian Shae Rodríguez San Diego State University [email protected] Comic strips have often been avenues of cultural, social, and political expression. A strip born in Argentina during the 1960s, Mafalda, became a worldwide phenomenon emblematic of the struggling urban middle classes and the challenges faced by women. Employing incongruity theory with a feminist lens, this paper analyzes Mafalda within its sociopolitical and cultural context. The analysis suggests the comic strip contained the following four prominent themes: women’s rights; patriarchy and education; mundane domesticity; and Argentine class system and the bourgeoisie. The study has theoretical implications for media scholars who study the use of humor as a persuasive strategy and the role of satire in political communication. It also has practical implications for feminists and social justice activists who seek new ways to engage potential sympathizers to their causes. Keywords: comic strips, feminism, women’s rights, Mafalda, Argentina, incongruity theory Las tiras cómicas a menudo han sido vías de expresión cultural, social y política. Una tira nacida en Argentina en la década del sesenta, Mafalda, se convirtió en un emblema mundial de las disminuidas clases medias urbanas y de los retos enfrentados por las mujeres. Con base en la teoría de la incongruencia considerada desde una perspectiva feminista, este estudio examina Mafalda dentro de su contexto sociopolítico y cultural. El planteamiento sugiere que la tira cómica destaca cuatro temas: los derechos de la mujer, el patriarcado y la educación, la domesticidad mundana y, por último, el sistema argentino de clase y la burguesía. -
American Comedy Institute Student, Faculty, and Alumni News
American Comedy Institute Student, Faculty, and Alumni News Michelle Buteau played Private Robinson in Fox’s Enlisted. She has performed on Comedy Central’s Premium Blend, Totally Biased with W.Kamau Bell, The Late Late Show with Craig Ferguson, Lopez Tonight and Last Comic Standing. She has appeared in Key and Peele and @Midnight. Michelle is a series regular on VH1’s Best Week Ever, MTV’s Walk of Shame, Oxygen Network’s Kiss and Tell, and was Jenny McCarthy’s sidekick on her late-night talk show Jenny. Craig Todaro (One Year Program alum) Craig performed in American Comedy Institute’s 25th Anniversary Show where he was selected by Gotham Comedy Club owner Chris Mazzilli to appear on Gotham Comedy Live. Craig is now a pro regular at Gotham Comedy Club where he recently appeared in Gotham Comedy All Stars. Yannis Pappas (One Year Program alum) Yannis recently appeared in his first Comedy Central Half Hour special. He has been featured on Gotham Comedy Live, VH1's Best Week Ever and CBS. He is currently the co-anchor of Fusion Live, a one-hour news magazine program on Fusion Network, which focuses on current events, pop culture and satire. He tours the world doing stand up comedy and is known for his immensely popular characters Mr. Panos and Maurica. Along with Director Jesse Scaturro, he is the co-founder of the comedy production company Ditch Films. Jessica Kirson is a touring national headliner. She recently made her film debut in Nick Cannon’s Cliques with Jim Breuer and George Lopez. -
Royal Opening of CTID 2008-2009 Issue Director’S Update
Royal opening of CTID 2008-2009 issue Director’s Update LSTM Director Professor Janet Hemingway example being the Malaria in Pregnancy (MiP) Consortium, established in March 2008 with an initial grant of $30 million. LATH has also generated major new business in Malawi, with an exciting initiative funded by the UK’s Department for International Development that will allow us to help Malawi realise the benefits of applied research occurring in-country and integrate these, where appropriate, into its policy and planning activities within the Ministry of Health. In an otherwise upbeat year the only cloud on our horizon is our ability to continue to access HEFCE (Higher Education Funding Council for England) funding. Changes in HEFCE’s accounting requirements mean that the affiliation with the University of Liverpool, which has benefitted both In March 2008 we moved around already made three new senior Institutions for over one hundred years, no 120 staff into our new building. The appointments. Sue Assinder has joined us longer appears viable in its current format. state of the art Category III space in as our Director of Education, while Joe HEFCE is currently funding a consultant to the Centre for Tropical and Valadez and Moses Bockarie have joined look at this issue. Infectious Diseases (CTID) building us to strengthen our International Health allows us to safely handle a number and Disease Control Strategy Groups We look forward to your continued support of pathogens and infected insects respectively. Stewart Tyson has been throughout the coming year as we continue in a way that was not possible in appointed as new Managing Director of to expand and develop the ways in which our old facilities, allowing us to Liverpool Associates in Tropical Health we can improve the health and wellbeing of expand the breadth of our work in (LATH Ltd), our technical assistance those most in need. -
A Genealogy of the Music Mockumentary
Sheridan College SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence Faculty of Humanities & Social Sciences Books & Chapters (FHASS) 5-8-2019 It’s Such a Fine Line Between Stupid and Clever: A Genealogy of the Music Mockumentary Michael Brendan Baker Sheridan College, [email protected] Peter Lester Follow this and additional works at: https://source.sheridancollege.ca/fhass_books Part of the Music Commons SOURCE Citation Baker, Michael Brendan and Lester, Peter, "It’s Such a Fine Line Between Stupid and Clever: A Genealogy of the Music Mockumentary" (2019). Books & Chapters. 9. https://source.sheridancollege.ca/fhass_books/9 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book Chapter is brought to you for free and open access by the Faculty of Humanities & Social Sciences (FHASS) at SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. It has been accepted for inclusion in Books & Chapters by an authorized administrator of SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. For more information, please contact [email protected]. 29 “It’S SUCH A FINE LINE BETWEEN STUPID AND CLEVER” A Genealogy of the Music Mockumentary Michael Brendan Baker and Peter Lester Imitation is the sincerest [form] of flattery. —Charles Caleb Colton, 1820 In 1934, on the Aran Islands off the western coast of Ireland, pioneering filmmaker Robert Flaherty and his crew were collecting material for a feature-length nonfiction film documenting the premodern conditions endured by residents of the rough North Atlantic outpost. Discussing the ways in which Flaherty prearranged character interactions and informally scripted many of the scenarios that would ultimately feature in his films, camera assistant John Taylor later recalled for filmmaker George Stoney that he wrote in his notebooks at the time the word “mockumentary” to describe this creative treatment of the nonfictional material How( ). -
Slapstick 2017 Brings in New Stars and Pays Tribute to Victoria Wood and Rik Mayall
NEWS from SLAPSTICK BRISTOL’S ANNUAL FESTIVAL OF SILENT & CLASSIC SCREEN COMEDY “Stupid Boy!”: Celebrating Dad’s Army with Ian Lavender SLAPSTICK 2017 BRINGS IN NEW STARS AND PAYS TRIBUTE TO VICTORIA WOOD AND RIK MAYALL Diary dates: Wednesday 18th to Sunday 22nd January 2017 Britain’s biggest celebration of silent and classic screen comedy returns to Bristol with a five day programme of archive hilarity that will include tributes to Victoria Wood, Rik Mayall and Pierre Etaix; surprising finds and a star-studded cast of event hosts that will see Roy Hudd, Shazia Mirza, Nigel Planer and Alexei Sayle making their Slapstick debuts Times, dates and venues vary – www.slapstick.org.uk Victoria Wood and Rik Mayall will be among the comedy giants being celebrated when Britain’s biggest festival of vintage screen comedy - Slapstick - returns to Bristol from January 18 to 22. Each is to get a special tribute event during a five-day festival that will showcase 100 years of stand-out film and television hilarity and see veteran entertainer Roy Hudd, the taboo- busting stand-up Shazia Mirza, HI-DI-HI star Jeffrey Holland and two stars of the UK’s first alternative comedy sit-com making their Slapstick debuts. Among the events so far confirmed for the Slapstick 2017 line-up are: • Rory Bremner hosting the festival’s centrepiece Silent Comedy Gala featuring live musical accompaniments by a 25 piece orchestra to films starring Harold Lloyd, Buster Keaton and Laurel & Hardy • Marcus Brigstocke joining Nigel Planer and Alexei Sayle on a revisit to the anarchic -
Comic Strips and Black Newspapers in Postwar Toledo
Swing Papa and Barry Jordan: Comic Strips and Black Newspapers in Postwar Toledo Angela M. Nelson Introduction Popular culture reflects, symbolizes, and embodies the thoughts, attitudes, beliefs, and values of its producers and audiences.1 Popular culture is that part of all culture that is concerned with pleasure, enjoy- ment, and amusement. Comic art is a form of popular culture dating back to the early 1890s. After the turn of the century, comic strips2 had become a permanent part of white mainstream newspapers and magazines, but black newspapers overall were not as agreeable to their inclusion.3 In short, black newspapers focused their attention on the “serious” issues confronting blacks of that period. However, with the advent of large circula- tion newspapers especially published for black communities coupled with the established tradition of comic strips in major newspapers, many editors of black newspapers began encouraging the inclusion of comic strips.4 The Baltimore Afro-American, Chicago Defender, and Pittsburgh Courier were the leading large circulating black newspapers that included black comic strips following World War I.5 Scholarly essays or chapters written by John Appel, Ian Gordon, Thomas Inge, Steven Jones, John Stevens, and Roland Wolseley examine blacks in comic strips in mainstream newspapers and magazines and/or black comic strips in black newspapers.6 Together these writings are useful for providing descriptive information about black comic strips and charac- ters that are not well-known, for providing comparisons of white and ethnic representations in comic strips, and for bringing attention and structure to this area of study within the field of comic art scholarship.