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Sauvignon Blanc
A note about our wine programme Wine lists evolve over time to compliment a restaurant’s style and tone, as well as the ever changing taste of the public at large. Our list here in West Restaurant is designed to mirror the restaurant’s dining menu - sophisticated yet accessible, as well as taking inspiration from around the world. As with our menu, we change our wine list monthly to reflect the season. Therefore, even our long-time friends may want to take a close look. For any taste, meal or mood, an array of possibilities awaits. If you would like assistance with your selection or care to have a Fine Vintage Port or Wine decanted prior to your arrival, please speak to me or any member of our knowledgeable team. Please use us to help you with a wine recommendation and introduce you to something new. Trust us and try a varietal you have not tasted before. The grape varietal is the DNA of the wine. This is where the fun begins with wine and it is where you will learn the most from your time with us. As one of Ireland’s first restaurants to begin using the Coravin wine preservation system, we are delighted to be able to offer you a glass of any of our premium wines. So you can now taste that bucket list! I hope I have created a wine list that is both enlightening and entertaining. I wish you memorable tasting pleasures. General Manager / Sommelier Dive into the blue with Canto 5, a Spanish blue wine, exclusive to The Twelve The Twelve, with its usual quirky and intriguing take on all things food and wine, is serving a new wine that drinks like a rosé, but looks like nothing you’ve ever seen. -
Albret, Jean D' Entries Châlons-En-Champagne (1487)
Index Abbeville 113, 182 Albret, Jean d’ Entries Entries Charles de Bourbon (1520) 183 Châlons-en-Champagne (1487) 181 Charles VIII (1493) 26–27, 35, 41, Albret, Jeanne d’ 50–51, 81, 97, 112 Entries Eleanor of Austria (1531) 60, 139, Limoges (1556) 202 148n64, 160–61 Alençon, Charles, duke of (d.1525) 186, Henry VI (1430) 136 188–89 Louis XI (1463) 53, 86n43, 97n90 Almanni, Luigi 109 Repurchased by Louis XI (1463) 53 Altars 43, 44 Abigail, wife of King David 96 Ambassadors 9–10, 76, 97, 146, 156 Albon de Saint André, Jean d’ 134 Amboise 135, 154 Entries Amboise, Edict of (1563) 67 Lyon (1550) 192, 197, 198–99, 201, 209, Amboise, Georges d’, cardinal and archbishop 214 of Rouen (d.1510) 64–65, 130, 194 Abraham 96 Entries Accounts, financial 15, 16 Noyon (1508) 204 Aeneas 107 Paris (1502) 194 Agamemnon 108 Saint-Quentin (1508) 204 Agen Amelot, Jacques-Charles 218 Entries Amiens 143, 182 Catherine de Medici (1578) 171 Bishop of Charles IX (1565) 125–26, 151–52 Entries Governors 183–84 Nicholas de Pellevé (1555) 28 Oath to Louis XI 185 Captain of 120 Preparing entry for Francis I (1542) 79 Claubaut family 91 Agricol, Saint 184 Confirmation of liberties at court 44, Aire-sur-la-Lys 225 63–64 Aix-en-Provence Entries Confirmation of liberties at court 63n156 Anne of Beaujeu (1493) 105, 175 Entries Antoine de Bourbon (1541) 143, 192, Charles IX (1564) 66n167 209 Bernard de Nogaret de La Valette (1587) Charles VI and Dauphin Louis (1414) 196n79 97n90, 139, 211n164 Françoise de Foix-Candale (1547) Léonor dʼOrléans, duke of Longueville 213–14 (1571) -
Discover the Styles and Techniques of French Master Carvers and Gilders
LOUIS STYLE rench rames F 1610–1792F SEPTEMBER 15, 2015–JANUARY 3, 2016 What makes a frame French? Discover the styles and techniques of French master carvers and gilders. This magnificent frame, a work of art in its own right, weighing 297 pounds, exemplifies French style under Louis XV (reigned 1723–1774). Fashioned by an unknown designer, perhaps after designs by Juste-Aurèle Meissonnier (French, 1695–1750), and several specialist craftsmen in Paris about 1740, it was commissioned by Gabriel Bernard de Rieux, a powerful French legal official, to accentuate his exceptionally large pastel portrait and its heavy sheet of protective glass. On this grand scale, the sweeping contours and luxuriously carved ornaments in the corners and at the center of each side achieve the thrilling effect of sculpture. At the top, a spectacular cartouche between festoons of flowers surmounted by a plume of foliage contains attributes symbolizing the fair judgment of the sitter: justice (represented by a scale and a book of laws) and prudence (a snake and a mirror). PA.205 The J. Paul Getty Museum © 2015 J. Paul Getty Trust LOUIS STYLE rench rames F 1610–1792F Frames are essential to the presentation of paintings. They protect the image and permit its attachment to the wall. Through the powerful combination of form and finish, frames profoundly enhance (or detract) from a painting’s visual impact. The early 1600s through the 1700s was a golden age for frame making in Paris during which functional surrounds for paintings became expressions of artistry, innovation, taste, and wealth. The primary stylistic trendsetter was the sovereign, whose desire for increas- ingly opulent forms of display spurred the creative Fig. -
The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography......................................... -
Catherine De' Medici: the Crafting of an Evil Legend
Portland State University PDXScholar Young Historians Conference Young Historians Conference 2020 Apr 27th, 9:00 AM - 10:00 AM Catherine de' Medici: The Crafting of an Evil Legend Lindsey J. Donohue Clackamas High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Feminist, Gender, and Sexuality Studies Commons, History Commons, and the Italian Language and Literature Commons Let us know how access to this document benefits ou.y Donohue, Lindsey J., "Catherine de' Medici: The Crafting of an Evil Legend" (2020). Young Historians Conference. 23. https://pdxscholar.library.pdx.edu/younghistorians/2020/papers/23 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. CATHERINE DE’ MEDICI: THE CRAFTING OF AN EVIL LEGEND Lindsey Donohue Western Civilization February 18, 2020 1 When describing the legend of the evil Italian queen, Catherine de’ Medici, and why Medici has been historically misrepresented, being credited with such malediction and wickedness, N.M Sutherland states that she has been viewed as a, “. .monster of selfish ambition, who sacrificed her children, her adopted country, her principles - if she ever had any - , and all who stood in her way to the satisfaction of her all-consuming desire for power.”1 The legend of the wicked Italian queen held widespread attraction among many, especially after Medici’s death in 1589. The famous legend paints Medici inaccurately by disregarding her achievements as queen regent as well as her constant struggle to administer peace during a time of intense political turmoil and religious feuding, and it assumes that Medici was a victim of circumstance. -
Jeanne D'albret Was the Most Illustrious Woman of Her Time, and Perhaps One of the Most Illustrious Women in All History
Jeanne D’Albret (1528 – 1572) Jeanne d'Albret was the most illustrious woman of her time, and perhaps one of the most illustrious women in all history. She was the only daughter of Margaret of Valois, Queen of Navarre (and sister of King Francois 1st), whose genius Jeanne inherited, and whom she surpassed in her gifts of governing, and in her more consistent attachment to the Reformation. Her first husband Germany’s Duke of Cleves, to whom she was forced to wed at the age of 12 in 1541, no more consummated the marriage than placing his foot in her bed. Her fine intellect, elevated soul, and deep piety were unequally yoked with Anthony de Bourbon, her second husband in 1549, a man of humane dispositions, but of low tastes, indolent habits, and of paltry character. His marriage with Jeanne d'Albret brought him the title of King of Arragon, whose usurpation was confirmed by Pope Julius II, so King of Navarre; but his wife was a woman of too much sense, and her dominions were restricted to that portion of the ancient Navarre cherished too enlightened a regard for the welfare of her subjects, to which lay on the French side of the Pyrenees. give him more than the title. She took care not to entrust him with the reins of government. "Unstable as water," he spent his life in traveling In 1560, we have said, Jeanne d'Albret made open profession of the between the two camps, the Protestant and the Popish, unable long Protestant faith. In 1563 came her famous edict, dated from her to adhere to either, and heartily despised by both. -
Study of the Presumed Cranium of Sampiero Corso (1488-1567) Gérard Lucotte1, Stephan Borensztajn2, Raoul Perrot3
Study of the Presumed Cranium of Sampiero Corso (1488-1567) Gérard Lucotte1, Stephan Borensztajn2, Raoul Perrot3 1Institute of Molecular Anthropology, Paris, France 2Institute of Physics of the Globe, Paris, France 3Laboratory of Anatomical Anthropology and Paleopathology, Lyon, France Abstract: We have studied by classic anatomical methods the presumed cranium of Sampiero Corso (1498-1567), who was the first Corsican nationalist. This cranium corresponds to that of a male individual, aged at least of 50 years ; there are many similarities between the cranium face and the one that corresponds to his portrait. The vertical fracture, observed on the cranium left side of the forehead, corresponds probably to the stab sword that caused Sampiero Corso’s death. The 14C radiodating of a bone fragment located at the cranium basis gives a calendar 1450-1510 years interval (at 95% of probability) of age. Keywords : Sampiero Corso (1498-1567) Cranium , Anatomical Study, 14C radiodating Sampiero Corso (1498-1567) was a Corsican Figure 1: Photograph of the cranium, in norma lateralis (left condottiero who had made the major part of his profile). I : iniac zone ; IN : nuchal impressions. career to the service of France (1). He is, with Napoléon Ier and Pascal Paoli, one of the famous Corsican and is generally considered as the first Corsican nationalist. He was ambushed and decapitated by rival Corsican mercenaries (who was a member of his own family) on the 17th of January 1567. His head was exposed on the ramparts of Ajaccio and his cranium was kept later on (for more than forty years) in a wall of the Santa Barbara (in Cauro, Corsica) church. -
University of Southampton Research Repository
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non- commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Katarzyna Kosior (2017) "Becoming and Queen in Early Modern Europe: East and West", University of Southampton, Faculty of the Humanities, History Department, PhD Thesis, 257 pages. University of Southampton FACULTY OF HUMANITIES Becoming a Queen in Early Modern Europe East and West KATARZYNA KOSIOR Doctor of Philosophy in History 2017 ~ 2 ~ UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES History Doctor of Philosophy BECOMING A QUEEN IN EARLY MODERN EUROPE: EAST AND WEST Katarzyna Kosior My thesis approaches sixteenth-century European queenship through an analysis of the ceremonies and rituals accompanying the marriages of Polish and French queens consort: betrothal, wedding, coronation and childbirth. The thesis explores the importance of these events for queens as both a personal and public experience, and questions the existence of distinctly Western and Eastern styles of queenship. A comparative study of ‘Eastern’ and ‘Western’ ceremony in the sixteenth century has never been attempted before and sixteenth- century Polish queens usually do not appear in any collective works about queenship, even those which claim to have a pan-European focus. -
La Vallée De La Seine, La Seine Intérieure De Giverny À Pont De L
Unité Départementale de l'Architecture et du Patrimoine de l'Eure (DRAC Normandie) Connaissance ISSN 2492-9700 n°80 – Màj 09 janvier 2019 - France POULAIN La Vallée de la Seine, La Seine intérieure de Giverny à Pont de l'Arche La Vallée de la Seine, entre Giverny et Pont de l'Arche, est une séquence territoriale cohérente puisque les limites sont faites par les deux versants de la vallée, les voies ferrées et routières mais aussi par les limites que constituent le département de l'Eure et les grandes agglomérations de Mantes et de Rouen. La cartographie ci-dessous met en lumière tous les sites à fort potentiel touristique, y compris certains (Saint-Just, Pressagny l'Orgueilleux, Andé, Saint-Aubin sur Gaillon, Amfreville sous les Monts) qui sont privés et seulement occasionnellement ouverts au public. D'autres, plus connus (Giverny, Les Andelys, Gaillon, Vernon...) constituent des points forts pour structurer une offre touristique à cette échelle. La vallée dispose d'un riche patrimoine que l'on peut décomposer en plusieurs catégories, qui ont fait l'objet de fiches spécifiques : L'histoire de la pierre blanche calcaire de la Vallée de Seine, son extraction, son impact sur le patrimoine local et les techniques de restauration sont exposés dans les fiches « Connaissance de l'Eure n°72 à 77 » et « Conseils pour l'Eure n°25 ». Les châteaux de défense (voir « Connaissance de l'Eure n°82 ») constituent un patrimoine remarquable de la Vallée de la Seine avec son représentant le plus majestueux : Château Gaillard. Son histoire est expliquée en fiche « Connaissance de l'Eure n°8 et 9 ». -
1 the Political Philosophy of Niccolò Machiavelli Filippo Del Lucchese Table of Contents Preface Part I
The Political Philosophy of Niccolò Machiavelli Filippo Del Lucchese Table of Contents Preface Part I: The Red Dawn of Modernity 1: The Storm Part II: A Political Philosophy 2: The philosopher 3: The Discourses on Livy 4: The Prince 5: History as Politics 6: War as an art Part III: Legacy, Reception, and Influence 7: Authority, conflict, and the origin of the State (sixteenth-eighteenth centuries) 1 8: Nationalism and class conflict (nineteenth-twentieth centuries) Chronology Notes References Index 2 Preface Novel 84 of the Novellino, the most important collection of short stories before Boccaccio’s Decameron, narrates the encounter between the condottiere Ezzelino III da Romano and the Holy Roman Emperor Frederick II: It is recorded how one day being with the Emperor on horseback with all their followers, the two of them made a challenge which had the finer sword. The Emperor drew his sword from its sheath, and it was magnificently ornamented with gold and precious stones. Then said Messer Azzolino: it is very fine, but mine is finer by far. And he drew it forth. Then six hundred knights who were with him all drew forth theirs. When the Emperor saw the swords, he said that Azzolino’s was the finer.1 In the harsh conflict opposing the Guelphs and Ghibellines – a conflict of utter importance for the late medieval and early modern history of Italy and Europe – the feudal lord Ezzelino sends the Emperor a clear message: honours, reputation, nobility, beauty, ultimately rest on force. Gold is not important, good soldiers are, because good soldiers will find gold, not the contrary. -
Mitteilungen Der Residenzen-Kommission Der
__________________________________________________ MITTEILUNGEN DER RESIDENZEN-KOMMISSION DER AKADEMIE DER WISSENSCHAFTEN ZU GÖTTINGEN JAHRGANG 10 (2000) NR. 1 MITTEILUNGEN DER RESIDENZEN-KOMMISSION DER AKADEMIE DER WISSENSCHAFTEN ZU GÖTTINGEN JAHRGANG 10 (2000) NR. 1 RESIDENZEN-KOMMISSION ARBEITSSTELLE KIEL ISSN 0941-0937 Herstellung: Vervielfältigungsstelle der Christian-Albrechts-Universität zu Kiel Titelvignette: Ansicht der Klosteranlage Wienhausen bei Celle von Süden. Kupferstich Merian (1654) INHALT Vorwort ................................................................................................................................ 7 Erziehung und Bildung bei Hofe. 7. Symposium der Residenzen-Kommission in Celle..... 9 Aus der Arbeit der Kommission...........................................................................................13 Die Arbeit der anderen.........................................................................................................15 Politische und soziale Integration am Wiener Hof: Adelige Bestattung als Teil der höfischen Symbol- und Kommunikationsordnung (1620-1850) 1. Kommunikation und Symbole. Ein kulturwissenschaftlicher Horizont der Fragen und Begriffe, von Rudolf Schlögl, Konstanz...................................................15 2. Adelsintegration und Bestattungen, von Mark Hengerer, Konstanz...............................21 Places of Power: Royal Residences and Landscape in Medieval Iberia, von Rita Gomez, Lissabon ...............................................................................................36 -
Autocratie Ou Polyarchie ? La Lütte Pour Le Pouvoir Politique En Flandre
Autocratie ou polyarchie ? La lütte pour le pouvoir politique en Flandre de 1482 a 1492, d'apres des documents inedits par W. P. BLOCKMANS «II n'y a guere d'opoque, dans nos annales, plus confuse, plus mal oclaircie, que celle dont le point de dopart est la mort de Charles le Hardi, duc de Bourgogne, et qui finit ä l'avenement au trone de son petit-fils, l'archiduc Philippe le Beau» (i). Plus d'un siecle apres le moment oü Gachard 6crivit ces lignes dans l'introduction de son impressionnante odition de lettres concernant la pöriode envisagoe, nos connaissances ne se sont pas beaucoup otendues au-delä de ce que le grand archiviste en commu- niqua. Et pourtant, cette meme poriode nous semble cruciale dans l'histoire de notre pays, parce que les forces essentielles des gouvernants et des gouvern6s y atteignent un point culminant en un affrontement parfois violent Je tiens ä exprimer ici ma profonde gratitude envers Messieurs A. Verfaulst, M.-A. Arnould, J. Buntinx et ä M. et Mme R. Wellens- De Donder qui, par leurs nombreux conseils et par leurs remarques judicieuses, ont contribud d'une maniere substantielle ä l'elabo- ration de cette publication. (i) L.P. GACHARD, Lettres ineditcs de Maximilien, duc d'Autriche, roi des Romains et empereur, sur les affaires des Pays-Bas, de 1477 ä 1508, dans : Bulletin de la Commission royale d'Histoire, 2e Serie, II, 1851, pp. 263-452 et III, 1851, pp. 193-328, notamment p. 263. 258 W. P. BLOCKMANS et extremement long. L'issue de ce conflit, proparo par bien d'autres, determina les relations du pouvoir pendant plusieurs ddcennies.