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Artist Concert 3 Doors Down Live at the Download Festival 3 Doors Down Live At The Tabernacle 2014 30 Odd Foot Of Grunts Live at Soundstage 30 Seconds To Mars Live At Download Festival 2013 5 Seconds of Summer How Did We End Up Here? 6ft Hick Notes from the Underground A House Live on Stage A Thousand Horses Real Live Performances ABBA Arrival: The Ultimate Critical Review ABBA The Gold Singles Above And Beyond Acoustic AC/DC AC/DC - No Bull AC/DC In Performance AC/DC Live At River Plate\t AC/DC Live at the Circus Krone Acid Angels 101 A Concert - Band in Seattle Acid Angels And Big Sur 101 Episode - Band in Seattle Adam Jensen Live at Kiss FM Boston Adam Lambert Glam Nation Live Aerosmith Rock for the Rising Sun Aerosmith Videobiography After The Fire Live at the Greenbelt Against Me! Live at the Key Club: West Hollywood Aiden From Hell with Love Air Eating Sleeping Waiting and Playing Air Supply Air Supply Live in Toronto Air Supply Live in Hong Kong Akhenaton Live Aux Docks Des Sud Al Green Everything's Going To Be Alright Alabama and Friends Live at the Ryman Alain Souchon J'veux Du Live Part 2 Alanis Morissette Guitar Center Sessions Alanis Morissette Live at Montreux 2012 Alanis Morissette Live at Soundstage Albert Collins Live at Montreux Alberta Cross Live At The ATO Cabin Alejandro Fernández Confidencias Reales Alejandro Sanz El Alma al Aire en Concierto Ali Campbell Live at the Shepherds Bush Empire Alice Cooper AVO Session Alice Cooper Brutally Live Alice Cooper Good To See You Again Alice Cooper Live at Montreux Alice Cooper -
Organization of a Large Scale Music Event: Planning and Production
Organization of a large scale music event: planning and production Tatiana Caciur Thesis MUBBA 2012 Abstract 17.1.2012 MUBBA Author or authors Group or year of Tatiana Caciur entry 2008 Title of report Number of Organization of a large scale music event: planning and pages and production. appendices 54 + 4 Teacher/s or supervisor/s Heta-Liisa Malkavaara Live entertainment is currently one of the few vital components of the music industry as it struggles to survive in the XXI century and conform to the drastic changes on the music market. Music events occur in great amount on a daily basis and it is important to plan and produce them in the right manner in order to stay relevant and secure one‟s place on the market. This report introduces various crucial matters that require attention during event organization process, such as marketing and strategic planning, communication and promotion, risk management, event programming and capacity management, to name a few. The 5-phase project management model is applied as the base on which this thesis is built. The research is conducted by comparing the theoretical and practical approach used in the music event business. The practical approach is based on examinations and interviews with the world market leader in live entertainment – Live Nation. An additional analysis of practices used in other large and successful music events in Europe and USA is also conducted. As this thesis shows, the practical approach is often easier and less rigorous than the theory. Some of the steps in this process may be simply omitted due to being considered of little relevance by the management team, many other are outsourced to professional agencies depending on requirements (security, catering). -
Masquerade and Mischief in Boccaccio's World
Travestimento/Travestitismo: Masquerade and Mischief in Boccaccio’s World Scott Antonio Failla Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Scott Antonio Failla All rights reserved ABSTRACT Travestimento/travestitismo: Masquerade and Mischief in Boccaccio’s World Scott Antonio Failla Travestimento/travestitismo: Masquerade and Mischief in Boccaccio’s World examines Boccaccio’s use of masquerade to parody social conventions and invert the cultural themes characterizing fourteenth-century Italy. Its aim is to demonstrate the myriad ways in which the medieval author masks and unmasks characters—often using gender as performance—to gain access to either sublimated sexuality or forbidden power, and ultimately to reveal rather than conceal human nature. This study offers a close reading of the Ninfale fiesolano and five novellas (2.3, 2.9, 3.1, 3.2, and 4.2) of the Decameron, focusing on characters that go beyond their usual identity and/or the limits of their biological sex to occupy transgendered spaces. Today, our understanding of gender studies encompasses a far more inclusive understanding of the term “gender.” This dissertation begins with the concept that gender is fluid and performative, and that though the body may be fixed, its gender is not confined to restrictions imposed on it by society. Some of Boccaccio’s characters, accordingly, occupy multiple gendered spaces while assuming the identity of another sex, in particular Zinevra/Sicurano, the abbot/princess, and Africo (Chapters Two, Three, and Four). Although far from the transformations found in the mythological world of Ovid’s Metamorphoses, Boccaccio’s tales offer the “metamorphosis” of the masquerade, that is, a false outward show, a pretense, or façade that oftentimes is achieved through disguise or costume. -
Poems Written by Students of St Genevieve's High School, Belfast During A
Poems written by students of St Genevieve’s High School, Belfast during a residency with poet, Kate Newmann. Supported by the Department of Foreign Affair and Trade. Tierna Crossan MYSTERY Yesterday I was doing homeworK in my room, and the window was closed. I was sitting with my little sister and I smelt my granny’s perfume. I looKed, and I was confused. I said to her Nicole, did you spray perfume? She said, No. Because she was colouring in, I acted as if it was nothing, but I smelt it again – as if someone was spraying it in front of me, but no one was there. I listen, and process every word. Silence chooses me. The apparition is a butterfly showing itself to me. The difference between bone and breath is solid and air. MY GRANDA He is a ten pound note that is hidden behind the lyrics of a song. He is a crossword puzzle book that fills in all the blanKs for you. He is a downfall of rain, followed by sunshine. He is a rich seafood chowder bubbling in a pot. He is a raging flame that wouldn’t go out. He is his own song that he had written for himself. LANZAROTE The words sink deep under the water. The blazing sun glaring down at me is beyond my reach. The heartbeat speeds up with all the excitement. My pocket’s distended because of al the seashells I collected. I grow tired of the heat pounding down on me. The longest voice is the man in the restaurant telling the specials. -
Sponsorship Packages
SPONSORSHIP PACKAGES 6 DECEMBER - TROXY, LONDON WWW.FESTIVALAWARDS.COM Annual Celebration of the UK Festival Industry THE EVENT An awards ceremony that will leave UK festival organisers feeling celebrated, indulged and inspired. A highlight of the UK Festivals Calendar, the UKFA was founded in 2002 and is now celebrating its 15th year. With over 650 festival organisers, music agents and trade suppliers in attendance, the evening brings together the UK Festival scene’s key players for a night of entertainment, networking, street food, innovative cocktails and an exclusive after party – all held at the historic Troxy in London. Recognising the festival industries’ brightest and best, previous award winners include Michael Eavis (Glastonbury Festival), Peter Gabriel (WOMAD), Download Festival, Latitude and TRNSMT. We look forward to celebrating 2018’s triumphs with this year proving to be bigger and better than ever. THE BENEFITS The Awards offer sponsors the opportunity to network with the UK’s leading festival influencers and gain extensive exposure: EXCLUSIVE NETWORKING OPPORTUNITIES With the UK festival industry’s key players in attendance, the Awards offers unparalleled opportunity to network and engage one-on-one with decision makers. POSITION YOUR BRAND IN FRONT OF THE UK’S TOP FESTIVAL ORGANISERS Last year’s shortlisted festivals are the most influential, established and recognisable in the country. The UK’s greatest influencers will be attending the event and sponsors will have the opportunity to showcase products and services to a broad prospect base. UK FESTIVAL AWARDS 2017 SPONSORS & SUPPORTERS SPONSORSHIP OPPORTUNITIES HEADLINE PARTNER SPONSORSHIP Bespoke Sponsor Packages £20,000 If you are looking for a more unique package, contact us for The Headline Partner package is designed to offer your brand details about bespoke sponsorship packages. -
Februar 2012
Februar 2012 The Creation of an industry Mick Upton The Evolution of Crowd Barriers E O Cees Muurling MMade by ConCom Safety V Summerdays Festival i Schweiz Johnny Jønsson En hilsen fra Helvede! Jeppe Nissen Fodbold er ikke det rene anarki Lars Hintze Crowd dynamics Keith Still 1 MOVE What’s in it? Leder En hilsen fra helvede! Morten Therkildsen 4 18 Jeppe Nissen The Creation of an industry Summerdays Festival i Schweitz Mick Upton 6 22 Johnny Jonsson Fodbold er ikke det rene anarki Det siger loven / Tillykke til... Lars Hintze 8 28 Crowd dynamics 10 30 Mötorhead i VEGA Keith Still Visti Iversen Historien om VEGA Hvad er moshing? Eva Therkildsen 12 31 The Evolution of Crowd Barriers Cees Muurling 14 Move’s Redaktion: Sofie Dahl - Layout og redaktion Eva Therkildsen - Redaktion Forslag, tips og idéer: 2 [email protected] 3 Prepared for the future of learning from history and plan ahead large scale. It is about documentation, TY TR AFE AIN or just await the next accident, and crowd psychology, crowd dynamics, S IN L G not have any contingency plans ready. management principles, expected A A N S O S Since ConCom Safety started in 2006, incidents and a lot more. You have to I O International Safety T the employees have been a part of learn from other incidents and accidents A C N I creating a culture of speaking open- in the past and bring it into your own A R T E planning. We believe that Lincoln’s I minded about what we can improve. -
Schweizer Hitparade 313W -/UNI Top 100 Singles Robin Schulz Feat
Luis Fonsi feat. Daddy Yankee 1 Despacito 128W -/UNI Imagine Dragons 2 Thunder Schweizer Hitparade 313W -/UNI Top 100 Singles Robin Schulz feat. James Blunt 30.07.2017 3 OK 210W WMS/WMS Linkin Park 4 In The End RE 30W -/WMS 21 18 16W Harry Styles - Sign Of The Times -/SME Linkin Park 22 16 19W Clean Bandit feat. Zara Larsson - Symphony -/WMS 5 Numb 23 21 14W Alice Merton - No Roots -/REJ RE 20W -/WMS 24 RE 5W Polo Hofer und die Schmetterband - Alperose -/SOU 25 17 9W Rita Ora - Your Song -/WMS Ed Sheeran 26 22 17W Adel Taw il - Ist da jemand -/UNI 27 25 22W Jason Derulo feat. Nicki Minaj & Ty Dolla $ign - Sw alla -/WMS 6 Shape Of You 28 23 26W Julia Michaels - Issues -/UNI 429W -/WMS 29 RE 61W Linkin Park - What I've Done -/WMS 30 39 6W Mark Forster - Sow ieso -/SME DJ Khaled feat. Rihanna & Bryson Tiller 31 34 26W Ofenbach - Be Mine -/WMS 32 26 23W Kygo & Selena Gomez - It Ain't Me -/SME 7 Wild Thoughts 33 42 6W Macklemore feat. Skylar Grey - Glorious -/WMS 56W -/SME 34 32 2W 187 Strassenbande feat. Bonez Mc & Gzuz - Millionär -/UNI 35 NEU Linkin Park - Talking To Myself -/WMS Linkin Park feat. Kiiara 36 29 26W Rag'n'Bone Man - Skin -/SME 37 RE 15W Rumpelstilz - Kiosk -/SOU 8 Heavy 38 27 11W Miley Cyrus - Malibu -/SME RE 15W -/WMS 39 RE 27W Linkin Park - Castle Of Glass -/WMS 40 31 15W Welshly Arms - Legendary -/UNI David Guetta feat. Justin Bieber 41 24 13W DJ Khaled feat. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Cougar Chronicle: Spring 2017: Page 1
Cougar Chronicle: Spring 2017: Page 1 Cougar Chronicle: Spring 2017: Page 2 Cougar Credits Spring 2017 Each issue of the Cougar Chronicle, Carl Sandburg Middle School’s newspaper, has been conceptualized, developed, and created top to bottom by students in Grades 6-8. We are proud to bring you current events in our school community and are eager for you to read. Chronicle Crew Staff: Grade Students 6 Allison Altman, Malina Alwis, Sindhu Balakavi, Anthony Barge, Shreya Chintawar, Debosree Datta, Ryan Ferraro, Jasmine Foo, Isabella Florio, Jennasis Guth-Spitzer, Madison Hessler, Angelica Ho, Julie Khourshed, Ethan Kraja, Frederick Kusi, Jacob Nieves, Farah Omeed, Jenna Ortiz, Preston Peng, Gianna Porcelli, Jennifer Rojas, Ryan Santiago, Ameer Sheikh, Antonio Somma, Mikayla Stepper, Mariah Turpin, & Shaye Walker 7 Rishabh Jain, Isabelle Padilla, Felicia Padin, Samar Raju, Shilpi Shah, Carel Soney, Mason Stepper, & Avani Trivedi 8 Vaishnavi Adusumilli, Gina Battaglia, Carolena Lodzinski & William Tsang Advisor Mr. Burica Teachers: Interested in contributing an article? Students: Want to share an event, artwork, or writing? Please contact Mr. Burica at [email protected]. *Cover Artwork designed by Mason Stepper* Stories Prowling Inside: Cougar Chronicle: Spring 2017: Page 3 James & The PEER Day: 8th Grade Ellis Volleyball Giant Peach Jr. Island Trip: Tournament: Coverage: Pages 4-11 Pages 12-14 Pages 15-16 Page 17 World Down Autism ESL Spotlight: Podiatrist Syndrome Day: Awareness: Interview: Page 18 Page 19 Pages 20-21 Pages 22-23 Percy Jackson -
Personal Denial and Social Rejection Reflected in Linkin Park’S Album “Meteora” a Final Project
PERSONAL DENIAL AND SOCIAL REJECTION REFLECTED IN LINKIN PARK’S ALBUM “METEORA” A FINAL PROJECT Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English By Adi Indra Kurniawan 2250402014 ENGLISH DEPARTMENT FACULTY OF LANGUAGES AND ARTS SEMARANG STATE UNIVERSITY 2007 PERNYATAAN Nama : ADI INDRA KURNIAWAN NIM : 2250402014 Prodi/ jurusan : Sastra Inggris S1/ Bahasa Inggris Fakultas : Fakultas Bahasa dan Seni Menyatakan dengan sesungguhnya bahwa skripsi/ tugas akhir/ final project yang berjudul: PERSONAL DENIAL AND SOCIAL REJECTION REFLECTED IN LINKIN PARK’S ALBUM “METEORA” Yang saya tulis dalam rangka memenuhi salah satu syarat untuk memperoleh gelar sarjana ini benar – benar hasil karya saya sendiri, yang saya hasilkan setelah melalui penelitian, pembinbingan, diskusi dan pemaparan/ ujian. Semua kutipan, baik langsung maupun tidak langsung, baik yang diperoleh dari sumber kepustakaan, wahana elektronik maupun sumber lainnya telah disertai keterangan mengenai sumbernya dengan cara sebagaimana yang lazim dalam penulisan karya ilmiah; dengan demikian walaupun tim penguji dan pembimbing penulisan skripsi/ tugas akhir/ final project ini membubuhkan tanda tangan sebagai tanda keabsahanny, seluruh isi karya ilmiah ini tetap menjadi tanggung jawab saya sendiri. Jika di kemudian hari ditemukan ketidakberesan saya bersedia untuk menerima akibatnya. Demikian, untuk dapat dipergunakan sebagaimana mestinya. Semarang, November 2006 Yang membuat pernyataan Adi Indra Kurnaiawan ii PAGE OF APPROVAL This Final Project was approved by the Board of examiners of The Faculty of Language and Arts of Semarang State University on ………………………… The Board of Examiners 1. Chairperson of the Examination Prof. Dr. Rustono, M. Hum NIP. 131281222 2. Secretary of the Examination Drs. Suprapto, M. Hum NIP.