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Sault Tribe Receives $2.5M Federal HHS Grant Tribe Gets $1.63 Million
In this issue Recovery Walk, Pages 14-15 Tapawingo Farms, Page 10 Squires 50th Reunion, Page 17 Ashmun Creek, Page 23 Bnakwe Giizis • Falling Leaves Moon October 7 • Vol. 32 No. 10 Win AwenenOfficial newspaper of the SaultNisitotung Ste. Marie Tribe of Chippewa Indians Sault Tribe receives $2.5M federal HHS grant The Sault Ste. Marie Tribe of diseases such as diabetes, heart tobacco-free living, active living blood pressure and high choles- visit www.healthysaulttribe.net. Chippewa Indians is one of 61 disease, stroke and cancer. This and healthy eating and evidence- terol. Those wanting to learn more communities selected to receive funding is available under the based quality clinical and other To learn more about Sault Ste. about Community Transformation funding in order to address tobac- Affordable Care Act to improve preventive services, specifically Marie Tribe of Chippewa Indians’ Grants, visit www.cdc.gov/com- co free living, active and healthy health in states and communities prevention and control of high prevention and wellness projects, munitytransformation. living, and increased use of high and control health care spending. impact quality clinical preventa- Over 20 percent of grant funds tive services across the tribe’s will be directed to rural and fron- seven-county service area. The tier areas. The grants are expected U.S. Department of Health and to run for five years, with projects Human Services announced the expanding their scope and reach grants Sept. 27. over time as resources permit. The tribe’s Community Health According to Hillman, the Sault Department will receive $2.5 mil- Tribe’s grant project will include lion or $500,000 annually for five working with partner communities years. -
Tulalip Resort Casino Rocks out on May 25Th to the Sounds of Queen and Boston
FOR IMMEDIATE RELEASE March 19, 2014 For Information Contact: Lisa Severn, F & B Director Tulalip Resort Casino 10200 Quil Ceda Boulevard Tulalip, Washington 98271 (360) 716-1240 www.tulalipresort.com TULALIP RESORT CASINO ROCKS OUT ON MAY 25TH TO THE SOUNDS OF QUEEN AND BOSTON Tulalip, Washington --- Tulalip Resort Casino invites fans to rock to the pulsating sounds of Queen and Boston, on Sunday, May 25. Starting at 8:00pm in the Orca Ballroom, the Casino Resort will host “Rock the Empire,” a tribute style concert with classic music from two of the greatest bands of the 70’s and 80’s. Groupies can sway to the lively beats while sipping on cocktails from the no-host bar. Queen Nation - Queen Tribute Band Queen Nation was formed in 2004, and consists of band members: Joe Retta or Gregory Finsley on vocals and keyboards as Freddie Mercury; Mike McManus on guitar as Brian May; Pete Burke on drums as Roger Taylor; and Parker Combs on bass as John Deacon. The group’s mission is to carry on the musical torch and pay homage to the golden age of vintage Queen concerts. Music lovers can jam to ultimate Queen songs such as “Cold Stone Crazy,” “Tie Your Mother Down,” “Somebody to Love,” “Crazy Little Thing Called Love,” and more. Third Stage - Boston Tribute Band Borrowed Time hails from Seattle and will make their debut as “Third Stage” at Tulalip. They play the greatest hits from the band Boston, filling the show with great renditions and the enthusiasm that is reflective of the band's personalities. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Boston Live Tom Scholz Download Torrent Boston - Boston (1976) (WLP PBTHAL LP 24-96) [FLAC] Vtwin88cube
boston live tom scholz download torrent Boston - Boston (1976) (WLP PBTHAL LP 24-96) [FLAC] Vtwin88cube. Boston is one of the best-selling albums of all time, and deservedly so. Because of the rise of disco and punk, FM rock radio seemed all but dead until the rise of acts like Boston, Tom Petty, and Bruce Springsteen. Nearly every song on Boston's debut album could still be heard on classic rock radio decades later due to the strong vocals of Brad Delp and unique guitar sound of Tom Scholz. Tom Scholz, who wrote most of the songs, was a studio wizard and used self-designed equipment such as 12-track recording devices to come up with an anthemic "arena rock" sound before the term was even coined. The sound was hard rock, but the layered melodies and harmonics reveal the work of a master craftsman. While much has been written about the sound of the album, the lyrics are often overlooked. There are songs about their rise from a bar band ("Rock and Roll Band") as well as fond remembrances of summers gone by ("More Than a Feeling"). Boston is essential for any fan of classic rock, and the album marks the re-emergence of the genre in the 1970s. Boston – Boston (1976) Boston – Boston (1976) SACD Rip | ISO / DSD / 1bit / 2.8224MHz | FLAC Tracks / 24bit / 88.2kHz Single Layer SACD | Full Scans Included Total Size: 1.52 GB (ISO) + 771 MB (FLAC) | 3% RAR Recovery Label: Epic | USA | Cat#: ES 34188 | Genre: Hard Rock. Boston is one of the best-selling albums of all time, and deservedly so. -
The Haunted Continent and Andrew Bird's Apocrypha
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha Mary Elizabeth Lasseter University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Lasseter, Mary Elizabeth, "Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha" (2013). Electronic Theses and Dissertations. 1163. https://egrove.olemiss.edu/etd/1163 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. CHASING THAT GHOST ON STAGE: THE HAUNTED CONTINENT AND ANDREW BIRD’S APOCRYPHA A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by M.E. LASSETER May 2013 Copyright M.E. Lasseter 2013 ALL RIGHTS RESERVED ABSTRACT This thesis traces the various physical and metaphorical journeys south of Chicago musician Andrew Bird. Using what historical record is publicly available, I examine Bird’s formal musical training. I then explore the years between 1995 and 2001, or what I call Bird’s period of apprenticeship. Next is an exploration of the canonical narratives surrounding the blues of the Mississippi Delta, especially the music of Charley Patton. When Andrew Bird encountered a canon, or dominant histories and meanings of Southern music that influence how musicians play and how audiences interpret that music, he began to react against that canon in his own compositions and performances. -
Sept. 2008 Parent Newsletter DRAFT.Pub
Office of Retention Services Luke Heffley, Parent Relations Coordinator On October 4th, from 3:00pm to 6:00pm, Arkansas Tech University will once again host “Family Day.” Join us on the Wilson Lawn and bring your lawn chairs & blankets for a Doc Bryan Student Services fun afternoon of activities followed by the football game. Center, Room 222 1605 Coliseum Dr. ACTIVITIES INCLUDE: (PLEASE BRING LAWN CHAIRS AND BLANKETS) Russellville, AR 72801 •Family cookout from 3:00pm – 4:30pm (Free hotdogs and soft drinks) •Cotton Candy, Sno‐cones, and Popcorn Email: [email protected] •Face painting for kids of all ages Phone: (479) 964‐3281 •Visiting with Tech faculty and staff Fax: (479) 968‐0208 •20% off at the Tech Bookstore (Campus hours 1:00pm—5:00pm) •Concert featuring 38 Special beginning at 4:00pm •Half‐priced football tickets (3:00pm – 5:30pm only) $4.00 general admission, $2.50 for stu‐ dents, 5 years and younger—free (regular price is $8.00 and $5.00) •Arkansas Tech vs. North Alabama with kick‐off at 6:00 pm at Thone Stadium Family Day is sponsored by the Division of Student Services, Tech Foundation & Alumni Association, Stu‐ Sept. 24th dent Government Association, Student Activities Board, and the Residence Hall Association. Last Day to withdraw with 80% tuition refund On October 4th at 4:00 pm, Arkan‐ sas Tech University will host 38 Spe‐ October 10th cial! After more than two decades Mid term Grade together, 38 Special is still playing Reports more than 100 shows per year. While most associate the group with its arena‐rock '80s pop smashes, these days the band’s harder edge is what is immediately noticeable. -
Feature • Fran Cosmo------Life Beyond Boston by Deborah Kennedy Py with Their Performance
----------------------- Feature • Fran Cosmo --------------------- Life Beyond Boston By Deborah Kennedy py with their performance. He always wants to make it better. He’ll have an incredible night, the crowd is Imagine, if you will, 1980. It was the year of The jumping up and down for him, and he’ll turn to us and Empire Strikes Back, Raging Bull and Nine to Five. worry, ‘Did I sound okay?’ Also of Mt. Saint Helens and the Post-it® Note. That “Fran doesn’t have a technical background, but if same year, we found out who shot J.R. We also discovered that 24-hour news, courtesy of CNN, could lead to some pretty ridiculous programming. Another noteworthy happening from that rich period in our country’s popular culture was the fact that Fran Cosmo, otherwise known as the former lead singer of Boston, got his first big music business break. In 1980, Cosmo (a.k.a. Francis Cosmo Migliaccio) was approached by Barry Gou- dreau, guitarist for Boston, about working on Goudreau’s debut solo album. Cosmo jumped at the chance to work with Goudreau, and three years later their collaboration led to the forma- tion of a new act, Orion the Hunter. The self-titled debut Cosmo and Goudreau released shortly thereafter might not have made Orion the Hunter a household name, but it did give radio listeners the hit single “So You Ran” and scored the group a tour of the U.S. with Aerosmith for their Back in the Saddle tour. Cosmo’s collaboration with Goudreau also got his foot in the door with Boston, at the time an unstoppable force in the world of classic rock, and seven years later Cosmo was invited to join Boston as lead singer, Brad Delp hav- FRAN COSMO ing left the band w/PARADISE to pursue other projects. -
Open THESIS.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF COMMUNICATION ARTS AND SCIENCES IDENTITY AND HIP-HOP: AN ANALYSIS OF EGO-FUNCTION IN THE COLLEGE DROPOUT AND THE MISEDUCATION OF LAURYN HILL LAURA KASTNER SPRING 2017 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Communication Arts & Sciences and Statistics with honors in Communication Arts & Sciences Reviewed and approved* by the following: Anne Demo Assistant Professor of Communication Arts & Sciences Thesis Supervisor Lori Bedell Senior Lecturer of Communication Arts & Sciences Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT In this thesis, I will be analyzing how Kanye West and Lauryn Hill create identity for themselves and their listeners in the albums The College Dropout and The Miseducation of Lauryn Hill, respectively. Identity creation will be analyzed using Richard Gregg’s concept of ego-function. By applying the three stages of the theory – victimization of the ego, demonization of the enemy, and reaffirmation of the ego – to both albums, I hope to uncover the ways that both West and Hill contribute to identity creation. I also discuss the ways in which they create identity that cannot be explained by ego-function theory. I also briefly address the following questions: (1) How does the language of ego-function differ between the artists? (2) How does their music speak to listeners of different ethnicities? (3) What role does gender play in ego-function? Does the language of ego-function differ between genders? ii TABLE OF CONTENTS Acknowledgements ………………………………………………………………......iii Chapter 1 Introduction ................................................................................................. 1 Kanye West: The Jerk and the Genius ............................................................................ -
Brevard Live December 2012
Brevard Live December 2012 - 1 2 - Brevard Live December 2012 Brevard Live December 2012 - 3 4 - Brevard Live December 2012 Brevard Live December 2012 - 5 6 - Brevard Live December 2012 Content december 2012 FEATURES page 51 JOE BONAMASSA CHRISTMAS IN BREVARD Columns Since he broke into the blues-rock scene The Christmas season is here and has in the year 2000, Joe Bonamassa has more to offer than shopping bargains! If Charles Van Riper been working hard on his career with in- you want to enjoy the cultural meaning of 22 Political Satire ternational touring and CD releases while Christmas, there are lots of entertaining gaining a lot of fans and accolades. He is performances at our theatres. Calendars a true talent and a protégé. Page 17 & 19 Live Entertainment, Page 11 25 Concerts, Festivals GREAT WHITE MAGNOLIA FEST Nobody here tells you how to live, or Expose Yourself The band hit the mainstream in 1987 by Charles & Lissa when they released Once Bitten..., how to feel; it’s strictly people living 30 within the moment and left to their own which featured the hits “Rock Me” and Brevard Scene “Save Your Love”. accord. Caleb Miller was there to experi- ence the vibe of this annual festival. Steve Keller gives . 33 you the lowdown. Page 11 Page 20 CD Reviews ORIGINAL MUSIC SERIES JESSILYN PARK 39 by John Leach The past 8 weeks have been a huge suc- This story is about a grandmother and her cess and a win-win situation for original granddaughter who became inspired to HarborCityMusic bands and the audience. -
Dont Look Back Free Ebook
FREEDONT LOOK BACK EBOOK Karin Fossum,Felicity David | 312 pages | 01 Jun 2005 | HARVEST BOOKS | 9780156031363 | English | United States Don't Look Back () - IMDb Play the classic game of strategy. You can challenge the computer, a friend, or join a match against another online player. Dont Look Back your opponents in the ultimate copter arena. Grab upgrades and superpowers, avoid the toxic fog, and be the last one flying! Test your aim in online multiplayer! Race your opponent to get to zero first. You'll have to calculate your own score. Your pineapple is trapped at the top of a huge Dont Look Back Jump over pits of lava and dodge dangerous traps to rescue it. Grow your civilization during the Bronze Age. In this strange and unusual world, you cannot jump. Fortunately, you CAN summon mountains beneath your feet. And get filthy stinkin' rich. Let's get rolling! It may not look like much at first, but we have a feeling you'll be earning trillions Dont Look Back points in no time. Don't Look Back. You'll Also Like This Game is in Playlists. From This. To this. Learn More. No, Thanks. I just want to play games right now. Login to Earn XP. Big Screen. Exit Big Screen. Coolmath Top Picks. Swing through the jungle from tree to tree! Beat levels to unlock new monkey skins. Hop in your hot air balloon and prepare for adventure! Solve a whole new quest on every Dont Look Back. Don't Look Back (Boston album) - Wikipedia The album sold over four million copies in the first month of its release, and was certified 7x platinum by the RIAA in the US. -
Overcoming Limitations of Serial Audio Search Isabela Cordeiro Ribeiro Moura Hidalgo University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2012 Overcoming Limitations of Serial Audio Search Isabela Cordeiro Ribeiro Moura Hidalgo University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, Computer Engineering Commons, and the Computer Sciences Commons Scholar Commons Citation Hidalgo, Isabela Cordeiro Ribeiro Moura, "Overcoming Limitations of Serial Audio Search" (2012). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4072 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Overcoming Limitations of Serial Audio Search by Isabela C. R. M. Hidalgo A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Computer Science and Engineering College of Engineering University of South Florida Major Professor: Dewey Rundus, Ph.D. Rafael Perez, Ph.D. Les Piegl, Ph.D. Douglas Rohrer, Ph.D. Patricia Zarate, Ph.D. Date of Approval: March 9, 2012 Keywords: Parallel Output, Simultaneous Sounds, Music Browser, Wii Remote, Human- Computer Interaction, Auditory User Interfaces Copyright © 2012, Isabela C. R. M. Hidalgo Dedication This dissertation is dedicated to my family, for their -
CITY of COSTA MESA 27 Acts Slated for Three-Day Music Festival in Costa
CITY OF COSTA P.O. BOX 1200, COSTA MESA, CALIFORNIA 92628-1200 MESA FROM THE OFFICE OF THE PUBLIC AFFAIRS MANAGER Contact: William Lobdell 714.754.5288 (office) 949.887.2541 (cell) [email protected] 27 acts slated for three-day music festival in Costa Mesa For music lovers, an eclectic mix to ring in the city’s 60th birthday June 28, 29 & and 30 The three-day Costa Mesa 60th Anniversary Music Festival begins Friday, June 28 at 5 p.m. and continues Saturday and Sunday on stages on Fair Drive, which will be closed between Newport Boulevard and Fairview Road for the event. One-day passes are $20 in advance and $25 on the day of the event. Daily tickets for children 6-12 are $10 while kids 5 and under are free. For the bargain hunters and music lovers, three- day passes are $50, in advance. Tickets can be purchased online at Ticketfly.com. (All other events at the birthday party are free.) The action starts on the Fair Street Stage, alternating with the Main Stage. Local musicians can be seen and heard on a third stage, the Civic Center Stage. FRIDAY, June 28 – Venues open at 5 p.m. and close at 11 p.m. FAIR STREET STAGE Cory Case With more than 100 original songs and an Orange County Music Award for Best Acoustic Performance, Cory Case is a local folk-rock genius with a raw and refreshing sound that stands apart from most modern music of today. Tomorrow’s Tulips This trio of Alex, Christina and Ford brings an absolute fearlessness to their stripped down pop that often revolves around subjects like flowers, happiness, love, haircuts, friends, and un-macho-ism.