Mysore Rosewood Inlay Document
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Mysore Tourist Attractions Mysore Is the Second Largest City in the State of Karnataka, India
Mysore Tourist attractions Mysore is the second largest city in the state of Karnataka, India. The name Mysore is an anglicised version of Mahishnjru, which means the abode of Mahisha. Mahisha stands for Mahishasura, a demon from the Hindu mythology. The city is spread across an area of 128.42 km² (50 sq mi) and is situated at the base of the Chamundi Hills. Mysore Palace : is a palace situated in the city. It was the official residence of the former royal family of Mysore, and also housed the durbar (royal offices).The term "Palace of Mysore" specifically refers to one of these palaces, Amba Vilas. Brindavan Gardens is a show garden that has a beautiful botanical park, full of exciting fountains, as well as boat rides beneath the dam. Diwans of Mysore planned and built the gardens in connection with the construction of the dam. Display items include a musical fountain. Various biological research departments are housed here. There is a guest house for tourists.It is situated at Krishna Raja Sagara (KRS) dam. Jaganmohan Palace : was built in the year 1861 by Krishnaraja Wodeyar III in a predominantly Hindu style to serve as an alternate palace for the royal family. This palace housed the royal family when the older Mysore Palace was burnt down by a fire. The palace has three floors and has stained glass shutters and ventilators. It has housed the Sri Jayachamarajendra Art Gallery since the year 1915. The collections exhibited here include paintings from the famed Travancore ruler, Raja Ravi Varma, the Russian painter Svetoslav Roerich and many paintings of the Mysore painting style. -
Wood Flooring Installation Guidelines
WOOD FLOORING INSTALLATION GUIDELINES Revised © 2019 NATIONAL WOOD FLOORING ASSOCIATION TECHNICAL PUBLICATION WOOD FLOORING INSTALLATION GUIDELINES 1 INTRODUCTION 87 SUBSTRATES: Radiant Heat 2 HEALTH AND SAFETY 102 SUBSTRATES: Existing Flooring Personal Protective Equipment Fire and Extinguisher Safety 106 UNDERLAYMENTS: Electrical Safety Moisture Control Tool Safety 110 UNDERLAYMENTS: Industry Regulations Sound Control/Acoustical 11 INSTALLATION TOOLS 116 LAYOUT Hand Tools Working Lines Power Tools Trammel Points Pneumatic Tools Transferring Lines Blades and Bits 45° Angles Wall-Layout 19 WOOD FLOORING PRODUCT Wood Flooring Options Center-Layout Trim and Mouldings Lasers Packaging 121 INSTALLATION METHODS: Conversions and Calculations Nail-Down 27 INVOLVED PARTIES 132 INSTALLATION METHODS: 29 JOBSITE CONDITIONS Glue-Down Exterior Climate Considerations 140 INSTALLATION METHODS: Exterior Conditions of the Building Floating Building Thermal Envelope Interior Conditions 145 INSTALLATION METHODS: 33 ACCLIMATION/CONDITIONING Parquet Solid Wood Flooring 150 PROTECTION, CARE Engineered Wood Flooring AND MAINTENANCE Parquet and End-Grain Wood Flooring Educating the Customer Reclaimed Wood Flooring Protection Care 38 MOISTURE TESTING Maintenance Temperature/Relative Humidity What Not to Use Moisture Testing Wood Moisture Testing Wood Subfloors 153 REPAIRS/REPLACEMENT/ Moisture Testing Concrete Subfloors REMOVAL Repair 45 BASEMENTS/CRAWLSPACES Replacement Floating Floor Board Replacement 48 SUBSTRATES: Wood Subfloors Lace-Out/Lace-In Addressing -
AV 0001 Amrita Sher Gil Film Division 18.00 Mins. AV 0002 Gopal
AV Amrita Sher Gil Film Division 18.00 Mins. 0001 AV Gopal Deuskar Film Division 21.00 Mins. 0002 AV The Inner Eye Film Division 22.00 Mins. 0003 AV Warli Paintings Film Division 15.00 Mins. 0004 AV Madhubani Paintings Film Division 15.00 Mins. 0005 AV Pata Chitra Film Division 17.00 Mins. 0006 AV Painter of the People Film Division 19.00 Mins. 0007 AV Radha Krishna Film Division 22.00 Mins. 0008 AV Bundi: A Reminiscence Film Division 17.00 Mins. 0009 AV Akbar Film Division 22.00 Mins. 0010 AV Hussain Film Division 17.00 Mins. 0011 AV Portrait of Painter Film Division 21.00 Mins. 0012 AV Folk Memories Film Division 18.00 Mins. 0013 AV Murals of Kerala Sarath, R. IGNCA 30.28 Mins. 0014 AV Bharathadri, Aihole: Cradle of Indian Architecture IGNCA 34.12 Mins. 0015 R AV The Talking Rocks of Badami Sarath, R. IGNCA 51.29 Mins. 0016 AV Folklore Museum of Mysore Lingraj, M. IGNCA 75.12 Mins. 0017 AV Bharathadri, Hampi: The World Heritage IGNCA 120.19 Mins. 0018 R AV Ajanta IGNCA 52.00Mins. 0019 AV Rock Art IGNCA 20.00 Mins. 0020 AV Image and Imagination: Bhil Paintings IGNCA 27.52 Mins. 0021 AV Colour Temperature of other Time: Mysore Painting IGNCA 56.24 Mins. 0022 AV Great Masters Series: B. C. Sanyal & Elizabeth Brunner IGNCA 53.47 Mins. 0023 AV Chola Heritage Film Division 16.00 Mins. 0024 AV Shri Ram Charit Manas Film Division 19.00 Mins. 0025 AV A silent Art Film Division 10.00 Mins. -
Ornamental Floors Design and Installation
NATIONAL WOOD FLOORING ASSOCIATION TECHNICAL PUBLICATION No. B200 ORNAMENTAL FLOORS DESIGN AND INSTALLATION the basics of creating artistic wood flooring installations. Introduction: However, it is important to have the proper knowledge rnamental floors, in all their varied forms, about the tools required and how to use them before have become an increasingly popular choice attempting custom work. (See “Tools Required,” page 5.) Ofor many consumers who want to customize Also, while this publication will help the inexperienced their homes. The description “ornamental floors” cov- installer learn some basic concepts about custom work, ers a wide variety of options, some more difficult to the best way to become proficient is by hands-on appli- execute than others. These include feature strips, pat- cation of the techniques discussed. terned floors, hand-cut scroll work, laser-cut preman- Those wishing to become more proficient at installing ufactured inlays and borders, and mixed-media ornamental floors might do so by working with an expe- installations (involving metal, stone or tile with wood). rienced custom installer, or by attending specialized An ornamental floor may be as simple as a single, seminars designed to teach custom techniques. The 3 ⁄4-inch feature strip following the room’s perimeter. Or National Wood Flooring Association conducts such sem- it may be ornate and elaborate, involving thousands of inars periodically. Several NWFA members who have pieces that combine for a true work of art. The tech- shared their skills at NWFA installation-training semi- niques used to create these flooring effects are as var- nars and who have been honored with Floor of the Year ied as the contractors who practice them. -
The “Unknown” Maker of Marquetry Is Attributable As Buchschmid & Gretaux. I Hope You Will Publish This for Your Readers
The “Unknown” Maker Of Marquetry Is Attributable As Buchschmid & Gretaux. I hope you will publish this for your readers because it answers a question regarding an “unknown” maker of pieces owned by your previous readers. Like all antiques, these objects were made in the context of their times, and that context stays lost until somebody interested in it digs it up later. My wife and I purchased a piece of marquetry in 2018 from an online auction, local to Northern Virginia, in a lot with other home décor, described as “Germany scene wood inlay picture” shown in the attached pictures. Fig 1: Front of “Hildesheim Knochenhauer-Amtshaus”, 9 x 12 inches framed. 1 Fig 2: Rear view of original frame; note two labels, paper taping, horizontally grained wooden back, and two-pin triangular hanger. 2 Fig 3: Close-up of labels. My parents emigrated from Germany to the U.S. in the 1950s and eventually brought back lots of ‘German stuff’ passed through our family, that I grew up with. So what follows is based on not just objective facts, but also on the context of those facts that I experienced through immersion in a culture that my parents brought with them to the U.S. As with every piece, the question is always “who made it, and when?” Here, by answering the “when” first, the “who” becomes apparent. I. “WHEN” it was made Every detail is an important clue, but I draw your attention first to the labels on the back of each of the five (5) pieces, noting the following: 1) the misspellings of “INLAYD” and “COLRED” – this identical wording appears on two pieces found on your own website. -
Bangalore for the Visitor
Bangalore For the Visitor PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 12 Dec 2011 08:58:04 UTC Contents Articles The City 11 BBaannggaalloorree 11 HHiissttoorryoofBB aann ggaalloorree 1188 KKaarrnnaattaakkaa 2233 KKaarrnnaattaakkaGGoovv eerrnnmmeenntt 4466 Geography 5151 LLaakkeesiinBB aanngg aalloorree 5511 HHeebbbbaalllaakkee 6611 SSaannkkeeyttaannkk 6644 MMaaddiiwwaallaLLaakkee 6677 Key Landmarks 6868 BBaannggaalloorreCCaann ttoonnmmeenntt 6688 BBaannggaalloorreFFoorrtt 7700 CCuubbbboonPPaarrkk 7711 LLaalBBaagghh 7777 Transportation 8282 BBaannggaalloorreMM eettrrooppoolliittaanTT rraannssppoorrtCC oorrppoorraattiioonn 8822 BBeennggaalluurruIInn tteerrnnaattiioonnaalAA iirrppoorrtt 8866 Culture 9595 Economy 9696 Notable people 9797 LLiisstoof ppee oopplleffrroo mBBaa nnggaalloorree 9977 Bangalore Brands 101 KKiinnggffiisshheerAAiirrll iinneess 110011 References AArrttiicclleSSoo uurrcceesaann dCC oonnttrriibbuuttoorrss 111155 IImmaaggeSS oouurrcceess,LL iicceennsseesaa nndCC oonnttrriibbuuttoorrss 111188 Article Licenses LLiicceennssee 112211 11 The City Bangalore Bengaluru (ಬೆಂಗಳೂರು)) Bangalore — — metropolitan city — — Clockwise from top: UB City, Infosys, Glass house at Lal Bagh, Vidhana Soudha, Shiva statue, Bagmane Tech Park Bengaluru (ಬೆಂಗಳೂರು)) Location of Bengaluru (ಬೆಂಗಳೂರು)) in Karnataka and India Coordinates 12°58′′00″″N 77°34′′00″″EE Country India Region Bayaluseeme Bangalore 22 State Karnataka District(s) Bangalore Urban [1][1] Mayor Sharadamma [2][2] Commissioner Shankarlinge Gowda [3][3] Population 8425970 (3rd) (2011) •• Density •• 11371 /km22 (29451 /sq mi) [4][4] •• Metro •• 8499399 (5th) (2011) Time zone IST (UTC+05:30) [5][5] Area 741.0 square kilometres (286.1 sq mi) •• Elevation •• 920 metres (3020 ft) [6][6] Website Bengaluru ? Bangalore English pronunciation: / / ˈˈbæŋɡəɡəllɔəɔər, bæŋɡəˈllɔəɔər/, also called Bengaluru (Kannada: ಬೆಂಗಳೂರು,, Bengaḷūru [[ˈˈbeŋɡəɭ uuːːru]ru] (( listen)) is the capital of the Indian state of Karnataka. -
Design Guide
® DECKING & RAILING DESIGN GUIDE 1 WHAT ARE WE MADE OF? Live Your Best Life—Outdoors The Material Difference Your outdoor living space should be a reflection of your personal You know what’s best for your outdoor living space and your lifestyle. That’s why we offer three unique material types. While we could go into detail, we’ll let the charts below and on the next style. Traditional, square decks are just the jumping off point of how page do that for us. Simply choose what’s right for you. you can use TimberTech decking to elevate your outdoor living space. But where to start? That’s where TimberTech comes in; design and technology is at the core of everything we do. CAPPED POLYMER 4-SIDED CAPPED 3-SIDED CAPPED DECKING COMPOSITE DECKING COMPOSITE DECKING UNRIVALED DESIGN AND PREMIUM STYLE AND ATTAINABLE AND ATTRACTIVE PERFORMANCE PERFORMANCE Our products, backed by premium warranties, make your deck design better, stronger, smarter, and more beautiful. Browse this guide to start bringing your design vision to life. With a wide • The most advanced synthetic • Premium composite decking • Traditional composite decking material technology without the with the added protection of a with a synthetic cap on three variety of colors, wood grains, and widths to create unique designs, use of wood particles. fully synthetic cap on all four sides and monochromatic or • Impervious to moisture. sides. color-blended options. you’ll soon be enjoying your beautifully-updated deck. • 50-Year Limited Fade & Stain • Resistant to moisture • Surface protection from ® Warranty. with Mold Guard Technology. -
UPSC IAS Prelims Examination: Mysore Paintings
UPSC IAS Prelims Examination: Mysore Paintings Indian Art and culture is a diverse topic in UPSC IAS Prelims examination which is conducted by Union Public Service Commission. It includes cultural facets from ancient, medieval to modern periods. The UPSC aspirants find the questions asked from Indian art and culture segment, difficult to solve. There are many reasons for this. The major reason is the nature of being factual. Many of them find difficulty in retaining the names and factual data. Candidates can click here to find a better strategy to tackle this issue. Origins of Mysore Paintings Mysore paintings are an important form of classical South Indian painting that had its origins in and around the town of Mysore in the state of Karnataka. Under the patronage of erstwhile rulers of Mysore, this form of painting became a sign of aristocracy in the late 13th century. The distinct school of Mysore painting evolved from the days of the Vijayanagar Empire (1336-1565 AD). The rulers of Vijayanagar and their feudatories encouraged literature, art, architecture, religious and philosophical discussions. With the fall of the Vijayanagar empire after the Battle of Talikota, the artists who were till then under royal patronage migrated to various other places like Mysore, Tanjore, Surpur, etc. Absorbing the local artistic traditions and customs, the erstwhile Vijayanagar School of Painting gradually evolved into the many styles of painting in South India, including the Mysore and Tanjore schools of painting. Facts about Mysore Paintings ● Mysore Painting is a form of classical painting seen in South Indian ● This painting is evolved in the Mysore city of Karnataka state, under the reign of the Wodeyar / Wadiyar Dynasty ● It was under the Wadiyar Dynasty patronage that Mysore school of painting touched its peak. -
Installation Manual EXTERIOR WALL Sips March 2021
The better way to buildTM Installation Manual EXTERIOR WALL SIPs March 2021 EXTERIOR WALL SIPs Installation Manual Table of Contents Topics General Requirements . 3 Materials . 3 Electrical Wiring . 3 Interior Finish . 4 Exterior Cladding . 4 Materials Estimating . 5 Details Air Barrier Details for Air Barrier Sealants . AB-1 Air Barrier Details for Sealing SIP Connections . AB-2 Vapour Barrier Details for Vapour Sealing SIP Connections . VB-1 Foam Core (SIP) Spline Detail . .W-1 Wood Stud Spline Joint Detail . .W-2 Typical Wall Section . .W-3 Floor-to-Wall Connection Detail . .W-4 Sill Plate Detail . .W-5 Wall Butt Corner Connection Detail . .W-6 Window Cut-Out (Non-Load Bearing Wall) . .W-7 Panel Lintel/Header Details & Bearing Conditions 1-4 . .W-8 Lintel Detail . .W-9 Point Load Detail . .W-10 Knee Wall Detail . .W-11 Door & Window Rough Openings . .W-12 Wood Ledger Attached to SIP Wall Panel . .W-13 Vertical Electrical Chase . .W-14 Exterior Wire Fastened to SIP Exterior . .W-15 Exterior Wall Cladding - Brick & Stucco . .W-16 Exterior Wall Cladding - Siding . .W-17 Interior Wall Finish - Gypsum . .W-18 Pre-Fabricated Metal Chimney Installation in Wall . .W-19 Screw Fastening Detail for Securing Shelving to Panel . W-20 60 Min. Partywall Single Wall STC Rating 50 . .PW-1 Partywall Electrical Detail (60 Min. Wall Rated Assembly (Single Wall) STC Rating 50) . .PW-2 60 Min. Partywall Double Wall STC Rating 50 . .PW-3 Partywall Electrical Detail (60 Min. Double Wall) . .PW-4 Vertical Panel Connections Spline & Corner (Timberframe) . W-TF-1 Horizontal Connections at Beams (Timberframe) . -
Woodworking Glossary, a Comprehensive List of Woodworking Terms and Their Definitions That Will Help You Understand More About Woodworking
Welcome to the Woodworking Glossary, a comprehensive list of woodworking terms and their definitions that will help you understand more about woodworking. Each word has a complete definition, and several have links to other pages that further explain the term. Enjoy. Woodworking Glossary A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | #'s | A | A-Frame This is a common and strong building and construction shape where you place two side pieces in the orientation of the legs of a letter "A" shape, and then cross brace the middle. This is useful on project ends, and bases where strength is needed. Abrasive Abrasive is a term use to describe sandpaper typically. This is a material that grinds or abrades material, most commonly wood, to change the surface texture. Using Abrasive papers means using sandpaper in most cases, and you can use it on wood, or on a finish in between coats or for leveling. Absolute Humidity The absolute humidity of the air is a measurement of the amount of water that is in the air. This is without regard to the temperature, and is a measure of how much water vapor is being held in the surrounding air. Acetone Acetone is a solvent that you can use to clean parts, or remove grease. Acetone is useful for removing and cutting grease on a wooden bench top that has become contaminated with oil. Across the Grain When looking at the grain of a piece of wood, if you were to scratch the piece perpendicular to the direction of the grain, this would be an across the grain scratch. -
Installation Manual ROOF Sips March 2021
The better way to buildTM Installation Manual ROOF SIPs March 2021 ROOF SIPs Installation Manual Table of Contents Topics General Requirements . 3 Materials . 3 Electrical Wiring . 3 Interior Finish . 4 Exterior Cladding . 4 Materials Estimation . 5 Details Air Barrier Details for Air Barrier Sealants . AB-1 Air Barrier Details for Sealing SIP Connections . AB-2 Vapour Barrier Details for Vapour Sealing SIP Connections . VB-1 Typical Roof Ridge . R-1 Roof Ridge Details for 12/12 Pitch Roof . R-2 Beam Pocket Detail . R-3 SIP Peak Connection (Alternative) . R-4 Roof Valley & Intermediate Roof Support . R-5 Eave Detail and Roof Support at Exterior Wall . R-6 Typical Sloped Roof Assembly . R-7 Sloped Roof Assembly with Ridge Beam . R-8 Flat Roof Assembly . R-9 Skylight Opening & Assembly . R-10 Typical Roof Connection Sections (Roof to Wall) . R-11 Roofi ng Applied to SIPs . R-12 Flat Roofi ng Applied to SIPs . R-13 LED Pot Light Installation in Ceiling SIPs . R-14 Ceiling Fan Attachment . R-15 Electrical Wire Fastened to Roof SIP . R-16 Pre-Fabricated Metal Chimney Installation . R-17 Screw Fastener Detail for Securing Load to Ceiling Panel . R-18 Roof Overhang Eave Details (Timberframe) . R-TF-1 Roof Overhang & Rake (Timberframe) . R-TF-2 Roof SIP - Installation Manual 2 March 2021 ROOF SIPs Installation Manual 1. General Requirements 1.1 Scope The basic design and construction requirements for the Thermapan Structural Insulated Panel (SIP) roof system is set forth in this specifi cation. Criteria for materials, environmental control, design loads, and structural design are included. -
Painting: a Survey
Painting: A Survey Painting, citra kalā in Hindi and anciently called varṇana , evolved in India through a fusion of various cultures and traditions over centuries, if not millennia. The earliest paintings in India are rock paintings of prehistoric times, found all over India, especially in places like the Paleolithic Bhimbetka rock shelters in Madhya Pradesh whose almost 10,000-year-old rock paintings display the concerns of early man — food, survival in a difficult environment and struggle in subduing animals. The colours used are mostly of mineral origin and have survived because the paintings were deep inside the caves or on inner walls. Bhimbetka was declared a Unesco World Heritage Site in 2003. Various scenes on a few of the rock shelters of Bhimbetka (courtesy: Wikimedia). 1 KTPI Class XII – Painting Bhimbetka drawings and paintings can be classified under different periods: Upper Paleolithic : in green and dark red, of huge figures of animals such as bison, tigers and rhinoceroses. Mesolithic : smaller figures, with linear decorations on the body of both animals and human figures and of hunting scenes and communal dancing. Chalcolithic : drawings of the hunting cave dwellers, exchanging goods with food-producing communities. Early historic : figures painted mainly in red, white and yellow of horse riders and of religious symbols, figures of yakṣas (supernatural beings), and sky chariots. Medieval : linear and more schematic paintings that show a certain degeneration and crudeness of style in colours prepared by combining manganese, hematite and wooden coal. Classical Texts Early literary compositions of India such as Rāmāyaṇa and Mahābhārata , Kālidāsa’s Śakuntalā and Daṇḍin’s Daśakumārcarita make many references to art galleries or citraśālās.