Channel 4'S 25 Year Anniversary
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Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
Scott Marshall Dubbing Mixer
Scott Marshall Dubbing Mixer Profile Scott has over 14 years’ experience as a Re-recording Mixer, Sound Designer / Editor and Immersive Audio Artist working across many genres including, Film, TV, Factual Ent, Commercials, 360 Video, Virtual Reality Audio Design and many other forms of Audio Post Production. He is highly creative mixer and designer who's experience and skillset will bring the best out of your productions, shows and films. Credits VR / 360 Spatial Audio One Shot VR – VR Pilots / VR Training Military XR Consequences AR – Immersive Experience – Bose Ltd & Playlines AR Ouija 2: Origin of Evil - VR 360 - Universal Pictures HD VIA Alice, Red Bull Music – VR Experience – Event & Online – Red Bull & Virtual Guest Tottenham Hot Spurs; White Heart Lane – VR Experience – Animal Vegetable Mineral Reading FC Kit Launch – Event & VR Release – Gate Reality Films NME Awards Nominations Party - Biffy Clyro Performance - 360 Experience - VRX Fact Ent / Entertainment / Documentary / Drama Inside Iceland- Ricochet for Channel 5 Ultimate Rides- Barcroft Studios for A&E Networks/ TBC Network Incredible Science of Temperature – BBC Science / BBC4 / BBC Studios X-Factor – Series 15. Farm Group. ITV Moto Mongolia – Documentary Film. Theatrical 7.1 Dolby Mix, Goldcrest Films Witless – Series 3. 5 x 30mins. Objective Media Group Patients of a Saint Movie – Gold Crab & Nubian Films / Archstone Distribution Stacey Dooley Investigates: Young Sex For Sale In Japan -1 x 60min - BBC 3 The Turner Prize 2016: The Nominees – 1 x 30min - BBC4 Matilda and the Ramsay bunch - Series 3 – CBBC/Objective Media Group/Ramsay Productions Canaletto & The Art of Venice Exhibition – 1 x 90 min – EOS & Seventh Art Productions. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Peter Freeman
First Assistant Director Peter Freeman 30 Birch Grove Windsor, Berks SL4 5RT Tel : +44 (0)1753 862226 Mobile: +44 (0)7774 700 747 SA Mobile: +27 (0)76 4377 963 e-mail: [email protected] Languages: Greek, Basic French Over 12 years experience with Movie Magic Scheduling. South African ResidenceVisa. Advanced Production Safety Certificate, BBC Total Concept Safety Certificate Recent credits include: FEATURES “Gulliver’s Travels” Jack Black as Gulliver in modern retelling of classic tale. (Additional Assistant Director) Cast Inc: Jack Black, Jason Segel, Billy Connolly, Emily Blunt. Directors: Chris O’Dell (2nd Unit), UPM/1st AD: Terry Bamber (2nd Unit), “Broken Thread” Modern day ghost story. Shot in India, Isle of Man and London. Cast inc: Linus Roache, Saffron Burrows Director: Mahesh Matai Producer: Deepak Nayar A.P: Paul Sarony “These Foolish Things” Romantic comedy set in 1920’s theatre-land. Shot in and around Cheltenham. Cast inc: Angelica Huston, Lauren Bacall, Terence Stamp, Andrew Lincon. Director: Julia Taylor-Stanley Producers: Julia Taylor-Stanley, Paul Sarony “Spirit Trap” Horror/ghost story. Shot in Romania and the UK for Archangel Productions. Cast inc: Luke Mably, Sam Troughton, Emma Catherwood and Billy Piper. Director: David Smith Producer: Susie Brooks-Smith A.P: David Higginson / Cathy Lord “Chasing Liberty” Second unit Czech Republic. Cast inc: Mandy Moore, Mark Harmon Director: Andy Cadiff (main unit) Line Prod: Cathy Lord A.P: Hilary Benson “Jane Eyre” Retelling of classic tragic love story. Derbyshire & London Cast inc: William Hurt, Charlotte Gainsburg, Elle Macpherson Director: Franco Zeffirelli Producer: Dyson Lovell A.P: Ray Freeborn Page 2 “Soft Sand, Blue Sea” Film Four. -
Statistical Yearbook 2019
STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema -
Corporate Resources Overview & Scrutiny Panel
Corporate Resources Overview & Scrutiny Panel Date: Tuesday 19 October 2010 Time: 10.00am Venue: Edwards Room, County Hall, Norwich Persons attending the meeting are requested to turn off mobile phones. Membership Mr M Brindle Mrs D Clarke (Liberal Democrat Spokesperson) Mr S Clancy Mr B Collins Mr J Dobson Mr R Hanton Mr C Jordan (Chairman) Mr M Langwade Ms J Mickleburgh Mr J Mooney Mr A Proctor (Vice Chairman) Mr R Smith Dr M Strong Mrs J Toms (Green Spokesperson) Mr A White Mrs C Walker (Labour Spokesperson) Mr T Williams Cabinet Members (Non-Voting) Mr B Borrett Efficiency Mr I Mackie Finance and Performance Mr J Carswell Culture Customer Services and Communications Deputy Cabinet Members (Non-Voting) Mr J Herbert Corporate Affairs For further details and general enquiries about this Agenda please contact: Catherine Wilkinson on 01603 223230 or email [email protected] Corporate Resources Overview & Scrutiny Panel – 19 October 2010 A g e n d a 1. To receive apologies and details of any substitute members attending. 2. Minutes To confirm the minutes of the meeting held on Wednesday 15 September 2010. (Page 1) 3. Members to Declare any Interests Please indicate whether the interest is a personal one only or one which is prejudicial. A declaration of a personal interest should indicate the nature of the interest and the agenda item to which it relates. In the case of a personal interest, the member may speak and vote on the matter. Please note that if you are exempt from declaring a personal interest because it arises solely from your position on a body to which you were nominated by the County Council or a body exercising functions of a public nature (e.g. -
Desiring Postcolonial Britain: Genre Fiction Since the Satanic Verses
Desiring Postcolonial Britain: Genre Fiction sinceThe Satanic Verses Sarah Post, BA (Hons), MA Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy November 2012 This thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere ProQuest Number: 11003747 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003747 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 1 Acknowledgements The completion of this project would not have been possible without the academic, financial and emotional support of a great number of people. I would like to thank all those that offered advice on early drafts of my work at conferences and through discussions in the department. Special thanks go to the Contemporary Gothic reading group at Lancaster for engendering lively debate that fed into my understanding of what the Gothic can do today. Equally, I could not have finished the project without financial support, for which I am grateful to the Lancaster English Department for a fee waiver and to Dr. -
Aid to Channel 4 Linked to Digital Switchover Invitation to Submit Comments Pursuant to Article 88(2) of the EC Treaty
C 137/16EN Official Journal of the European Union 4.6.2008 STATE AID — UNITED KINGDOM State aid C 13/08 (ex N 589/07) — Aid to Channel 4 linked to digital switchover Invitation to submit comments pursuant to Article 88(2) of the EC Treaty (Text with EEA relevance) (2008/C 137/10) By means of the letter dated 2 April 2008 reproduced in the authentic language on the pages following this summary, the Commission notified the United Kingdom of its decision to initiate the procedure laid down in Article 88(2) of the EC Treaty concerning the proposed financial support to Channel 4 to enable it to meet the costs of digital switchover. Interested parties may submit their comments on the measure in respect of which the Commission is initi- ating the procedure within one month of the date of publication of this summary and the following letter, to: European Commission Directorate-General for Competition State Aid Registry SPA 3 6/5 B-1049 Brussels Fax (32-2) 296 12 42 These comments will be communicated to the United Kingdom. Confidential treatment of the identity of the interested party submitting the comments may be requested in writing, stating the reasons for the request. TEXT OF SUMMARY The UK authorities accept that the notified measure constitutes an aid within the meaning of Article 87(1) of the Treaty. They argue however that the measure is compatible with the Treaty by virtue of Article 86(2), having regard to the Commission's 1 PROCEDURE Communication ( ) on the application of the State aid rules in relation to public service broadcasting (‘the Communication’) and the three particular criteria according to which the compati- The measures on which the Commission has opened the proce- bility of aid of this nature falls to be judged, namely, definition, dure laid down in Article 88(2) was brought to the Commis- entrustment and proportionality. -
Barbie Bake-Off and Risk Or Role the Apprentice Model? Documentary Pokémon Go Shorts
FEBRUARY 2017 ISSUE 59 POST-TRUTH RESEARCHING THE PAST BARBIE BAKE-OFF AND RISK OR ROLE THE APPRENTICE MODEL? DOCUMENTARY POKÉMON GO SHORTS MM59_cover_4_feb.indd 1 06/02/2017 14:00 Contents 04 Making the Most of MediaMag MediaMagazine is published by the English and Media 06 What’s the Truth in a Centre, a non-profit making Post-fact World? organisation. The Centre Nick Lacey explores the role publishes a wide range of of misinformation in recent classroom materials and electoral campaigns, and runs courses for teachers. asks who is responsible for If you’re studying English 06 gate-keeping online news. at A Level, look out for emagazine, also published 10 NW and the Image by the Centre. System at Work in the World Andrew McCallum explores the complexities of image and identify in the BBC television 30 16 adaptation of Zadie Smith’s acclaimed novel, NW. 16 Operation Julie: Researching the Past Screenwriter Mike Hobbs describes the challenges of researching a script for a sensational crime story forty years after the event. 20 20 Bun Fight: How The BBC The English and Media Centre 18 Compton Terrace Lost Bake Off to Channel 4 London N1 2UN and Why it Matters Telephone: 020 7359 8080 Jonathan Nunns examines Fax: 020 7354 0133 why the acquisition of Bake Email for subscription enquiries: Off may be less than a bun [email protected] in the oven for Channel 4. 25 Mirror, Mirror, on the Editor: Jenny Grahame Wall… Mark Ramey introduces Copy-editing: some of the big questions we Andrew McCallum should be asking about the Subscriptions manager: nature of documentary film Bev St Hill 10 and its relationship to reality. -
David-Greathead-Cv
David Greathead Avid Offline / Online Profile Previously staff editor at Prime Focus, David Greathead is well loved and renowned for his speed and creativity. He really understands individual director’s quirks and creative preferences and pushes it further to produce promos and programmes with real style and flair. In addition to this he is very laid back and easy to get along with and brings calm to a stressful environment. Long Form Credits “How To Garden With Carol Klein” Series 2, 5 x 60min. The gardening guru shares her insights on everything from edibles to ornamentals. Knickerbocker Glory for Channel 5 “The Nolans Coming Home” 1 x 60min. The singing sisters return to dry land after their incredible sea trip. Colleen, Linda, Maureen and Anne share more glamorous, revelatory and moving moments. Koska for Quest Red “Ricky and Ralphs Very Northern Roadtrip” 2 x 1hr episodes. Royle Family stars Ricky Tomlinson and Ralf Little reunite for a road trip in a campervan around the North of England. The stars share memories, entertain each other, and discover just what sets the north apart from the rest of the UK. North One for UKTV “The Wonderful World of Chocolate” 1 x 60min. Documentary series. The UK chocolate market is worth over £5 billion a year. This delicious world is packed with eccentric and colourful modern day Willy Wonkas - many of whom have given up everything in their pursuit of chocolate perfection. This series uncovers eye-popping factory secrets and reveals chocolate’s rich history. Elephant House Studios for Channel 5. “Garden Rescue” 6 x 45min. -
2008 Programme Review
CHANNEL 4 REVIEW OF 2008 Major Themes in 2008 2008 was a year of dramatic creative renewal for Channel 4. In March, the organisation published Next on 4, a policy document laying out its public service vision for the future. Creative renewal in the schedule was evident even before then, with a raft of new programming in January occupying the space occupied in previous years by Celebrity Big Brother, which was rested. Over the course of the year, a range of authored series and campaigning programmes exemplified Channel 4’s renewed commitment to high-impact programming capable of engaging mass-market audiences, stimulating debate and generating interest in important social, political and cultural issues. However, Channel 4’s ability to fulfil its public service ambitions were curtailed by the downturn in the advertising market towards the end of the year, leading to significant reductions in the programming budget for both 2008 and 2009. In an increasingly competitive environment, Channel 4’s portfolio of channels and services maintained its viewing share at 11.9 per cent. The core channel share fell from 8.7 per cent in 2007 to 8.2 per cent in 2008. Next on 4 Dramatic changes are reshaping the UK broadcasting ecology, as it moves towards a fully digital world. Viewers will have access to dozens, if not hundreds of channels, as well as the rapidly growing variety of video services delivered online. In this context, Channel 4 reaffirmed its commitment in Next on 4 to remain a publicly-owned public service broadcaster whose primary purpose is the fulfilment of its legislative remit. -
Mckinney Macartney Management Ltd
McKinney Macartney Management Ltd MICK COULTER BSC - Director of Photography NASTY WOMEN (Feature Film) Director: Chris Addison. Producer: Roger Birnbaum and Rebel Wilson. Starring: Anne Hathaway and Rebel Wilson. Metro-Goldwyn-Mayer. SHETLAND (Series 4) Director: Rebecca Gatward. Producer: Eric Coulter. Starring: Douglas Henshall, Stephen Robertson and Alison O’Donnell. BBC Scotland. THE ESCAPE Director: Paul J. Franklin. Producers: Jessica Malik and Jessica Parker. Starring: Art Malik, Ben Miller and Olivia Williams. Parri Passu Films. BITCH aka SUKA Director: Krzysztof Lang. Producers: Wojciech Pałys and Mariusz Łukomski. Starring: Olga Bołądź, Piotr Adamczyk, Marieta Żukowska, Marcin Korcz Katarzyna Figura, Piotr Głowacki and Marian Dziędziel. Monolith Films. MALEFICENT (UK shoot) Director: Robert Stromberg. Producer: Don Hahn, Scott Michael Murray and Joe Roth. Starring: Angelina Jolie, Elle Fanning, Juno Temple, Sharito Copley and Imelda Staunton. Moving Picture Company / Walt Disney Pictures. SINGULARITY (UK shoot) Director: Roland Joffé. Producer: Paul Breuls, Guy Louthan and Ajey Jhankar. Starring Josh Hartnett, Bipasha Basu, Claire van der Boom, Billie Brown and James Mackay. Corsan NV. THE BANK JOB Director: Roger Donaldson. Producers: Steven Chasman and Charles Rosen. Starring: Jason Statham, Saffron Burrows, Stephen Campbell Moore and David Suchet. Skyline Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 MICK COULTER Contd … 2 LOVE ACTUALLY Director: Richard Curtis. Producers: Duncan Kenworthy, Tim Bevan and Eric Fellner. Starring: Alan Rickman, Hugh Grant, Liam Neeson, Bill Nighy, Colin Firth Emma Thompson, Laura Linney, Martine McCutcheon and Rowan Atkinson.