DOCSLIB.ORG

' CA/Tf PU$ CONNECT/ONLIMHECHNICALCOLLEGE the OHIO STATE UNIVERSITY at LIMA ·

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
' CA/Tf PU$ CONNECT/ONLIMHECHNICALCOLLEGE the OHIO STATE UNIVERSITY at LIMA · . , ' CA/tf PU$ CONNECT/ONLIMHECHNICALCOLLEGE_ THE OHIO STATE UNIVERSITY AT LIMA ·. " Vol. t Issue 6 March 26, t 984 Student senate ''Important update on' WIN'' still working for you For reaching the byNanNewsome - conclusion to place Good news for students as unassigned by Carole Enneking students on the WIN components until they program who are at­ qualify for suspense to The Student Senate's tending our OSU Lima train, we owe a debt of current project is the and LTC Campus! thanks to the various Student Book Ex­ There will soon be a· government agencies by Philip Sugden change. This different proceedure for and the task force from ... This bridge, no less cooperative book sale the handling of students, Women's Voice. They than each moment in allows students to turn who are under the exhibited the necessary life, is· just an interface their used textbooks fn jurisdiction of the Allen cooperation, which was between one place and to the Senate and have County WIN Unit. While needed to make amends another. Both exist only them, sold to other not all the particulars to the immediate"· as a means of con­ students. There is a risk are available at this problem (having to look tinuing on from some involved, since there is time, it has been for full time em­ place before. And they no guarantee that the determined that all ployment) facing the both insure movement: books will sell. But, for students, who meet the Allen County WIN the ineluctable flow of the seller-there is a requirements, will be participant. time as well as the con ·sider e d a s On Monday, March 12, continuation of a chance to get more than a few dollars for the unassigned components 1984, a delegation from . journey· once started. So of WIN. This means we after I adjusted the book. For the buyer the Women's Voice went exchange is an alter­ are excluded from before the Welfare weight of my pack, I having to actively look allowed the stone foot native place to buy Board to ask for their some of your textbooks. for work while we are assistance in correcting path to lead me on my attending school. and way again. The Book Exchange the situation as it stood. will be selling books meeting the At first the Board was Monday and Tuesday of requirements ·that will not aware of the in­ this week. If the be set forth. v'ol \!emen t of the familiar "Big Box" is I was told by the Welfare Department; not in the lobby of supervisor of the Allen until the delegation Galvin, check in GA 015 County WIN Unit, that a brought to their at­ (Student Lounge). paper, guidelines for tention their .position of Watch for the Book attending school, will be being the Separate Exchange next year drawn up and will be Administrative Unit for also.· It should be in distribut-ed to the the support of the WIN operation at. the end of students who are par­ participant, and that it fall and winter quarters. ticipants of WIN. It is was the funds from The Senate has four very important that all Welfare that would be positions open, due to Allen County WIN taken away from the VISITING ARTIST · students leaving participants, who are individual who WIN did Sugden, who was born of the . sketches is campus. Anyone .who is attending school, call . riot feel was By Carole Enneking . interested in getting their WIN represen­ Decorating the once in Dorset, England, has tremendous considering cooperating. The studied in Paris, . New that they are created by involved should contact· tative and be sure their delegates were in­ bare wall in the lobby of Bill Angel, Carole name will be placed on the Student Activities York, and· Amsterdam. pen and ink alone. The formed that officials His exhibits have subtle tones and use of Enneking or a current the list as active Building are prints students. (Continued on Pg. 7) which capture the apeared in museums in shadowing brings all the Senate mell}~r > _ beauty and culture of exotic places like Paris feelings of nature to ' ( ".:.- ,\y '·, . Asia. Taking just a few and New York and also paper. It is evident that ~i ·t_1·1)~);~.::1 • moments to examine nearby Ada and Fin­ Sugden enjoys the r the. prints, a person is dlay, Ohio. Using people and scenes which apt to drift off into Findlay, Ohio as a he captures. another time and place. residence (when not Philip Sugden travels This small display of traveling through Asia), with Carole Elchert, a artwork was brought to Sugden is available to writer, who captures the campus by Libby Lloyd visit area colleges and same images as Sugden and the Cultural Affairs plan exhibitions. having in words rather than Committee as a preview presented his first Asian sketches. This match to the workshop and art exhibit entitled provides both visual and presentation to be of­ "Sketches from the written interpretations fered on campus on High Country'' iri 1982, of the Asian society, Friday: April 5. Sugden is currently which seems to have Philip Sugden, who working on a second been frozen in timer has recently returned exhibit entitled The exhibit in S.A.B. from his third six-month "Fragments from will remain until April journey through Asia Another World". 4th. The presentation by and the Himalayan The beauty of Philip Sugden in mountains of Nepal and Sugden's work seems to scheduled for Friday, North Iµdia, will offer lie in the fact that each April 5th in the art students, faculty and sketch captures all of room. This should be an community the op­ the innocence of the experience worthwhile portunity to see slides of culture and to all campus artist$ the actual landscape peacefulness of the and for those who enjoy and Sugden's own in­ environment. The ar­ ... artwork or beautiful terpretations in art. tistic quality and detail scenery. See page 6 for a snow ~tory. Page2 Campus Connection Marcb26, 1984 using distracting influx and travel all) ·banned or the brutally attaclced, arguments; and also restrictions, as well as groups outlawed. The .sometimes killed ln an including reshaping the have been forced to theory behind this non­ attempt to disband the system. South Africa move out of their own decision making is to gath·ering. Group ,~ . silence the opposition, leaders· and demon­ .. .A r .P ARTHEID has used all of these territories to make way a.it• I •11-• ' methods in order to for elite settlements for therefore not allowing s._r a tor s a re al s o ;! By Julie Sillln maintain its apartheid whites only. These opposing or alternatjve arrested and sometimes ~i Non..:...:..d~c1sion sidered to be colored. policy. resistance groups in­ views to surface and jailed for voicing op­ making 'refers to any During this time there Perhaps the ·newest clude the ANC (African thus ·have to be dealt position o government action 'Wbich suppresses were no racial tensions measure being used by National Congress) with. policy. The South or thwarts a challenge or separations. It was South Africa is one of which began as ~ non­ Violent means have African government to the values and in­ not until the late 1700's reform. This reform violent movement to also been used by the enacted the Suppression terests or decision and early 1800's that involves reshaping the protest the government government against of Communism Act, makers. This process is white men and women system by means of a policy of triblaism. The blacks in order to thereby labeling anyone pi:-imarily evident in began to colonize. These new constitution which group now is a sabotage maintain their unfair who opposed policy a South Africa. South whites saw themselves would form a tri­ group which promotes policy. Biacks who Communist. The non- Africa follows the policy as racially pure and cameral legislative action against white demonstrate are often ( con't.• on page 7) of apartheid, which is looked down upon the body witb a very symbols of suppression. enforced, legalized coloreds and blacks. powerful executive Other groups include separation of the races Sentiments of white president. Under this SW APO (South West by 'the white minority superiority. althoue:h reform measure, African Peoples Vote for osu against the black not formalized in law, coloreds and Indians Organization) and majority. The white became taboo. would be allowed into AZAPO (Azanian elites who benefit from Segregation became a the originally all white Peoples Organization). Undergraduate this policy only con­ result of this taboo. political process. All three of these stitute roughly twenty "The de facto ban and However, the Colored organizations are part percent of the total shapeless segregation and Indian of an umbrella Student popula ion while the founded more in custom parliamentary hous_es, organization called the oppressed masses are than in statute- was voting in any com­ - United Democratic Government the blacks and coloreds deliberately, bination, can still be Front (the UDF), which of the country. This · systematically stret­ out-voted by the white formed in order to put a decision of non­ ched to its logical ex­ parliamentary house. stop to the new majority · · decision making not tremes, and, thtvugh the The reform- while on excluding constitution. Representative· to Columbus only makes South Africa instrument of law, the surface gives more The groups stress black one ol the - most transformed into the­ political freedom and consciousness, which is repressive societies, but doctrine and policy of a voting privileges to the idea of being proud it also makes it the most apartheid." (MS: Day by those of different of oneself and of being Candidates: racist and prejudiced, Day,1982).
Load more

Recommended publications
  • C:\Documents and Settings\Ejessen\Local Settings
    IN THE SUPREME COURT OF THE STATE OF CALIFORNIA PEOPLE OF THE STATE OF CALIFORNIA, ) ) Supreme Court Plaintiff and Respondent, ) Crim. S040703 ) v. ) Los Angeles County ) Superior Court No. JAMES ROBINSON, JR., ) PA007095 ) Defendant and Appellant. ) _____________________________________________________________ APPEAL FROM THE JUDGMENT OF THE SUPERIOR COURT OF THE STATE OF CALIFORNIA FOR THE COUNTY OF LOS ANGELES _____________________________________________________________ APPELLANT’S OPENING BRIEF SUSAN K. MARR (State Bar No. 138383) 4562 Winston Drive Brentwood, Tennessee 37027 Telephone: (615) 661-8760 Attorney for Appellant James Robinson, Jr. TABLE OF CONTENTS TABLE OF AUTHORITIES ............................. (xxxii) STATEMENT OF THE CASE .................................1 STATEMENT OF THE FACTS ...............................4 I. APPELLANT, JAMES ROBINSON, JR. .............4 A. James Robinson’s Family Background ...........4 B. James Meets Tai Williams And Tommy Aldridge ...4 C. High School And The Marines ..................5 D. College ....................................5 II. THE EVENTS LEADING UP TO JUNE 1991 .........5 A. James Robinson’s Circumstances In 1990 .........5 B. January of 1991 .............................6 C. James’ Employment And His Finances In 1991 .....7 D. James Moves In With Tai Williams And Donna Morgan ....................................8 E. Purchasing The Gun ..........................9 F. Tai And Donna’s Domestic Problems ............9 III. THE EVENTS SURROUNDING THE HOMICIDES .10 A. Tai’s Plans To Rob The Subway Sandwich Shop ..10 B. Saturday, June 29, 1991 ......................12 C. James’ Discovery Of The Crime Scene ..........13 (i) D. Leaving Tai’s and Donna’s Apartment ..........15 E. Tommy Aldridge’s Visit To James’ Apartment ....16 F. James’ Arrest And Police Interview .............17 IV. THE PROSECUTION’S WITNESSES. .............17 A. Eyewitness Rebecca James’ View Of The Subway Sandwich Shop .............................17 B.
    [Show full text]
  • November 2009 the Black Page the Black Page November 2009
    NOVEMBER 2009 THE BLACK PAGE THE BLACK PAGE NOVEMBER 2009 4 Yael: by Sean Mitchell 18 Balancing Act: by Jayson Brinkworth A Different Way to Flow: 22 by Ryan Carver 23 Global Educators Database 25 The Final Word Solo drums, beautiful drums, warm drum tones and full-on exhilarating drums. In this double CD, master-mu- sician David Jones has allowed the drums to shine in all their acoustic glory. Not since Gene Krupa in the THE BLACK PAGE is distributed via PDF 1940s or Sandy Nelson in the 1960s to email inboxes worldwide. have drums been this far out front. To get the latest edition click below: David Jones has long been famous www.theblackpage.net for his utilisation of every conceivable Send us your feedback at: [email protected] percussive instrument – yes, even the kitchen sink – to make interesting Sean Mitchell Publisher soundscapes and rhythmic flourishes Jill Schettler Editor in Chief that leave an indelible mark on the Jayson Brinkworth Writer heart and soul of his listeners. Ryan Carver Writer Click below to visit www.davidjonesdrums.com.au EARTH FRIENDLY For international sales outside Australia please click HERE. No Paper,m No Ink, No Waste 2010 THE YEAR OF THE LEGENDS Feature Artists Scott Atkins Skip Hadden Pete Lockett Danny Seraphine Liberty DeVitto Bernard Purdie May 22 - 23, 2010 Jerry Mercer Asani, Ed Mann & Bruce Aitken Savoy Theatre Paul Wertico Glace Bay, Nova Scotia Dylan Mombourquette Canada Chris Sutherland Billy Ward Roxy Petrucci Carmine Appice Special Guest Stars Sean Mitchell, Ben Ross, Moe Hashie, Denny Seiwell Mark Marshall, Todd Mercer, and The Bill Cobham Pete Lockett Cape Breton Percussion Virgil Donati Ensemble.
    [Show full text]
  • Chancellor Gains Majority
    March 25, 1982 UNIVERSITY OF MISSOURI·SAINT LOUIS Issue 420 With 54% Chancellor gains majority u;eey Burnette with the statement, 'A Call for total of 356 ballots were sent Chancellor Grobman's Resigna­ out. tion,' dated February 17, 1982." Jacob J. Leventhal, a profes­ A majority of the ballots cast A total of 278 ballots were sor and chairperson of the in a recent faculty election counted. Of these, 41 were in Physics department said that the showed support for UMSL unsigned envelopes. Of the sign­ percentage of voters in favor of Chancellor Arnold B. Grobman, ed ballots, the vote was 128-92 asking for Grobman's resigna­ but almost 39 percent of the against asking for Grobman's tion shows that there is wide­ voters were in favor of request­ resignation. There were 17 abs- . spread opposition to some of the ing Grobman's resignation. The tentions. Of the unsigned bal­ chancellor's policies. " I think ballots were opened Monday in lots, the vote was 22-16 against this shows that opposition to the 266 University Center during an asking for Grobman's resigna­ chancellor's policies has a broad open session of the Faculty tion with three abstentions. A Council Executive Committee. See "Grobman," page 3 "With the conclusion today of the poll in which a number of UMSL faculty members partici­ Olson, . modifies. pated, I hope we have brought an end to the divisive events that, for the last several weeks, have disrupted this campus com­ compensation plan munity," Grobman stated in a letter distributed after the ballots Lacey Burnette cent above inflation to service were counted.
    [Show full text]
  • BARK at the MOON As Recorded by Ozzy Osbourne (From the 1983 Album BARK at the MOON) Transcribed by Pkhs Words and Music by Ozzy Osbourne
    BARK AT THE MOON As recorded by Ozzy Osbourne (From the 1983 Album BARK AT THE MOON) Transcribed by pkhs Words and Music by Ozzy Osbourne VII (type 2) open V G5 5 fr. A5 7 fr. A7 7 fr. F5 3 fr. G7 4 fr. D5 7 fr. F m D5/A E5/B A5 C5 5 fr. xx x xx x xx x xx x xx x xxx x b x x x x x x xx xx xx VII open I open D5 7 fr. G 4 fr. F 2 fr. E5 G5 F5 D5 C5 D5 5 fr. B 5 B /B xx xx xx xx xx xx xx x x xxx xx x x xx x xx x ` xx x `xxx A Intro = 150 P G5 A5 A7 1 V V V V V V e 4 V V V V V V I 4 V V Gtr I u P.VM. V V V P.VM. V V V P.VM. V V V P.VM. V V V P.VM. V V V V T 8 10 10 10 8 8 7 9 9 9 9 9 A 5 7 7 7 7 7 B 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 0 0 0 G5 F5 G7 G5 A5 4 V V V V V V V V V V Ie V V V V V V V V V V P.VM. V V V P.VM. V V V P.VM.
    [Show full text]
  • November 1983
    VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T.
    [Show full text]
  • September 1984
    MODERN DRUMMER VOL.8, NO. 9 Cover Photo by Rick Malkin CONTENTS FEATURES ART BLAKEY After paying his dues with such greats as Fletcher Henderson, Dizzy Gillepsie and Thelonious Monk, Art Blakey went on to lead the legendary Jazz Messengers. Here, he traces his career from its inception in Pittsburgh clubs to the present, and discusses the inspiration and training he received from Chick Webb and Sid Catlett. by Chip Stern 8 CARMINE APPICE To remain at the hub of the music industry for nearly 20 years takes talent, perseverance, and versatility. In addition to drumming for such major acts as Vanilla Fudge, Rod Stewart, Ted Nugent and Ozzy Osbourne, Carmine Appice has been active as a clinician, educator and songwriter. He openly discusses his career and offers candid insights about the industry. by Robert Santelli 14 ARTHUR PRESS Drawing from his experiences as percussionist and assistant timpanist with the Boston Symphony, Arthur Press shares his thoughts about interpreting orchestral parts, adjusting to different conductors, and maintaining professionalism. He also gives advice about concert snare drums, and discusses his MMO recording, Classical Percussion. by Rick Mattingly 18 INSIDE YAMAHA 22 by Charles M. Bernstein and William F. Miller JONATHAN MOFFETT Have Drums—Will Travel 26 by Robyn Flans COLUMNS THE JOBBING DRUMMER EDUCATION JUST DRUMS 114 Avoiding Overplaying 88 PROFILES CONCEPTS by Tim Price Drumming And Prejudice JAZZ DRUMMERS WORKSHOP PORTRAITS by Roy Burns 30 Jazz Patterns In 5/4 Bobby Daniels 94 by Robyn Flans 34 THE MUSICAL
    [Show full text]
  • Steve Smith Steve Smith
    • SPEED • POWER • CONTROL • ENDURANCE • SPECIAL TECHNIQUE ISSUE STEVESTEVE SMITHSMITH VVITALITAL TTECHECH TTALKALK BBUILDUILD SSUPERUPER CCHOPSHOPS!! BBOZZIOOZZIO,, PPHILLIPSHILLIPS,, BBISSONETTEISSONETTE,, BBELLSONELLSON,, WWECKLECKL,, AANDND MMOREORE TTHEHE TTECHNICALECHNICAL EEDGEDGE HHUNDREDSUNDREDS OOFF GGREATREAT EEXERCISESXERCISES FFOROR YYOUROUR HHANDSANDS AANDND FFEETEET WIN JJOHNOHN DDOLMAYANOLMAYAN Exciting Sights OOFFFF TTHEHE RRECORDECORD And Sounds From Sabian & Hudson Music TTHEHE MMANYANY KKITSITS OOFF BBILLILL BBRUFORDRUFORD $4.99US $6.99CAN 05 WIN A Drum Lesson With Tico Torres 0 74808 01203 9 Contents ContentsVolume 27, Number 5 Cover photo by Alex Solca STEVE SMITH You can’t expect to be a future drum star if you haven’t studied the past. As a self-proclaimed “US ethnic drummer,” Steve Smith has made it his life’s work to explore the uniquely American drumset— and the way it has shaped our music. by Bill Milkowski 38 Alex Solca BUILDING SUPER CHOPS 54 UPDATE 24 There’s more than one way to look at technique. Just ask Terry Bozzio, Thomas Lang, Kenny Aronoff, Bill Bruford, Dave Weckl, Paul Doucette Gregg Bissonette, Tommy Aldridge, Mike Mangini, Louie Bellson, of Matchbox Twenty Horacio Hernandez, Simon Phillips, David Garibaldi, Virgil Donati, and Carl Palmer. Gavin Harrison by Mike Haid of Porcupine Tree George Rebelo of Hot Water Music THE TECHNICAL EDGE 73 Duduka Da Fonseca An unprecedented gathering of serious chops-increasing exercises, samba sensation MD’s exclusive Technical Edge feature aims to do no less than make you a significantly better drummer. Work out your hands, feet, and around-the-drums chops like you’ve never worked ’em before. A DIFFERENT VIEW 126 TOM SCOTT You’d need a strongman just to lift his com- plete résumé—that’s how invaluable top musicians have found saxophonist Tom Scott’s playing over the past three decades.
    [Show full text]
  • Download Bark at the Moon Mp3
    Download bark at the moon mp3 Bark At The Moon. Artist: Ozzy Osbourne. m. MB · Bark At The Moon. Artist: Ozzy Osbourne. MB · Bark At The Moon. Buy Bark at the Moon: Read 12 Digital Music Reviews - Watch the video, get the download or listen to Ozzy Osbourne – Bark at the Moon for free. Bark at the Moon appears on the album Bark at the Moon. "Bark at the. Bark At The Moon () - file type: mp3 - download - bitrate: kbps. Artist: Ozzy Osbourne - Bark At The Moon (), Song: Rock'n'roll Rebel, Duration: , Size: MB, Bitrate: kbit/sec, Type: mp3. № FreeDownloadMp3 - Ozzy Osbourne free mp3 (wav) for download! Newest Ozzy Osbourne Ozzy Osbourne - Bark At The Moon (Live).mp3, (mb). creams break the silenceWaking from the dead of nightVengence is boilingHe's returned to kill the lightThen when he's found who he's looking forListen in awe. Ozzy's official video for the song "Bark at the Moon" take from the 'Memoirs of a Madman' hour double. BARKING AT THE MOON MP3 Download ( MB), Video 3gp & mp4. List download link Lagu MP3 BARKING AT THE MOON ( min), last update Oct Barking At The Moon Jenny Lewis. Now Playing. Barking At The Moon. - Bolt • MB • plays. Barking At The Moon. Kentera • MB • 54 plays. Free guitar backing track for Bark At The Moon (2) by Ozzy Osbourne in MP3 format. Download it for free. Free Bolt Barking At The Moon Lyrics Jenny Lewis HQ 3. Play & Download Size MB ~ ~ kbps. Free Barking At The Moon Lyrics By. Download Bark At The Moon sheet music instantly - sheet music by Ozzy Osbourne: Hal Leonard - Digital Sheet Music.
    [Show full text]
  • WORLD-CLASS RHYTHM-SECTION CHEMISTRY to Get the Best Possible Sounds, We've Compiled a Roster of Ridiculously Good A-List
    JM4 WORLD-CLASS RHYTHM-SECTION CHEMISTRY To get the best possible sounds, we’ve compiled a roster of ridiculously good A-list session players and recorded them at amazing studios around the country including Steve Vai’s studio, The Mothership, as well as Sound Asylum in Canoga Park, California and Sound Emporium’s Studio B in Nashville, Tennessee. Here are a few choice cuts: JAM 108 BLUES STOMP VIBE: Gregg counts off this slammy stomp that comes complete with thumpy bass and triplet chorus. FEATURING: Tal Morris (guitar), Tony Franklin (bass), Gregg Bissonette (drums) JAM 126 DRIVING ROCK VIBE: Palmed bass and guitar start off this big, highway-inspired thump. The chorus gets huge when it opens up! FEATURING: Tal Morris (guitar), Tony Franklin (bass), Carmine Appice (drums) JAM 100 OUTLAW COUNTRY CLUB VIBE: A smooth, twangy, mid-tempo bounce inspired by the greats of outlaw county. Jam along to solid rhythms and a sweet chord progression. FEATURING: Brent Mason (lead guitar), Dave Pomeroy (bass), Steve Turner (drums), John Hobbs (keyboards), Pat Bergeson (acoustic guitar), Paul Franklin (steel guitar) JAM 101 OUTLAW COUNTRY VIBE: Solo or comp along with just bass and drums in this stripped-down country jam. FEATURING: Dave Pomeroy (bass), Steve Turner (drums) JAM 157 SUGARFOOT RAG VIBE: Perpetually ready for liftoff, Dave and Steve hold down this rodeo rag perfect for strummin’ or chicken pickin’. FEATURING: Dave Pomeroy (bass), Steve Turner (drums) JAM 112 HALF-TEMPO ROCKER VIBE: Starting off with an explosive drum fill, this jam’s got a wide, roomy drum sound, stiletto guitars and dirty bass.
    [Show full text]
  • JROCK Houston - [email protected]
    Magazine Staf Credits Interviews JROCK Houston - [email protected] KATZ – [email protected] Graphics: Leith Taylor - [email protected] Text Editor: Leith Taylor Copyright 2011. Chaotic Rifs Magazine September 2011 - Issue 19 2 Warrant’s Jani Lane Tribute …….6 Phil Soussan……8 WARRANT DRUMMER James Kottak……10 Counterfeit Molly……19 The Influence……20 Be The Ant……22 Live Wire – David Grant……24 Head Cat……28 Wings In Motion CD Review……33 Don Jamieson……34 Jaison In LA……40 Copyright 2011. Chaotic Rifs Magazine September 2011 - Issue 19 3 Talkback By JRock Houston Jani Lane is just the latest of many Rockers to leave the world way too young. I thought in light of this that this month's TALKBACK SECTON would take a look back at some other Rockers who checked out way too young. Let's take a trip down memory lane: 12/1/93 - Singer: Ray Gillian dies from Aids related complications. While he never appeared on record with Black Sabbath he was briefly a member of Black Sabbath's touring band when he briefly replaced legendary Singer: Glenn Hughes in the band. Following his gig with Sabbath Gillen briefly worked w/Ex Thin Lizzy/Whitesnake Guitarist: John Sykes in Blue Murder but eventually Gillen left Blue Murder and formed BadLands w/Ex Ozzy Osbourne/Ratt Guitarist: Jake E. Lee. Badlands released two albums before Gillen decided to leave because of friction that developed between Lee and Gillen. After Ray Gillen's death BADLANDS released a 3rd and final album called DUSK which was an album's worth of material of unreleased studio outakes.
    [Show full text]
  • 2Nd X-It Is a Must See, Must Hear, Incredibly Talented 5-Piece Classic Hard Rock Cover Band from the Chippewa Valley
    2nd X-it is a must see, must hear, incredibly talented 5-piece Classic Hard Rock Cover Band from the Chippewa Valley. 2nd X-it delivers a no non-sense, rock and roll journey through the 70’s and 80’s era of Hard and Heavy Classic Rock. If you’re looking for a real rock band that plays real rock from such great artists as Iron Maiden, Judas Priest, Black Sabbath and Guns and Roses to name a few, then 2nd X-it is definitely your band! You will NOT hear the same top 40 tunes that every variety band around plays. Just Kick Ass Rock! Enclosed: - Band History - Band Member Biographies - Artist Song List - Venues and Events - Band Logos - Posters - Contact Information Videos of 2nd X-it can be found on 2ndxit.com - the official website of 2nd X-it, Facebook and YouTube (ensure you are viewing the most current videos with the current line-up) Thank you for considering 2nd X-it for your next event. We hope this EPK will answer any questions you may have. We are looking forward to Rocking your next party! 2ND X-it History The original X-it band was formed in 1983 by some high school friends around the Eleva / Strum, WI area. Early on, X-it enjoyed tremendous success in the local and regional music scene playing an average of 3-4 shows per month. Venues included county fairs, street dances, bars and large festivals. The band broke up in 2002 and pursued other successful area band projects. In 2007, some of the original members of X-it decided to reunite.
    [Show full text]
  • We'll See You Next Year!
    DOWNLOAD FESTIVAL – WE’LL SEE YOU NEXT YEAR! OVER 100,000 MUSIC FANS MAKE PILGRAMAGE TO DOWNLOAD FESTIVAL IN GLORIOUS SUNSHINE AND CELEBRATE WITH AVENGED SEVENFOLD, GUNS N’ROSES AND OZZY OSBOURNE’S FIRST AND FINAL HEADLINE APPEARANCE AT THE HOME OF ROCK FURTHER SITE IMPROVEMENTS AND ADDITION OF BRITISH SIGN LANGUAGE SEES DOWNLOAD RECIEVE GOLD AWARD FOR ‘ATTITUDE IS EVERYTHING’ ACCESSIBILITY CHARTER GREENEST YEAR FOR THE UK’S LARGEST SINGLE SITE FESTIVAL AND INAGURAL ECO CAMPSITE TICKETS FOR DOWNLOAD FESTIVAL 2019 ON SALE WEDS 13 JUNE www.downloadfestival.co.uk The world premier rock and metal event took place as 100,000 descended to the hallowed grounds of Donington Park, Leicester across the weekend for the 16th annual Download Festival. The capacity crowds witnessed the triumphant return of Guns N’ Roses with the full ‘Not In This Lifetime’ show as living legends Axl Rose, Slash and Duff Mckagen delivered an unforgettable hits filled set. Stadium smashers Avenged Sevenfold cemented their status as one of the biggest forces in the rock world and the Prince Of Darkness himself and midlands native Ozzy Osbourne closed the festival with panache on his first ever solo appearance at the festival as the only UK date on his ‘No More Tours’ farewell tour. With the sun shining throughout the weekend, the atmosphere was electric as waves of fans once again lived up to the moniker of what is widely regarded as the UK friendliest festival, celebrating inclusivity, self-expression and displaying a lot of headbanging. With early birds arriving on Wednesday, taking full advantage of a whole host of entertainment and activities before the main festival opened including the Side Splitter Comedy Tent, Lords Of Lightening, silent disco and annual official Air Guitar contest winner will be flown out to Sweden to compete in the world final.
    [Show full text]