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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Tim Carter, and Dave Hagerman on “Keep on Smilin’” by Wet Willie
1 Rockin’ Songs of the South: Freebird Night By Deroy Murdock Bohemian Club January 28, 2009 January 29, 2009 (Ladies’ Night) Draft I (Separate Thursday, Head Table and Friday scripts to follow) [The Jinks Theater’s curtain rises as we hear…] [Song: “South’s Gonna Do It Again”] Sire: Thank you very much, Michael Lee Firkins and Carlos Reyes with the Charlie Daniels Band’s hit, “The South’s Gonna Do it Again.” [Applause.] I’m Haley Barbour, and I’m your Sire tonight. This is my first time to be a Sire, but with my accent, Rich Garlinghouse, the Imperial Potentate around here, thought I’d be perfect . 2 . and, Rich, thanks for letting me do it without an interpreter. Rich says I’m the only member of the Club who pronounces his first name with three syllables. [For Thursday continue with head-table remarks, then end; Resume remarks after first musical number in Jinks Theater Thursday night. Downstairs script begins with thank yous after “South’s Gonna Do It Again.] [For Friday Night, continue straight through.] -- 3 We are here tonight to honor and appreciate Southern Rock. One of this genre’s pioneers, Greg Allman, believes the term “Southern Rock” is redundant. “Sort of like ‘rock rock.’” After all, rock & roll began as southern music. There’d be no rock without the blues, created in the Mississippi Delta by the original bluesmen, like Charlie Patton of Dockery Farms, and Hazlehurst’s Robert Johnson, who, legend has it, sold his soul to the devil to learn to play the blues guitar, down where Highway 49 intersects with US 61. -
7Th Heaven Is an Experience You Just Have to See and Hear! 7Th Heaven Has Charted #1 on the Midwest Billboard Charts Three Times in the Past Three Years
BIO 2021 7th heaven is an experience you just have to see and hear! 7th heaven has charted #1 on the Midwest Billboard Charts three times in the past three years. The band has been heard on over 7 radio stations in Chicagoland with their hits “Beautiful Life”, “This Is Where The Party’s At”, Stoplight”, "Better This Way" and "Sing". Also known for the famous "30 Songs in 30 Minutes" medley of songs from the 70's and 80's, 7th heaven has been an entertainment staple for 36 years. Playing around 200 shows a year, with an average of 100 outdoor events, 7th heaven has earned the right to say ..."We've seen a million faces and rocked them all!" • Three # 1 Hit Songs on the Billboard Charts - “Stoplight”, “Sing” & “Better This Way” • Six Major Radio Hit Songs -"This Is Where The Party's At", "Time Of Our Lives", "Beautiful Life", “Stoplight”, "Better This Way" and "Sing" • Five CD’s reached #1 on the Billboard Charts • 7th heaven’s original songs are played on many major radio stations • Opened for “Bon Jovi” & “Kid Rock” at Solider Field to 80,000 people • Opened for “Styx” to 80,000 people at a sold-out show • Written/Recorded over 5,000 songs to date • Released “Jukebox”, a collection of 700 original songs • Seen on NBC, ABC, FOX & WGN • "Beautiful Life" heard on the MTV show "Teen Mom 2" Episode 11 - Trouble in Paradise • "She Could Use a Little Sunshine" used in Ziplock TV Commercial • Started in 1985 - 34 years ago (when we were little kids) • Recognized as one of the biggest independent bands in the world • Wrote & Performed TV/Radio Commercial for “Empress Casino” • Wrote & Performed TV Commercial for “Walter E. -
Aerospace Dimensions Leader's Guide
Leader Guide www.capmembers.com/ae Leader Guide for Aerospace Dimensions 2011 Published by National Headquarters Civil Air Patrol Aerospace Education Maxwell AFB, Alabama 3 LEADER GUIDES for AEROSPACE DIMENSIONS INTRODUCTION A Leader Guide has been provided for every lesson in each of the Aerospace Dimensions’ modules. These guides suggest possible ways of presenting the aerospace material and are for the leader’s use. Whether you are a classroom teacher or an Aerospace Education Officer leading the CAP squadron, how you use these guides is up to you. You may know of different and better methods for presenting the Aerospace Dimensions’ lessons, so please don’t hesitate to teach the lesson in a manner that works best for you. However, please consider covering the lesson outcomes since they represent important knowledge we would like the students and cadets to possess after they have finished the lesson. Aerospace Dimensions encourages hands-on participation, and we have included several hands-on activities with each of the modules. We hope you will consider allowing your students or cadets to participate in some of these educational activities. These activities will reinforce your lessons and help you accomplish your lesson out- comes. Additionally, the activities are fun and will encourage teamwork and participation among the students and cadets. Many of the hands-on activities are inexpensive to use and the materials are easy to acquire. The length of time needed to perform the activities varies from 15 minutes to 60 minutes or more. Depending on how much time you have for an activity, you should be able to find an activity that fits your schedule. -
Woodstock-Era Music of the 1960S to Rock Mount Clemens Fireworks
Woodstock-era music of the 1960s to rock Mount Clemens fireworks The Macomb Daily (http://www.macombdaily.com) Woodstock-era music of the 1960s to rock Mount Clemens fireworks Friday night event features free live music and fireworks along Clinton River By Mitch Hotts, The Macomb Daily Monday, June 22, 2015 Break out those bell-bottom jeans and tie-dye shirts -- the Mount Clemens Independence Day Celebration on Friday evening will feature music from the Woodstock era. Prior to the fireworks display at dusk, there will be a free live concert by two classic rock bands -- hometown favorites Eastside Westside and Oakland County-based Magic Bus, which specializes in the “free love” era of music from the 1960s and 70s. “In our view, there are two groups of people -- those who lived through the ‘60s and those who wish they had lived through the ‘60s,” said Mark Harrington of Waterford. Harrington, a self-described pop historian and founder of the seven-piece Magic Bus band, said the band does a tribute to various artists of that time frame, ranging from Bob Dylan to Steppenwolf, The Birds to the Beatles. “We basically take you on chronological tour of the 1960s because so much happened during that decade that changed the country,” he said. “We focus on the last three years, the Summer of Love, Woodstock and all that.” Magic Bus will perform on the Clinton River Park stage along the river near Mount Clemens City Hall about 8 p.m. The night will begin with a 6 p.m. concert by Eastside Westside, Like Magic Bus, Eastside Westside’s set list focuses on classic rock tunes from the 1960s/70s, said band spokesman Steve Ferdig. -
5-Stepcoordination Challenge Pat Travers’ Sandy Gennaro Lessons Learned Mike Johnston Redefining “Drum Hero”
A WILD ZEBRA BLACK FADE DRUMKIT FROM $ WIN DIXON VALUED OVER 9,250 • HAIM • WARPAINT • MIKE BORDIN THE WORLD’S #1 DRUM MAGAZINE APRIL 2014 DARKEST HOUR’S TRAVIS ORBIN BONUS! MIKE’S LOVES A GOOD CHALLENGE 5-STEPCOORDINATION CHALLENGE PAT TRAVERS’ SANDY GENNARO LESSONS LEARNED MIKE JOHNSTON REDEFINING “DRUM HERO” MODERNDRUMMER.com + SABIAN CYMBAL VOTE WINNERS REVIEWED + VISTA CHINO’S BRANT BJORK TELLS IT LIKE IT IS + OLSSON AND MAHON GEAR UP FOR ELTON JOHN + BLUE NOTE MASTER MICKEY ROKER STYLE AND ANALYSIS NICKAUGUSTO TRIVIUM LEGENDARYIT ONLYSTARTS BEGINS TO HERE.DESCRIBE THEM. “The excitement of getting my first kit was like no other, a Wine Red 5 piece Pearl Export. I couldn’t stop playing it. Export was the beginning of what made me the drummer I am today. I may play Reference Series now but for me, it all started with Export.” - Nick Augusto Join the Export family at pearldrum.com. ® CONTENTS Cover and contents photos by Elle Jaye Volume 38 • Number 4 EDUCATION 60 ROCK ’N’ JAZZ CLINIC Practical Independence Challenge A 5-Step Workout for Building Coordination Over a Pulse by Mike Johnston 66 AROUND THE WORLD Implied Brazilian Rhythms on Drumset Part 3: Cô co by Uka Gameiro 68 STRICTLY TECHNIQUE Rhythm and Timing Part 2: Two-Note 16th Groupings by Bill Bachman 72 JAZZ DRUMMER’S WORKSHOP Mickey Roker Style and Analysis by Steve Fidyk EQUIPMENT On the Cover 20 PRODUCT CLOSE˜UP • DW Collector’s Series Cherry Drumset • Sabian 2014 Cymbal Vote Winners • Rich Sticks Stock Series Drumsticks • TnR Products Booty Shakers and 50 MIKE JOHNSTON Little Booty Shakers by Miguel Monroy • Magnus Opus FiBro-Tone Snare Drums Back in the day—you know, like ve years ago—you 26 ELECTRONIC REVIEW had to be doing world tours or making platinum records Lewitt Audio DTP Beat Kit Pro 7 Drum to in uence as many drummers as this month’s cover Microphone Pack and LCT 240 Condensers star does with his groundbreaking educational website. -
Arbiter, December 4 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 12-4-1992 Arbiter, December 4 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. ....... _ ._ •• 6 _.. _._ .••• __ , •• •. _._ •.• _. __ ". __ "._._~ •••.••.. _.. ,_ --'.- •.•. _.p.,.~- ." _.,~.".~.. -.• - , .• -' Shurtliff,: I.new outlook • p. 10 ,Math~eo.,4Ibrarygetfa.gehfts,p'.;·2,.'8atterycases get their day in court, p.3 'Tis the season for fun! Holiday activities, DOIMState UDlnnltJ • Tuesda,.,~Decealbel' ".1992'· Vol1llDe Juue 18 • ll'ree '.' a . '" .... .. page'4' COughtin c mputer lim Hardware problem ,grounds network' during registration; Rick Overton .and their' schedules usUally require · Editor-in-ehief ~e ~ost work because rnanYlower- diVision classes are full by the time Acomputerwiringproblemdelayed freshmen register. .., the registration of about 1,000 fresh- . Monday's rt1S~.inay have been . men last mon~Clrid'slowed down the . compoundedby !itud,entswhomisSed. ciunpus mainframe for days. ..' theirregistration timesonearUerdaYs, , . The 'malfunCtion kJ\ocked out the as well as those who were displaced student registration system all day during a short .50ftwaremalfunction Monday,Nov~ 23, affecting more than 0I\Frlday, Nov.fO. .' -::.,::;1:;'",,1 .. l20st;ud~~,a.n hour and .causing de- '. ~;.r(fice'd ' , .,..~:;~ut'~~~lWd.e.~~:0t#l~.0~Billi~~~~l;J'·qf!;:~~ "ci~:efu~M~~~:~df=····.'~~~~~~~elt.i~,~"·;t~ Centeremp1pyeesdiscoveredthepl'ob-' the floor, liriiI\gboth sides of the 6aU '•...' lem at7aolJ\. -
Since the Idea of Doing a Lynyrd Skynyrd Tribute Was Conceived By
For over three decades, Whiskey River’s musicians have thrilled audiences all over the West Coast as America's number one tribute to the legendary southern-rock band Lynyrd Skynyrd. Re-creating the image and the music of the southern rock band that took the world by storm in the "70's. Whiskey River not only plays Lynyrd Skynyrd, they personify the group onstage bringing the audience back in time thirty years as they blaze through classics like Sweet Home Alabama, Gimme Three Steps, The Breeze and their phenomenal note-for-note version of Lynyrd Skynyrd’s "Live" guitar opus Freebird. One of the most amazing aspects of Whiskey River’s tribute to Lynyrd Skynyrd is that their fan base literally runs from seven to seventy years old! Whiskey River has performed countless fairs, festivals, casinos and clubs throughout the region including Spokane Interstate Fair, Chehalis Music in the Parks, Darrington Classic Rock Festival, the White River Amphitheater, Key Arena @ Seattle Center, Bite of Seattle, the Emerald Queen, Tulalip, 7 Cedars, Red Wind and Skagit Casinos, the Jackson Prairie Speedway, the Sturgis Black Hills Rally in Sturgis, SD, and many many more. The band has also shared billing with numerous National Artists including Molly Hatchet, Delbert McClinton, Little Feat, Pat Travers, Foghat, Mountain, Grand Funk Railroad, Black Oak Arkansas, Quiet Riot, Dr. John, Savoy Brown, Seattle's own Randy Hansen, Elvin Bishop, Commander Cody, Paul Rodgers, Head East, Janis Joplin's band Big Brother and the Holding Company, Blue Oyster Cult, The Southern Rock All Stars, Iron Butterfly, Steppin Wolf and many others. -
Led Zeppelin Greatest Hits Zip Download Cold As Ice 3:42 03
Led zeppelin greatest hits zip download Cold As Ice 3:42 03. Night Life 03:23 13. Blue Morning, Blue Day 05. The Wanton Song 06. Long, Long Way From Home 2:52 02. Band members: 1981—1986 Jack Russell — lead vocals Mark Kendall — lead guitar Lorne Black — bass guitar Gary Holland — drums 1986—1987 Jack Russell — lead vocals Mark Kendall — lead guitar Lorne Black — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards 1987—1992 Jack Russell — lead vocals Mark Kendall — lead guitar Tony Montana — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards J Todd Henson — guitar in-studio guitarist, 1991-92 1992—1995 Jack Russell — lead vocals Mark Kendall — lead guitar Teddy Cook — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards 1995—2000 Jack Russell — lead vocals Mark Kendall — lead guitar Sean Led zeppelin greatest hits zip download — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards 2000—2001 Jack Russell — lead vocals Ty Longley — lead guitar Krys Baratto — bass guitar Francis Ruiz — drums Matthew Johnson — guitar, keyboards 2002—2003 Jack Russell — lead vocals Mark Kendall — lead guitar Dave Filice — bass guitar Eric Powers — drums Ty Longley — guitar, keyboards 2003—2005 Jack Russell — lead vocals Mark Kendall — lead guitar Scott Pounds — bass guitar Joseph May — drums Tyler Nelson — guitar, keyboards 2006—2007 Jack Russell — lead vocals Mark Kendall — lead guitar Sean McNabb — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards 2008 Jack Russell — lead vocals Mark Kendall — lead guitar Scott Snyder — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards 2012 - Elation На данной хитрой пираточке трек-лист мальца другой, чем на облоге. -
Party Sanctioned for Spoliation of Non-Party's Text Messages
WWW. NYLJ.COM VOLUME 258—NO. 65 TUESDAY, OCTOBER 3, 2017 FEDERAL E-DISCOVERY Party Sanctioned for Spoliation By And Of Non-Party’s Text Messages H. Christopher Daniel J. Boehning Toal n Ronnie Van Zant v. Pyle, 2017 WL 3721777 (S.D.N.Y. Aug. 28, 2017), a court in the Southern District of New York recently made some notable findings relating to spoliation and Icontrol of text messages. Members of the Southern rock band Lynyrd Skynyrd were involved in a char- ter plane crash in 1977. Lead singer Ronnie Van Zant and guitarist/vocalist Steven Gaines died in the crash, along with Gaines’s sister, a crew member, and the two pilots. Other band members, including drummer Artimus Pyle, were ROCKMAN injured, but survived. Johnny Van Zant and Artimus Pyle, former drummer of Lynyrd Skynyrd. During a reunion and tribute tour com- memorating the 10-year anniversary of to the consent order, and represented exchange receive 5 percent of the film’s the crash, the surviving band members by counsel throughout. net receipts. and Ronnie Van Zant’s widow disagreed In early 2016, an independent record In response to press releases highlight- over the use of the Lynyrd Skynyrd label’s film division, Cleopatra Films, ing Pyle’s participation in the upcom- name. The resulting lawsuit in 1988 decided to make a feature film about the ing movie, the plaintiffs in the instant ended with a Consent Order restrict- band and the 1977 plane crash. Cleopa- action sent a cease and desist letter to ing “how the parties in the 1988 Action tra hired director and screenwriter Cleopatra, noting the restrictions of the could use the name Lynyrd Skynyrd, the Jared Cohn to write and direct the firm. -
Sault Tribe Receives $2.5M Federal HHS Grant Tribe Gets $1.63 Million
In this issue Recovery Walk, Pages 14-15 Tapawingo Farms, Page 10 Squires 50th Reunion, Page 17 Ashmun Creek, Page 23 Bnakwe Giizis • Falling Leaves Moon October 7 • Vol. 32 No. 10 Win AwenenOfficial newspaper of the SaultNisitotung Ste. Marie Tribe of Chippewa Indians Sault Tribe receives $2.5M federal HHS grant The Sault Ste. Marie Tribe of diseases such as diabetes, heart tobacco-free living, active living blood pressure and high choles- visit www.healthysaulttribe.net. Chippewa Indians is one of 61 disease, stroke and cancer. This and healthy eating and evidence- terol. Those wanting to learn more communities selected to receive funding is available under the based quality clinical and other To learn more about Sault Ste. about Community Transformation funding in order to address tobac- Affordable Care Act to improve preventive services, specifically Marie Tribe of Chippewa Indians’ Grants, visit www.cdc.gov/com- co free living, active and healthy health in states and communities prevention and control of high prevention and wellness projects, munitytransformation. living, and increased use of high and control health care spending. impact quality clinical preventa- Over 20 percent of grant funds tive services across the tribe’s will be directed to rural and fron- seven-county service area. The tier areas. The grants are expected U.S. Department of Health and to run for five years, with projects Human Services announced the expanding their scope and reach grants Sept. 27. over time as resources permit. The tribe’s Community Health According to Hillman, the Sault Department will receive $2.5 mil- Tribe’s grant project will include lion or $500,000 annually for five working with partner communities years. -
September 1984
MODERN DRUMMER VOL.8, NO. 9 Cover Photo by Rick Malkin CONTENTS FEATURES ART BLAKEY After paying his dues with such greats as Fletcher Henderson, Dizzy Gillepsie and Thelonious Monk, Art Blakey went on to lead the legendary Jazz Messengers. Here, he traces his career from its inception in Pittsburgh clubs to the present, and discusses the inspiration and training he received from Chick Webb and Sid Catlett. by Chip Stern 8 CARMINE APPICE To remain at the hub of the music industry for nearly 20 years takes talent, perseverance, and versatility. In addition to drumming for such major acts as Vanilla Fudge, Rod Stewart, Ted Nugent and Ozzy Osbourne, Carmine Appice has been active as a clinician, educator and songwriter. He openly discusses his career and offers candid insights about the industry. by Robert Santelli 14 ARTHUR PRESS Drawing from his experiences as percussionist and assistant timpanist with the Boston Symphony, Arthur Press shares his thoughts about interpreting orchestral parts, adjusting to different conductors, and maintaining professionalism. He also gives advice about concert snare drums, and discusses his MMO recording, Classical Percussion. by Rick Mattingly 18 INSIDE YAMAHA 22 by Charles M. Bernstein and William F. Miller JONATHAN MOFFETT Have Drums—Will Travel 26 by Robyn Flans COLUMNS THE JOBBING DRUMMER EDUCATION JUST DRUMS 114 Avoiding Overplaying 88 PROFILES CONCEPTS by Tim Price Drumming And Prejudice JAZZ DRUMMERS WORKSHOP PORTRAITS by Roy Burns 30 Jazz Patterns In 5/4 Bobby Daniels 94 by Robyn Flans 34 THE MUSICAL