Feature • Fran Cosmo------Life Beyond Boston by Deborah Kennedy Py with Their Performance
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Brevard Live November 2018
Brevard Live November 2018 - 1 2 - Brevard Live November 2018 Brevard Live November 2018 - 3 4 - Brevard Live November 2018 Brevard Live November 2018 - 5 6 - Brevard Live November 2018 Contents November 2018 FEATURES ACE FREHLEY ARTWORKS Columns He is best known as the original lead ArtWorks aims to instill a deep apprecia- guitarist and co-founding member of the Charles Van Riper tion of art. Since 1996, ArtWorks of Eau rock band Kiss. He invented the persona 22 Political Satire Gallie has brought the Melbourne com- of the “Spaceman” and played with the When I Was Your Age munity together by providing an open- group from its inception in 1973 until air street festival for talented artists to his departure to pursue a solo career. Calendars display and sell their original art. Page 14 Live Entertainment, Page 11 25 ZEDDEMORE Concerts, Festivals The four members of Zeddemore - vo- COCOA BEACH ART SHOW Love Affair w/ Music For the 54th time Downtown Cocoa calist Brad Burton, guitarist John Robert by Matt Bretz Beach hosts an annual Art Show dur- Bridges III, drummer Alex Petrosky and 30 Human Satire ing the Thanksgiving Holiday Weekend. bassist Brian Roberts - have paid their Over 150 artists and exhibitors from dues in other bands and have now come across the country will display and sell to find each other. Totally 80’s their work along Minutemen Causeway. Page 16 32 by Ian Bertel Page 13 WOODSONGS CD Reviews SPACE COAST STATE FAIR Stephen Cotta and Andrew Walker are 36 by Rob Pedrick The Space Coast State Fair is Brevard’s like Night and Day. -
Boston Album Download Music Downloads
boston album download Music Downloads. Search and download from over 6 million songs, music videos and lyrics. Largest collection of free music. All songs are in the MP3 format and can be played on any computer or on any MP3 Player including the iPhone. Live concert albums of your favorite band. Learn how to download music and how to burn music. EMD offers a premium experience that includes unlimited access to CD quality music and advanced discovery features in an advertising free environment. Members also enjoy unlimited free mp3 music downloads without registration. Boston – Studio Albums (1976 – 2013) Boston – Studio Albums (1976 – 2013) EAC Rip | 17xCD | FLAC Image + Cue + Log | Full Scans @300/600 dpi, JPG/PNG, Included Total Size: 6.5 GB | 3% RAR Recovery Label: Various | Genre: Hard Rock. The arena rock band behind one of the fastest-selling debut albums in history, Boston was essentially the vehicle of guitarist and studio wizard Tom Scholz, born March 10, 1947 in Toledo, Ohio. A rock fan throughout his teen years, he began writing songs while earning a master’s degree at the Massachusetts Institute of Technology. After graduation, he began work for Polaroid, and set about constructing his own 12-track recording studio in the basement of his home, where Scholz and vocalist Brad Delp recorded demos that earned them a contract with Epic in 1975. Although some recording and overdubs were later done in Los Angeles, the 1976 release of Boston consisted largely of tapes recorded in Scholz’s basement. (By then, the lineup had coalesced around Scholz, Delp, guitarist Barry Goudreau, bassist Fran Sheehan, and drummer John “Sib” Hashian.) Boston spawned three hit singles (“More Than a Feeling,” “Long Time,” and “Peace of Mind”), and shot immediately to the top of the charts, remaining the best-selling pop debut effort in history before it was supplanted by Whitney Houston’s first album in 1986. -
Scouts to Pick up Food for Second Harvest Orchestra to Debut New
TITUSVILLE • MIMS COCOA THE CAPE NORTH BREVARD PORT ST JOHN MERRITT ISLAND COCOA BEACH @HometownNewsBrevard @hometownnewsbrevard @HometownNewsBre Vol. 14, No. 43 www.HometownNewsBrevard.com Friday, Nov. 2, 2018 THANK YOU, VETERANS RESCUED FOR LOVE WATCH YOUR MOUTH FALL BACK We salute our local Bubbles hails from New Derek Demeter caught Don’t forget to turn the clock heroes in this special Jersey and loves to play a 10-lb largemouth backward one hour for the end of Daylight-Saving Time on edition with toys and wait for bass in the Sebastian Sunday! the garbage truck area HOMETOWN HEROES 17 PET OF THE WEEK 8 CATCH OF THE WEEK 22 DST ENDS Community All smiles on the fun train Scouts to Calendar For the complete Community Calender listings, go to www. pick up hometownnewsbrevard.com/ calendar/community/ UPCOMING EVENTS food for Poetry workshop: Monday, Nov. 5 the Space Second Coast Poets provides a forum for writers to improve their craft through constructive Harvest critique. Poets and By Brittany Mulligan enthusiasts at all levels of [email protected] experience are welcome. If you wish to receive BREVARD COUNTY — As feedback on a poem, bring residents begin to ponder what dishes 5 typed copies. Meetings to prepare for Thanksgiving and what are 4:30-6:30, on the EFSC they should be thankful for this year, Melbourne Campus, there are others who live among us Building 10, in the cafe that are struggling to have enough area. Parking is available at food for one meal a day. the King Center. For more Alex Schierholtz/Staff photographer Central Florida Scouts will spend the information, contact Naomi Ravel, 3, of Cocoa, Dominic Getsee, 6, of Titusville, and Isaiah Ravel, 6, weekend putting up door hangers Janna Schledorn at (321) of Cocoa, take a ride on the train during the ‘Rockledge Gardens 22nd Annual throughout neighborhoods in 507-7733. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Case 1:13-Cv-10951-DJC Document 275 Filed 12/15/16 Page 1 of 22
Case 1:13-cv-10951-DJC Document 275 Filed 12/15/16 Page 1 of 22 UNITED STATES DISTRICT COURT DISTRICT OF MASSACHUSETTS DONALD THOMAS SCHOLZ, Plaintiff and Defendant-in-Counterclaim, v. Civil Action No. 1:13-cv-10951-DJC BARRY GOUDREAU, Defendant and Plaintiff-in-Counterclaim. MEMORANDUM OF LAW IN SUPPORT OF DEFENDANT BARRY GOUDREAU’S MOTION FOR COSTS AND ATTORNEY’S FEES PURSUANT TO 15 U.S.C. § 1117(a) Pursuant to the Court’s order (D. 269), defendant BARRY GOUDREAU (“Goudreau”) hereby submits his memorandum of law in support of the above-referenced motion as prevailing party on the Lanham Act claims of plaintiff DONALD THOMAS SCHOLZ (“Scholz”). I. INTRODUCTION This case was never about violation of the Lanham Act. To say otherwise constitutes a failure in honesty to the Court. Putting it bluntly, Scholz’s Lanham Act claims were a sham. The Court disposed of most of those bogus claims on summary judgment, finding a complete lack of evidence. As for the remaining “indirect” infringement claims, ginned up in an amended pleading, there was never any consumer confusion, or even the remotest likelihood of such, in referring to Goudreau’s past participation (whether as “former” or “original” member) in the band BOSTON. There was never any harm to Scholz or his trademarks in doing so. The parties’ goods and services weren’t in competition, and were never likely to be. Lanham Act cases are difficult and complex. That Act has a fee-shifting provision for “exceptional” cases. The Supreme Court has recently provided guidance to the lower courts on how and when that provision should apply. -
Tulalip Resort Casino Rocks out on May 25Th to the Sounds of Queen and Boston
FOR IMMEDIATE RELEASE March 19, 2014 For Information Contact: Lisa Severn, F & B Director Tulalip Resort Casino 10200 Quil Ceda Boulevard Tulalip, Washington 98271 (360) 716-1240 www.tulalipresort.com TULALIP RESORT CASINO ROCKS OUT ON MAY 25TH TO THE SOUNDS OF QUEEN AND BOSTON Tulalip, Washington --- Tulalip Resort Casino invites fans to rock to the pulsating sounds of Queen and Boston, on Sunday, May 25. Starting at 8:00pm in the Orca Ballroom, the Casino Resort will host “Rock the Empire,” a tribute style concert with classic music from two of the greatest bands of the 70’s and 80’s. Groupies can sway to the lively beats while sipping on cocktails from the no-host bar. Queen Nation - Queen Tribute Band Queen Nation was formed in 2004, and consists of band members: Joe Retta or Gregory Finsley on vocals and keyboards as Freddie Mercury; Mike McManus on guitar as Brian May; Pete Burke on drums as Roger Taylor; and Parker Combs on bass as John Deacon. The group’s mission is to carry on the musical torch and pay homage to the golden age of vintage Queen concerts. Music lovers can jam to ultimate Queen songs such as “Cold Stone Crazy,” “Tie Your Mother Down,” “Somebody to Love,” “Crazy Little Thing Called Love,” and more. Third Stage - Boston Tribute Band Borrowed Time hails from Seattle and will make their debut as “Third Stage” at Tulalip. They play the greatest hits from the band Boston, filling the show with great renditions and the enthusiasm that is reflective of the band's personalities. -
Zych Hits the Road with Indy Band Ators); Dancing W/Sizzling Sonny
NIGHTLIFE WEDNESDAY NIGHTS SUNDAY, SEPT. 16 AUBURN SHut up & THE AREA’S LEADING Sing KARAOKE nfl ticket Thursday, Sept. 13, 7:30pm • just $8.00 MAD ANTHONY TAP ROOM W/micHael campbell Featuring the Area’s 1st Fri. & Sat., Sept. 14-15, 7:30 & 9:45 • $9.50 Music/Rock • 114 N. Main St., Auburn • 260-927-0500 160 SQ. FT. MEGATRON EXP E CT : The eclectic madness of the original combined with hand- UPCOMING LIVE MUSIC CoLts Vs. VIKInGs • 1PM crafted Mad Anthony ales and lagers. EATS : The same 4-1/2 star menu, Ken including one of the best pizzas in America and a large vegetarian thuRsDay, sePt. 13 • 8-11PM steeLeRs Vs. Jets • 4PM menu. GE TTIN G TH E R E : Take I-69 to State Rd. 8 (Auburn exit); down- ONE TON TRIO LIons Vs. 49eRs • 8:20PM town, just north of courthouse. HOURS : 11 a.m.-12 a.m. Sun.-Thurs.; 11 FRIDAY, sePt. 14 • 9:30PM Evans a.m.-2 a.m. Fri.-Sat. ALCOHOL : Full Service; PMT : MC, Visa, Disc $1 SLIDERS w/Ron Ferguson FREAK BROS. 50¢ TACOS Seen on ‘NBC’s “Ed,” “Caroline’s Comedy CHURUBUSCO SATURDAY, sePt. 15 • 9:30PM $13 100oz BEER TUBES Hour” and “Last Comic Standing” and $2.50 DoMESTICs Heard on the Bob and Tom Show. LUCKY LADY SINDERBLOCK For More Information Pub/Tavern • 103 N. Main St., Churubusco • 260-693-0311 Call 486-0216 or visit 10336 Leo RD, Ft Wayne • 260-483-1311 www.snickerzcomedyclub.biz EXP E CT : Hottest bar in northern Indiana. -
Boston Live Tom Scholz Download Torrent Boston - Boston (1976) (WLP PBTHAL LP 24-96) [FLAC] Vtwin88cube
boston live tom scholz download torrent Boston - Boston (1976) (WLP PBTHAL LP 24-96) [FLAC] Vtwin88cube. Boston is one of the best-selling albums of all time, and deservedly so. Because of the rise of disco and punk, FM rock radio seemed all but dead until the rise of acts like Boston, Tom Petty, and Bruce Springsteen. Nearly every song on Boston's debut album could still be heard on classic rock radio decades later due to the strong vocals of Brad Delp and unique guitar sound of Tom Scholz. Tom Scholz, who wrote most of the songs, was a studio wizard and used self-designed equipment such as 12-track recording devices to come up with an anthemic "arena rock" sound before the term was even coined. The sound was hard rock, but the layered melodies and harmonics reveal the work of a master craftsman. While much has been written about the sound of the album, the lyrics are often overlooked. There are songs about their rise from a bar band ("Rock and Roll Band") as well as fond remembrances of summers gone by ("More Than a Feeling"). Boston is essential for any fan of classic rock, and the album marks the re-emergence of the genre in the 1970s. Boston – Boston (1976) Boston – Boston (1976) SACD Rip | ISO / DSD / 1bit / 2.8224MHz | FLAC Tracks / 24bit / 88.2kHz Single Layer SACD | Full Scans Included Total Size: 1.52 GB (ISO) + 771 MB (FLAC) | 3% RAR Recovery Label: Epic | USA | Cat#: ES 34188 | Genre: Hard Rock. Boston is one of the best-selling albums of all time, and deservedly so. -
The Haunted Continent and Andrew Bird's Apocrypha
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha Mary Elizabeth Lasseter University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Lasseter, Mary Elizabeth, "Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha" (2013). Electronic Theses and Dissertations. 1163. https://egrove.olemiss.edu/etd/1163 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. CHASING THAT GHOST ON STAGE: THE HAUNTED CONTINENT AND ANDREW BIRD’S APOCRYPHA A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by M.E. LASSETER May 2013 Copyright M.E. Lasseter 2013 ALL RIGHTS RESERVED ABSTRACT This thesis traces the various physical and metaphorical journeys south of Chicago musician Andrew Bird. Using what historical record is publicly available, I examine Bird’s formal musical training. I then explore the years between 1995 and 2001, or what I call Bird’s period of apprenticeship. Next is an exploration of the canonical narratives surrounding the blues of the Mississippi Delta, especially the music of Charley Patton. When Andrew Bird encountered a canon, or dominant histories and meanings of Southern music that influence how musicians play and how audiences interpret that music, he began to react against that canon in his own compositions and performances. -
Lonely Sounds: Recorded Popular Music and American Society, 1949-1979
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 4-18-2008 Lonely Sounds: Recorded Popular Music and American Society, 1949-1979 Chris R. Rasmussen University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the History Commons Rasmussen, Chris R., "Lonely Sounds: Recorded Popular Music and American Society, 1949-1979" (2008). Dissertations, Theses, & Student Research, Department of History. 16. https://digitalcommons.unl.edu/historydiss/16 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Lonely Sounds: Popular Recorded Music and American Society, 1949-1979 by Christopher Rasmussen A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska-Lincoln In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: History Under the Supervision of Professor Benjamin G. Rader Lincoln, Nebraska May, 2008 ii LONELY SOUNDS: POPULAR RECORDED MUSIC AND AMERICAN SOCIETY, 1949- 1979 Christopher Rasmussen, Ph.D. University of Nebraska-Lincoln, 2008 Adviser: Benjamin G. Rader Lonely Sounds: Popular Recorded Music and American Society, 1949-1979 examines the relationship between the experience of listening to popular music and social disengagement. It finds that technological innovations, the growth of a youth culture, and market forces in the post- World War II era came together to transform the normal musical experience from a social event grounded in live performance into a consumable recorded commodity that satisfied individual desires. -
Download Honestly: My Life and Stryper Revealed Free Ebook
HONESTLY: MY LIFE AND STRYPER REVEALED DOWNLOAD FREE BOOK Michael Sweet, Dave Rose, Doug Van Pelt | 286 pages | 06 May 2014 | Big3 Records | 9780996041805 | English | none Michael Sweet – "I’m Not Your Suicide": Hard Rock Daddy Review This might have something to do with the acoustics of the venue. For me, the best times musically came during the seventies and eighties. Robert: Brian is also an amazing guitar player, as well as a drummer. AXS: Stryper recently kicked off the U. Newer Posts Older Honestly: My Life and Stryper Revealed Home. While Stryper gambled on a more polished sound in and met with limited success, will this gamble on harder sounding album 30 years later be more successful? It exploded, had five number ones and made the cover of CCM Magazine, but at the same time, the label was hurting, and by the time I did Real, they were getting ready to close their doors. It was short lived, but they're very nice people and we get to see them over and over again…Blissed was a wonderful time re-vamping myself and coming alive again in the early s. Was that the Honestly: My Life and Stryper Revealed process you used for God Damn Evil? Why so Honestly: My Life and Stryper Revealed people have declared Michael Sweet a significant influence on their lives; from Larry the Cable Guy to professional wrestler Chris Jericho to Haitian musician and politician Wyclef Jean and more. Share on Facebook. The guitarist The first Christian rock band to see chart-topping success on MTV, Stryper went on to see over 10 million albums and has sold out arenas all over the world. -
Open THESIS.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF COMMUNICATION ARTS AND SCIENCES IDENTITY AND HIP-HOP: AN ANALYSIS OF EGO-FUNCTION IN THE COLLEGE DROPOUT AND THE MISEDUCATION OF LAURYN HILL LAURA KASTNER SPRING 2017 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Communication Arts & Sciences and Statistics with honors in Communication Arts & Sciences Reviewed and approved* by the following: Anne Demo Assistant Professor of Communication Arts & Sciences Thesis Supervisor Lori Bedell Senior Lecturer of Communication Arts & Sciences Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT In this thesis, I will be analyzing how Kanye West and Lauryn Hill create identity for themselves and their listeners in the albums The College Dropout and The Miseducation of Lauryn Hill, respectively. Identity creation will be analyzed using Richard Gregg’s concept of ego-function. By applying the three stages of the theory – victimization of the ego, demonization of the enemy, and reaffirmation of the ego – to both albums, I hope to uncover the ways that both West and Hill contribute to identity creation. I also discuss the ways in which they create identity that cannot be explained by ego-function theory. I also briefly address the following questions: (1) How does the language of ego-function differ between the artists? (2) How does their music speak to listeners of different ethnicities? (3) What role does gender play in ego-function? Does the language of ego-function differ between genders? ii TABLE OF CONTENTS Acknowledgements ………………………………………………………………......iii Chapter 1 Introduction ................................................................................................. 1 Kanye West: The Jerk and the Genius ............................................................................