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Tim Carter, and Dave Hagerman on “Keep on Smilin’” by Wet Willie
1 Rockin’ Songs of the South: Freebird Night By Deroy Murdock Bohemian Club January 28, 2009 January 29, 2009 (Ladies’ Night) Draft I (Separate Thursday, Head Table and Friday scripts to follow) [The Jinks Theater’s curtain rises as we hear…] [Song: “South’s Gonna Do It Again”] Sire: Thank you very much, Michael Lee Firkins and Carlos Reyes with the Charlie Daniels Band’s hit, “The South’s Gonna Do it Again.” [Applause.] I’m Haley Barbour, and I’m your Sire tonight. This is my first time to be a Sire, but with my accent, Rich Garlinghouse, the Imperial Potentate around here, thought I’d be perfect . 2 . and, Rich, thanks for letting me do it without an interpreter. Rich says I’m the only member of the Club who pronounces his first name with three syllables. [For Thursday continue with head-table remarks, then end; Resume remarks after first musical number in Jinks Theater Thursday night. Downstairs script begins with thank yous after “South’s Gonna Do It Again.] [For Friday Night, continue straight through.] -- 3 We are here tonight to honor and appreciate Southern Rock. One of this genre’s pioneers, Greg Allman, believes the term “Southern Rock” is redundant. “Sort of like ‘rock rock.’” After all, rock & roll began as southern music. There’d be no rock without the blues, created in the Mississippi Delta by the original bluesmen, like Charlie Patton of Dockery Farms, and Hazlehurst’s Robert Johnson, who, legend has it, sold his soul to the devil to learn to play the blues guitar, down where Highway 49 intersects with US 61. -
The Johnny Van Zant Band No More Dirty Deals Mp3, Flac, Wma
The Johnny Van Zant Band No More Dirty Deals mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: No More Dirty Deals Country: US Released: 1980 Style: Southern Rock MP3 version RAR size: 1563 mb FLAC version RAR size: 1588 mb WMA version RAR size: 1838 mb Rating: 4.3 Votes: 474 Other Formats: ADX TTA VQF MIDI DTS AC3 AHX Tracklist Hide Credits No More Dirty Deals A1 5:25 Written-By – Donnie Van Zant, Erik Lundgren, Johnny Van Zant Coming Home A2 4:08 Written-By – Johnny Van Zant, Robert Gay* 634-5789 A3 2:43 Written-By – Eddie Floyd, Steve Cropper Put My Trust In You A4 2:44 Written-By – Johnny Van Zant, Robert Gay*, Robert Morris* Only The Strong Survive A5 3:34 Written-By – Johnny Van Zant, Robert Gay*, Robert Morris* Hard Luck Story B1 3:08 Written-By – Erik Lundgren, Johnny Van Zant Stand Your Ground B2 3:11 Written-By – Donnie Van Zant, Johnny Van Zant, Robert Gay* Never Too Late B3 3:44 Written-By – Erik Lundgren, Johnny Van Zant Keep On Rollin' B4 3:27 Written-By – Al Kooper, Danny Clausman, Johnny Van Zant, Robert Gay* Standing In The Darkness B5 4:57 Written-By – Johnny Van Zant, Robert Gay* Companies, etc. Recorded At – Record One, Los Angeles Recorded At – Sunset Sound Overdubbed At – Larrabee Sound Studios Remixed At – Basing Street Studios Mastered At – The Mastering Lab Pressed By – PRC Recording Company, Richmond, IN Manufactured By – Polydor Incorporated Marketed By – Polydor Incorporated Produced At – Put It Industries Published By – Ready Or Not Music Phonographic Copyright (p) – Polydor Incorporated Copyright -
CONGRESSIONAL RECORD— Extensions of Remarks E1406 HON
E1406 CONGRESSIONAL RECORD — Extensions of Remarks July 22, 2010 the last four decades. Through their live per- of the World. On April 29–30, 2011, the eyes including hosting a historic meeting of nearly formances and the music and songs still of the barbeque world will be focused on Lex- 500 tribal leaders last year and President played on radio stations around the world ington as it hosts the Inaugural BBQ Capital Obama’s issuance of an Executive Order on every day, the members of Lynyrd Skynyrd Cook-off. Consultation and Coordination with Tribal Gov- have established themselves as timeless art- The Cook-off, which hopes to become an ernments. Yet, as U.S. Ambassador to the ists who transcend any one musical era or annual competition, will not only feature the United Nations Susan Rice has said, ‘‘far generation. tastiest food in the world, but will aid in the more must be done—at home and abroad—to As validated by their induction into the Rock restoration of downtown Lexington. With peo- tackle’’ the challenges facing indigenous peo- and Roll Hall of Fame in 2006, Lynyrd ple coming from all over the east coast and ples. Skynyrd has had a seminal impact on the de- midwest, hotels will be utilized, food will be The Declaration on the Rights of Indigenous velopment of rock and country music and a eaten, gas will be pumped, and most impor- Peoples provides an important framework for profound influence on the career development tantly, people from all over the United States addressing indigenous issues globally. -
Rebel Rock Lynyrd Skynyrd, Normaal, and Regional Identity by Maarten Zwiers
University of Groningen Rebel Rock Zwiers, Maarten Published in: Southern Cultures DOI: 10.1353/scu.2015.0026 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2015 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Zwiers, M. (2015). Rebel Rock: Lynyrd Skynyrd, Normaal, and Regional Identity. Southern Cultures, 21(3), 85-102. https://doi.org/10.1353/scu.2015.0026 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. -
Lynyrd Skynyrd Gold & Platinum Mp3, Flac
Lynyrd Skynyrd Gold & Platinum mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Gold & Platinum Country: Canada Style: Southern Rock, Classic Rock MP3 version RAR size: 1296 mb FLAC version RAR size: 1172 mb WMA version RAR size: 1730 mb Rating: 4.9 Votes: 937 Other Formats: MP3 MP3 WMA WAV VOC AC3 DMF Tracklist Hide Credits Down South Jukin' Backing Vocals – Cassie Gaines, Jo Billingsley, Leslie HawkinsBass – Leon 1-1 WilkesonDrums – Bob Burns Guitar – Allen Collins, Ed King , Gary Rossington, Jimmy 2:12 Johnson , Wayne PerkinsProducer – Jimmy R. Johnson*, Tim Smith Saxophone – Ronnie Eades*Vocals – Ronnie Van ZantWritten-By – Gary Rossington, Ronnie Van Zant Saturday Night Special Bass, Backing Vocals – Leon WilkesonDrums – Artimus Pyle Guitar – Allen Collins, Ed 1-2 5:08 King , Gary RossingtonKeyboards – Billy PowellProducer – Al KooperSynthesizer [Moog] – Al KooperVocals – Ronnie Van ZantWritten-By – Edward King*, Ronnie Van Zant Gimme Three Steps (Live) Bass – Leon WilkesonDrums – Artimus Pyle Guitar – Allen Collins, Gary Rossington, Steve 1-3 5:00 GainesKeyboards – Billy PowellProducer – Tom DowdVocals – Ronnie Van ZantWritten-By – Allen Collins, Ronnie Van Zant What's Your Name Bass – Leon WilkesonDrums – Artimus Pyle Guitar – Allen Collins, Gary Rossington, Steve 1-4 3:31 GainesKeyboards – Billy PowellVocals – Ronnie Van ZantWritten-By – Gary Rossington, Ronnie Van Zant You Got That Right Bass – Leon WilkesonDrums – Artimus Pyle Guitar – Allen Collins, Gary Rossington, Steve 1-5 3:46 GainesKeyboards – Billy PowellVocals -
September 24, 1981
e cBtteze J*» Hto**, 0MvFRSfTY nun Yol..V» James Madison University Thursday. September 24, IJWI No. 7 Kilpatrick: regulations rob American dream By STEPHEN ALLEN regulations." Kilpatrick said. Columnist James J. Kilpatrick Kilpatrick also cited censorship and spoke before a capacity crowd at the condensation of the press as in- Wilson Auditorium Wednesday night fringing on the American dream. on his interpretation of how the The 50-minute speech ended with American dream confronts political Kilpatrick's exaltation of the realities. American dream: "It is the dream of peace and "Today I look at America as I did plenty, of life, liberty, and at least this spring flying back from the West access to the pursuit of happiness," Coast. On this day it was clear and I Kilpatrick said. could see the American landscape. I Kilpatrick emphasized America's felt inspired and exalted at seeing the desire for peace. productivity f our land. I could see the "The dream of our society is to live silos and the small towns. It made me in peace." Kilpatrick said. "We can realize that* for all our shortcomings preserve our peSce by being ready for and flaws, we are a great and war." prosperous republic. If it is to say we He followed by discussing "the have failed the American dream, American dream of plenty." then, well, we've still come a long "To the extent that the American way." • dream involves material things, we Kilpatrick answered audience are very well off. By far this country questions after the speech. is the best off in the world," Responding to a question about the Kilpatrick said. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
United States District Court Southern District of New York Ronnie Van Zant, Inc., Gary R. Rossington, Johnny Van Zant, Barbara H
Case 1:17-cv-03360-RWS Document 31 Filed 06/19/17 Page 1 of 29 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK RONNIE VAN ZANT, INC., GARY R. ROSSINGTON, JOHNNY VAN ZANT, BARBARA HOUSTON, as the Trustee of the ALLEN COLLINS TRUST, and ALICIA RAPP and CORINNA GAINES BIEMILLER, as the Case No: 17-cv-3360 Personal Representatives of the Estate of STEVEN GAINES, Plaintiffs, -against- ARTIMUS PYLE (a/k/a THOMAS D. PYLE), CLEOPATRA RECORDS, INC., JOHN DOE, JANE DOE, XYZ CORPORATION, and XYZ LLC (the names of the last four defendants being fictitious and unknown to plaintiffs, and intended to designate persons or entities that have or may have a role in the production and distribution of the Motion Picture complained of in the Complaint herein), Defendants. CLEOPATRA RECORDS' MEMORANDUM OF LAW IN OPPOSITION TO PLAINTIFFS' MOTION FOR PRELIMINARY INJUNCTION Deadline MANDEL BHANDARI LLP Evan Mandel Donald Conklin 80 Pine Street, 33rd Floor New York, NY 10005 T: (212) 269-5600 F: (646) 964-6667 Attorneys for Defendant Cleopatra Records, Inc. Case 1:17-cv-03360-RWS Document 31 Filed 06/19/17 Page 2 of 29 TABLE OF CONTENTS PRELIMINARY STATEMENT .................................................................................................... 1 STATEMENT OF FACTS ............................................................................................................. 2 ARGUMENT .................................................................................................................................. 6 I. PLAINTIFFS ARE UNLIKELY TO PREVAIL ON THE MERITS ................................. 7 A. The Consent Decree Cannot Apply to Cleopatra Records Because It Was Not a Party to the 1988 Action and Did Not Consent to the Decree ................................ 7 B. Cleopatra Has Not Run Afoul of the Consent Decree ............................................ 9 C. Cleopatra Has a First Amendment Right to Publish the Film ............................. -
Brevard Live December 2012
Brevard Live December 2012 - 1 2 - Brevard Live December 2012 Brevard Live December 2012 - 3 4 - Brevard Live December 2012 Brevard Live December 2012 - 5 6 - Brevard Live December 2012 Content december 2012 FEATURES page 51 JOE BONAMASSA CHRISTMAS IN BREVARD Columns Since he broke into the blues-rock scene The Christmas season is here and has in the year 2000, Joe Bonamassa has more to offer than shopping bargains! If Charles Van Riper been working hard on his career with in- you want to enjoy the cultural meaning of 22 Political Satire ternational touring and CD releases while Christmas, there are lots of entertaining gaining a lot of fans and accolades. He is performances at our theatres. Calendars a true talent and a protégé. Page 17 & 19 Live Entertainment, Page 11 25 Concerts, Festivals GREAT WHITE MAGNOLIA FEST Nobody here tells you how to live, or Expose Yourself The band hit the mainstream in 1987 by Charles & Lissa when they released Once Bitten..., how to feel; it’s strictly people living 30 within the moment and left to their own which featured the hits “Rock Me” and Brevard Scene “Save Your Love”. accord. Caleb Miller was there to experi- ence the vibe of this annual festival. Steve Keller gives . 33 you the lowdown. Page 11 Page 20 CD Reviews ORIGINAL MUSIC SERIES JESSILYN PARK 39 by John Leach The past 8 weeks have been a huge suc- This story is about a grandmother and her cess and a win-win situation for original granddaughter who became inspired to HarborCityMusic bands and the audience. -
Whiskey Soaked and Hell Bound. Lynyrd Skynyrd and Southern Culture
WHISKEY SOAKED AND HELL BOUND: LYNYRD SKYNYRD AND SOUTHERN CULTURE CECIL K. HUTSON lowa State University (Resumen) Aunque el grupo sureño Lynyrd Skynyrd alcanzó audiencia nacional por su especial modo de hacer rock del sur, en toda su carrera se aprecia una fuerte defensa de los valores tradionales de la cultura sureña. La bandera confederada en todas sus portadas, el orgullo regional, el agrarianismo rural, y la apología al macho sureño, todo ello proyectado en violencia y provocación, convirtieron al grupo en paradigma del conservadurismo del Viejo Sur. Unlike other hard rock groups, the legendary Southern rock and roll band, Lynyrd Skynyrd, did not emerge from the urban ghettos of such cities as London or New York, instead it came out of the rural South. This "rough and tough and plenty mean" Southern band utilized regional cultural traits to become one of the best hard rock bands that the South ever produced. In 1974 Melody Maker, a major rock and roll trades magazine, claimed that Lynyrd Skynyrd's "brand" of Southern rock music had swept across the Southern states. Band members and Southemers, Ronnie Van Zant, Alien Collins, Gary Rossington, Billy Powell, León Wilkeson, Artimus Pyle and Steve Gaines understood the mind-set of the young rural Southemers who listened to their music; thus they were able to speak for a generation of young Southern men. Lynyrd Skynyrd merits study as a major element of Southern popular culture because it had a significant influence on rock 'n' roll. In fact, the band has been labeled as "one of the most -
FOR IMMEDIATE RELEASE April 8, 2014 BAD COMPANY
FOR IMMEDIATE RELEASE April 8, 2014 BAD COMPANY & LYNYRD SKYNYRD RETURN TO THE ROAD TOGETHER THIS SUMMER New York --- After embarking on one of the most successful summer tours of 2013 together, Bad Company and Lynyrd Skynyrd are back by demand and will team up for ten more co- headline shows this summer. “We’re looking forward to being out on tour with our friends, Bad Company," remarked Johnny Van Zant. “Last year was great! If you want to see good rock n roll, come check this out.” Paul Rodgers shared, "Last year's tour with our friends in Skynyrd was a fantastic time for all. We're looking forward to spending ten dates with them and our fans again this summer." The excursion begins on July 10 th in Bangor, ME and will end on July 25 th in Clarkston, MI. Most tickets will go on sale later this week. For the most up to date information check out both: http://www.lynyrdskynyrd.com/ & http://www.badcompany.com/ Bad Company were dubbed a super-group upon the band's formation due to the union of Free's Paul Rodgers (Vocals / Multi-Instrumentalist) with Mott The Hoople's Mick Ralphs (Guitar) plus Free's Simon Kirke (Drums) and King Crimson's Boz Burrell (Bass), who passed away in 2006. Over the next nine years, the band released a string of six albums that sold tens of millions of copies, yielding international hits "Can't Get Enough," "Bad Company," "Feel Like Makin' Love," and many others penned by the main songwriters Paul Rodgers and Mick Ralphs. -
Brevard Live December 2013
Brevard Live December 2013 - 1 2 - Brevard Live December 2013 Brevard Live December 2013 - 3 4 - Brevard Live December 2013 Brevard Live December 2013 - 5 6 - Brevard Live December 2013 Content December 2013 FEATURES page 51 ANDREW MARCUS REVISITED BRINGING DOWN THE HOUSE Andrew Marcus has become somewhat of The Eddie Scott Going Home Jam pro- a local legend around here. Definitely for duced and hosted by soul man Billy Lee Columns John Leach. Longtime Brevard Live staff might have been the most impressive members know him from when he loaded show of the year 2013. The money raised up his van with magazine issues to distrib- paid for Eddie Scott’s funeral expenses. Charles Van Riper ute them all night. His original band Black Page 17 22 Political Satire Eyed Soul was Entertainer of the Year. John Leach visited Andrew in his new Calendars hometown, Knoxville, TN. GUTHRIE AND IRION 25 Live Entertainment, Page 10 Sarah Lee Guthrie and Johnny Irion play Concerts, Festivals as acoustic duo in a special concert pre- sented by WFIT 89.5 FM at Open Mike’s PETER WHITE CHRISTMAS in Florida Discount Music. Book/CD Reviews This holiday concert will include Christ- 37 by John Leach mas classics as well as songs from each Page 19 artists’ past and present CDs. Celebrate the Steve Keller season in smooth jazz style! THIS WAS 2013 Local Lowdown Page 13 Charles & Lissa Knight take a retrospect 33 & Five Questions of the past year. They remember the festi- NATIONAL TOURING BLUES vals, events, the new bands rising, and the Knights After Night Keep your eyes on Earl’s Hideaway featur- loss of a few people who made a differ- Hot spots, events, ing national blues touring artists like Pat ence in our lives.