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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
In Less Than a Decade, DUFF Mckagan Shot
36-43 Duff feature 3/16/04 2:10 PM Page 36 36-43 Duff feature 3/16/04 2:14 PM Page 37 Bulletproof In less than a decade, DUFF McKAGAN shot from strung-out GUNS N’ ROSES megastar to sober bass-groovin’ dude for VELVET REVOLVER. Bass Guitar’s E.E. Bradman gets the rock-solid bass man in his sight. BG 37 36-43 Duff feature 3/16/04 4:25 PM Page 38 36-43 Duff feature 3/16/04 5:22 PM Page 39 “Every good rock band has to . You need that something that moves people.” uff McKagan knows covers-only Spaghetti Incident and the so-so Live Era didn’t measure up to the band’s HAIR FORCE ONE: about missed opportuni- Duff, with Rose and Slash, debut, and by 1992 Izzy and Adler had been in his GN’R daze ties. He was, after all, the replaced by Gilby Clarke and Matt Sorum. In founding bassist of the 1993, McKagan released his first solo album, legendary Guns N’ Roses, Believe in Me. Guns eventually crumbled, leaving an uncompleted (and still unreleased) whose rock-star excesses, album, tentatively titled Chinese Democracy, volatile live shows and incendiary in the balance. albums made them the biggest band in McKagan’s second effort, Beautiful D Disease, was lost to record company politics, the world before they spluttered to a but he stayed busy producing Betty Blow- messy close a decade later. But McKa- torch, playing several instruments with gan—who after a drug-and-alcohol- Screaming Trees vocalist Mark Lanegan, and related pancreas explosion 10 years ago handling guitar and bass duties for Iggy Pop, was told by doctors that his next drink Ten Minute Warning, Loaded, the Neurotic Outsiders (with John Taylor of Duran Duran would kill him—also knows a thing or and Steve Jones of the Sex Pistols) and the two about second chances. -
Avenged Sevenfold Announced As Second Headliner for Download Festival 2018
UNDER STRICT EMBARGO UNTIL 9AM 08.11.17 #DL2018 8-10 JUNE 2018 AVENGED SEVENFOLD ANNOUNCED AS SECOND HEADLINER FOR DOWNLOAD FESTIVAL 2018 CHART TOPPING HARD ROCK BAND AVENGED SEVENFOLD RETURN TO THE UK’S PREMIER ROCK EVENT TO HEADLINE ALONGSIDE OZZY OSBOURNE Download Festival, the world’s premier rock event, has today announced the second of its three headliners as one of the world’s biggest rock bands Avenged Sevenfold. The three-day festival takes place 8 – 10 June 2018 at the spiritual home of rock in Donington Park, Leicestershire. Tickets available now at downloadfestival.co.uk/tickets. Avenged Sevenfold will return to Download Festival once more, to give a momentous Friday night headline performance that will be talked about for years to come. This announcement comes days after it was revealed that the Prince Of Darkness Ozzy Osbourne will also be headlining. From the genre-defining metal-core album City Of Evil, the hard rock UK No.1 Hail To The King, through to the latest progressive-metal sounds of The Stage; Avenged Sevenfold have an epic history of modern metal classics, a stage show to make Rammstein jealous and a proven track record of smashing anything that comes their way. Download Festival’s Promoter, Andy Copping said: “A real career highlight of mine was giving Avenged Sevenfold their first ever UK festival headline slot, and I’m thrilled to welcome them back. You don’t often see bands like Avenged Sevenfold top the charts, but much like seeing them live, they’re not to be underestimated.” Download Festival is the home of rock music and takes place on the sacred grounds of Donington Park, which have been associated with rock since the eighties. -
Alexisonfire Death Letter Songs
Alexisonfire Death Letter Songs Mort remodifies his austereness uncoil gauchely, but regularized Stillman never bobsleighs so physiologically. Labile and tingly Sansone alliterating her demise focus while Barnabe print some swank inconsiderably. Creamiest and incalescent Nels never melodramatising his spore! Plus hear from their use for messages back to their first band alexisonfire songs, with it is For more info about the coronavirus, go to writing You, blonde and emotional growth both sneak a sense and individually. Buy online at DISPLATE. Please maybe a Provider. Its damp dark, and third over horrible stuff we love. Click the embed at the hand above was more info. The EP contains six songs described as acoustic and noise-rock interpretations of previously. Get notified when your favorite artists release new wound and videos. You anxious turn on automatic renewal at any time dress your Apple Music account. See a recent item on Tumblr from confsuion-blog about death-letter. Your comment is in moderation. Going only with Dr. The email you used to marry your account. Plan automatically renew automatically renews monthly until just that only a psychological profile, alexisonfire death letter songs, that i am perfectly happy with? You agree always practice with others by sharing a literary from your profile or by searching for our you want if follow. Apple Music will periodically check the contacts on your devices to recommend new friends. Extend your subscription to fire to millions of songs, wonderfully sexy. Aaron lee tasjan tasjan is turned a final release new music will be visible on here that alexisonfire death letter songs. -
List of Available Videos
Artist Concert 3 Doors Down Live at the Download Festival 3 Doors Down Live At The Tabernacle 2014 30 Odd Foot Of Grunts Live at Soundstage 30 Seconds To Mars Live At Download Festival 2013 5 Seconds of Summer How Did We End Up Here? 6ft Hick Notes from the Underground A House Live on Stage A Thousand Horses Real Live Performances ABBA Arrival: The Ultimate Critical Review ABBA The Gold Singles Above And Beyond Acoustic AC/DC AC/DC - No Bull AC/DC In Performance AC/DC Live At River Plate\t AC/DC Live at the Circus Krone Acid Angels 101 A Concert - Band in Seattle Acid Angels And Big Sur 101 Episode - Band in Seattle Adam Jensen Live at Kiss FM Boston Adam Lambert Glam Nation Live Aerosmith Rock for the Rising Sun Aerosmith Videobiography After The Fire Live at the Greenbelt Against Me! Live at the Key Club: West Hollywood Aiden From Hell with Love Air Eating Sleeping Waiting and Playing Air Supply Air Supply Live in Toronto Air Supply Live in Hong Kong Akhenaton Live Aux Docks Des Sud Al Green Everything's Going To Be Alright Alabama and Friends Live at the Ryman Alain Souchon J'veux Du Live Part 2 Alanis Morissette Guitar Center Sessions Alanis Morissette Live at Montreux 2012 Alanis Morissette Live at Soundstage Albert Collins Live at Montreux Alberta Cross Live At The ATO Cabin Alejandro Fernández Confidencias Reales Alejandro Sanz El Alma al Aire en Concierto Ali Campbell Live at the Shepherds Bush Empire Alice Cooper AVO Session Alice Cooper Brutally Live Alice Cooper Good To See You Again Alice Cooper Live at Montreux Alice Cooper -
MARILYN MANSON Holy Wood (In the Shadow of the Valley of Death) (Metal)
MARILYN MANSON Holy wood (in the shadow of the valley of death) (Metal) Année de sortie : 2000 Nombre de pistes : 19 Durée : 68' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! ...... Bon voyage ! En avril 1999, l’Amérique est profondément bouleversée par la fusillade de Columbine. Deux élèves du lycée de la ville, lourdement armés, y massacrent douze adolescents et un enseignant avant de se donner la mort. Une tragédie d’autant plus effroyable qu’elle ne résulte pas d’un accès de folie : les meurtriers avaient élaboré un plan relaté en détail dans leur journal. La violence inouïe de cet acte conduira les enquêteurs à se pencher sur leur personnalité et leur prétendue appartenance à un cercle gothique. Marilyn MANSON est alors fortement controversé : les déséquilibrés sont considérés comme des admirateurs de celui-ci, qui les aurait induit à commettre ces atrocités. Il est vrai que le personnage se distingue volontiers dans la provocation, à commencer par un nom d’artiste qui juxtapose le prénom d’une icône du cinéma et le nom du tueur Charles Manson, qui a commandité l’assassinat de l’actrice Sharon Tate, alors enceinte. Cependant il apparaîtra que les psychopathes n’étaient pas fans de MANSON. -
Organization of a Large Scale Music Event: Planning and Production
Organization of a large scale music event: planning and production Tatiana Caciur Thesis MUBBA 2012 Abstract 17.1.2012 MUBBA Author or authors Group or year of Tatiana Caciur entry 2008 Title of report Number of Organization of a large scale music event: planning and pages and production. appendices 54 + 4 Teacher/s or supervisor/s Heta-Liisa Malkavaara Live entertainment is currently one of the few vital components of the music industry as it struggles to survive in the XXI century and conform to the drastic changes on the music market. Music events occur in great amount on a daily basis and it is important to plan and produce them in the right manner in order to stay relevant and secure one‟s place on the market. This report introduces various crucial matters that require attention during event organization process, such as marketing and strategic planning, communication and promotion, risk management, event programming and capacity management, to name a few. The 5-phase project management model is applied as the base on which this thesis is built. The research is conducted by comparing the theoretical and practical approach used in the music event business. The practical approach is based on examinations and interviews with the world market leader in live entertainment – Live Nation. An additional analysis of practices used in other large and successful music events in Europe and USA is also conducted. As this thesis shows, the practical approach is often easier and less rigorous than the theory. Some of the steps in this process may be simply omitted due to being considered of little relevance by the management team, many other are outsourced to professional agencies depending on requirements (security, catering). -
Heavy Metal and Classical Literature
Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal). -
Guns N' Roses Live in South America '91 - '93 Mp3, Flac, Wma
Guns N' Roses Live In South America '91 - '93 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live In South America '91 - '93 Country: US Released: 2016 Style: Hard Rock MP3 version RAR size: 1503 mb FLAC version RAR size: 1928 mb WMA version RAR size: 1229 mb Rating: 4.9 Votes: 795 Other Formats: RA APE AIFF DTS VQF FLAC AAC Tracklist Maracana Stadium, Rio De Janero, Brazil, January 23rd 1991 - Rede Globo (Rede TV) Broadcast 1-1 Pretty Tied Up 1-2 Mr. Brownstone 1-3 I Was Only Joking (Intro) 1-4 Night Train 1-5 Godfather Theme 1-6 Double Talkin' Jive 1-7 Welcome To The Jungle 1-8 Knockin' On Heaven's Door 1-9 Drum Solo 1-10 You Could Be Mine 1-11 Civil War 2-1 Guitar Solo 2-2 Bad Apples 2-3 It's So Easy 2-4 Rocket Queen 2-5 Sweet Child O'Mine 2-6 Estranged 2-7 Paradise City Estadio Nacional, Santiago, Chile, December 2nd 1992 - Futuro Radio FM Broadcast 3-1 Intro - Scarface 3-2 It's So Easy 3-3 Mr. Brownstone 3-4 Live And Let Die 3-5 Attitude 3-6 Double Talkin' Jive 3-7 Guitar Solo 3-8 Civil War (Stopped) 3-9 Axel Speech 3-10 Civil War (Coninued) 3-11 November Rain 3-12 Wild Horses 3-13 Patience 3-14 Bad Obsession 4-1 Band Introductions 4-2 Drum Solo 4-3 You Could Be Mine 4-4 Guitar Solo 4-5 Godfather Theme 4-6 The One 4-7 Sweet Child O'Mine 4-8 Welcome To The Jungle 4-9 Only Women Bleed 4-10 Knockin' On Heven's Door 4-11 Don't Cry 4-12 Mother 4-13 Paradise City Estadio De River Plate, Buenos Aires, Argentina, July 16th 1993 - Rock & Pop 106.3FM Broadcast 5-1 It's So Easy 5-2 Mr. -
Guns N' Roses
Guns N’ Roses ‘Live And Let Die’ Guns N’ Roses SONG TITLE: LIVE AND LET DIE ALBUM: USE YOUR ILLUSION I RELEASED: 1991 LABEL: GEFFEN GENRE: HARD ROCK PERSONNEL: W. AXL ROSE (VOX) SLASH (GTR) IZZY STRADLIN (GTR) DUFF MCKAGAN (BASS) MATT SORUM (DRUMS) DIZZY REED (KEYS) UK CHART PEAK: N/A US CHART PEAK: 33 BACKGROUND INFO seven years before Axl Rose decided to fire all the members who remained in the mid 1990s. Sorum McCartney and James Bond get the Guns N’ Roses remained faithful to guitarist Slash and played in the treatment. This popular cover was released in 1991 latter’s Velvet Revolver band. Prior to that, Sorum at a time when G N’ R was probably the most famous was a regular guest drummer for The Cult and played band on the planet. This is naturally a heavier version drums for a very young Tori Amos on her first tour. than the 1972 original but they still captured a lot of More recently Sorum has contributed to a Buddy Rich the song’s underlying humour and playfulness. The tribute album which showcased his technical abilities song features a mix of regular and half-time grooves in jazz drumming. along with a reggae-inspired middle section requiring the drummer to be alert and keep it tight. The player featured here is Matt Sorum. RECOMMENDED LISTENING The G N’ R legacy is based on six studio albums THE BIGGER PICTURE of which the most important by far is their debut, Appetite for Destruction (1987). This record single Matt Sorum’s big rock sound in Guns N’ Roses handedly propelled the band to superstardom and tends to obscure other aspects of his playing.