DOCSLIB.ORG

Assessment of Land Use Land Cover Classification Through Geospatial Approach: a Case Study of Mysuru Taluk of Karnataka State, India

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Assessment of Land Use Land Cover Classification Through Geospatial Approach: a Case Study of Mysuru Taluk of Karnataka State, India Journal of Environment and Waste Management Vol. 7(1), pp. 326-338, June, 2020. © www.premierpublishers.org, ISSN: 0274-6999 Research Article Assessment of Land Use Land Cover Classification through Geospatial Approach: A Case Study of Mysuru Taluk of Karnataka State, India *Manjunatha M.C.1, Basavarajappa H.T.2 1Department of Civil Engineering, Maharaja Institute of Technology, Thandavapura, Mysuru-571 302, India 2Department of Studies in Earth Science, Centre for Advanced Studies in Precambrian Geology, University of Mysore, Mysuru-570 006, India Earth's land use/land cover (LC/LU) classification provides valuable information particularly on natural resources, mapping and its monitoring. There is a significant change on LC/LU across the globe due to the climatic changes, rapid increase in population and over demand of economic natural resources. Remote Sensing (RS) satellite data with its synoptic view and multispectral data provides essential information in proper planning of LU/LC conditions of larger areas. The study aims to map and monitor the existing LU/LC classification scientifically using geospatial tools in database generation, analyses and information extraction. Thematic maps of the study area are prepared using satellite images in conjunction with collateral data Survey of India (SoI) toposheets, forest and wasteland maps. An attempt have been made to delineate the Level-I, Level-II and Level-III LU/LC classification system through NRSC guidelines (2011) using both Digital Image Processing (DIP) and Visual Image Interpretation Techniques (VIIT) by GIS software’s with limited Ground Truth Check (GTC). More accurate classification is observed in case of digital technique as compared to that of visual technique in terms of area statistics. The final results highlight the potentiality of geospatial technique in optimal and sustainable land use planning of natural resource and its management. Keywords: Geospatial technology; LU/LC Classification; IRS-1D, LISS-III Image;Mysuru taluk. INTRODUCTION LULC classification provides vital inputs required for al., 1996). LU/LC exposes considerable influence on the socio-ecological concerns and optimal use of land various hydrological aspects such as interception, resources for the developing countries like India (Sharma infiltration, catchment area, evaporation and surface flow et al, 2018). The main resource controlling primary (Sreenivasalu and Vijay Kumar, 2000). productivity for terrestrial ecosystems can be defined in terms of land: the area of land available, land quality, Indian Remote Sensing (IRS) has been extensively moisture regime and edaphic character (Sharma et al, utilized for Satellite data acquisition at periodic intervals to 2018). Changes in LU/LC affect global systems or occur monitor the land resources and to evaluate the land use/ in a localized fashion in enough places to have a land cover classification & its impact on natural land significant effect (Meyer and Turner, 1992).LU/LC resources (NRSA, 1995). The spatial information of agro provides a better understanding on the cropping pattern ecosystem modeling (Lenz-Wiedemann et al, 2010) yields and spatial distribution of fallow lands, forests, grazing estimation (Vibhute and Gawali, 2013) subsidy control lands, wastelands and surface water bodies, which is vital for urban developmental planning and management *Corresponding Author: Manjunatha M.C, Department (Philip and Gupta, 1990). Despite successful substitution of Civil Engineering, Maharaja Institute of Technology, of land-based resources with fossil fuels and mineral Thandavapura, Mysuru-571 302, India. resources, land remains of prime importance (Darwin et Email: [email protected] Assessment of Land Use Land Cover Classification through Geospatial Approach: A Case Study of Mysuru Taluk of Karnataka State, India Manjunatha and Basavarajappa 327 (Schmedtmann and Campagnolo, 2015) and retrieval of scheme today, consists of multiple levels of classification biophysical plant parameters on regional scales is not designed to be compatible with different levels of details sufficient (Zhao et al, 2015). For numerous agricultural (Tammy and James, 2015). It is comprised of a hierarchal applications and differentiate crops is a demanding task, grouping of three levels, allowing for applicability at as different crop types have similar reflection properties in multiple resolutions. Level-I can be used when finer remote sensing images for some periods of the year details are not needed, such as for national or regional (Waldhoff et al, 2012). Increasing human interventions scales, and is more appropriate for land cover and unfavorable bio-climatic environment has led to identification. Yet, Level-II and Level-III is available when transformation of large tracts of agricultural land into finer detail is needed at a local scale and can be more wasteland (Basavarajappa et al, 2019). Due to the lack of readily described as land uses (Tammy and James, appropriate land cover data, many assessments have 2015). Without a standard classification framework, it is used models to delimit potential land cover (Alexandratos, difficult to identify changes occurring over time, compare 1995). Information describing current land cover is an between places, and to avoid duplication of efforts. important input for planning and modeling, but the quality of such data defines the reliability of the simulation outputs (Townshend, 1992). Proper land management and STUDY AREA development should be initiated to increase the land productivity, restoration of soil degradation, reclamation of It is located in between 12007’05” to 12027’13” N latitudes wastelands, and increase in environmental qualities and and 76027’12” to 76050’10” E longitudes with the general to meet the needs of rapidly growing population of the elevation of 770 mts above MSL covering an area of country (Manjunatha and Basavarajappa, 2015b). 805.63 km2 (Figure 1). Tourism is the major industry alongside the traditional industries in Mysuru taluk. The Land use classification is the systematic assessment and study area lends its name to various art forms and culture, alternatives for optimal land use to improve socio- such as Mysore Dasara, Mysore Painting; Mysore Pak economic conditions (FAO, 2017). Land-use classification (sweet dish), Mysore Masala Dosa; brands such at appropriate scales increase their productivity, support as Mysore Sandal Soap, Mysore Ink; and styles and sustainable agriculture & food systems, promotes cosmetics such as Mysore Peta (a traditional silk turban) governance over land and water resources and meets the and Mysore Silk sarees. The taluk has four hoblis namely needs of society (FAO, 2017). There are a variety of Kasaba, Ilavala, Varuna and Jayapura. The climate is methods have been introduced for LULC classification semiarid tropical and the average annual rainfall of 798 with the development and advances in remote sensing mm with 55 rainy days (CGWB, 2012). The temperature technology and satellites (Mishra et al., 2014). Anderson ranges from 120 to 350 C. classification system is the most widely used classification Figure1: Location and Survey of India Topomap of Mysuru taluk Assessment of Land Use Land Cover Classification through Geospatial Approach: A Case Study of Mysuru Taluk of Karnataka State, India J. Environ. Waste Manag. 328 METHODOLOGY National Remote Sensing Agency (NRSA), Hyderabad. The methodology adopted consists of meaningful iii. GIS software’s: Erdas Imagine v2011 and Arc GIS information extraction from Remote Sensing Satellite v10. image, data preparation, interpretation (on-screen visual), iv. GPS: Garmin 12 is used to mark exact boundaries Ground Truth Check (GTC), map finalization and and to check the conditions of the land use/land cover database organization (NRSC, 2011). LU/LC maps are patterns during field visits. prepared using satellite image in conjunction with collateral data like SoI topomaps on 1:50,000 scale by Satellite data: Data Collateral considering permanent features such as major roads, IRS-1D, Source data: drainages, power-lines, railways, settlements, co- Pan+LISS-III, i. SoI ordinates and village boundaries (Manjunatha et al, 2 Seasons toposheets 2015a). On‐screen Visual Image Interpretation Geocoded data Base Map ii. Forest Map Techniques (VIIT) are extracted manually and compared with digitally extracted vector layers in delineating land use land cover categories. Multi-temporal Resourcesat-1 of LISS III data of 2002 acquired during kharif (Aug –Nov), Classification Image Image and rabi seasons (Jan- Mar) are acquired to estimate the System Analysis Interpretation spatial distribution variability of cropping pattern (NRSC, 2011). Preliminary interpreted LULC features from satellite images are updated by limited field visits & information and the final thematic details are transferred Preliminary Interpreted onto the base maps. Maps Supervised classification Ground Truth Check Supervised classification analyses are carried out on multispectral IRS-1D, LISS-III FCC with medium scale through ArcGIS v10 (Figure 3). The LU/LC patterns are Post field digitized based on the standard schemes developed by correction/ Modification National Remote Sensing Agency (NRSA, 1995). Maximum Likelihood Classification (MLC) scheme is one of the most widely used image classification technique Final Land Use/Land Cover adopted on LISS-III images for mapping all the land Classification Maps use/cover classes. Before the selection of training Figure 2: Flow
Load more

Recommended publications
  • Mysore Tourist Attractions Mysore Is the Second Largest City in the State of Karnataka, India
    Mysore Tourist attractions Mysore is the second largest city in the state of Karnataka, India. The name Mysore is an anglicised version of Mahishnjru, which means the abode of Mahisha. Mahisha stands for Mahishasura, a demon from the Hindu mythology. The city is spread across an area of 128.42 km² (50 sq mi) and is situated at the base of the Chamundi Hills. Mysore Palace : is a palace situated in the city. It was the official residence of the former royal family of Mysore, and also housed the durbar (royal offices).The term "Palace of Mysore" specifically refers to one of these palaces, Amba Vilas. Brindavan Gardens is a show garden that has a beautiful botanical park, full of exciting fountains, as well as boat rides beneath the dam. Diwans of Mysore planned and built the gardens in connection with the construction of the dam. Display items include a musical fountain. Various biological research departments are housed here. There is a guest house for tourists.It is situated at Krishna Raja Sagara (KRS) dam. Jaganmohan Palace : was built in the year 1861 by Krishnaraja Wodeyar III in a predominantly Hindu style to serve as an alternate palace for the royal family. This palace housed the royal family when the older Mysore Palace was burnt down by a fire. The palace has three floors and has stained glass shutters and ventilators. It has housed the Sri Jayachamarajendra Art Gallery since the year 1915. The collections exhibited here include paintings from the famed Travancore ruler, Raja Ravi Varma, the Russian painter Svetoslav Roerich and many paintings of the Mysore painting style.
    [Show full text]
  • AV 0001 Amrita Sher Gil Film Division 18.00 Mins. AV 0002 Gopal
    AV Amrita Sher Gil Film Division 18.00 Mins. 0001 AV Gopal Deuskar Film Division 21.00 Mins. 0002 AV The Inner Eye Film Division 22.00 Mins. 0003 AV Warli Paintings Film Division 15.00 Mins. 0004 AV Madhubani Paintings Film Division 15.00 Mins. 0005 AV Pata Chitra Film Division 17.00 Mins. 0006 AV Painter of the People Film Division 19.00 Mins. 0007 AV Radha Krishna Film Division 22.00 Mins. 0008 AV Bundi: A Reminiscence Film Division 17.00 Mins. 0009 AV Akbar Film Division 22.00 Mins. 0010 AV Hussain Film Division 17.00 Mins. 0011 AV Portrait of Painter Film Division 21.00 Mins. 0012 AV Folk Memories Film Division 18.00 Mins. 0013 AV Murals of Kerala Sarath, R. IGNCA 30.28 Mins. 0014 AV Bharathadri, Aihole: Cradle of Indian Architecture IGNCA 34.12 Mins. 0015 R AV The Talking Rocks of Badami Sarath, R. IGNCA 51.29 Mins. 0016 AV Folklore Museum of Mysore Lingraj, M. IGNCA 75.12 Mins. 0017 AV Bharathadri, Hampi: The World Heritage IGNCA 120.19 Mins. 0018 R AV Ajanta IGNCA 52.00Mins. 0019 AV Rock Art IGNCA 20.00 Mins. 0020 AV Image and Imagination: Bhil Paintings IGNCA 27.52 Mins. 0021 AV Colour Temperature of other Time: Mysore Painting IGNCA 56.24 Mins. 0022 AV Great Masters Series: B. C. Sanyal & Elizabeth Brunner IGNCA 53.47 Mins. 0023 AV Chola Heritage Film Division 16.00 Mins. 0024 AV Shri Ram Charit Manas Film Division 19.00 Mins. 0025 AV A silent Art Film Division 10.00 Mins.
    [Show full text]
  • Bangalore for the Visitor
    Bangalore For the Visitor PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 12 Dec 2011 08:58:04 UTC Contents Articles The City 11 BBaannggaalloorree 11 HHiissttoorryoofBB aann ggaalloorree 1188 KKaarrnnaattaakkaa 2233 KKaarrnnaattaakkaGGoovv eerrnnmmeenntt 4466 Geography 5151 LLaakkeesiinBB aanngg aalloorree 5511 HHeebbbbaalllaakkee 6611 SSaannkkeeyttaannkk 6644 MMaaddiiwwaallaLLaakkee 6677 Key Landmarks 6868 BBaannggaalloorreCCaann ttoonnmmeenntt 6688 BBaannggaalloorreFFoorrtt 7700 CCuubbbboonPPaarrkk 7711 LLaalBBaagghh 7777 Transportation 8282 BBaannggaalloorreMM eettrrooppoolliittaanTT rraannssppoorrtCC oorrppoorraattiioonn 8822 BBeennggaalluurruIInn tteerrnnaattiioonnaalAA iirrppoorrtt 8866 Culture 9595 Economy 9696 Notable people 9797 LLiisstoof ppee oopplleffrroo mBBaa nnggaalloorree 9977 Bangalore Brands 101 KKiinnggffiisshheerAAiirrll iinneess 110011 References AArrttiicclleSSoo uurrcceesaann dCC oonnttrriibbuuttoorrss 111155 IImmaaggeSS oouurrcceess,LL iicceennsseesaa nndCC oonnttrriibbuuttoorrss 111188 Article Licenses LLiicceennssee 112211 11 The City Bangalore Bengaluru (ಬೆಂಗಳೂರು)) Bangalore — — metropolitan city — — Clockwise from top: UB City, Infosys, Glass house at Lal Bagh, Vidhana Soudha, Shiva statue, Bagmane Tech Park Bengaluru (ಬೆಂಗಳೂರು)) Location of Bengaluru (ಬೆಂಗಳೂರು)) in Karnataka and India Coordinates 12°58′′00″″N 77°34′′00″″EE Country India Region Bayaluseeme Bangalore 22 State Karnataka District(s) Bangalore Urban [1][1] Mayor Sharadamma [2][2] Commissioner Shankarlinge Gowda [3][3] Population 8425970 (3rd) (2011) •• Density •• 11371 /km22 (29451 /sq mi) [4][4] •• Metro •• 8499399 (5th) (2011) Time zone IST (UTC+05:30) [5][5] Area 741.0 square kilometres (286.1 sq mi) •• Elevation •• 920 metres (3020 ft) [6][6] Website Bengaluru ? Bangalore English pronunciation: / / ˈˈbæŋɡəɡəllɔəɔər, bæŋɡəˈllɔəɔər/, also called Bengaluru (Kannada: ಬೆಂಗಳೂರು,, Bengaḷūru [[ˈˈbeŋɡəɭ uuːːru]ru] (( listen)) is the capital of the Indian state of Karnataka.
    [Show full text]
  • UPSC IAS Prelims Examination: Mysore Paintings
    UPSC IAS Prelims Examination: Mysore Paintings Indian Art and culture is a diverse topic in UPSC IAS Prelims examination which is conducted by Union Public Service Commission. It includes cultural facets from ancient, medieval to modern periods. The UPSC aspirants find the questions asked from Indian art and culture segment, difficult to solve. There are many reasons for this. The major reason is the nature of being factual. Many of them find difficulty in retaining the names and factual data. Candidates can click here to find a better strategy to tackle this issue. Origins of Mysore Paintings Mysore paintings are an important form of classical South Indian painting that had its origins in and around the town of Mysore in the state of Karnataka. Under the patronage of erstwhile rulers of Mysore, this form of painting became a sign of aristocracy in the late 13th century. The distinct school of Mysore painting evolved from the days of the​ Vijayanagar Empire ​(1336-1565 AD). The rulers of Vijayanagar and their feudatories encouraged literature, art, architecture, religious and philosophical discussions. With the fall of the Vijayanagar empire after the Battle of Talikota, the artists who were till then under royal patronage migrated to various other places like Mysore, Tanjore, Surpur, etc. Absorbing the local artistic traditions and customs, the erstwhile Vijayanagar School of Painting gradually evolved into the many styles of painting in South India, including the Mysore and Tanjore schools of painting. Facts about Mysore Paintings ● Mysore Painting is a form of classical painting seen in South Indian ● This painting is evolved in the Mysore city of Karnataka state, under the reign of the Wodeyar / Wadiyar Dynasty ● It was under the Wadiyar Dynasty patronage that Mysore school of painting touched its peak.
    [Show full text]
  • Painting: a Survey
    Painting: A Survey Painting, citra kalā in Hindi and anciently called varṇana , evolved in India through a fusion of various cultures and traditions over centuries, if not millennia. The earliest paintings in India are rock paintings of prehistoric times, found all over India, especially in places like the Paleolithic Bhimbetka rock shelters in Madhya Pradesh whose almost 10,000-year-old rock paintings display the concerns of early man — food, survival in a difficult environment and struggle in subduing animals. The colours used are mostly of mineral origin and have survived because the paintings were deep inside the caves or on inner walls. Bhimbetka was declared a Unesco World Heritage Site in 2003. Various scenes on a few of the rock shelters of Bhimbetka (courtesy: Wikimedia). 1 KTPI Class XII – Painting Bhimbetka drawings and paintings can be classified under different periods: Upper Paleolithic : in green and dark red, of huge figures of animals such as bison, tigers and rhinoceroses. Mesolithic : smaller figures, with linear decorations on the body of both animals and human figures and of hunting scenes and communal dancing. Chalcolithic : drawings of the hunting cave dwellers, exchanging goods with food-producing communities. Early historic : figures painted mainly in red, white and yellow of horse riders and of religious symbols, figures of yakṣas (supernatural beings), and sky chariots. Medieval : linear and more schematic paintings that show a certain degeneration and crudeness of style in colours prepared by combining manganese, hematite and wooden coal. Classical Texts Early literary compositions of India such as Rāmāyaṇa and Mahābhārata , Kālidāsa’s Śakuntalā and Daṇḍin’s Daśakumārcarita make many references to art galleries or citraśālās.
    [Show full text]
  • An Introduction to Different Types of Art Painting Styles
    An Introduction to Different Types of Art Painting Styles blog.orangecarton.com/an-introduction-to-different-types-of-painting-styles/ 5/28/2013 The ‘Wiki-people’ defines the art of painting as “the practice of applying paint, pigment, color or other medium to a surface ” Well, how can anyone make that any simpler! But, is art painting as simple as it sounds? To be fair, it never is and never was. The art of painting is evolving incessantly. The way artists visualize scenarios and depict it onto the canvas is changing. The use of colors are getting complex and the way thoughts are illustrated on the canvas is getting even more intricate. For any beginner, it might be difficult to get used to the different practices and styles the artists follow in creating paintings. Here are some of the common painting styles artists follow today. The Western Style The Western style is one of the most commonly followed art painting style today. Modernism, Impressionism, abstract painting and some less famous styles like photorealism and surrealism, are all part of the vast Western style family. Modernism Even though many have tried to define modernism, the real A modernism has always managed to slip away from those definitions. Somebody had to draw a line and it turned out to be the art critics who took up the responsibility. So, now, Modernism is officially the period between 1860 and 1970. In simple words, modernism is a break away from the traditional form of art painting. One can say it is an infused form of art derived from many disciplines.
    [Show full text]
  • Art & Architecture
    1 Art & Architecture of India Introduction India’s cultural heritage is extremely rich and counts among the most ancient in the world. The art of sculpture, the most highly respected medium for artists, was widely practiced throughout the subcontinent, and buildings were lavishly adorned with sculptures. The subject matter of Indian sculpture was almost invariably abstracted human forms that were portrayed to instruct people on the truths of the Hindu, Buddhist or Jain religions. Painting in India encompasses Buddhist murals from the Ajanta caves in Maharashtra to the Brihadeeshvara Temple in Thanjavur, from the large wall paintings of Ellora to the miniaturist tradition of Mughal and the mixed-media embellished works from the Tanjore School. Indian civilization also displays mixed architectural styles and influences, the most famous example of which is possibly the Taj Mahal in Agra, Uttar Pradesh. Indian Art Origin of art in India Art is an integral part of culture. India had always been known as a land of cultural and traditional vibrancy through its conventional arts and crafts. The 28 states and 8 union territories across the country have their own distinct cultural and traditional identities; visible through the various forms of art prevalent there. Every region in India boasts its own range of unique folk art forms. Statues and Seals of the Indus Valley Among the surviving works of the Harappan Civilisation is a miniature bronze girl with beautifully formed limbs holding a bowl against her thigh. Of the various other sculptural pieces found, the best known is that of a bearded man, probably the image of a priest.
    [Show full text]
  • State of Karnataka
    STATE OF KARNATAKA Karnataka Largest City Bengaluru Districts 30 ಕರ್ನಾಟಕ Government ಕರುನಾಡು State • Body Government of Karnataka • Governor Vajubhai Vala • Chief Minister Siddaramaiah (INC) • Legislature Bicameral (224 + 75 seats) • High Court Karnataka High Court Area • Total 191,791 km2 (74,051 sq mi) Area rank 7th Coat of arms Highest elevation 1,925 m (6,316 ft) Lowest elevation 0 m (0 ft) Population (2011) • Total 61,130,704 • Rank 8th • Density 320/km2 (830/sq mi) Time zone IST (UTC+05:30) ISO 3166 code IN-KA Official language Kannada, English Literacy Rate 75.60% (16th in states, 23rd if Union Territories are counted) HDI 0.519 (medium) HDI rank 12th (2011) Website karnataka.gov.in Symbols of Karnataka Emblem Gandaberunda Language Kannada, English Song Jaya Bharata Jananiya Tanujate Map of Karnataka Dance Yakshagana Animal Asian elephant Coordinates (Bangalore): 12.97°N 77.50°E Bird Indian Roller Country Flower Lotus India Tree Sandalwood Region South India 1 November 1956 (as Mysore State) Formation Karnataka (Kannada: ಕರ್ನಾಟಕ, IPA:/kərˈna:təkə, Capital City Bengaluru ka:r-/) is a state in south western region of India. It was formed on 1 November 1956, with the passage of the States 1 Reorganisation Act. Originally known as theState of Mysore, Karnataka's pre-history goes back to a paleolithic hand- it was renamed Karnataka in 1973. The capital and largest axe culture evidenced by discoveries of, among other things, city is Bangalore (Bengaluru). Karnataka is bordered by the hand axes and cleavers in the region. Evidence of neolithic Arabian Sea and the Laccadive Sea to the west, Goa to the and megalithic cultures have also been found in the state.
    [Show full text]
  • 7 Secrets of Vishnu
    Downloaded from https://www.studycrux.com Downloaded from https://www.studycrux.com 7 SECRETS OF VISHNU Devdutt Pattanaik is a medical doctor by education, a leadership consultant by profession, and a mythologist by passion. He writes and lectures extensively on the relevance of stories, symbols and rituals in modern life. He has written over fifteen books which include 7 Secrets of Hindu Calendar Art (Westland), Myth=Mithya: A Handbook of Hindu Mythology (Penguin), Book of Ram (Penguin), Jaya: An Illustrated Retelling of the Mahabharata (Penguin). To know more visit devdutt.com Downloaded from https://www.studycrux.com 7 Secrets of Vishnu Devdutt Pattanaik Downloaded from https://www.studycrux.com westland ltd Venkat Towers, 165, P.H. Road, Maduravoyal, Chennai 600 095 No. 38/10 (New No.5), Raghava Nagar, New Timber Yard Layout, Bangalore 560 026 Survey No. A - 9, II Floor, Moula Ali Industrial Area, Moula Ali, Hyderabad 500 040 23/181, Anand Nagar, Nehru Road, Santacruz East, Mumbai 400 055 4322/3, Ansari Road, Daryaganj, New Delhi 110 002 First published by westland ltd 2011 Copyright © Devdutt Pattanaik 2011 All rights reserved 10 9 8 7 6 5 4 3 2 1 ISBN: 978-93-80658-68-1 Typeset and designed by Special Effects, Mumbai Printed at Thomson Press (India) Ltd. This book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out, circulated, and no reproduction in any form, in whole or in part (except for brief quotations in critical articles or reviews) may be made without written permission of the publishers.
    [Show full text]
  • Architecture and Heritage Resources of Mysore City
    International Journal of Modern Engineering Research (IJMER) www.ijmer.com Vol.2, Issue.2, Mar-Apr 2012 pp-139-143 ISSN: 2249-6645 Architecture and Heritage Resources of Mysore City Dr. Chidambara Swamy1 and Dr. B. Shankar2 1(Professor and Head, Adhiyamaan College of Engineering, Hosur) 2 (Associate Professor in Urban and Regional Planning¸ Institute of Development Studies¸ University of Mysore, Mysore) ABSTRACT Mysore city is known as the ‘city of palaces’. It is an II. HERITAGE OF MYSORE ancient, historical, cultural capital and a heritage city Mysore is a cultural and prime heritage city and it in India. The city has been recognised as a heritage exhibits both tangible and intangible elements. It city under the cultural tag both by the state and combines the historical facts and anecdotes with a national governments. The total harmony of harmonious combination of natural and built heritage. architectural buildings, sites, lakes, parks and open The city is known as „cultural capital’ of Karnataka. It spaces and the back drop of Chamundi hills adds to was the capital of Wodeyar Kings who ruled Mysore the city’s attraction. The city has long boulevards Kingdom for many centuries and contributed significantly radiating from a well defined central axis, with well to make the city as a cultural centre including art, poetry recessed public buildings balanced on either side, can and music. The city is as known city of palaces and the be a model for any town planner. Architectural museums, art galleries and the festivities that take place heritage includes not only individual buildings of during the period of Dasara which attract worldwide exceptional quality and their surroundings or group of audience.
    [Show full text]
  • Brochure 8-7-17
    31st NATIONAL CONVENTION ON QUALITY CONCEPTS 1st to 4th December 2017 Theme : “Quality Concepts: Creating Value to the Society” Venue : JSS Science and Technology University, JSS TI Campus, Manasagangothri, Mysuru 570006 In Association with QCFI - Mysuru Chapter and Quality Circle Forum of India JSS Science and Technology University NCQC - 2017 Board of Directors - QCFI, Shri. S J Kalokhe Prof. A K Mittal Dr. Ashok Rai Dr. A Sanjeva Rao Shri. D.K. Srivastava Shri. P V Satyavratan Dr. N. Muthu Kumar Shri. Sunil Shrivastava President President Emeritus Vice President Vice President Executive Director Hon. Treasurer Director Director Shri. K.B. Bharati Dr. (Mrs.) Vineeta Kamran Shri. B. Kumar Dr. S.G. Deshmukh Shri. G P Singh Shri. Raju Modi Shri. A.B. Chowdhury Shri. K Somanathan Director Director Director Director Director Director Director Director Shri. Avinash Mishra Mrs. V. Sulochana Shri.Joydev Sen Gupta Shri. Soma Ramakanth Shri. B. Balakrishnan Shri. Nishant Tripathi Director Director Director Director Director Co-opted Directors National Advisory Committee Shri S S Mohanty Dr. T. Kalaiselvan Shri V. Venkadesh Shri IP Mishra Shri G. Vishwakarma Shri Deepak Prasad Shri V. Thiagarajan Shri Rajib Bhattacharya Shri Megh Pal Singh Ex. Dir. (Tech.), SAIL Add. Dir. CUIC Anna University GM Oper. at Lear Automotive Pres. Gangaiali Edu Dir. (P&BP) SAIL Head (Aluminium) BACL GM (TQM & Six Sigma) MD (FSNL) ED (Steel)JNIL Shri Kishore Chandra Das Shri Pankaj Gautam Shri Nav Kumar Sinha Shri Dilip Kumar Mohanty Dnyaneshwar P Landge Shri Jehangir Ardeshir Shri Rajesh Tiwari Shri Rajesh Kakkar Shri Arjun Ranga Dir. (Personnel) RINL ED (Projects & Operations) JSPL GM (NTPC Ltd – SIMHADRI) Chief (HRM) JNIL Chairman, PCET CEO Forbes Marshall, Head PSO (India & SAARC) GCPL Sr.
    [Show full text]
  • Cultural Heritage of India with Emphasis on 20Th Century
    CULTURAL HERITAGE OF INDIA WITH EMPHASIS ON 20TH CENTURY Culture is a central instrument of discovering, integrating and asserting the national identity of India which truly and inevitably pluralistic. Culture permeates every sphere of human activity, determines and governs life and pattern of Indian society in diverse regions and equality, Official Languages diverse fields. LANGUAGES OF INDIA The Indian Constitution, in 1950, declared Hindi in Devanagari Script to be the official India is home to several hundred languages. language of the union. It was provided in the Most languages spoken in India belong either Constitution of India that English shall to the Indo Aryan and Dravidian families of continue to be used for all official purposes languages though some Indo- European of the Union till January 25, 1965 but the languages are also spoken and understood. complete change over to Hindi was not The Indo - Aryan languages including Hindi, practicable within the stipulated period. So Rajasthani, Gujarati, Marathi, Bengali, Oriya, English in addition to Hindi, Assamese, Sanskrit, Kashmiri, Sindhi and Punjabi cover about three - fourths of India’s population. THE LANGUAGES OF THE EIGHTH The languages of the SCHEDULE OF THE CONSTITUTION Southern India viz Telugu, Tamil, Kannada 22 Major languages are specified in the eighth schedule of the and Malayalam belong to constitution. Those are Assamese, Bengali, Bodo, Dogri, Gujarathi, the Dravidian family. Hindi, Kananda, Kashmiri, Konkani, Maithili, Punjabi, Sanskrit, Santhali, Sindhi, Tamil, Telugu, Urdu, Malayalam, Manipuri, Of the Indo - European Marathi, Nepali and Oriya. languages, English is the most widely used one. continues to be used for all official purposes as an associate official language.
    [Show full text]