Symbolic Meaning of Mass Housing-A Qualitative Study
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Angelo Venosa
Angelo Venosa Angelo Venosa é natural de São Paulo onde frequenta a Escola Brasil em 1973. Transfere-se para o Rio de Janeiro, no ano de 1974, onde gradua-se em Desenho Industrial pela ESDI (Escola Superior de Desenho Industrial). Nos anos 1980, assiste a cursos na Escola de Artes Visuais do Parque Lage e em 2007 defende a dissertação de mestrado “Da Opacidade”, na Pós Graduação da Escola de Belas Artes da UFRJ (Universidade Federal do Rio de Janeiro). Surgiu na cena artística brasileira na década de 1980 e é um dos poucos artistas egressos da chamada “Geração 80” dedicados à escultura e não à pintura. Desde então lançou as bases de uma trajetória que inclui passagens pela Bienal de São Paulo (1987), Arte Brasileira do Século XX (1987, Musée d’Art Moderne de La Ville de Paris), Bienal de Veneza (1993), e Bienal do Mercosul (2005). Em 2012, o Museu de Arte Moderna do Rio de Janeiro (MAM RJ) consagrou-lhe uma exposição individual em comemoração aos 30 anos de carreira, que seguiu em itinerância para a Pinacoteca de São Paulo, Palácio das Artes em Belo Horizonte e Mamam em Recife. Em 2013 foi lançado o segundo livro sobre sua obra, também publicado pela Editora Cosac Naify. Hoje o artista conta com várias esculturas públicas instaladas no país: Museu de Arte Moderna do Rio de Janeiro (Jardins); Museu de Arte Moderna de São Paulo (Jardim do Ibirapuera); Pinacoteca de São Paulo (Jardim da Luz); Praia de Copacabana / Leme, no Rio de Janeiro; Santana do Livramento, Rio Grande do Sul; Parque José Ermírio de Moraes, em Curitiba e Museu do Açude no Rio de Janeiro Exposições Individuais 2021 Angelo Venosa no projeto Clareira, MAC-USP, São Paulo Quasi, Galeria Nara Roesler, Rio de Janeiro 2019 Penumbra, Galeria Nara Roesler, São Paulo Catilina, Paço Imperial, Rio de Janeiro. -
Ivan Fortunato PATEO DO
UNIVERSIDADE ESTADUAL PAULISTA Instituto de Geociências e Ciências Exatas Campus de Rio Claro (SP) Ivan Fortunato PATEO DO COLLEGIO: UM LUGAR NA CIDADE DE SÃO PAULO Tese de Doutorado apresentada ao Instituto de Geociências e Ciências Exatas do Campus de Rio Claro (SP), da Universidade Estadual Paulista Júlio de Mesquita Filho, como parte dos requisitos para obtenção do título de Doutor em Geografia. Orientadora: Profa. Dra. Lívia de Oliveira. Rio Claro (SP) 2014 IVAN FORTUNATO PATEO DO COLLEGIO: UM LUGAR NA CIDADE DE SÃO PAULO Tese de Doutorado apresentada ao Instituto de Geociências e Ciências Exatas do Campus de Rio Claro (SP), da Universidade Estadual Paulista Júlio de Mesquita Filho, como parte dos requisitos para obtenção do título de Doutor em Geografia. APROVADO Comissão Examinadora Profa. Dra. LIVIA DE OLIVEIRA IGCE/UNESP/Rio Claro (SP) Profa. Dra. SILVIA APARECIDA GUARNIERI ORTIGOZA IGCE/UNESP/Rio Claro (SP) Prof. Dr. EDUARDO JOSÉ MARANDOLA JUNIOR FCA/UNICAMP/Limeira (SP) Profa. Dra. LETÍCIA CAROLINA TEIXEIRA PÁDUA FIH/UFVJM/Diamantina (MG) Profa. Dra. DARLENE APARECIDA DE OLIVEIRA FERREIRA IGCE/UNESP/Rio Claro (SP) Rio Claro (SP), 05 de junho de 2014. 981.6sp Fortunato, Ivan F745p Pateo do Collegio: um lugar na cidade de São Paulo / Ivan Fortunato. - Rio Claro, 2014 152 f. : il., figs. Tese (doutorado) - Universidade Estadual Paulista, Instituto de Geociências e Ciências Exatas Orientador: Livia de Oliveira 1. São Paulo (SP) - História. 2. Geografia humanista. 3. Centro Histórico de São Paulo. 4. Geograficidade. 5. Lugar. 6. Sentido de lugar. I. Título. Ficha Catalográfica elaborada pela STATI - Biblioteca da UNESP Campus de Rio Claro/SP Dedico este trabalho ao esforço coletivo de todos aqueles que permitiram o seu desenlace, momento em que o ideal tangencia o real, e vice-versa.. -
Practical Information for Participants
Practical Information for Participants 1st Meeting of the Expert Group on ICT Household Indicators (EGH) São Paulo, Brazil 4-6 June 2013 1. Introduction The 1st Meeting of the Expert Group on ICT Household Indicators (EGH) will take place in São Paulo, Brazil, on 4-6 June 2013. The meeting is organized by the Telecommunication Development Bureau (BDT) of the International Telecommunication Union (ITU) and will be hosted by the Brazilian Network Information Center (NIC.br). The objective of the meeting is to examine the contributions received from members of the EGH online discussion forum 1 over the past year, with a view to finalizing the revision of the core list of indicators on ICT household access and individual ICT use, as well as the related revision of the ITU Manual for Measuring ICT Access and Use by Households and Individuals . The final outcome of the discussions will be presented to participants attending the 11th World Telecommunication/ICT Indicators Symposium (WTIS) , which will take place during the last quarter of 2013, in Mexico. The main topics that will be discussed during the EGH meeting include (1) revision of the existing core indicators, (2) new proposed core indicators, (3) cross-cutting issues, and (4) revisions of the ITU Manual. 2. Participation The meeting is targeted to those responsible for ICT household statistics in national statistical offices and relevant Ministries or other official agencies conducting such statistics. In particular it is addressed to members of the EGH online discussion forum. Experts interested in the subject of information society measurements are also welcome to register to the EGH and attend the meeting. -
Destination Report
Miami , Flori daBuenos Aires, Argentina Overview Introduction Buenos Aires, Argentina, is a wonderful combination of sleek skyscrapers and past grandeur, a collision of the ultrachic and tumbledown. Still, there has always been an undercurrent of melancholy in B.A. (as it is affectionately known by expats who call Buenos Aires home), which may help explain residents' devotion to that bittersweet expression of popular culture in Argentina, the tango. Still performed—albeit much less frequently now—in the streets and cafes, the tango has a romantic and nostalgic nature that is emblematic of Buenos Aires itself. Travel to Buenos Aires is popular, especially with stops in the neighborhoods of San Telmo, Palermo— and each of its colorful smaller divisions—and the array of plazas that help make up Buenos Aires tours. Highlights Sights—Inspect the art-nouveau and art-deco architecture along Avenida de Mayo; see the "glorious dead" in the Cementerio de la Recoleta and the gorgeously chic at bars and cafes in the same neighborhood; shop for antiques and see the tango dancers at Plaza Dorrego and the San Telmo Street Fair on Sunday; tour the old port district of La Boca and the colorful houses along its Caminito street; cheer at a soccer match between hometown rivals Boca Juniors and River Plate (for the very adventurous only). Museums—Museo de Arte Latinoamericano de Buenos Aires (MALBA: Coleccion Costantini); Museo Nacional de Bellas Artes; Museo Municipal de Arte Hispano-Americano Isaac Fernandez Blanco; Museo Historico Nacional; Museo de la Pasion Boquense (Boca football); one of two tango museums: Museo Casa Carlos Gardel or Museo Mundial del Tango. -
Not Going Anywhere
NOT GOING ANYWHERE Root reaching for the sun, Sami Korhonen, 2017 Index Concept 2 Artists 3 Eduardo Fonseca 3 Leopoldo Martins 6 Lilian Bomeny 12 Loredana 20 Lucia Adverse 23 Maria A. Listur 31 Sami Korhonen 36 Ricardo Fernandes Gallery 39 Photos 41 1 Concept “... mother Earth no longer accepts our presence with silence.” (The Dalai Lama) We have spent so many centuries considering the Earth as a source of infinite resources, the ocean as a never-ending-supplier of food, the forests of our planet as the center of our ecosystem, balancing air and climate and putting it all together in our honour, enjoyment and survival. But, we have forgotten we are part of it and we should defend this complete ecosystem in order to profit from it, paying back with respect and preservation. Instead of understanding those minimum steps of balancing our coexistence, we have changed it into a one-way exploitation system and a never ending disrespect, suddenly transforming the Earth in slave of our own gain. None of us is out of this responsibility and every one of us must now recognize the immediate need of preservation before it’s too late is it too late? After all we are not … going anywhere... Our last contemporary art show in 2019 is a conscious calling for responsibility. It is a visual manifest applying contemporary art as a support of this fight and making ours Francis Bacon’ declaration during the XVI Century: Art is man added to Nature. We decided to start this new decade with a visual art manifest show, every one of those artists are calling for the important fact of believing art can help us to change the present time and add us back to Nature. -
São Paulo – Sampa to Its Friends – Has a Dynamic Art Scene, from the Graffitied Streets to the Palaces of Culture
The SAMPA beat São Paulo – Sampa to its friends – has a dynamic art scene, from the graffitied streets to the palaces of culture. Paul Richardson rounds up the galleries to visit and the artists to look out for Photographs by Carol Sachs Choque Cultural Left, Alex Katz, Ulla in With its all-over black-and-white patterned livery, Black Hat, 2010, at Choque Cultural doesn’t look like your standard Luciana Brito. Below, Yuri modern art gallery. And Baixo Ribeiro and Mariana Oliveira and Julia Brito Martins don’t have much in common with their with, from left: Rochelle counterparts in upmarket Jardins. Their discourse Costi, Acervo, from the defiantly pits ‘urban’ against the bourgeois rt has been one of the great series Vende-se Tudo, constructs of ‘conventional’ contemporary art. beneficiaries of Brazil’s decade-long economic 2004 – 6; Delson Uchôa, ‘Culture Shock’ avoids certain aspects of the boom. The statistics are remarkable: a recent report Soleira, 2004 – 7; Thomaz traditional gallery, although Ribeiro does go to suggested that two-thirds of the country’s galleries Farkas, Presidente art fairs now that the stock of Brazilian street art opened their doors in the past 15 years, and that Juscelino Kubitschek no has begun to rise. The art sold here is affordable almost three-quarters of international collectors dia da inauguração de (Daniel Melim, the most expensive artist, prices own work by Brazilian artists or intend to do so. Brasília, 21 de abril, 1960, his biggest pieces at just US$12,000), making it Artistic creation has always been important and Populares sobre an attractive proposition for novice collectors. -
Entre a Ação Cultural E a Social Museu E Educadores Em Formação
Entre a ação cultural e a social museu e educadores em formação coordenação editorial Gabriela Aidar, Milene Chiovatto e Danielle Rodrigues Amaro Entre a ação cultural e a social: museu e educadores em formação Gabriela Aidar, Milene Chiovatto e Danielle Rodrigues Amaro coordenação editorial 6 16 116 Apresentação Multiplicando Educação não Tadeu Chiarelli ações educativas formal, projetos Milene Chiovatto e o exercício da formação: por uma educação 8 sem bússolas 26 Renata Sieiro Núcleo de Ação Fernandes Educativa da [Trans]formar-se: Pinacoteca e encontros entre a formação de o Programa educadores de Inclusão 140 sociais Sociocultural Marcelo Mattos e educadores As artes visuais Araujo sociais como visão Gabriela Aidar de mundo e e Danielle exercício de Rodrigues diversidade 10 Amaro, com a Gabriela colaboração de Suzana Wilder Introdução Renato Akio da Gabriela Aidar, Cruz Yamaguchi Milene Chiovatto e Danielle 144 Rodrigues Amaro 56 Aspectos de leitura Ser cultural: de imagens pesquisa Daniela Canto avaliativa sobre o curso Ações multiplicadoras: o museu e 150 a inclusão sociocultural Avaliação: da Martina Rillo museologia para Otero, Milene a educação Chiovatto, social Gabriela Aidar Adriana Mortara e Danielle Almeida Rodrigues Amaro 158 174 194 Educação não Arte e vida Bibliografia formal: de Orlando Coelho utilizada no educadora social Barbosa curso Ações para educadora multiplicadoras: de museu o museu e Creusa Claudino a inclusão 180 sociocultural Eu/outro 164 Samuel de Jesus Pereira 200 Desbravando caminhos no Lista de desenvolvimento Organizações da de ações 186 Sociedade Civil educativas e participantes inclusão social Adolescendo do curso Ações Cristina Viscome com arte: uma multiplicadoras: experiência de o museu e comunicação a inclusão e arte sociocultural 170 Vera Alves Desdobramentos do projeto Resgatando a cidadania e identidade Hani Khouri Fonseca Amaral Eu posso me comunicar com a história. -
Spatial Association Between the Incidence Rate of COVID-19 and Poverty in the São Paulo Municipality, Brazil
gh-2020_2 DEF.qxp_Hrev_master 14/01/21 23:37 Pagina 191 Geospatial Health 2020; volume 15:921 Spatial association between the incidence rate of COVID-19 and poverty in the São Paulo municipality, Brazil Marcos César Ferreira Institute of Geosciences, State University of Campinas, Brazil with households located in the slums (I = 0.237, P<0.05). Our Abstract study concluded that the households where the population most In this article, we investigated the spatial dependence of the vulnerable to COVID-19 resides were spatially distributed in the incidence rate by COVID-19 in the São Paulo municipality, districts with lower salaries, higher percentages of slums and Brazil, including the association between the spatially smoothed lower percentages of the population above 60 years of age. incidence rate (INC_EBS) and the social determinants of poverty, the average Salary (SAL), the percentage of households located in slums (SLUMS) and the percentage of the population above 60 years of age (POP>60Y). We used data on the number notified Introduction cases accumulated per district by May 18, 2020. The spatial The severe acute respiratory syndrome corona virus 2 (SARS- dependence of the spatially smoothed incidence rate was investi- CoV-2), which causes COVID-19, was initially identified on gated through the analysis of univariate local spatial autocorrela- December 31, 2019, inonly the city of Wuhan, which is located in tion using Moran’s I. To evaluate the spatial association between Hubei Province, China (Sohrabi et al., 2020). The first reports on the INC_EBS and the determinants SAL, POP>60Y and SLUMS, COVID-19 indicated the existence of a cluster located in the we used the local bivariate Moran’s I. -
IN NUMBERS GASTRONOMY NIGHTLIFE HEALTH and WELLNESS 12 Million Inhabitants in the City, a City of Aromas and Flavors
Caio Pimenta © Skol Sensation © José Cordeiro Sensation Skol Ibirapuera Park © José Cordeiro Zucco Restaurant © José Cordeiro Restaurant Zucco Open Air Urban Art Museum IN NUMBERS GASTRONOMY NIGHTLIFE HEALTH AND WELLNESS 12 million inhabitants in the city, A city of aromas and flavors. São Paulo has gastronomy as one of the strongest cultural traits. The offer The São Paulo’s nightlife is a truly portrait of the city: frenetic, creative, diverse and democratic. São Paulo, by + than 15 million tourists per year. or 21 million in the metropolitan region. has excellence and is democratic. Whether for a business lunch, friends reunion or a family meeting, there the way, is famous for its nightlife that has already been awarded among the bests like Ibiza and New York. To have the most important hospital and the best health professionals of the Country is a privilege of the biggest Brazilian are always options that goes from the popular gastronomy to the renowned restaurants. A fresh sashimi, Around all the corners, lively happy hours start the party: residents and tourists mingle to dance, flirt, eat, metropolis, destination of so many people that look for excelence in hospitals and state-of-the-art laboratories with a crunchy samosa, a properly spicy ceviche and a surprising fresh pasta are some of the delights at the drink or all those things at the same time. There are some whole neighborhoods dedicated to provide hours advanced technology to diagnose and treat the most complex diseases, with an excellent cost-benefit ratio compared 30.000 109 parks and capital; and we didn’t mention yet the feijoada, the virado à paulista, the really giant codfish pastry and the of fun. -
A Sinuous Path: Museu Paulista and the Appropriations of Fundação De São Paulo, by Oscar Pereira Da Silva1
MUSEUMS/DOSSIER History Painting in the colletion of the Museu Paulista A sinuous path: Museu Paulista and the appropriations of Fundação de São Paulo, by Oscar Pereira da Silva1 http://dx.doi.org/10.1590/1982-02672019v27e16d2 MICHELLI CRISTINE SCAPOL MONTEIRO2 1. The article is the result of Master's research funded by https://orcid.org/0000-0003-2353-2520 the São Paulo Research Foundation (Fapesp), grant Universidade de São Paulo / São Paulo, SP, Brasil No. 2010 / 02865-0. 2. Bachelor in History from the University of São Paulo (USP), holder of Master’s and Doctoral degrees in History and Fundamentals of Architecture and ABSTRACT: The article analyzes the painting Fundação de São Paulo, did by Oscar Pereira Urbanism from USP, with a research internship in Italy da Silva in 1907, from the perspective of its relationship with the Museu Paulista, where it is at Università degli Studi on exhibition since 1929. Taking the painting as a statement, the intention is to situate it within Roma Tre. E-mail: <michelli. [email protected]>. its contexts, highlighting its re-significations, which arise from the multiple perceptions regarding what was affirmed by its image content. By exploring the relationship between the painting and the Museu Paulista, it will be demonstrated that Oscar Pereira da Silva’s objective was to rep- resent the embryonic act of the city and of the Paulistas and transform his work into a significant historical narrative document. However, the difficult insertion of the painting in Museu Paulista’s narrative made this achievement full of tensions. By analyzing important moments in the painting story, such as the addition to the Pinacoteca de São Paulo’s collection, the transfer to Museu Paulista, its appropriation by the Faculty of Law’s stained glass windows and by the materials commemorating the IV Centenary of São Paulo, this paper will demonstrate that the passage of time associated with its musealization renewed and evidenced its social appropriation, enabling its integration into the imagery both of the city and of the state of São Paulo. -
Urban Youth Circuits in São Paulo*
Tempo soc. vol.2 no.se São Paulo 2006 Urban youth circuits in São Paulo* José Guilherme Cantor Magnani ABSTRACT This article presents the results of a research project on young people and their cultural and leisure practices, and their networks of sociability and exchange (including conflictual relations) in the urban context of São Paulo city. After introducing and discussing the terms `urban tribes and youth culture,' I propose another term, `youth circuits,' as an alternative approach to the theme. Instead of emphasizing the fact that they are young - thereby supposedly linking a wide range of different manifestations to a common denominator - the idea is to highlight their insertion in the urban scenario through an ethnography of the spaces where they circulate and meet, the occasions where conflict erupts, and the partners with whom they establish exchange relationships. By adopting this approach, I intend to connect two elements that are present in this dynamic: firstly, behaviours; and secondly, the urban spaces, institutions and installations. The idea is to call attention to (1) sociability, rather than consumption and styles of expression linked to the generational issue; (2) to permanence and regularity, rather than fragmentation and nomadism. Keywords: Youth Circuits; Youth Culture; Metropolis; Urban Ethnography. Introduction This article presents the results of a research project on young people, focusing on their cultural and leisure practices, as well as their networks of sociability and exchange (including conflictual relations), in the context of a large urban metropolis, the city of São Paulo. The research providing the basis for the present text was undertaken as part of the activities of the Urban Anthropology Research Group (NAU/USP), although many of the student texts produced on the Field Research in Anthropology course, run by myself on the degree program in Social Sciences of the FFLCH of the University of São Paulo, have also contributed to a lot of the ideas. -
Easel Painting Conservation La Pinacoteca Do Estado De São Paulo, São Paulo, Brazil
THE ZIBBY GARNETT TRAVELLING FELLOWSHIP Report by Grace Osbourne Easel Painting Conservation La Pinacoteca do Estado de São Paulo, São Paulo, Brazil 9 September – 25 October 2013 1 Acknowledgements .................................................................... 3 Introduction ............................................................................... 3 General Introduction ............................................................ 3 Study Trip .............................................................................. 4 Budget ..................................................................................... 5 The Pinacoteca do Estado de São Paulo ................................. 5 Introduction to Brazil and São Paulo .................................. 5 The Pinacoteca do Estado de São Paulo ............................. 8 Related Institutions ............................................................. 10 My Placement at the Pinacoteca ........................................ 10 Main Project .................................................................... 11 Background of the painting ............................................ 11 Condition of the painting ................................................ 12 Other Projects.................................................................. 20 “Anchieta”, Tadakiyo Sakai, 1953, terracotta. ............ 21 “Tenor, Sentimental, Album, Gala e Fatal”, Frida Baranek, 2000, copper and rubber. ............................... 22 Technical Visits with the Pinacoteca ................................