Barbara E. Borg Who Cared About Greek Identity? Athens in the First
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Romanization of Attic Ritual Space in the Age of Augustus
The Romanization of Attic Ritual Space in the Age of Augustus Item Type text; Electronic Thesis Authors Benavides, Makayla Lorraine Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 14:30:47 Link to Item http://hdl.handle.net/10150/633170 THE ROMANIZATION OF ATTIC RITUAL SPACE IN THE AGE OF AUGUSTUS by Makayla Benavides ____________________________ Copyright © Makayla Benavides 2019 A Thesis Submitted to the Faculty of the DEPARTMENT OF RELIGIOUS STUDIES AND CLASSICS In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2019 1 7 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master's Committee, we certify that we have read the thesis prepared by Makayla Benavides titled The Romanizationof Attic Ritual Space in the Age ofAugustus and recommend that it be accepted as fulfillingthe dissertation requirement for the Master's Degree. Date: .r- / - :.?CJ/ 5f David Soren Date: S - I - 2..o I � Mary E Voyatzis David Gilman Romano Date: ----- [Committee Member Name} Final approval and acceptance of this thesis is contingent upon the candidate's submission of the final copies of the thesis to the Graduate College. I hereby certify that I have read this thesis prepared under my direction and recommend that it be accepted as fulfillingthe Master's requirement. -
The University of Chicago How to Move a God: Shifting
THE UNIVERSITY OF CHICAGO HOW TO MOVE A GOD: SHIFTING RELIGION AND IMPERIAL IDENTITIES IN ROMAN ATHENS A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE SOCIAL SCIENCES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF HISTORY BY JOSHUA RAMON VERA CHICAGO, ILLINOIS JUNE 2018 Copyright © 2018 Joshua Ramon Vera All rights reserved. For Katharyn, άγκυρα µου Contents List of Illustrations vi Acknowledgements vii Abstract xi Introduction: Shifting Landscapes, Shifting Identities 1 Between Tradition and Transition 12 Religious Buildings or Building Religions? 22 Peeling back the Palimpsest 27 Chapter I: A Reputation for Piety 32 The Most God-fearing, as They Say: Classical Athenian Piety 33 The Possession of the Gods: The City as a Sacred Landscape 37 Shrines Made by Human Hands: The Early Christian View 41 Greater than Others in Piety: The Second-Century Perspective 47 The Glory of Your Ancestors: Imagining a Landscape 51 Equal or Opposite Reactions? 56 Whose Landscape Is It Anyway? 65 Chapter II: Memorials to Ancient Virtue 72 Imaging Athens 73 The Emergence of a Core 79 The Classical Image 84 The Heart of the City 95 The Hellenistic Image 103 The Roman Image 107 The Emergence of a Double Core 113 The Hadrianic Image 118 The Mark of the City 123 iv Chapter III: By the People, For the People? 132 Reduced, Reused, or Upcycled? 134 The Road to Recovery 137 Old Money, New Men 140 Roman Plans, Roman Hands? 145 Let Slide the Gods of War 149 A Tale of Two Staircases 161 A Tale of Two Streets 166 Office Space 180 By the -
The Ionic Friezes of the Hephaisteion in the Athenian Agora
The Ionic Friezes of the Hephaisteion in the Athenian Agora Katerina Velentza King’s College London Classical Archaeology Class of 2015 Abstract: This paper examines in depth all the features of the Ionic friezes of the Hephaisteion, their architectural position, their visibility, their iconography, their audience, their function and the intention of their construction. In contrast to the existing scholarship that examines separately single aspects of these architectural sculptures, in this research I have tried to investigate the Hephaisteion Ionic friezes as a whole and incorporate them in the ensemble of the other preserved Ionic friezes of fifth-century BC Attic Doric temples. My research started during the summer 2014 when I was working in the excavations of the Athenian Agora conducted by the American School of Classical Studies at Athens. During this time I had the opportunity to familiarise myself in detail with the topography, the monuments of the site of the Agora and the excavation reports of the American School and carry out an autopsy in the Hephaisteion. Additionally, I was granted permission from the First Ephorate of Classical Antiquities, to enter the interior of the Parthenon in order to investigate in detail the architectural position and the visibility of the copies of the Ionic frieze still standing at the Western side of the temple. I also visited the temple of Poseidon at Sounion and the Archaeological Museum of Lavrion to examine the Ionic frieze surviving from this temple. Through the autopsy of these three temples and their Ionic friezes and after the detailed study of modern scholarship, I tried to understand and interpret the function and the purpose of the Ionic friezes within Athenian Doric temples as well as their broader cultural and historical context. -
Notes on Three Athenian Cult Places
NOTES ON THREE ATHENIAN CULT PLACES The· name of the late Professor Ant. D. Kbramopouwos is closely linked to the study of early Athens. The follow ing article is dedicated to his memory. PYTHION AND OLYMPION A crucial problem in the topography of early Athens has to do with the two primitive sanctuaries of Pythian Apollo and Olympian Zeus, which Thucydides (II 15) cites as proof of the location and extent of the early city. Near these two cult places was an altar of Zeus Astrapaios from which, as Strabo informs us1, the Py- thaistai watched for the lightning to flash over Harma, before they set out for their sacred mission to Delphi. Were these the shrines located on the North Slope of the Acropolis, a little above the Klepsydra (Fig. l), or are they the sanctuaries of the same name, in the southeastern section of the ancient city2 ? The arguments for the former view were set forth by A. D. KeramopoulloS in I92913, 2so convincingly that some scholars regard the problem as definitely settled 4 . * It is not necessary to discuss here all the factors that have a bearing on the question, since this has been done many times in the past, and especially in the art icle by KeramopoulloS. But there are still scholars who hold to the view that there was no cult of Zeus on the North Slope of the Acropolis and that the Pythion par excel lence was that near the Temple of Zeus southeast of the Acropolis. In an article pub lished in 1959 R. -
War and the Warrior: Functions of Ares in Literature and Cult1
War and the Warrior: Functions of Ares in Literature and Cult Alexander T. Millington UCL Dissertation submitted for the degree of PhD in History 2013 1 I, Alexander Millington, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 Abstract This dissertation presents a new interpretative synthesis of the sources relating to the cults, identities, and functions of the god Ares, focusing on the Archaic and Classic periods. An apparent dichotomy is identified: in many respects, the evidence suggests that Ares must have been a very important god throughout much of the Greek world throughout the Archaic and Classic periods (and beyond), but in other respects the evidence suggests that he was not. I argue that this dichotomy does not derive from changes in the popularity, relevance, or nature of the god, as has been proposed. Instead, I argue that the elements of Ares’ cults and representations which suggest that Ares was unpopular or unimportant derive from those which made him important and continually relevant. I argue that because Ares was identified with war, attitudes towards the god directly reflect Greek attitudes towards war. War’s importance as an element of Greek life, and the god’s power as a causal force with it, led to deep respect for Ares, reflected by widespread cult, and a place among the great Olympians. But the wild, destructive, and unpredictable nature of war, which Ares represented, meant that he was not a regular recipient of large-scale celebratory cult. -
Ancient Athenian Building Methods (1984) 22
EXCAVATIONS OF THE ATHENIAN AGORA PICTURE BOOKS I. Pots and Pam of Classical Athens (1959) 2. The Stoa of Attalos II in Athens (revised 1992) 3. Miniature Sculpturejom the Athenian Agora (1959) 4. The Athenian Citizen (revised 1987) 5. Ancient Pot?raits+om the Athenian Agora (1963) 6. Amphoras and the Ancient Wine Trade (revised 1979) 7. The Middle Ages in the Athenian Agora (1961) 8. Garden Lore of Ancient Athens (1963) 9. Lampsjom the Athenian Agora (1964) 10. Imcriptionsjom the Athenian Agora (1966) I I. Waterworks in the Athenian Agora (1968) 12. An Ancient Shopping Center: The Athenian Agora (revised 1993) 13. Early Burialsjom the Agora Cemeteries (1973) 14. Grafiti in the Athenian Agora (revised 1988) I 5. Greek and Roman Coim in the Athenian Agora (1975) 16. The Athenian Agora: A Short Guide (revised 1986) French, German, and Greek editions 17. Socrates in the Agora (1978) I 8. Mediaeval and Modem Coim in the Athenian Agora (I 978) 19. Gods andHeroer in the Athenian Agora (1980) 20. Bronzeworkers in the Athenian Agora (1982) 21. Ancient Athenian Building Methods (1984) 22. Birds ofthe Athenian Agora (1985) These booklets are obtainable from the American School of Classical Studies at Athens c/o Institute for Advanced Study, Princeton, N.J. 08540, U.S.A. They are also available in the Agora Museum, Stoa of Attalos, Athens ISBN 87661-626-0 Excavations of the Athenian Agora, Picture Book No. 21 Prepared by John McK. Camp I1 and William B. Dinsmoor, Jr. Produced by The Stinehour Press, Lunenburg, Vermont o American School of Classical Studies at Athens, 1984 Front cover: Doric entablature of the Middle Stoa, mid-2nd century B. -
Building Cultural Reciprocity in the Augustan Period
Rome Becoming Athens, Athens Becoming Rome: Building Cultural Reciprocity in the Augustan Period Melissa Huber Inscribed on Augustus’ mausoleum after his death in AD 14, the Res Gestae Divi Augusti, the Achievements of the Divine Augustus, includes an extensive description of Augustus’ monumental building in the city of Rome.1 Monumental building provided a means of converting economic capital into a symbolic reminder of one’s success. Augustus fully understood this correlation between building and self-promotion and this conversion of capital was not limited to building in the city of Rome. Diana Kleiner argues that Augustus built “smaller Romes” throughout the empire (92). Yet the story of cultural influence in the Augustan period is more complex than Kleiner suggests. In some provincial towns, Roman buildings were simply replicated,2 while in other provinces, particularly those with a long history, local traditions continued to influence the design and configuration of new buildings and monuments. Athens, as a provincial city with its own distinguished history, falls into the latter category. Through an examination of new buildings and reconstructions in Athens during the Augustan period (31 BC – AD 14) I will demonstrate the influence of Rome on the provincial urban landscape. It is also true that, in the Augustan period, Greece continued to influence art and architecture in Rome. Greek art had long been used in Rome as a means of glorifying the individual. After the fall of Chrestomathy: Annual Review of Undergraduate Research, School of Humanities and Social Sciences, School of Languages, Cultures, and World Affairs, College of Charleston Volume 10 (2011): 204-19 © 2011 by the College of Charleston, Charleston SC 29424, USA. -
Encountering Ancient Athenian Spaces of Rhetoric, Democracy, and Woman Mari Lee Mifsud
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Virtual Commons - Bridgewater State University Journal of International Women's Studies Volume 7 | Issue 2 Article 3 Nov-2005 Configurations: Encountering Ancient Athenian Spaces of Rhetoric, Democracy, and Woman Mari Lee Mifsud Jane S. Sutton Lindsey Fox Recommended Citation Mifsud, Mari Lee; Sutton, Jane S.; and Fox, Lindsey (2005). Configurations: Encountering Ancient Athenian Spaces of Rhetoric, Democracy, and Woman. Journal of International Women's Studies, 7(2), 36-52. Available at: http://vc.bridgew.edu/jiws/vol7/iss2/3 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2005 Journal of International Women’s Studies. Configurations: Encountering Ancient Athenian Spaces of Rhetoric, Democracy, and Woman By Mari Lee Mifsud, Jane S. Sutton, Lindsey Fox Abstract This essay encounters configurations of “woman” in the space of rhetoric and democracy. By “configuration” we mean how a woman is postured and positioned in this space. We deal in ancient Athens recognizing that an ancient conceptual space called rhetoric, an art or techne of civic discourse, is embedded in the contemporary lived space of American civic discourse always constructing the rhetorical figure of woman and continuously under construction. We explore this conceptual space rhetorically, that is, not to articulate the feelings or meanings the space would have had for the ancient Athenians, but rather to articulate how this conceptual space still figures “woman”. -
Marbleworkers in the Athenian Agora
Marbleworkers in the Athenian Agora Carol Lawton Agora color photographs by Craig A. Mauzy AMERICAN SCHOOL OF CLASSICAL STUDIES AT ATHENS 2006 1. A Triton from the second phase of the facade of the Roman Odeion, ca. A.D. 150–175, illustrates the continuity of sculptural practice in the Agora. The torso of the Triton was strongly influenced by one of the figures in the east pediment of the 5th-centuryB .C. Parthenon. The Triton was later reused in the 5th-century A.D. structure that occupied the site of the Odeion, probably a gymnasium. 2 Introduction As early as the 5th century b.c. the poet Pindar in a dithyramb (Frag- ment 75, line 5) called the Athenian Agora “glorious, richly decorat- ed,” and so it was, the setting for justly famous works of art, many of them sculpted from marble. Its buildings had marble decoration and housed dedications in the form of marble statues and reliefs. Its north- western corner was crowded with marble herms and cavalry dedica- tions on sculpted marble bases. In the Roman period the Agora and its neighborhood were dotted with marble portraits of emperors and other members of the imperial family, philosophers, magistrates, priests, and victorious athletes. Coveted Greek “antique” sculpture as well as con- temporary portraits were displayed in private houses on the slopes near the square. The finds from the Agora excavations (1) demonstrate that generations of marbleworkers, many of them working in and around the Agora, made Athens an important center for the production of mar- ble sculpture until its sack by the Herulians in a.d. -
Gods and Heroes in the Athenian Agora (1980)
EXCAVATIONS OF THE ATHENIAN AGORA PICTURE BOOKS I. Pots and Pans ofCIassical Athens (195I) 2. The Stoa ofAttalos II in Athens (1959) 3. Miniature Sculpturefrom the Athenian Agora (1959) 4. The Athenian Citizen (1960) 5. Ancient Portraits from the Athenian Agora (1960) 6. Amphoras and the Ancient Wine Trade (revised 1979) 7. The Middle Ages in the Athenian Agora (1961) 8. Garden Lore of Ancient Athens (1963) 9. Lampsfrom the Athenian Agora (1964) 10. Inscriptionsfrom the Athenian Agora (1966) I I. Waterworks in the Athenian Agora (1968) 12. An Ancient Shopping Center: The Athenian Agora (1971) 13. Early Burials from the Agora Cemeteries (1973) 14. Graffiti in the Athenian Agora (1974) 15. Greekand Roman Coins in the Athenian Agora (1975) 16. The Athenian Agora: A Short Guide (revised 1980) German and French editions (1977) 17. Socrates in the Agora (1978) 18. Mediaeval and Modern Coins in the Athenian Agora (1978) 19. Gods and Heroes in the Athenian Agora (1980) These booklets are obtainable from the American School of Classical Studies at Athens c/o Institute for Advanced Study, Princeton, N.J. 08540, U.S.A. They are also available in the Agora Museum, Stoa of Attalos, Athens 1 S B N 87661-623-6 Excavations ofthe Athenian Agora, Picture Book No. 19 Prepared by John McK. Camp 11 Produced by The Meriden Gravure Company, Meriden, Connecticut 8 American School of Classical Studies at Athens, 1980 Front Cover: Athena, from a Panathenaic vase, 6th century B.C Gods and Heroes in the Athenian Agora Relief of the Cave of Pan. Second half of the 4th century B.C. -
Religious Cults Associated with the Amazons Columbia University Press Sales Agents
Setctoa: .A(^A54- Columbia illniberjEiitp STUDIES IN CLASSICAL PHILOLOGY RELIGIOUS CULTS ASSOCIATED WITH THE AMAZONS COLUMBIA UNIVERSITY PRESS SALES AGENTS New York: LEMCKE & BUECHNER 30-32 West 27th Street London : HENRY FROWDE Amen Corner, E.C. Toronto: HENRY FROWDE 25 Richmond Street, W. DEC 5 191 KELIGIOUS CULTS ASSOCIATED WITH THE AMAZONS BY FLORENCE MARY BENNETT, Ph.D. mi Beta porfe COLUMBIA UNIVERSITY PRESS 1912 Copyright, 1912 By Columbia University Press Printed from type, July, 1912 Press of The Hew era printing Company Lancaster. Pa. This moriograyh has been approved by the Department of Classical Philology in Columbia University as a contribution to knowledge worthy of publication. Clarence H. Young, Chairman. TO Professor and Mrs. Clarence Hoffman Young CONTENTS Chapter I. The Amazons in Greek Legend 1 11. The Great Mother 17 III. Ephesian Artemis 30 IV. Artemis Astrateia and Apollo Amazonius 40 V. Ares 57 Conclusion 73 Bibliography 77 — CHAPTER I The Amazons in Greek Legend The Iliad contains two direct references to the Amazons: namely, in the story of Bellerophon^ and in a passage from the famous teichoscopy.^ The context to which the first of these belongs is classed by critics as an "echo" from the pre- Homeric saga, and therefore it may be inferred that the Amazon tradition in Greek literature dates from a time even earlier than the Homeric poems. The description of the women here is very slight, being given by the epithet avriaveipa^i of the line: to rpiTOv av Kare7r€<f)vev 'A/ia^oW? avTtaveipa^ ^^ but, from the facts that battle with them is considered a severe test of the hero's valour and that as warriors they are ranked with the monstrous chimaera, the fierce Solymi, and picked men of Lycia, we gather that they are conceived as beings to be feared. -
The Journal of the American School of Classical Studies at Athens
dining in the sanctuary of demeter and kore 1 Hesperia The Journal of the American School of Classical Studies at Athens Volume 81 2012 Copyright © The American School of Classical Studies at Athens, originally published in Hesperia 81 (2012), pp. 267–342. This offprint is supplied for personal, non-commercial use only. The definitive electronic version of the article can be found at <http://www.jstor.org/stable/10.2972/hesperia.81.2.0267>. hesperia Tracey Cullen, Editor Editorial Advisory Board Carla M. Antonaccio, Duke University Angelos Chaniotis, Institute for Advanced Study, Princeton Jack L. Davis, American School of Classical Studies at Athens A. A. Donohue, Bryn Mawr College Jan Driessen, Université Catholique de Louvain Marian H. Feldman, University of California, Berkeley Gloria Ferrari Pinney, Harvard University Sherry C. Fox, American School of Classical Studies at Athens Thomas W. Gallant, University of California, San Diego Sharon E. J. Gerstel, University of California, Los Angeles Guy M. Hedreen, Williams College Carol C. Mattusch, George Mason University Alexander Mazarakis Ainian, University of Thessaly at Volos Lisa C. Nevett, University of Michigan Josiah Ober, Stanford University John K. Papadopoulos, University of California, Los Angeles Jeremy B. Rutter, Dartmouth College A. J. S. Spawforth, Newcastle University Monika Trümper, University of North Carolina at Chapel Hill Hesperia is published quarterly by the American School of Classical Studies at Athens. Founded in 1932 to publish the work of the American School, the jour- nal now welcomes submissions from all scholars working in the fields of Greek archaeology, art, epigraphy, history, materials science, ethnography, and literature, from earliest prehistoric times onward.