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The Journal of the American School of Classical Studies at Athens dining in the sanctuary of demeter and kore 1 Hesperia The Journal of the American School of Classical Studies at Athens Volume 88 2019 Copyright © American School of Classical Studies at Athens, originally pub- lished in Hesperia 88 (2019), pp. 625–705. This offprint is supplied for per- sonal, non-commercial use only, and reflects the definitive electronic version of the article, found at <https://www.jstor.org/stable/10.2972/hesperia.88.4.0625>. hesperia Jennifer Sacher, Editor Editorial Advisory Board Carla M. Antonaccio, Duke University Effie F. Athanassopoulos, University of Nebraska-Lincoln Angelos Chaniotis, Institute for Advanced Study Jack L. Davis, University of Cincinnati A. A. Donohue, Bryn Mawr College Jan Driessen, Université Catholique de Louvain Marian H. Feldman, Johns Hopkins University Gloria Ferrari Pinney, Harvard University Thomas W. Gallant, University of California, San Diego Sharon E. J. Gerstel, University of California, Los Angeles Guy M. Hedreen, Williams College Carol C. Mattusch, George Mason University Alexander Mazarakis Ainian, University of Thessaly at Volos Lisa C. Nevett, University of Michigan John H. Oakley, The College of William and Mary Josiah Ober, Stanford University John K. Papadopoulos, University of California, Los Angeles Jeremy B. Rutter, Dartmouth College Monika Trümper, Freie Universität Berlin Hesperia is published quarterly by the American School of Classical Studies at Athens. Founded in 1932 to publish the work of the American School, the jour- nal now welcomes submissions from all scholars working in the fields of Greek archaeology, art, epigraphy, history, materials science, ethnography, and literature, from earliest prehistoric times onward. Hesperia is a refereed journal, indexed in Abstracts in Anthropology, L’Année philologique, Art Index, Arts and Humanities Citation Index, Avery Index to Architectural Periodicals, Current Contents, IBZ: Internationale Bibliographie der geistes- und sozialwissenschaftlichen Zeitschriften- literatur, European Reference Index for the Humanities (ERIH), Periodicals Contents Index, Russian Academy of Sciences Bibliographies, and TOCS-IN. The journal is also a member of CrossRef. Hesperia Supplements The Hesperia Supplement series (ISSN 1064-1173) presents book-length studies in the fields of Greek archaeology, art, language, and history. Founded in 1937, the series was originally designed to accommodate extended essays too long for inclusion in Hesperia. Since that date the Supplements have established a strong identity of their own, featuring single-author monographs, excavation reports, and edited collections on topics of interest to researchers in classics, archaeology, art history, and Hellenic studies. Back issues of Hesperia and Hesperia Supplements are electronically archived in JSTOR (www.jstor.org), where all but the most recent titles may be found. For order informa- tion and a complete list of titles, see the ASCSA website (www.ascsa.edu.gr). The American School of Classical Studies at Athens, established in 1881, is a research and teaching institution dedicated to the advanced study of the archaeology, art, history, philosophy, language, and literature of Greece and the Greek world. hesperia 88 (2019) CLASSICAL SCULPTURE Pages 625–705 FROM THE ATHENIAN AGORA, PART 2 The Friezes of the Temple of Ares (Temple of Athena Pallenis) ABSTRACT This article discusses 49 high-relief, half-life-size marble fragments from the Agora excavations (the so-called Agora high-relief frieze) and one from the Roman Agora. It attributes them to the pronaos and opisthodomos friezes of the Temple of Ares, originally the Temple of Athena Pallenis at Pallene. The iconography of the friezes, the temple’s sacred law, and its original orienta- tion toward Apollo’s sacred isle of Delos prompt an identification of their subjects as the introduction of Apollo to Pallene (east) and a joint sacrifice to him and Athena (west). Dated to ca. 430–425 b.c., they are examined in relation to the temple’s possible genesis as a response to the great plague of 430–426. INTRODUCTION In May 1931, a mere two days after the American School of Classical Studies began excavations in the Athenian Agora, the team came across a small marble fragment featuring two sheep in high relief (S 16, here cata- logue number 24; Fig. 1).1 More such pieces soon appeared, though some 1. Research for this study was Shear Jr., and the late Evelyn Harrison Bohrer, Robert Bridges, the late W. D. E. carried out in Athens in 2012–2019. and Homer Thompson for allowing us Coulson, Jack Davis, Ioanna Damanaki, Andrew Stewart directed the project to study and publish this material, and Blanche Menadier, James Muhly, Jeni- and is responsible for the main text and to the Greek Archaeological Service for fer Neils, Maria Pilali, Dylan Rogers, conclusions; research, study of the frag- permission to study and publish 11, the Maria Tourna, Stephen Tracy, Nancy ments, identifications, plotting, and torso in its care. We thank John Camp Winter, and James Wright for admin- cataloguing were undertaken in stages for generously discussing our work with istrative support at the American School by all involved, as follows: Eric Driscoll us and commenting on our draft sub- of Classical Studies at Athens. We are and Seth Estrin in summer 2015; mission; Sylvie Dumont, Bruce Hartz- grateful also to Richard Anderson, Dili- Rebecca Levitan and Samantha Lloyd- ler, Pia Kvarnström, and Craig Mauzy ana Angelova, the late Judith Binder, Knauf in summer 2016; and Natalie for facilitating access to the Agora Amelia Brown, John Camp, Antonio Gleason, Erin Lawrence, Rebecca Levi- fragments; Maria Tziotziou for clean- Corso, Hans Goette, Robert Hannah, tan, and Kelsey Turbeville in summer ing those pieces that required it; Craig Raphael Jacob, Danielle Kellogg, Brady 2017–2019. Any significant individual Mauzy for his splendid photographs; Kiesling, Fotini Kondyli, Carol Lawton, contributions and discoveries are cred- Matt Auvinen for autopsying the frag- Olga Palagia, Nikolaos Papazarkadas, ited where applicable. We owe our ments in situ and for advising on their Kristen Seaman, Dimitris Sourlas, Anne sincere thanks to John Camp, T. Leslie technique; and Nick Blackwell, Karen Stewart, Ronald Stroud, Martha Weber, © American School of Classical Studies at Athens 626 andrew stewart et al. supposedly insignificant ones were not inventoried and were relegated to marble piles, and the recognition that they all belonged to a Classical-period high-relief frieze (henceforth, the HRF) took until 1950, almost two de- cades later.2 Meanwhile, some marble disiecta membra of a medium-sized Doric temple of ca. 450–400 b.c. (several bearing mason’s marks in a late Hellenistic/Augustan script) and, in 1937, a large, rectangular foundation of reused limestone blocks, had appeared in an area where, ca. a.d. 170–190, Pausanias had seen and briefly described a sanctuary (hieron) dedicated to Figure 1. Two sheep (24): left profile. Ares (1.8.4–5; Fig. 2): Athens, Agora Excavations S 16. τῆς δὲ τοῦ Δημοσθένους εἰκόνος πλησίον Ἄρεώς ἐστιν ἱερόν, ἔνθα Scale 1:5. Photo C. Mauzy; courtesy Agora Excavations ἀγάλματα δύο μὲν Ἀφροδίτης κεῖται, τὸ δὲ τοῦ Ἄρεως ἐποίησεν Ἀλκαμένης, τὴν δὲ Ἀθηνᾶν ἀνὴρ Πάριος, ὄνομα δὲ αὐτῷ Λόκρος. ἐνταῦθα καὶ Ἐνυοῦς ἄγαλμά ἐστιν, ἐποίησαν δὲ οἱ παῖδες οἱ Πραξιτέλους. Near the portrait of Demosthenes is a sanctuary of Ares, where two statues of Aphrodite stand; Alkamenes made the one of Ares, but a Parian man named Lokros made the Athena. A statue of Enyo is there also, which the sons of Praxiteles made. Clearly, then, the Temple of Ares (henceforth, “the temple”) had been moved into the Agora from elsewhere.3 Many believed that it had come from Acharnai, a deme “famous of old for brave men” and from the 4th cen- tury b.c. (if not earlier) the home of the only known Ares cult in Attica.4 In 1951, pottery recovered from the temple’s foundations and careful study of their relation to the Odeion of Agrippa and the local drainage system established an Augustan date for the transfer, more precisely ca. 10 b.c.5 As mentioned earlier, Pausanias saw the temple intact in the late 2nd century, but 70 or 80 years later it was derelict. This melancholy process began with the Herulian sack of Athens in a.d. 267, after which some of its (eastern?) coffers and ceiling beams were spoliated and built into tow- ers W3 and W6 of the post-Herulian fortification wall, together with two Aphrodites (Agora S 378 and S 1882)—probably the pair that Pausanias had seen in the temple.6 Yet it was still standing, more or less, in the early 5th century, since all the other contexts for its architectural disiecta membra and the two anonymous reviewers for 4. Pind. Nem. 2.16–17; for an au- (Agora Notebook Ι 16, p. 3099; perhaps Hesperia for comments and help on thoritative study of the deme, see Kel- the source for the misleading statement particular points. Others will be ac- logg 2013. by Castrén [1994, p. 11] that “a great knowledged in their proper place. All 5. Thompson 1952, pp. 93–94; number of blocks which could have uncredited translations are by Andrew McAllister 1959, p. 4, pl. A; Thomp- belonged to this temple and which were Stewart. son 1987, p. 9. used in the [post-Herulian wall] turned 2. Thompson 1951, pp. 56–58; 1952, 6. For summaries and discussion, see out to belong to later repairs to this pp. 94–95. Thompson 1960, pp. 350–359; Agora Wall”); yet the ceiling beams A 1379 3. Shear 1938, pp. 320–322, fig. 6, XXIV, pp. 7–8, 134, pls. 4–6. Although and A 2387–A 2389 definitely come pl. 9. See also Dinsmoor 1940; McAlli- the Aphrodites were built into the ear- from the foundations of tower W3 ster 1959; Travlos, Athens, pp. 104–111, liest phase of tower W3 (Harrison 1960, (Agora Notebook Ι 15, p.
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