2016 the Remix Project's 10 Year Anniversary
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The Year's Music
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c. -
1 Song Title
Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist Billie Joe Armstrong, 21ST CENTURY BREAKDOWN 329 GREEN DAY Green Day 24 HOURS 337 CUESHE ACCORDING TO YOU 330 ORIANTHI Steve Diamond IKAW LANG TALAGA 338 YENG CONSTANTINO JUMP THEN FALL 333 TAYLOR SWIFT Taylor Swift LOVE STORY 334 TAYLOR SWIFT Taylor Swift Kevin Jonas, Sr., Nicholas LOVEBUG 332 JONAS BROTHERS Jonas, Joe Jonas, Kevin Jonas MAHAL PA RIN 339 SAM MILBY MOMENT OF TRUTH 335 FM STATIC FM Static PAIN IN MY HEART 340 ARNEL PINEDA PANAGINIP 341 MAYONNAISE PUTIK 342 SANDWICH Sandwich SUNDOT 343 AEGIS Celso Abenoja Matthew Followill, Jared Followill, USE SOMEBODY 336 KINGS OF LEON Nathan Followill, Caleb Followill HARTZLER JOSHUA, HODGES WHAT ABOUT NOW 331 WESTLIFE DAVID, MOODY BEN, www.wowvideoke.com 1 Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist James Harris, Janet AGAIN 9046 JANET JACKSON Jackson, Terry Lewis Jimi Jamison, Todd EVER SINCE THE WORLD BEGUN 9048 SURVIVOR Smallwood, Frankie Sullivan Kara DioGuardi, Leona HAPPY 9049 LEONA LEWIS Lewis, Salaam Remi I HAVE FALLEN IN LOVE (WITH THE SAME WOMAN THREE TIMES) 9052 JOSE MARI CHAN Jose Mari Chan (lyrics) MY LOVE IS HERE 9053 ERIK SANTOS SMITH DANDRE LEMONT, MILLER PYRAMID 9047 CHARICE CALVIN JERMEL, FRANK LAWRENCE SA AKING PUSO 9054 ARIEL RIVERA Vehnee Saturno SANA KAHIT MINSAN 9055 ARIEL RIVERA Vehnee Saturno Glen Burtnik, Shelly WE COULD BE IN LOVE 9050 LEA SALONGA AND BRAD KANE Peiken Walter Afanasieff, WHENEVER YOU CALL 9051 MARIAH CAREY AND BRIAN MCKNIGHT Mariah Carey 2 www.wowvideoke.com Music Video Pack Vol. -
Music and Inter-Generational Experiences of Social Change in South Africa
All Mixed Up: Music and Inter-Generational Experiences of Social Change in South Africa Dominique Santos 22113429 PhD Social Anthropology Goldsmiths, University of London All Mixed Up: Music and Inter-Generational Experiences of Social Change in South Africa Dominique Santos 22113429 Thesis submitted in fulfillment of the requirements for a PhD in Social Anthropology Goldsmiths, University of London 2013 Cover Image: Party Goer Dancing at House Party Brixton, Johannesburg, 2005 (Author’s own) 1 Acknowledgements I owe a massive debt to a number of people and institutions who have made it possible for me to give the time I have to this work, and who have supported and encouraged me throughout. The research and writing of this project was made financially possible through a generous studentship from the ESRC. I also benefitted from the receipt of a completion grant from the Goldsmiths Anthropology Department. Sophie Day took over my supervision at a difficult point, and has patiently assisted me to see the project through to submission. John Hutnyk’s and Sari Wastel’s early supervision guided the incubation of the project. Frances Pine and David Graeber facilitated an inspiring and supportive writing up group to formulate and test ideas. Keith Hart’s reading of earlier sections always provided critical and pragmatic feedback that drove the work forward. Julian Henriques and Isaak Niehaus’s helpful comments during the first Viva made it possible for this version to take shape. Hugh Macnicol and Ali Clark ensured a smooth administrative journey, if the academic one was a little bumpy. Maia Marie read and commented on drafts in the welcoming space of our writing circle, keeping my creative fires burning during dark times. -
'What Ever Happened to Breakdancing?'
'What ever happened to breakdancing?' Transnational h-hoy/b-girl networks, underground video magazines and imagined affinities. Mary Fogarty Submitted in partial fulfillment Of the requirements for the degree of Interdisciplinary MA in Popular Culture Brock University St. Catharines, Ontario © November 2006 For my sister, Pauline 111 Acknowledgements The Canada Graduate Scholarship (SSHRC) enabled me to focus full-time on my studies. I would also like to express my deepest gratitude to my committee members: Andy Bennett, Hans A. Skott-Myhre, Nick Baxter-Moore and Will Straw. These scholars have shaped my ideas about this project in crucial ways. I am indebted to Michael Zryd and Francois Lukawecki for their unwavering kindness, encouragement and wisdom over many years. Steve Russell patiently began to teach me basic rules ofgrammar. Barry Grant and Eric Liu provided comments about earlier chapter drafts. Simon Frith, Raquel Rivera, Anthony Kwame Harrison, Kwande Kefentse and John Hunting offered influential suggestions and encouragement in correspondence. Mike Ripmeester, Sarah Matheson, Jeannette Sloniowski, Scott Henderson, Jim Leach, Christie Milliken, David Butz and Dale Bradley also contributed helpful insights in either lectures or conversations. AJ Fashbaugh supplied the soul food and music that kept my body and mind nourished last year. If AJ brought the knowledge then Matt Masters brought the truth. (What a powerful triangle, indeed!) I was exceptionally fortunate to have such noteworthy fellow graduate students. Cole Lewis (my summer writing partner who kept me accountable), Zorianna Zurba, Jana Tomcko, Nylda Gallardo-Lopez, Seth Mulvey and Pauline Fogarty each lent an ear on numerous much needed occasions as I worked through my ideas out loud. -
Eone Annual Report 2019
2019 Annual Report and Accounts Unlocking the power & value of creativity We are focused on building the leading talent-driven, platform- agnostic entertainment company in the world. Through our deep creative relationships we are able to produce the highest quality content for the world’s markets. We are powered by global reach, scale and local market knowledge to generate maximum value for this content. Strategic Report SR Governance G Financial Statements FS Unlocking the Unlocking the value of originality power & value p.10 of creativity Unlocking the power of creativity p.12 Strategic report Governance 02 At a glance 66 Corporate governance 04 Chairman’s statement 68 Board of Directors 06 Chief Executive Officer’s review 70 Corporate governance report 10 Unlocking the power 78 Audit Committee report & value of creativity Unlocking the 86 Nomination Committee report value of direction 20 Market Review 90 Directors’ Remuneration report p.14 22 Business Model 118 Directors’ report: 24 Strategy additional information 26 Key performance indicators Financial statements Business review 122 Independent auditor’s report 28 Family & Brands 127 Consolidated financial statements 36 Film, Television & Music 131 Notes to the consolidated financial statements Unlocking the 46 Finance review power of storytelling 51 Principal risks and uncertainties Visit our website: entertainmentone.com p.16 58 Corporate responsibility Unlocking the value of talent p.18 entertainmentone.com 1 AT A GLANCE Performance highlights Strong growth in underlying EBITDA -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
The True Meaning of Christmas
“A beacon of truth.” Issue 2, Volume 43 HuntingtonDispatch High School Oakwood and McKay Roads Huntington, NY 11743 The True Meaning of Christmas Huntington’s Clubs Continue to Give Back to the Community By Katie Duval December 2014 news in short The holiday season is a time as it is hard work. “It’s one of our big small children and are paired with > Scott Gulizio, Wilson Mar- of generosity and compassion, two events of the year,” Mrs. Krycinski, a one in particular. “The students help tinez and Carlos Rivera were things that can describe Huntington Huntington English teacher, told the the children pick out winter essen- named All-County following High School students in a tials, such as a coat, boots, stellar fall campaigns. The big way. Many of us will have clothes, and a toy, that the group helped spearhead the more than enough to eat parents may not be able to Blue Devils’ first league soc- and plenty of gifts this year, afford.” The money to fund cer title since 1989. Santiago but there are many in our this is donated by the Hun- community that will struggle tington chapter of Kiwanis, Alzate captured Academic to make this time of year as an international volunteer All-County recognition. special as they would like it organization. The Key Club to be. For people struggling is closely tied to Kiwanis. > Samantha Lynch and Jus- to get by this year, the holi- After the children choose tin Weigold received the days can be a stressful time. their gifts, they are bused Suffolk Zone Award for their Many clubs at Huntington to Half Hollow Hills West academic performance, recognize this and have ded- where another Huntington outstanding character, ex- icated the better part of the club, HSLQ, helps the Key ceptional citizenship and last few weeks and months Club gift wrap all the pres- remarkable leadership abili- to organizing charity events ents. -
Council Rescinds~ 33 Old Ordinances ~Onfcrencc Chairs and Chairs for 'He .July Rooms Arc Included in in Twotownship New Ellballoting
'Smili11g Coole (lVi~s Pie Cortlcst The Ingham Co unty ' Ninety-Fifth Year, No. 5 Mason, Michigan, Thursday, February 4, 1954 3 Section$ - 24 Pages News Index Aurelius Girls E11tertain at Fanners Wee/£' Council Waits Want ads, !'age~ G, 7 and 8, P:rrl 1. School Voters Legal news, Pagl'! A, Part 1; To Hear Plans !';r~:c G, Pari :.l; l'uj:iotl 7 und 8, l'ar 1 :J. Will Ballot on Sol'lal newH, Page~ ·I and 5, Of Legion Post !'art I; Pag!! •I, Part 2. Clntrcli ncwH, Page 5, Part Dansville.. Issue Mason's community build 2. LPIIPrh, Page' I, Purl 2, Inghan1 'Township Agl'i ing plans dcpcmd on how big Sports. Page :J, Pnrt 2. cult ma) srhool electors will and how soon the American Eclilorinls, Pagr. 2, Pnll :J. ballot Mond!lY aftel'noon unci Legion post will constn1ct ils !•'111 rn ncwH, Pu>;r.s '1 and 5, Pdt'l ;J, I evening on a builcjin~ pl'Ogrum proposed, club house. fol' tho Damwillc sc•hool. Initialivc fo1·. rcbullclinr, 1lw Legion Memorial building rulnwl Voting \Viii he concluded in hy fire in December ut· building Fall on Sidewalk the Ingham townshir1 hu II al. new communlly hullding' wns a Dansville. The [lolls will O[Jcn thrown bnclc onto 1he dly c·mtn ell nl I he meeting Monday nigh!. Is Basis of Suit at noon and close at 8 o'clock The council took no n:::tlon. In the evcnin~. "Them is no need for tts 1o Against the City · 'f'he tnwnsltill s!'hool clislrkl flghl fm• a communlly bttlldinr. -
Baka Not Nice Releases 'No Long Talk.' Via OVO Sound
BAKA NOT NICE RELEASES no long talk. THREE NEW TRACKS – FEATURING JUICY J AND GIGGS CURRENTLY ON TOUR ACROSS EUROPE WITH DRAKE ON THE ASSASSINATION VACATION TOUR LISTEN TO no long talk. https://ovosound.io/nolongtalk MARCH 22, 2019 (TORONTO, ONT.) – Today, OVO’s Baka Not Nice has shared three new tracks, together titled no long talk. The project consists of coast-to-coast scorcher “My Town" feat. Giggs, the ominous "30” and strip-club-ready “Caddy's” feat. Juicy J. The trifecta of songs is a deeper dive into Baka’s life experiences, both past and present. The music is built on the foundation where actions speak louder, dedication to the craft is key and loyalty is paramount. The expression "no long talk" is West Indian Patois, commonly used to express frustration with someone who talks too much. Baka’s no long talk. arrives amidst his live tour dates in the UK as support on the Assassination Vacation arena-tour with Drake. It is also the first offering from the Toronto native since his debut mixtape 4Milli was released in 2018 on OVO Sound/Warner Bros. Records. In addition, Baka Not Nice recently announced that his breakout hit song “Live Up To My Name” from the 4milli mixtape has earned RIAA Certified Platinum status in Canada and RIAA Gold status in the United States. “Live Up To My Name” has been streamed over 100 million times since its release. TRACK LIST: 1. My Town (feat. Giggs) 2. 30 3. Caddy’s (feat. Juicy J) [PHOTO CREDIT: EDISON SIGUA] THE ASSASSINATION VACATION TOUR DATES: 3/22/19 Dublin, Ireland - 3Arena 3/26/19 Birmingham, UK - Resorts World Arena 3/27/19 Birmingham, UK - Resorts World Arena 3/28/19 Birmingham, UK - Resorts World Arena 4/1/19 London, UK - The O2 4/2/19 London, UK - The O2 4/4/19 London, UK - The O2 4/5/19 London, UK - The O2 4/8/19 London, UK - The O2 4/9/19 London, UK - The O2 4/11/19 London, UK - The O2 4/13/19 Antwerp, Belgium - Sportpaleis 4/15/19 Amsterdam, AN - Ziggo Dome 4/16/19 Amsterdam, AN - Ziggo Dome FOLLOW BAKA NOT NICE: Instagram | Twitter | YouTube For more information, please contact: Warner Bros. -
The Very Thought of Long Beach, CA Immediately Brings O.G. Culture to Mind
The very thought of Long Beach, CA immediately brings O.G. culture to mind. You can practically see those classic Snoop Dogg and Warren G videos on repeat at the mention of the city. For as inextricably connected to West Coast hip-hop as the LBC may be, it gives rise to a fresh and fiery voice for soul in Giveon. With nearly half-a-million independent streams to his credit and acclaim by everyone from Flaunt to HotNewHipHop, the Long Beach-born singer and songwriter infuses Rat Pack-style classiness into modern R&B. “It’s a different perspective,” he explains. “There’s soul to it. There’s pop to it. However, I want to speak on relatable things everybody thinks about but nobody says—in a classy way. The goal is just to be Giveon.” One of three brothers raised by a single mother, he gravitated towards music at a young age. He initially found inspiration in Frank Ocean and Miguel between performing at school functions. As he recalls, “Mom did a really good job of sheltering us, so we didn’t fall into what was going on outside like the gang culture and poverty.” Attending a GRAMMY® Academy program at eighteen proved transformative as the instructor implored him to perform Frank Sinatra’s “Fly Me To The Moon” for a project. “I had an epiphany after initially hearing Sinatra,” he says. “It was the very first time I heard a baritone singer. I got into Bobby Caldwell and Barry White from there. I realized my tone at this point.” Developing his own baritone delivery, he caught the attention of another Long Beach local and multiplatinum singer and songwriter AUGUST 08 [DJ Khaled, Justin Bieber] who served as an initial mentor. -
Lucid Dream-Pop
MUSIC TRACK IT DOWN The only tunes you need this March p.130 HOCUS OPUS The month’s most spellbinding albums p.152 COMPETITIVE COMPILATIONS Key comps and mixes reviewed p.156 LU C I D DREAM-POP Kelly Lee Owens breaks the mould with her stunning, self-titled debut album... p.152 djmag.com 129 HOUSE BEN ARNOLD James Hadfield and Danny Linton. With its tribal howls, Soak skirts the right side of QUICKIES 'world music' without being Phil Weeks wanky — always a perilous Raw Instrumental Vol. 2 [email protected] tightrope act. Instead, it's PW/Robsoul Recordings wonky and wonderful. Man 8.0 Power himself drops in a moody, Phil Weeks is clearly never visited with writer's acidic re-rub, while Axel Boman block. This eight-track EP being rather sturdy wallops yet another remix out evidence of this, a collection of weaponised into the bleachers, dropping house music to damage dancefloors. Bravo. the four-four in favour of a new genre, Balearic garage (which Justin Cudmore has just been coined here, this Forget It EP very moment). The Bunker New York 8.5 Oh yes. This blisteringly acidic four-tracker for MICHAEL ZAHNSCHIRM & THERESA LIPP ZAHNSCHIRM MICHAEL Jamie Lidell/Matthew The Bunker New York had us at hello. 'New Jack Pic: Herbert MONEY Lidell/Herbert The House' is a deeply classy slab, while 'Forget Moony Me SHOT! Accidental Jnr It' is machine music par excellence. Contemplatin' EP 9.0 Klamauk Lidell and Herbert have been 9.5 muckers for donkey's years, MIA LUCCI KINDISCH Thoroughly arresting house but this bootleg of the former's music here from German/ track 'When I Come Back Venezuelan/Austrian, Around' from his majestic 2005 Eduardo A. -
A World of Entertainment Entertainment One Ltd
A world of entertainment Entertainment One Ltd. Annual Report and Accounts 2014 We are Entertainment One. Contents Strategic Report 1 Highlights Entertainment One’s goal is to be 2 Group at a Glance 4 Chairman’s Statement the world’s leading independent 6 Chief Executive’s Summary 8 Group Objectives and Strategy entertainment group, through the 10 Business Model 12 Market Overview production and acquisition of 14 Film Review 18 Television Review entertainment content rights for 22 Financial Review 26 Principal Risks and Uncertainties exploitation across all consumer 30 Corporate Social Responsibility media throughout the world. Corporate Governance 32 Board of Directors 34 Corporate Governance 40 Audit Committee Report 44 Directors’ Remuneration Report 61 Nomination Committee Report 62 Directors’ Report: Additional Information 64 Statement of Directors’ Responsibilities Consolidated Financial Statements 65 Index to the Consolidated Financial Statements 66 Independent Auditor’s Report 69 Consolidated Income Statement 69 Consolidated Statement of Comprehensive Income 70 Consolidated Balance Sheet 71 Consolidated Statement of Changes in Equity 72 Consolidated Cash Flow Statement 73 Notes to the Consolidated Financial Statements Television Chief Executive’s Summary Film Review Darren Throop’s review of the year A review of our Film Division for the is set out on pages 6 and 7. year is set out on pages 14 to 17. Television Review A review of our Television Division for the year is set out on pages 18 to 21. Film entertainmentone.com ANNUAL