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Quality Finishing Products for Modellers Index
LETTERING DECALS LINING FLAGS VINYLBECC Catalogue 14 £1.00 Quality finishing products for modellers Index page page Aircraft Signage 5 Masking 9 Car Graphics 6 Price List inside rear cover Decals & Graphics 2-8 Reflective 8 Depth Markings 2 Roundels 2-3 Dials & Gauges 5 Signal Flags 16 Fabric Flags 10-16 Truck Graphics 8 Garage Signs 7 Vinyl Lettering 1 Lining 9 Vinyl Sheet 9 New additions to the lettering range Sets of cut vinyl text in standard fonts for specific military and rescue aircraft available in white and black sizes 21mm, 16mm, 11mm & 7mm approx high RNTEXT HMCGTEXT RescueTEXT RAFTEXT USNTEXT USCGTEXT MARINETEXT USAFTEXT Visit the new web site for full details of new releases www.becc.co.uk Vinyl Lettering Standard sets of self-adhesive letters, numbers and symbols for use on models, crafts and many types of identification Standard Arial font packs Large range of colours & sizes Each pack has Waterproof exterior adhesive an identical Economic with 400+ characters per pack amount of letters and numbers on Easy to lift and apply to all surfaces between 1 and 12 sheets A multitude of uses depending on the size of Letters are currently supplied in capitals only in Arial Bold type style. Quantity of symbols vary slightly in different size packs depending on character space available. Although not necessary, vinyl can be overcoated with Just lift the all normal varnishes. letters from the All Standard lettering packs are available in 11 sizes and 10 solid backing sheet colours: Black, White, Gold, Silver, Red, Blue, Yellow, Green, Orange with tweezers or and Purple a small knife 25mm Apply to the clean surface 20mm using a piece of 15mm tape to help 12mm alignment 10mm 8mm 6mm 5mm Rub gently into 4mm place for a 3mm AAAAAA 2mm perfect AAAA waterproof finish WhenA ordering quote size, then “Arial” followed by colour i.e. -
Flag Research Quarterly, August 2016, No. 10
FLAG RESEARCH QUARTERLY REVUE TRIMESTRIELLE DE RECHERCHE EN VEXILLOLOGIE AUGUST / AOÛT 2016 No. 10 DOUBLE ISSUE / FASCICULE DOUBLE A research publication of the North American Vexillological Association / Une publication de recherche de THE FLAGS AND l’Association nord-américaine de vexillologie SEALS OF TEXAS A S I LV E R A NN I V E R S A R Y R E V I S I O N Charles A. Spain I. Introduction “The flag is the embodiment, not of sentiment, but of history. It represents the experiences made by men and women, the experiences of those who do and live under that flag.” Woodrow Wilson1 “FLAG, n. A colored rag borne above troops and hoisted on forts and ships. It appears to serve the same purpose as certain signs that one sees on vacant lots in London—‘Rubbish may be shot here.’” Ambrose Bierce2 The power of the flag as a national symbol was all too evident in the 1990s: the constitutional debate over flag burning in the United States; the violent removal of the communist seal from the Romanian flag; and the adoption of the former czarist flag by the Russian Federation. In the United States, Texas alone possesses a flag and seal directly descended from revolution and nationhood. The distinctive feature of INSIDE / SOMMAIRE Page both the state flag and seal, the Lone Star, is famous worldwide because of the brief Editor’s Note / Note de la rédaction 2 existence of the Republic of Texas (March 2, 1836, to December 29, 1845).3 For all Solid Vexillology 2 the Lone Star’s fame, however, there is much misinformation about it. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
Vexillum, June 2018, No. 2
Research and news of the North American Vexillological Association June 2018 No. Recherche et nouvelles de l’Association nord-américaine de vexillologie Juin 2018 2 INSIDE Page Editor’s Note 2 President’s Column 3 NAVA Membership Anniversaries 3 The Flag of Unity in Diversity 4 Incorporating NAVA News and Flag Research Quarterly Book Review: "A Flag Worth Dying For: The Power and Politics of National Symbols" 7 New Flags: 4 Reno, Nevada 8 The International Vegan Flag 9 Regional Group Report: The Flag of Unity Chesapeake Bay Flag Association 10 Vexi-News Celebrates First Anniversary 10 in Diversity Judge Carlos Moore, Mississippi Flag Activist 11 Stamp Celebrates 200th Anniversary of the Flag Act of 1818 12 Captain William Driver Award Guidelines 12 The Water The Water Protectors: Native American Nationalism, Environmentalism, and the Flags of the Dakota Access Pipeline Protectors Protests of 2016–2017 13 NAVA Grants 21 Evolutionary Vexillography in the Twenty-First Century 21 13 Help Support NAVA's Upcoming Vatican Flags Book 23 NAVA Annual Meeting Notice 24 Top: The Flag of Unity in Diversity Right: Demonstrators at the NoDAPL protests in January 2017. Source: https:// www.indianz.com/News/2017/01/27/delay-in- nodapl-response-points-to-more.asp 2 | June 2018 • Vexillum No. 2 June / Juin 2018 Number 2 / Numéro 2 Editor's Note | Note de la rédaction Dear Reader: We hope you enjoyed the premiere issue of Vexillum. In addition to offering my thanks Research and news of the North American to the contributors and our fine layout designer Jonathan Lehmann, I owe a special note Vexillological Association / Recherche et nouvelles de l’Association nord-américaine of gratitude to NAVA members Peter Ansoff, Stan Contrades, Xing Fei, Ted Kaye, Pete de vexillologie. -
The Colours of the Fleet
THE COLOURS OF THE FLEET TCOF BRITISH & BRITISH DERIVED ENSIGNS ~ THE MOST COMPREHENSIVE WORLDWIDE LIST OF ALL FLAGS AND ENSIGNS, PAST AND PRESENT, WHICH BEAR THE UNION FLAG IN THE CANTON “Build up the highway clear it of stones lift up an ensign over the peoples” Isaiah 62 vv 10 Created and compiled by Malcolm Farrow OBE President of the Flag Institute Edited and updated by David Prothero 15 January 2015 © 1 CONTENTS Chapter 1 Page 3 Introduction Page 5 Definition of an Ensign Page 6 The Development of Modern Ensigns Page 10 Union Flags, Flagstaffs and Crowns Page 13 A Brief Summary Page 13 Reference Sources Page 14 Chronology Page 17 Numerical Summary of Ensigns Chapter 2 British Ensigns and Related Flags in Current Use Page 18 White Ensigns Page 25 Blue Ensigns Page 37 Red Ensigns Page 42 Sky Blue Ensigns Page 43 Ensigns of Other Colours Page 45 Old Flags in Current Use Chapter 3 Special Ensigns of Yacht Clubs and Sailing Associations Page 48 Introduction Page 50 Current Page 62 Obsolete Chapter 4 Obsolete Ensigns and Related Flags Page 68 British Isles Page 81 Commonwealth and Empire Page 112 Unidentified Flags Page 112 Hypothetical Flags Chapter 5 Exclusions. Page 114 Flags similar to Ensigns and Unofficial Ensigns Chapter 6 Proclamations Page 121 A Proclamation Amending Proclamation dated 1st January 1801 declaring what Ensign or Colours shall be borne at sea by Merchant Ships. Page 122 Proclamation dated January 1, 1801 declaring what ensign or colours shall be borne at sea by merchant ships. 2 CHAPTER 1 Introduction The Colours of The Fleet 2013 attempts to fill a gap in the constitutional and historic records of the United Kingdom and the Commonwealth by seeking to list all British and British derived ensigns which have ever existed. -
Colour Psychology Colour and Culture
74 COLOUR PSYCHOLOGY COLOUR AND CONTRAST 75 Colour Psychology Colour and Culture How people respond to colour is of great interest to those who work Research shows that ninety-eight languages have words for the same in marketing. Colour psychology research is often focused on how eleven basic colours;4 however, the meaning a colour may have can be the colour of a logo or a product will yield higher sales, and what very different. There are conflicting theories on whether the cultural colour preferences can be found in certain age groups and cultures. meanings of colours can be categorised. Meanings can change over The study of the psychological effects of colour have coincided time and depend on the context. Black may be the colour of mourning with colour theory in general. Goethe focused on the experience of in many countries, though a black book cover or a black poster is not colour in his Zur farbenlehre from 1810,1 in opposition to Sir Isaac always associated with death. Another example is that brides in China Newton’s rational approach. Goethe and Schiller coupled colours to traditionally wear red, but many brides have started to wear white in character traits: red for beautiful, yellow for good, green for useful, recent decades.4 The cultural meaning of colours is not set but always and blue for common. Gestalt psychology in the early 1900s also changing. The next few pages list some of the meanings of colours in attributed universal emotions to colours, a theory that was taught to different cultures. students at the Bauhaus by Wassily Kandinsky. -
FLAG of MONACO - a BRIEF HISTORY Where in the World
Part of the “History of National Flags” Series from Flagmakers FLAG OF MONACO - A BRIEF HISTORY Where In The World Trivia Apart from aspect ratio, the flag of Monaco is identical to the flag of Indonesia. Technical Specification Adopted: 1881 Proportion: 4:5 Design: A bi-colour in red and white, from top to bottom Colours: PMS: Red: 032 C CMYK: Red: 0% Cyan, 90% Magenta, 86% Yellow, 0% Black Brief History Monaco used to be a colony of the Italian city-state Genoa. A small isolated country between the mountains and the sea with one castle on the Rock of Monaco, overlooking the entire country. Francesco Grimaldi disguised himself and his men as Franciscan monks and infiltrated the castle to take control. It was not long before Genoan forces succeeded in ousting him. Later his descendents simply bought the castle and the realm from Genoa and turned it into a principality. At this point the flag of Genoa was the St. George’s flag. They allowed England, for a fee, to fly their flag so they could use their sea and ports to trade. The Monaco Coat of Arms has represented the country for as long as the Grimaldi dynasty has been in power, since the early 15th Century. Although the design has changed gradually over the years, the key elements have remained the same. The motto, 'Deo Juvante' is Latin for 'With God's Help'. This coat of arms today serves as the state flag. St George’s Flag of Genoa The Coat of Arms of Monaco The colours on the shield, red and white in a pattern known as 'lozengy argent and gules' in heraldic terms, are the national colours. -
Flag Research Quarterly, September 2017, No. 14
FLAG RESEARCH QUARTERLY REVUE TRIMESTRIELLE DE RECHERCHE EN VEXILLOLOGIE SEPTEMBER / SEPTEMBRE 2017 No. 14 A research publication of the North American The Aztec Heritage of Vexillological Association-Une publication de recherche de l‘Association nord-américaine de vexillologie the Mexican Flag By John M. Hartvigsen Right: Current flag of Mexico. Source: The Mexican flag is not only recognizable and effec- http://encircleworldphotos.photoshelter.com/image/ tive, but it is also beautiful and beloved. In 2008, 20 I0000ERYcGfnhpag Minutos, a free Spanish language newspaper, ran a Background watermark: Golden-linear version survey contest to pick the “most beautiful flag in the of coat of arms of Mexico, adopted 1968. world.” Although the publication is based in Spain, the contest was picked up Source: https://en.wikipedia.org/wiki/Coat_of_arms_of_ Mexico#/media/File:Coat_of_arms_of_Mexico_(golden_ by other publications in Latin America. One of a series of “best-of surveys,” the linear).svg contest asked readers to rate the flags of 140 nations. Although this was a self- selecting sample and not a scientific survey, it was an interesting outgrowth of the phenomenon of flags. The contest attracted 1,920,000 entry ballots, which was three times the number of participant entries that are normally attracted by similar “best-of contests.” The article’s title announced the results dramati- cally: “Mexico sweeps the most beautiful flag in the world list.” Mexico’s flag received 901,607 points, or 47% of the vote.1 This, of course, does not prove that the Mexican flag is actually the most beautiful flag in the world, but this and extensive anecdotal evidence demonstrates that the flag “works” and is a beloved banner. -
Flag of Columbia - a Brief History
Part of the “History of National Flags” Series from Flagmakers Flag of Columbia - A Brief History Where In The World Trivia The current flag is similar to the historical flag of Gran Colombia. Technical Specification Adopted: 26th November 1861 Proportion: 2:3 Design: A yellow-blue-red horizontal tricolour with the yellow band larger than the rest. Colours: PMS Yellow: 116 Red: 186 Blue: 287 CMYK Yellow: Cyan 0% Magenta 17.1% Yellow 91.3% Black 0% Blue: Cyan 100% Magenta 61.9% Yellow 0% Black 42.4% Red: Cyan 0% Magenta 91.7% Yellow 81.6% Black 19.2% Brief History In the 16th Century Colombia was called the New Kingdom of Granada under Spanish Control. The flag flown during this time was the Burgundy Cross, a red cross on a white field. In 1717 the flag for the Viceroy of New Granada was a white field with coat of arms at the centre left. The Flag of The New Kingdom of Granada The Flag of the Viceroy of New Granada (1506 – 1717) (1717 – 1789) In 1785 the flag of the Viceroy of New Granada was changed to the Spanish national flag. The flag at the time featured two red bands and a central yellow band that had the lesser coat of arms in the centre left. In 1810 New Granada became independent from Spain and called the United Provinces of New Granada. A flag that featured a central green rectangle with a yellow and red border inside of which was a white eight-pointed star was adopted. The Flag of the Viceroy of New Granada The Flag of the United Provinces of New Granada (1785 – 1819) (1810 – 1816) When 1819 New Granada became part of Gran Colombia the flag adopted was a larger yellow with smaller striped blue and red tricolour with the coat of arms of Gran Columbia in the top left hand corner. -
Flags and Banners
Flags and Banners A Wikipedia Compilation by Michael A. Linton Contents 1 Flag 1 1.1 History ................................................. 2 1.2 National flags ............................................. 4 1.2.1 Civil flags ........................................... 8 1.2.2 War flags ........................................... 8 1.2.3 International flags ....................................... 8 1.3 At sea ................................................. 8 1.4 Shapes and designs .......................................... 9 1.4.1 Vertical flags ......................................... 12 1.5 Religious flags ............................................. 13 1.6 Linguistic flags ............................................. 13 1.7 In sports ................................................ 16 1.8 Diplomatic flags ............................................ 18 1.9 In politics ............................................... 18 1.10 Vehicle flags .............................................. 18 1.11 Swimming flags ............................................ 19 1.12 Railway flags .............................................. 20 1.13 Flagpoles ............................................... 21 1.13.1 Record heights ........................................ 21 1.13.2 Design ............................................. 21 1.14 Hoisting the flag ............................................ 21 1.15 Flags and communication ....................................... 21 1.16 Flapping ................................................ 23 1.17 See also ............................................... -
14 Flags Over Oklahoma Trunk Contents
14 Flags Trunk Contents Te Over Oklahoma Hands-on Items 14 Flags – This trunk includes 14 full-size cloth flags that represent the 14 flags over Oklahoma. You may display these in the classroom and let the students pick them up and examine them. Royal Standard of Spain, circa 1513 – According to the Oklahoma Historical Society, this was the first flag to fly over Oklahoma. A Spanish explorer named Coronado brought it to Oklahoma in 1541. The red- and-white quartered flag has a golden castle on the red and a red lion on the white. The castle and lion represented royal houses Castile and Leon, from which the King of Spain descended. The Great Union Flag of Great Britain – This flag flew over Oklahoma beginning in 1663 when King Charles II gave his friends a wide strip of country called Carolina, which stretched from the Atlantic to the Pacific. 1 14 Flags Trunk Contents Te French Flag – Bernard de la Harpe brought this flag to the region in 1719 when he visited an Indian village on the Arkansas River near present-day Haskell in Muskogee County. However, the French claims on this area go back to 1682 when La Salle claimed all the country drained by the Mississippi River and its branches in the name of France. Cross of Burgundy, circa 1506 – In 1763 France gave all the country west of the Mississippi to Spain at the end of the Seven Years' War via the Treaty of Paris. Both French and Spanish explorers had established trading posts in the area. -
GOOD FLAG, BAD FLAG How to Design a Great Flag GOOD FLAG, This Guide Was Compiled by Ted Kaye, Editor of RAVEN, a Journal of Vexillology (Published Annually by NAVA)
GOOD FLAG, BAD FLAG How to Design a Great Flag GOOD FLAG, This guide was compiled by Ted Kaye, editor of RAVEN, a Journal of Vexillology (published annually by NAVA). These principles of good flag design distill the wisdom of many people BAD FLAG who have written on the subject, including Philippe Bondurand, Frederick Brownell, William Crampton, Michael Faul, Jim Ferrigan, Richard Gideon, Kevin Harrington, Lee Herold, Ralph Kelly, Rich Kenny, David Martucci, How to Design a Great Flag Clay Moss, Peter Orenski, Whitney Smith, Steve Tyson, Henry Untermeyer, and Alfred Znamierowski. What is NAVA? The North American Vexillological Association (NAVA) is dedicated to vexillology, the study of flag history and symbolism. For more information about its activities, publications, and membership, visit www.nava.org or write: NAVA P.O. Box 55071, #58049 Boston, MA 02205-5071, U.S.A. ISBN–13: 978–0–9747728–1–3 ISBN–10: 0–9747728–1–X Designed by Melissa Meiner © 2013 North American Vexillological Association Use 5 basic principles to create an oUtstanding flag for yoUr organization, city, tribe, company, family, neighborhood, or even coUntry! North American Vexillological Association The Flag Experts of the United States and Canada compiled by ted kaye WHAT IS A FLAG? flag’s purpose is to represent a place, organization, the five BASIC PRINCIPLES or person, generally on a rectangular piece of Acloth, to be seen at a distance, often moving, and of FLAG design reproduced in quantity and in many sizes. The 5 principles of good flag design will lead to a successful flag that accomplishes that purpose.