Richter Scale for Their Fantastic Proenza Schouler Show, Jack Mccollough and Lazaro Hernandez Were Inspired by Technology and Gerhard Richter

Total Page:16

File Type:pdf, Size:1020Kb

Richter Scale for Their Fantastic Proenza Schouler Show, Jack Mccollough and Lazaro Hernandez Were Inspired by Technology and Gerhard Richter NEW LONDON WRITING SMYTHSON COLLECTIONS UPDATES FASHION WEEK KICKS OFF ITS BOND ACROSS THE POND WITH STREET MATTHEW WILLIAMSON, FLAGSHIP. MARIOS SCHWAB, ISSA PAGE 3 WWDLONDON AND MORE. MONDAY, SEPTEMBER 17, 2012 Q WOMEN’S WEAR DAILY Q $3.00 Richter Scale For their fantastic Proenza Schouler show, Jack McCollough and Lazaro Hernandez were inspired by technology and Gerhard Richter. Their graphic collages featured Internet-sourced images on T-shirts, skirts and dresses for a look that was high-resolution, high-impact. For spring collections from London, see pages 4 and 5. PHOTO BY STEVE EICHNER Buyers See Green in New York TALE OF TWO REALITIES on such distinctive looks. By SHARON EDELSON “It’s giving the customer the chance Retail Shares Hit Highs to be an individual,” said Barbara Atkin, NEW YORK — Individual, handmade and vice president of fashion direction at Holt quirky don’t sound like recipes for big sales, Renfrew. “The real phenomenon is that but retailers believe that’s exactly what will we’re [stores] all buying the same brands, Despite Economy’s Woes inspire their customers come spring if the which are getting bigger and bigger. Yet in New York runways are any indication. a world of homogenized brands and key ment is getting very aggressive.” Designers made statements with unusual items, everyone looks different. We’re see- By EVAN CLARK Many chains expect the second pairings of materials — leather and crochet ing many trends coexisting.” half will mirror blah first-half results at Proenza Schouler, leather laser-cut to Relaxed chic, or casual couture, is a IF THE STOCK MARKET were the real — putting a huge amount of pressure look like lace at Jason Wu and reembroi- trend with big commercial implications, world, retailers would be pretty happy. on them for holiday. ShopperTrak last dered lace at Vera Wang. Elsewhere, there though. “It’s about comfort,” said Atkin. The S&P Retail Index hit a new all- week projected U.S. sales growth for were dresses that combined silk, chiffon “Silhouettes have a more pared-down feel- time high Friday and ended the day up the November-to-December period and satin or mixed prints and patterns. ing. Nobody’s teetering on high heels and 0.6 percent to 669.26, marking a 27.9 would slow to 3.3 percent from 3.7 per- Retailers insisted consumers will splurge SEE PAGE 6 percent rise for the year for the broad cent a year earlier. A large chunk of measure of the U.S. industry. that growth, no doubt, will be online, But nobody’s ready to celebrate. rather than in retailers’ brick-and- While retail stocks have rallied this mortar stores. year, and outperformed the market, “You’re seeing the disconnect the economy has continued to suffer. between the economy and the fi- Even at companies that seem to be hit- nancial markets,” said Paul Nolte, ting their stride, such as Macy’s Inc., managing director at Dearborn or Wal-Mart Stores Inc., the overall Partners in Chicago. “Financial mar- mood of retail executives seems to be: kets are responding to Bernanke…. “Things are OK — and we hope they The economy is reacting to very don’t get any worse.” high debt levels [for both consum- Bill Simon, president and chief ex- ers and governments]. Investors are ecutive officer of Wal-Mart U.S., put looking for places to put money be- it this way recently, “We’re optimistic cause they’re not getting paid any- about the fourth quarter. We do expect where and are forced into the stocks.” it to be challenging. The retail environ- SEE PAGE 7 2 WWD MONDAY, SEPTEMBER 17, 2012 WWD.COM Pakistan Plant Owners Turn Up THE BRIEFING BOX IN TODAY’S WWD By MAHLIA S. LONE People search for bodies and survivors on the third floor. LAHORE, Pakistan — As the fire that killed 289 workers at a garment factory in Karachi still smoldered, the company’s own- ers resurfaced after three days of hiding and the Sindh Minister for Industry resigned. The owners of Ali Enterprises — Abdul Aziz Bhaila and his sons, Arshad and Shahid — ap- peared in court haggard and un- shaven in the town of Larkana in Sindh province, having arranged protective bail of about 500,000 Conor Dwyer, MIR rupees, or about $5,500, for eight Henrik Lundqvist and EICHNER days until Sept. 21, when they Amar’e Stoudemire STEVE must reappear in court. Justice AYESHA at the Calvin Klein BY Hasan Azhar Rizvi also ordered BY postshow dinner. that their passports be taken PHOTO from them and they remain on PHOTO the exit control list that forbids At a press conference in there, they had too little water in them from leaving the country. Larkana, the Bhalias said they the fire tenders and had to go to The S&P Retail Index hit a new high, but chains are still The three are charged with appeared in court in Larkana, the next one in Sakhi Hasan to struggling in an economic morass. PAGE 1 murder, attempted murder and 300 miles from Karachi because replenish their supply. Another criminal negligence. they feared for their lives in that ongoing problem in Karachi is Individual and personal may sound incongruous to Sindh Provincial Minister for city from angry demonstrators. the severe water shortage. Water big sales, but New York Fashion Week buyers applauded Industry and Commerce Rauf On Thursday, Karachi was shut tankers supply much of the citi- singular looks, even if they come at a price. PAGE 1 Siddiqui resigned from his office, down as a sign of mourning. After zens’ need for water. saying that he wants to ensure rescue work was called off on Arshad claimed the company Smythson, Britain’s most famous stationer, today will a transparent investigation. He Friday, the factory premises were had followed the factory laws, mark its 125th anniversary with a cocktail party at its newly had been under pressure from sealed by the police and a heavy there was nothing wrong with refurbished Bond Street store in London. PAGE 3 the government to resign. contingent was deployed outside their factory and the gates were The incident, which occurred to ward off further unrest. not locked. He said they did not Carven creative director Guillaume Henry has joined up at the same time a shoe fac- The owners had all exits leave the factory until midnight, with Petit Bateau to create a capsule collection consisting of tory fire killed 25 people in the locked and there were bars on some six hours after the fire nine styles for adults and children. PAGE 3 Pakistani city of Lahore, has the windows, apparently to deter started, only after a mysterious caused an outcry from interna- high crime in the area, leaving phone call from an “important Hanro of Switzerland is launching its first ready-to-wear tional workers’ rights groups and 600 men and women trapped in- person” asked them to get out. collection, called Hanro Knits, for spring. PAGE 7 organizations involved in factory side. When asked by reporters if The owners have promised to inspections and could make the claims of “extortion” were true, pay financial compensation to Casadei is projecting nearly $50 million in sales for next industry rethink corporate social Arshad declined to comment. In the victims’ families as per fac- year, with hopes that a series of complicated silhouettes will responsibility programs aimed at Karachi, many businesses give tory and labor laws here. Lawyer help get it there. PAGE 8 avoiding such catastrophes. The money to extortionist groups due Sadia Khan said according to factory, which lay in ruins, was to the severe crime and lawless- Shariah Islamic law and the Lady Gaga employed bottle-shaped carriages drawn by horse, said to have been making jeans ness in some parts of the metrop- Pakistan Penal Code, it is entire- a very public boudoir and some Lilliputian accented boots for and other clothing, but no brands olis of 21 million. Instead they ly acceptable to compensate the the launch of her new fragrance, Lady Gaga Fame. PAGE 9 have been identified. Pakistan is blamed the fire department, say- victims’ immediate family with a the fifth-largest supplier of tex- ing that it took them 90 minutes cash settlement, even in the case Oscar de la Renta took out a full-page ad in Friday’s WWD tiles and apparel to the U.S. to arrive. When they finally got of death. to publish an “open letter” that took Cathy Horyn to task for her review of his show last week. PAGE 9 Tod’s chief Diego Della Valle issued a statement criticizing top Fiat Chrysler executives for putting their own interests India Approves Retail Direct Investment ahead of those of their employees. PAGE 11 include: By MAYU SAINI Q States will be able to decide whether to allow ON WWD.COM global retailers in; NEW DELHI — The Indian cabinet Friday ap- Q A minimum $100 million investment will be re- proved 51 percent foreign direct investment in mul- quired, with at least half of the company total in- EYE: Francisco Costa hosted a corral of starlets, models tibrand retail although it stipulated that state gov- vestment in back-end infrastructure, such as ware- and socials — Emma Stone with beau Andrew Garfield, ernments would have a choice in allowing global housing and cold storage facilities, three years Diane Kruger, Dree Hemingway, Erin Heatherton and Karlie retailers to set up shop in their states. within setting up in India; Kloss — at Calvin Klein’s postshow dinner at the new India continues to be an important target mar- Q The markets will be mainly restricted to cities Beatrice Inn.
Recommended publications
  • Charitably Chic Lynn Willis
    Philadelphia University Spring 2007 development of (PRODUCT) RED, a campaign significantly embraced by the fashion community. Companies working with Focus on . Alumni Focus on . Industry News (PRODUCT) RED donate a large percentage of their profits to the Global Fund to fight Lynn Willis Charitably Chic AIDS. For example, Emporio Armani’s line donates 40 percent of the gross profit By Sara Wetterlin and Chaisley Lussier By Kelsey Rose, Erin Satchell and Holly Ronan margin from its sales and the GAP donates Lynn Willis 50 percent. Additionally, American Express, Trends in fashion come and go, but graduated perhaps the first large company to join the fashions that promote important social from campaign, offers customers its RED card, causes are today’s “it” items. By working where one percent of a user’s purchases Philadelphia with charitable organizations, designers, University in goes toward funding AIDS research and companies and celebrities alike are jumping treatment. Motorola and Apple have also 1994 with on the bandwagon to help promote AIDS a Bachelor created red versions of their electronics and cancer awareness. that benefit the cause. The results from of Science In previous years, Ralph Lauren has the (PRODUCT) RED campaign have been in Fashion offered his time and millions of dollars to significant, with contributions totaling over Design. Willis breast cancer research and treatment, which $1.25 million in May 2006. is senior includes the establishment of health centers Despite the fashion industry’s focus on director for the disease. Now, Lauren has taken image, think about what you can do for of public his philanthropy further by lending his someone else when purchasing clothes relations Polo logo to the breast cancer cause with and other items.
    [Show full text]
  • Issue: Fashion Industry Fashion Industry
    Issue: Fashion Industry Fashion Industry By: Vickie Elmer Pub. Date: January 16, 2017 Access Date: October 1, 2021 DOI: 10.1177/237455680302.n1 Source URL: http://businessresearcher.sagepub.com/sbr-1863-101702-2766972/20170116/fashion-industry ©2021 SAGE Publishing, Inc. All Rights Reserved. ©2021 SAGE Publishing, Inc. All Rights Reserved. Can it adapt to changing times? Executive Summary The global fashion business is going through a period of intense change and competition, with disruption coming in many colors: global online marketplaces, slower growth, more startups and consumers who now seem bored by what once excited them. Many U.S. shoppers have grown tired of buying Prada and Chanel suits and prefer to spend their money on experiences rather than clothes. Questions about fashion companies’ labor and environmental practices are leading to new policies, although some critics remain unconvinced. Fashion still relies on creativity, innovation and consumer attention, some of which comes from technology and some from celebrities. Here are some key takeaways: High-fashion brands must now compete with “fast fashion,” apparel sold on eBay and vintage sites. Risk factors for fashion companies include China’s growth slowdown, reduced global trade, Brexit, terrorist attacks and erratic commodity prices. Plus-size women are a growing segment of the market, yet critics say designers are ignoring them. Overview José Neves launched Farfetch during the global economic crisis of 2008, drawing more on his background in IT and software than a love of fashion. His idea: Allow small designers and fashion shops to sell their wares worldwide on a single online marketplace. The site will “fetch” fashion from far-off places.
    [Show full text]
  • Centro Cultural De La Raza Archives CEMA 12
    http://oac.cdlib.org/findaid/ark:/13030/kt3j49q99g Online items available Guide to the Centro Cultural de la Raza Archives CEMA 12 Finding aid prepared by Project director Sal Güereña, principle processor Michelle Wilder, assistant processors Susana Castillo and Alexander Hauschild June, 2006. Collection was processed with support from the University of California Institute for Mexico and the United States (UC MEXUS). Updated 2011 by Callie Bowdish and Clarence M. Chan University of California, Santa Barbara, Davidson Library, Department of Special Collections, California Ethnic and Multicultural Archives Santa Barbara, California, 93106-9010 (805) 893-8563 [email protected] © 2006 Guide to the Centro Cultural de la CEMA 12 1 Raza Archives CEMA 12 Title: Centro Cultural de la Raza Archives Identifier/Call Number: CEMA 12 Contributing Institution: University of California, Santa Barbara, Davidson Library, Department of Special Collections, California Ethnic and Multicultural Archives Language of Material: English Physical Description: 83.0 linear feet(153 document boxes, 5 oversize boxes, 13 slide albums, 229 posters, and 975 online items)Online items available Date (inclusive): 1970-1999 Abstract: Slides and other materials relating to the San Diego artists' collective, co-founded in 1970 by Chicano poet Alurista and artist Victor Ochoa. Known as a center of indigenismo (indigenism) during the Aztlán phase of Chicano art in the early 1970s. (CEMA 12). Physical location: All processed material is located in Del Norte and any uncataloged material (silk screens) is stored in map drawers in CEMA. General Physical Description note: (153 document boxes and 5 oversize boxes).Online items available creator: Centro Cultural de la Raza http://content.cdlib.org/search?style=oac-img&sort=title&relation=ark:/13030/kt3j49q99g Access Restrictions None.
    [Show full text]
  • 2Bemag Issue05.Pdf
    EDITORIAL The fifth issue of 2bemag is finally here, and so far the journey has been interesting, challenging and full of surprises, but most importantly - so rewarding! Step by step we are closer to achieving the initial idea behind 2bemag, to create a base of both readers and contributors that is as international and diverse as possible. The photographers collaborating for issue Nr. 5 are for e.g. from Austria, Sweden, France, Spain, Canada and Russia, and it gives our whole team such immense pleasure to receive and be able to publish more diverse and original work for every day that passes. The essence of 2bemag is really about, freedom of expression through the medium of photography, videography & writing and as always we invite you to collaborate with us. It is important for us to be able to give our fellow collaborators free hands to realize their dreams, and with the finished end result be able to shine the spotlight solely on the artists behind the contributions. Always feel free to contact them for new assignments, comment on their work or simply keep on following their path! We love to discover a talent – as well as we love to be discovered by a new reader. Come as you are and join us again for a new issue of 2bemag, full packed with international raw talent. Be with us 2beMag Staff e-mail: [email protected] 02 2beMag www.2bemag.com STAFF Editor in Chief JOSE GRIMM General Coordinator ROMAN AUSTIN Art Director DANI MELO Advertising EMMA WIKSTRÖM Net Working DR.
    [Show full text]
  • The Law, Culture, and Economics of Fashion
    THE LAW, CULTURE, AND ECONOMICS OF FASHION C. Scott Hemphill* & Jeannie Suk** INTRODUCTION....................................................................................................... 102! I. WHAT IS FASHION? ............................................................................................. 109! A. Status ........................................................................................................... 109! B. Zeitgeist ....................................................................................................... 111! C. Copies Versus Trends .................................................................................. 113! D. Why Promote Innovation in Fashion? ........................................................ 115! II. A MODEL OF TREND ADOPTION AND PRODUCTION ........................................... 117! A. Differentiation and Flocking ....................................................................... 118! B. Trend Adoption ............................................................................................ 120! C. Trend Production ........................................................................................ 122! III. HOW UNREGULATED COPYING THREATENS INNOVATION ............................... 124! A. Fast Fashion Copyists ................................................................................. 124! B. The Threat to Innovation ............................................................................. 128! 1. Harmful copying ..................................................................................
    [Show full text]
  • Klnliuwaht)N Normal Tkaimvl CL\*A
    * LOCAL MENTION. HIS CHECKERED CAREER. MILITARY TACTICS. From Rorkrlllr. CITY ITEMS. AMUSEMENTS. EDUCATIONAL. The The Much-Married Prisoner Practical Infractions for the COCKT MATTEBR.A T0V\0 MAX DBOWNKD.A Weather. Newman, Officers of PROMINENT RESIDENT Golden-Hatr NATIONAL THEATER .u. 11 n t k< i BKi.wnmc*A»*Ai»i i> Por the District of Colombia. Marvland. snd alius De Hughes. tbe National Guard. HTRICKKN WITH PARAX" Waak, guaranteed to bleach: MeUaal«. VS18.POLITICAL CELEBRATIONS. in any quantity to rait. Kolb* Pharmhot. JEW KiM>khM»J. *». Lmrlaud wy Wku Virginia, rain Thursday; fair Fridav- slightly 7th and E «to. TO XTC.HT AND BATVRDAT M VT1NEES M tta «»*., 1187 1 :uh at *.«. 1i» I; colder; wind* shifting to RRAJCEKAK. LAWTER ASD PREACHER.PART OF is Time or peace prhpare roa war.how to CoiTMivuOeiK-e of The Evrxrto Star. 16,17* Hoyt'« Very Funny Hun Comedy, ilrniiB. Dra«in* atad OnHaUwglra IWtMntti J^ar westerly. A Him IMIUNk and N«»CRR. Prlu.-(»*i«- Xomaal HIS EXPERIENCES AS PKEACHER AND MARRY- A BIOT.DEFENSE Or PCBLIO Rocktiluc, Mb., Not. 14, 1888. The Great Atlantic iH j-trtim iit for I cK hm. ttH-lm* Drop ix QUELL AND PRI¬ _ Pmcm Drum Goou«. -Woodward In the circuit court now in session H H OO L *KCMS * Lothrop wUl offer to-morrow 50 of 50 150 *0-THE 8TORT TOLD Bt AX EX-PHILA- VATE FBOPEBTT IX CASK OF AS ATTACK BT A here since And M H O O L t «> V i-m i.rs:*<N os niso lessons at and .>2-inch pieces DELPHIAN.
    [Show full text]
  • Technological Studies Kunsthistorisches Museum Vienna
    Technological Studies Kunsthistorisches Museum Vienna CONSERVATION – RESTORATION – RESEARCH – TECHNOLOGY Special volume: Storage Vienna, 2015 Technological Studies Kunsthistorisches Museum Vienna Special volume: Storage Vienna, 2015 Technological Studies Kunsthistorisches Museum Vienna CONSERVATION – RESTORATION – RESEARCH – TECHNOLOGY Special volume: Storage Vienna, 2015 Translated from the German volume: Content Technologische Studien Kunsthistorisches Museum. Konservierung – Restaurierung – Forschung – Technologie, Sonderband Depot, Band 9/10, Wien 2012/13 PREFACE Sabine Haag and Paul Frey 6 Editor: Kunsthistorisches Museum Vienna INTRODUCTION Martina Griesser, Alfons Huber and Elke Oberthaler 7 Sabine Haag Editorial Office: ACKNOWLEDGEMENTS 9 Martina Griesser, Alfons Huber, Elke Oberthaler Assistant, Editorial Office: ESSAYS Stefan Fleck Building a Cost-Effective Art Storage Facility that 13 Tanja Kimmel maintains State-of-the-Art Requirements Joachim Huber Creating a Quantity Structure for Planning Storage 21 Translations: Equipment in Museum Storage Areas Aimée Ducey-Gessner, Emily Schwedersky, Matthew Hayes (Summaries) Christina Schaaf-Fundneider and Tanja Kimmel Relocation of the 29 Collections of the Kunsthistorisches Museum Vienna to the New Art Direction: Central Storage Facility: Preparation, Planning, and Implementation Stefan Zeisler Pascal Querner, Tanja Kimmel, Stefan Fleck, Eva Götz, Michaela 63 Photography: Morelli and Katja Sterflinger Integrated Pest Management (IPM) Christian Mendez, Thomas Ritter, Alexander Rosoli,
    [Show full text]
  • Nordstrom to Open Brand New Store at Westfield Topanga in Canoga Park, Calif
    Nordstrom to Open Brand New Store at Westfield Topanga in Canoga Park, Calif. September 26, 2006 The newly relocated store to carry the company's most comprehensive designer offering in the country SEATTLE, Sept. 26 /PRNewswire-FirstCall/ -- Nordstrom, Inc. (NYSE: JWN) will open its newly relocated store at Westfield Topanga Mall in Canoga Park, Calif., on Friday, October 6 at 10:00 a.m. The 200,000 square foot, three- level store will feature the company's most comprehensive designer offering in the country along with brand new design concepts, amenities and services. Nordstrom at Topanga will feature four designer ready-to-wear boutiques from Chanel, Valentino, Dolce & Gabbana, along with the company's first Gucci ready-to-wear boutique. The store will also feature collections from Azzaro, Badgley Mischka, Blumarine, Chloe, Calvin Klein, Derek Lam, Lanvin, Marni, Proenza Schouler, Roberto Cavalli, Vera Wang and Zac Posen. (Logo: http://www.newscom.com/cgi-bin/prnh/20001011/NORDLOGO ) "Our customers have responded exceptionally well to the best product the market has to offer," said Pete Nordstrom, president of merchandising. "We've increased our designer offering in many stores across the country and, in the last year, we've made designer collections available online. We are eager to unveil our strongest comprehensive collection of designer merchandise across women's, footwear and accessories at Nordstrom Topanga." Among the designer departments on the store's second floor is a redesigned and expanded 'via C' department which includes some of the most cutting edge names in fashion including Doo.ri, Dsquared2, Jovovich-Hawk, McQ, Phillip Lim, Prada Denim and more.
    [Show full text]
  • WWD Ad-Edit Template.Indt
    NEW YORK BELSTAFF NEW BOWS COLLECTIONS YORK A FIRST LOOK AT THE TOMMY, CAROLINA, THAKOON, NEW BELSTAFF LINE, BASTIAN, THE ROW... COLLECTIONS WHICH WILL SHOW NEW YORK FASHION WEEK IN LONDON THE NEW YORK COLLECTIONS TOOK A FINAL TURN ON THE RUNWAY WITH SHOWS FROM DESIGNERS THIS WEEKEND. SUCHROLLS AS ON.RALPH PAGES LAUREN, 6 TO CALVIN 10 KLEIN, PROENZA SCHOULER AND RALPH RUCCI. PAGES 4 T0 7 PAGE 16 THINKING BIGGER PPR Aims to Triple In Size by 2020 By JOELLE DIDERICH PARIS — PPR is thinking big. François-Henri Pinault, chairman and chief execu- tive officer of the French group, hopes to triple the size of its core luxury and sport & lifestyle divisions FRIDAY, FEBRUARY 17, 2012 Q $3.00 Q WOMEN’S WEAR DAILY by the end of the decade and increase revenues to 24 billion euros, or $31.5 billion at current exchange — WWD roughly on a par with the sales posted by LVMH Moët Hennessy Louis Vuitton in 2011. Pinault revealed his ambitions for PPR, which is shedding its retail activities to focus on high-growth potential brands like Gucci, Puma and Bottega Veneta, at a press conference following the publica- tion of 2011 results that showed a record 26.4 percent Mara jump in net profit from continuing operations. “Our primary ambition is to build a group with rev- enues of at least 24 billion euros by 2020, with roughly 60 percent generated by the luxury division and 40 percent by sport & lifestyle,” Pinault said. “Our brands are powerful and have considerable Time potential for organic growth, because they are in line with the underlying consumer trends of today: self- “I wear a lot of black,” Rooney Mara fulfillment, a certain hedonism, consumers’ sense of responsibility for their choices and the convergence laughed backstage at the Calvin Klein of tastes from country to country and from generation Collection runway show on Wednesday.
    [Show full text]
  • The Shape of Women: Corsets, Crinolines & Bustles
    The Shape of Women: Corsets, Crinolines & Bustles – c. 1790-1900 1790-1809 – Neoclassicism In the late 18th century, the latest fashions were influenced by the Rococo and Neo-classical tastes of the French royal courts. Elaborate striped silk gowns gave way to plain white ones made from printed cotton, calico or muslin. The dresses were typically high-waisted (empire line) narrow tubular shifts, unboned and unfitted, but their minimalist style and tight silhouette would have made them extremely unforgiving! Underneath these dresses, the wearer would have worn a cotton shift, under-slip and half-stays (similar to a corset) stiffened with strips of whalebone to support the bust, but it would have been impossible for them to have worn the multiple layers of foundation garments that they had done previously. (Left) Fashion plate showing the neoclassical style of dresses popular in the late 18th century (Right) a similar style ball- gown in the museum’s collections, reputedly worn at the Duchess of Richmond’s ball (1815) There was public outcry about these “naked fashions,” but by modern standards, the quantity of underclothes worn was far from alarming. What was so shocking to the Regency sense of prudery was the novelty of a dress made of such transparent material as to allow a “liberal revelation of the human shape” compared to what had gone before, when the aim had been to conceal the figure. Women adopted split-leg drawers, which had previously been the preserve of men, and subsequently pantalettes (pantaloons), where the lower section of the leg was intended to be seen, which was deemed even more shocking! On a practical note, wearing a short sleeved thin muslin shift dress in the cold British climate would have been far from ideal, which gave way to a growing trend for wearing stoles, capes and pelisses to provide additional warmth.
    [Show full text]
  • Fashion Brand Analysis Proenza Schouler
    FASHION BRAND ANALYSIS PROENZA SCHOULER Clémence GRELIER 13th February 2014 Fashion PR Student N°14346329 Table of Content I - The Marketplace 1. Political Environment 2. Social and Cultural Environment 3. Technological Trends and Influences II - The Brand - Proenza Schouler 1. A Success Story 2. Vision and Values 3. Promotional Strategy III - The Products 1. Collections and Prices 2. Manufacturing and Distribution IV - Customers 1. The Target Audience 2. Purchase Behaviour 3. Brand Communication V - Competitors 1. Christopher Kane 2. Alexander Wang Conclusion References The Marketplace 1. Political Environment Created and sold mainly in the United States, Proenza Schouler is a young brand that was born just a bit more than ten years ago and quickly became important on the fash- ion scene. In its country of origin, the political environment hasn’t changed for decades and is unlikely to impact its business negatively. The United States are a liberal and cap- italist country, therefore, laws and regulations for fashion are not hard. Fashion is seen as a very lucrative business and designers who succeed are admired and become celeb- rities themselves. Politicians even give awards to designers and wear their designs for official ceremonies. Concerning Proenza Schouler, as they are only sold in the USA and Europe for now, the political environment is unlikely to impact their business negatively. Michelle Obama wearing Proenza Schouler Hillary Clinton presents O. De La Renta with the Founder’s Award at the 2013 CFDA Awards 2. Social and Cultural Environment In 2008, the financial crisis hit the USA and Europe pretty hard. Following this recession, a new fashion movement emerged, the ‘recessionistas’, as opposed to the ‘fashionis- tas’.
    [Show full text]
  • Rereading Seymour Joseph Guy's "Making a Train"
    Colby College Digital Commons @ Colby Faculty Scholarship 2011 New Perspective: Rereading Seymour Joseph Guy's "Making a Train" Lauren K. Lessing Colby College, [email protected] Follow this and additional works at: https://digitalcommons.colby.edu/faculty_scholarship Part of the American Art and Architecture Commons Recommended Citation Lessing, Lauren K., "New Perspective: Rereading Seymour Joseph Guy's "Making a Train"" (2011). Faculty Scholarship. 66. https://digitalcommons.colby.edu/faculty_scholarship/66 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Digital Commons @ Colby. New Perspective Rereading Seymour Joseph Guy’s Making a Train Lauren Lessing In March 1868 a reviewer for the Commercial Advertiser described a small painting on view in Seymour Joseph Guy’s Tenth Street studio in Manhattan. It depicted a young girl preparing for bed and holding around her waist “a gaudy skirt of a dress, its folds, draped behind her, forming a train. From her shoulders a single garment hangs loosely, disclosing her neck and finely rounded shoulders.”1 The painting, originally titled The Votary (or Votaress) of Fashion, is now known as Making a Train (fig. 1). Visually complex, beautifully painted, and disturbing in its sensual presentation of a prepubescent female body, Making a Train has long intrigued scholars of American art and culture. Recently, the painting’s inclusion in the exhibition American Stories: Paintings of Everyday Life, 1765–1915 confirmed its position in the canon of American art.2 Concealed behind the scholarly narrative of this picture’s Americanness, however, is the fact that Guy—who was born and trained in England and arrived in the United States at the age of thirty—used an artistic vocabulary drawn from British painting.
    [Show full text]