National Institute of Disaster Management Training Programme

Total Page:16

File Type:pdf, Size:1020Kb

National Institute of Disaster Management Training Programme National Institute of Disaster Management (Ministry of Home Affairs, Government of India) 5-B, IIPA Campus, IP Estate, Ring Road, New Delhi - 110002 Training Programme on Disaster Risk Management of Cultural Heritage Dates & Venue : 20-24 December, 2010 at NIDM, New Delhi Course Team : Ms. Chandrani Bandyopadhyay , Assistant Professor Dr Rohit Jigyasu, Conservation & Risk Management Consultant, INDIA Guest Faculty PARTICIPANTS LIST OF PARTICIPANTS Sr. No. Name & Address Tel/Fax/E-mail Ms. Neela Manjunath Tel – 080-22863736 Commissioner Res – 26720893 Department of Archaeology, Museums and Heritage, Mob – 9449637501 Venkatappa Art Gallery, Kasturba Road, Fax – 080-22863736 Banglore – 560001, Karnataka heritagebanglore@gmail.com Shri Sayan Bhattacharya Tel – 033-22816029/5553 Programme Assistant Res – 033-25543999 Center for Archaeological Studies & Training, Eastern Fax – 033-22816029 India, 4, Camac Street, Kolkata – 700016, West Bengal Mob – 09830338673 archaeologist4n@gmail.com Shri Umrao Singh Tel – 05644-228185 Superintendent, Bharatpur Circle Mob – 9929421476 Department of Archaeology & Museums, Jaipur, Rajasthan Shri Pankaj Dharendra Tel – 0141-2618862, 2721700 (R) Superintendent Jaipur Circle Fax – 0141-2618862 Department of Archaeology and Museums , Rajasthan, Mob – 9414251730 Behind Albert Hall, albert_pankaj@rediffmail.com Ramniwas Garden, Jaipur, Rajasthan pankaj.dharendra@gmail.com Shri Rakesh Chholak Tel – 0141-2570099 Superintendent Fax – 0141-2570099 Archaeology & Museums, Mob – 09414335728 Department of Rajasthan, Behind Albert Hall, Jaipur, rchholak@yahoo.com Rajasthan Shir Tariq Safi Tel – 0194-2311478, 2482687 Library Assistant Mob – 9797143552 Jammu & Kashmir Academy of Art, Culture and shahtariq96@gmail.com Language, Lalmandi, Srinagar, Kashmir – 190001 Shri M. Sanjeeb Kumar Tel – 0674-2471597 Sr. Draughtsman Res. – 09937144910 Orissa State Museum Fax – 0674-2431597 Bhubaneswar, Orissa sanjeeb@hotmail.com Shri Laxmidhar Sahoo Tel – 0674-2431597 Manuuscript Library Assistant Res. – 9438506322 Orissa State Museum Fax – 0674-2431597 Kalpana Square, Bhubaneswar, Orissa Mob - 9437174667 Dr. Suresh Kumar Dubey Fax – 0522-2623045 Assistant Archaeological Officer Mob – 9415943180 Regional Archeological Unit, Govt. Museum Campus, skdubeyjhs@rediffmail.com Jhansi, (UP State Archeology) Roshnuddanta Kothi, Kaisar Bagh,Lucknow, UP Smt. Sumita Guha Sarkar Tel – 033-221166335/36 Assistant Curator Fax – 033-22116635 State Archaeological Museum, West Bengal, Directorate Mob – 9433059662 of Archaeology and Museums, Government of West sumitasamwb@gmail.com Bengal 33, Chittaranjan Avenue, 4th Floor Kolkata – 700012, West Bengal Dr. Arvind Mahajan Tel – 0612-2235731 Asst. Curator cum Guide lecturer Res. – 06115-230307 Patna Museum, Dept. of Art, Culture & Youth, Govt. of Mob - 9431457349 Bihar mahajanarvind@sify.com Dr. Atul Kumar Verma Tel – 0612-2211619 Exploration & Excavation Officer Cum Nodal Officer Res. – 9525957490 Archeology Mob – 9471861825 Directorate of Archeology, Dept. of Art, Cultrure & Fax – 0612-2230173 Youth, Vikas Bhawan, Balley Road, Patna, Bihar atulkverma@rediffmail.com Shri Anil Kumar Tel – 0612-3261677 Asst. Engineer Mob - 9334241155 Archeology Directorate Patna, Bihar Shri Jaspal Singh Tel – 011-23865936 Surveyor Res. – 25191228 Dept. of Archaeology, Govt. of NCT of Delhi, GGS Mob – 9818261839 Indraprastha University Campus, Kashmere Gate ,Delhi - Fax – 23868118 06 jaspal69@yahoo.com Dr. Ram Naresh Pal Tel – 0532-250611 Regional Archeology Officer, Mob – 9415783762 UP State Archeology Dept., Allahabad, UP Fax – 0522-2623045 Shri Vikash Maloo Tel – 011-23865936 Archeological Engineer Mob – 9868589050 Dept. of Archaelogy, Govt. of Delhi Near GPO, Kashmere Gate,Delhi Shri M N Khan Tel – 011-23865936 Conservator Asstt. Mob - 9868669285 Dept. of Archaelogy, GNCT of Delhi COURSE SCHEDULE Day 1 ( Monday) (20 December, 2010) Time Topic Speaker 10.30 – 11.30 Inauguration, Expectation, Icebreakers 11.30 – 11.45 Tea 11.45 – 13.00 An Overview of Disaster Risk Ms. Chandrani Management Bandyopadhyay, NIDM 13.00-14.00 Lunch 14.00 – 15.15 Significance of Disaster Risk Dr Rohit Jigyasu, Conservation Management of Cultural Heritage & Risk Management and Core Principles Consultant, INDIA 15.15 – 15.30 Tea 15.30 – 17.00 Experience Sharing/Discussion Dr Rohit Jigyasu / Ms. Chandrani Bandyopadhyay Day 2 ( Tuesday) (21 December, 2010) Module 2: Disaster Risk Assessment 10.00 – 11.15 Tools and Methodology for Dr Rohit Jigyasu undertaking Disaster Risk Assessment of Cultural Properties/Museums 11.15-11.30 Tea 11.30 – 13.00 Climate Change, Natural Hazards Dr R.K Bhandari and Conservation of Heritage Structures 13.00-14.00 Lunch Module 3: Reducing Disaster Risks 14.00 – 15.15 Mitigating Disaster Risks from Hari Kumar M R Earthquakes – Considerations, Techniques and Strategies 15.15 – 15.30 Tea 15.30 – 17.00 Structural and Non-Structural Hari Kumar, M R Earthquake Risk Mitigation for Museums Day 3 ( Wednesday) (22 December, 2010) Field Site Visit to Salimgarh Fort Exercise 10.00 – 10.15 Introduction to Risk Assessment Dr Rohit Jigyasu / Field Exercise, Team Building Ms. Chandrani Bandyopadhyay 10.15 – 13.30 Site Visit 13.30 – 14.30 Lunch 14.30 – 16.30 Risk Analysis Exercise and Group Dr Rohit Jigyasu / Work Ms. Chandrani Bandyopadhyay 16.30 – 17.30 Participants’ Presentation and Discussion Day 4 ( Thursday) (23 December, 2010) Module 4: Emergency Preparedness & Response 10.00 – 11.15 Emergency Preparedness Dr Rohit Jigyasu Tools/Techniques and Response Procedures 11.30 – 13.00 Enacting the Emergency Scenario Dr Rohit Jigyasu / Ms. Chandrani Bandyopadhyay 13.00-14.00 Lunch 14.00 – 15.30 Emergency Preparedness for Fire Vijay Bahadur, Delhi Fire Disasters in Museums Service 15.30 – 15.45 Tea 15.45 – 17.00 Holistic Approach in Risk Ms. Chandrani Reduction of Cultural Heritage: A Bandyopadhyay Case Study Day 5 ( Friday) (24 December, 2010) Module 5: Post-disaster Recovery & Rehabilitation 10.00 – 11.15 Methodology for Post-Disaster Dr Rohit Jigyasu Damage Assessment of Cultural Heritage: Lessons learnt 11.15- 11.30 Tea Module 6: Disaster Risk Management Policies & Planning 11.30 – 13.00 Preparing Disaster Risk Dr Rohit Jigyasu / Management Plans for Cultural Ms. Chandrani Heritage Sites & Museums Bandyopadhyay 13.00-14.00 Lunch 14.00 – 15.00 Discussion and Feedback from participants 15..00 – 15.30 Closing and Valediction ED, NIDM .
Recommended publications
  • World Heritage Sites in India
    World Heritage Sites in India drishtiias.com/printpdf/world-heritage-sites-in-india A World Heritage Site is a place that is listed by UNESCO for its special cultural or physical significance. The list of World Heritage Sites is maintained by the international 'World Heritage Programme', administered by the UNESCO World Heritage Committee. The United Nations Educational, Scientific and Cultural Organization (UNESCO) seeks to encourage the identification, protection and preservation of cultural and natural heritage around the world considered to be of outstanding value to humanity. This is embodied in an international treaty called the Convention concerning the Protection of the World Cultural and Natural Heritage, adopted by UNESCO in 1972. India has 38 world heritage sites that include 30 Cultural properties, 7 Natural properties and 1 mixed site. Watch Video At: https://youtu.be/lOzxUVCCSug 1/11 United Nations Educational, Scientific and Cultural Organization It was founded in 1945 to develop the “intellectual and moral solidarity of mankind” as a means of building lasting peace. It is located in Paris, France. Cultural Sites in India (30) Agra Fort (1983) 16th-century Mughal monument Fortress of red sandstone It comprises the Jahangir Palace and the Khas Mahal, built by Shah Jahan; audience halls, such as the Diwan-i-Khas Ajanta Caves (1983) Archaeological Site of Nalanda Mahavihara at Nalanda, Bihar (2016) Remains of a monastic and scholastic institution dating from the 3 rd century BCE to the 13th century CE. Includes stupas, shrines, viharas (residential and educational buildings) and important artworks in stucco, stone and metal. Considered to be the most ancient university of the Indian Subcontinent.
    [Show full text]
  • CULTURAL LANDSCAPE PRESERVATION: ANALYSIS of FIVE PRESERVATION MODELS Vineet Date Clemson University, Vdate@Clemson.Edu
    Clemson University TigerPrints All Theses Theses 5-2012 CULTURAL LANDSCAPE PRESERVATION: ANALYSIS OF FIVE PRESERVATION MODELS Vineet Date Clemson University, vdate@clemson.edu Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Landscape Architecture Commons Recommended Citation Date, Vineet, "CULTURAL LANDSCAPE PRESERVATION: ANALYSIS OF FIVE PRESERVATION MODELS" (2012). All Theses. 1401. https://tigerprints.clemson.edu/all_theses/1401 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact kokeefe@clemson.edu. CULTURAL LANDSCAPE PRESERVATION: ANALYSIS OF FIVE PRESERVATION MODELS A Thesis Presented to The Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Masters in Landscape Architecture By Vineet Shrikant Date May 2012 Accepted by: Dr. Matthew Powers, Committee Chair Dr. Christa Smith Mr. David Pearson Dr. Grant Cunningham i ABSTRACT In the recent past there has been a rise in concerns regarding the management and preservation of cultural landscapes. This project attempts to understand and analyze contemporary approaches taken by organizations around the world to preserve cultural landscapes. Five organizations are (1) United Nations Educational, Scientific and Cultural Organization (UNESCO), (2) Australian Heritage Council (AHC), (3) New Zealand Historic Places Trust (NZHPT), (4) National Park Service (NPS) and (5) Archeological Survey of India (ASI) have been selected for study. The existing preservation guidelines and two case studies from each organization are examined. The results of the study will help in understanding the similarities and differences in approaches taken by various organizations while building towards a common framework.
    [Show full text]
  • Red Fortfort CMYK Were Built in 1638 and Were Designed to Prevent the Invaders
    The Sentinel P A G E 5 AUGUST 13, 2018 CMYK RedRed FortFort CMYK were built in 1638 and were designed to prevent the invaders. Heritage It was built adjacent to the old Salimgarh Fort, built by Islam Zone Shah Suri in 1546. The main gate, Lahore Gate, is one of the emotional and symbolic focal points of the modern Indian nation and attracts a lot of visitors of, especially, during the Independence Day. It houses many museums. The arched arcade of Chatta Chowk, a small market sits where vendors can be seen selling trinkets, leads into the huge fort compound. Inside is a veritable treasure trove of buildings, including the Drum House, the Hall of Public Audiences, the white marble Hall of Private Audiences, the Pearl Mosque, Royal Baths and Palace of Color. The fort complex represents the zenith of Mughal creativity under Shah Jahan and was considered to be the social and political centre of Mughal empire. The imperial apartments consist of a row of pavilions, connected by a water channels known as the Stream of Paradise (Nahr-i-Bihisht). Each pavilion has typical Mughal architectural elements that reflect a fusion of Timurid and Persian The Red Fort is a historical place in the present city of Delhi in India. It traditions. Its innovative architecture, has influenced the buildings and was the main residence of the emperors of the Mughal dynasty for nearly gardens prepared later in Delhi, Rajasthan, Punjab, Kashmir, Braj, 200 years, until 1857. It was constructed in 1639 by Shah Jahan, the Rohilkhand and other places.
    [Show full text]
  • Important Facts About UNESCO World Heritage Sites in India
    Important Facts about UNESCO World Heritage Sites in India 1. Agra Fort It is the 16th Century Mughal Monument called the Red Fort of Agra. Jahangir Palace and the Khas Mahal built by Shah Jahan are part of Agra Fort. Ajanta Caves These are rock-cut caves. There are a total of 29 caves. Archaeological Site of Nalanda Mahavihara at Nalanda Nalanda is the most ancient university in India. The archaeological remains of a monastic and scholastic institution dated from the 3rd century BCE to the 13th century CE are found here. Buddhist Monuments at Sanchi Monolithic pillars, palaces, temples and monasteries are part of it. It is considered the oldest Buddhist Sanctuary in existence. Champaner-Pavagadh Archaeological Park Unexcavated archaeological, historic and living cultural heritage properties are a part of it. Structures built between 8th and 14th centuries like fortifications, palaces, religious buildings, residential precincts, agricultural structures and water installations; are found here. Chhatrapati Shivaji Terminus The former name of CST was Victoria Terminus. It represents the Victorian Gothic Revival architecture in India. British architect F. W. Stevens built and designed it. Churches and Convents of Goa The churches of the city which was the Portuguese capital signifies the evangelization of Asia. Elephanta Caves Gharapuri Caves is the local name of Elephanta Caves. There are seven caves. Ellora Caves There are 34 monasteries and temples. Fatehpur Sikri Mughal Emperor Akbar built it. It had been a Mughal capital for 10 years. Jama Masjid is a part of it. Great Living Chola Temples It includes temples like theBrihadisvara Temple at Thanjavur, the Brihadisvara Temple at Gangaikondacholisvaram and the Airavatesvara Temple at Darasuram.
    [Show full text]
  • Indian Archaeology 1994-95 a Review
    INDIAN ARCHAEOLOGY 1994-95 — A REVIEW EDITED BY HARI MANJHI C. DORJE ARUNDHATI BANERJI PUBLISHED BY THE DIRECTOR GENERAL ARCHAEOLOGICAL SURVEY OF INDIA GOVERNMENT OF INDIA JANPATH, NEW DELHI 2000 front cover : Gudnapura, general view of remains of a brick temple-complex back cover : Kanaganahalli, drum-slab depicting empty throne and Buddhdpada flanked by chanri bearers and devotees © 2000 ARCHAEOLOGICAL SURVEY OF INDIA GOVERNMENT OF INDIA Price : Rs. 330.00 PRINTED AT M/S BENGAL OFFSET WORKS, 335, KHAJOOR ROAD, NEW DELHI - 110005 PREFACE In bringing out this annual Review after a brief gap of one month, I warmly acknowledge the contributions of all my colleagues in the Survey as also those in the State Departments, Universities and various other Institutions engaged in archaeological researches for supplying material with illustrations for inclusion in this issue. I am sure, that, with the co-operation of all the heads of respective departments, we will soon be able to further reduce the gap in the printing of the Review. If contributions are received in time in the required format and style, our task of expediting its publication will be much easier. The material incorporated herein covers a wide range of subjects comprising exploration and excavation, epigraphical discoveries, development of museums, radio-carbon dates, architectural survey of secular and religious buildings, structural/chemical conservation etc. During the period under review many new discoveries have been reported throughout the country. Among these the survey of buildings in and around Vrindavan associated with mythological tradition is particularly interesting. I would like to place on record my sincere thanks to my colleagues Shri Hari Manjhi, Shri C.
    [Show full text]
  • LAL QUILA/RED FORT COMPLEX Red Fort, Popularly Known As Lal Qila, Was Constructed by Shah Jahan in the 17Th Century
    LAL QUILA/RED FORT COMPLEX Red Fort, popularly known as Lal Qila, was constructed by Shah Jahan in the 17th Century. • The fort complex served as the residence of Mughal Emperors for nearly 200 years, until 1857. • It was designed by architect Ustad Ahmad Lahauri and Ustad Hamid. • The fort lies along the Yamuna River. • Its construction began in the sacred month of Muharram, on 13 May 1638, and was completed in 1648. • It has a perimeter of 2.41km. •The fort is built using red sandstone and has an oblong octagonal plan. • It has 2 principal gates – Lahore Drawaza and Delhi Darwaza along its western and southern sides respectively. Key Features •The fortress is in the shape of a rectangle 900m by 550m. • The rampart is about 34m high. • A moat surrounds the rampart. • Two of five gateways of the fort are three – storeyed structures flanked by octagonal towers. • These are the Lahori Gate and the Delhi Gate. • Figures of two huge elephants flank the Delhi Gate. • The main entrance to the fort is through the Lahori Gate. • A covered passage with shops on either side leads to the places inside the fort. Rampart - a defensive wall of a castle or walled city, having a broad top with a walkway and typically a stone parapet. •The Red Fort's boundary walls are asymmetrical to contain the older Salimgarh Fort. • The fortress-palace was a focal point of the medieval city of Shahjahanabad, which is present-day Old Delhi. • Its planning and aesthetics represent the zenith of Mughal creativity prevailing during Shah Jahan's reign.
    [Show full text]
  • Art in Between Empires: Visual Culture & Artistic
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Columbia University Academic Commons ART IN BETWEEN EMPIRES: VISUAL CULTURE & ARTISTIC KNOWLEDGE IN LATE MUGHAL DELHI 1748-1857 Yuthika Sharma Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Yuthika Sharma All rights reserved ABSTRACT Art in between Empires: Visual Culture & Artistic Knowledge in Late Mughal Delhi 1748 -1857 Yuthika Sharma This dissertation focuses on the artistic culture of late Mughal Delhi spanning the last century of Mughal rule and the administration of the English East India Company in North India, from the mid-eighteenth to the mid-nineteenth centuries. It brings a hitherto unrecognized period of artistic accomplishment to light and studies the transformations within painting culture in the multicultural Anglo-Mughal society of Delhi. Rather than being fixated on the continuum of Mughal painting over centuries, this dissertation suggests that the art of the late Mughal period should be studied on its own terms as a response to immense socio-political and cultural changes. At its core this study is concerned with dissolving the stylistic barriers between Mughal and Company painting in the late eighteenth and nineteenth centuries. I take up the question of what the term ‘late Mughal painting’ entails and discuss how the term privileges the notion of a court centric culture of painting in an era when the Mughal court was only one of many venues of artistic expression. On the other hand, I highlight the inadequacy of the term ‘Company painting’ to address the variegated nature of works produced under East India Company patronage in this period.
    [Show full text]
  • FORTS of INDIA Anurit Vema
    FORTS OF INDIA Anurit Vema *'9^7” \ < > k M' . J . i <• : » I : *='>- >.% ' nvjl •I' 4 V FORTS OF INDIA ■ \ f 0i''. ■ V'; ’ V, , ’' I* ;■'; -r^/A ci''> Digitized by the Internet Archive in 2018 with funding from Public.Resource.org https ;//archive.org/details/fortsofindiaOOverm JAMkJ AND KASHMIR FORTS OF INDIA HARIPARBAT "■^Arot kangraW ( HIMACHAL\ ( .' V.PRADESH\ r PUNJAB S', i /kalibangM ■'HARYANA > ARUNACHAL PRADESH ®BIKANER \ A/ D. AMBEr'f-X UTTAR PRADESH^-'... ® RAJASTHAN ® X BHUTAN "'^JAISALMER BHARATPUR’^A--^,@i®/lGPA JODHPUR /^^f^ji^^i^gff^j^^®^ BWALIOR J ALLAHABAD ROHTASGARH MEGHALAYA 'KUMBHALGARH % (\ \ ®\ .0 n.1 , ^•‘-fCHUHAR BANGLADESH TRIPURA f AHtAADABAD ■> WEST C !■ r'^' BENGALI, ® .^XHAMPANIR MADHYA PRADESH FORT WILLIAM A RAT /rOABHOlV ®MANDU BURMA DAULATABAD MAHARASHTRA ^AHMEDNABAR SHJVNER ARABIAN SEA mSINHGARH l\i,' WARANGAL 1, bay of BENGAL RAIGARH . /“ < GULBARGA GOLKUNOA PANHALA BIJAPUR JANDHRA PRADESH VUAYANAGAR iKARNATAKA| '^RJRANGAPATAM m GINGEEi LAKSHADWEEP (INDIA) SRI \ INDIAN OCEAN LANKA 6aMd upon Survey ol India outline map printed in 1980 The territorial waters of India extend into the sea to a distance of twelve nautical miles measured from the appropriate base line. ) Government of India copyrliht. The twundary of Meghalaya shown on this map is as interpreted from the Nonh-Eestern Areas (Reorgamaaiion) Act, 1971. but has yet to be venlied 49 FORTS OF INDIA AMRIT VERMA PUBLICATIONS DIVISION MINISTRY OF INFORMATION AND BROADCASTING GOVERNMENT OF INDIA May 1985 {Jyaistha 1907) ® Publications Division Price
    [Show full text]
  • Shahjahanabad (Old Delhi)
    India Habitat Centre Habitat Library & Resource Centre IHC Walk: Dec 13, 2014, 3:00 pm Shahjahanabad (Old Delhi) Shahjahanabad Delhi went into something of an eclipse from the time of Humayun's Delhi to the accession of Shahjahan, the great Mughal builder who in 1648 built Shahjahanabad, the seventh city of Delhi. Shahjahan's Delhi, is today more visible than all the Delhi's built before it. The scale on which he built was also more heroic, as can be seen from the Red Fort and the Jama Masjid. Habitat Library & Resource Centre Page 1 The magnificence of the palace (Red Fort - World Heritage Monument at present) is best described in the famous couplet inscribed in the Diwan-i-Khas: Agar fardos ba rue Zamin ast Hamin ast a hamin ast a hamin ast. If paradise be on the face of the earth, it is this, even this, it is this The celebrated poet Mirza Galib, maintained the same fervour and wrote: "If the world is body, Delhi is the soul". There can be no better attributes for a city. Shahjahanabad was a walled city, and some of its gates and parts of the wall still stand. The romance of the bazaars of Delhi can be experienced at its best in and around Chandni Chowk and its by lanes. Shahjahanabad was secured and enclosed by about ten kilometer long well. Ten gates connected the city with the surrounding region. Lahore gate was the main entrance for the Red Port besides Delhi Gate. The Kashmere Gate, Calcutta Gate, Mori Gate, Kabul Gate, Faresh Khana Gate, Ajmere Gate and the Turkman Gate were the other major links of the city with the highways.
    [Show full text]
  • Salimgarh Fort, Delhi
    Salimgarh Fort Salimgarh Fort, Delhi Salimgarh Fort was constructed by Islam Shah Suri son of Sher Shah Suri. Humayun camped here for three days before attacking and defeating Sikandar Suri, the last ruler of Sur dynasty. During the Mughal period, the fort came inside the precincts of Red Fort. This tutorial will let you know about the history of the fort along with the structures present inside. You will also get the information about the best time to visit it along with how to reach the fort. Audience This tutorial is designed for the people who would like to know about the history of Salimgarh Fort along with the interiors and design of the fort. This fort is visited by many people from India and abroad. Prerequisites This is a brief tutorial designed only for informational purpose. There are no prerequisites as such. All that you should have is a keen interest to explore new places and experience their charm. Copyright & Disclaimer Copyright 2017 by Tutorials Point (I) Pvt. Ltd. All the content and graphics published in this e-book are the property of Tutorials Point (I) Pvt. Ltd. The user of this e-book is prohibited to reuse, retain, copy, distribute, or republish any contents or a part of contents of this e-book in any manner without written consent of the publisher. We strive to update the contents of our website and tutorials as timely and as precisely as possible, however, the contents may contain inaccuracies or errors. Tutorials Point (I) Pvt. Ltd. provides no guarantee regarding the accuracy, timeliness, or completeness of our website or its contents including this tutorial.
    [Show full text]
  • Government of India Ministry of Culture Lok Sabha Unstarred Question No
    1 GOVERNMENT OF INDIA MINISTRY OF CULTURE LOK SABHA UNSTARRED QUESTION NO. 97 TO BE ANSWERED ON 25.4.2016 VAISAKHA 5, 1938 (SAKA) NATIONAL HERITAGE STATUS 97. SHRI B.V.NAIK; SHRI ARJUN LAL MEENA; SHRI P. KUMAR: Will the Minister of CULTURE be pleased to state: (a) whether the Government has finalized its proposal for sending its entry for world heritage status long with the criteria to select entry for world heritage site status; (b) if so, the details thereof along with the names of temples, churches, mosques and monuments 2Iected and declared as national heritage in various States of the country, State-wise; (c) whether the Government has ignored Delhi as its official entry to UNESCO and if so, the details thereof and the reasons therefor; (d) whether, some sites selected for UNESCO entry are under repair and renovation; (e) if so, the details thereof and the funds sanctioned by the Government in this regard so far, ate-wise; and (f) the action plan of the Government to attract more tourists to these sites. ANSWER MINISTER OF STATE, CULTURE AND TOURISM (INDEPENDENT CHARGE) AND MINISTER OF STATE, CIVIL AVIATION (DR. MAHESH SHARMA) (a) Yes madam. Government has finalized and submitted the proposal for “Historic City of Ahmedabad” as the entry in the cultural category of the World Heritage List for calendar year 2016-17. The proposal was submitted under cultural category under criteria II, V and VI (list of criteria in Annexure I) (b) For the proposal submitted related to Historic City of Ahmedabad submitted this year, list of nationally important monuments and those listed by Ahmedabad Municipal Corporation are given in Annexure II.
    [Show full text]
  • Review Magical Journeys Beyond's Tiger Trails
    MAGICAL JOURNEYS BEYOND presents a remarkable tour into central India’s National Parks provided through Eternal Journeys India THE TIGERS TRAILS OF INDIA TOUR 20 Days / 19 Nights A Marvelous Jungle Adventure for wildlife enthusiasts Mumbai (02 Nights) - Pench (02 Nights) - Kanha (02 nights) Bandhavgarh (02 Nights) - Khajuraho (02 Nights) - Agra (02 nights) Ranthambore (02 nights) - Jaipur (02 nights) - Delhi (03 Nights) Day 01 Arrive Mumbai Arrive at Mumbai international airport. Our representative will be meeting you on arrival (after clearing passport and customs formalities) and shall assist with the transfer to the hotel for check-in. Mumbai, formerly known as Bombay, is the capital city of the Indian state of Maharashtra. It is the most populous city in India and the fourth most populous city in the world. Overnight stay at your hotel (Mumbai, 02 nights) 1 | Page Eternal Journeys India Day 02 Full Day City Tour of Mumbai After breakfast take a trip to Elephanta Caves via boat. Elephanta is a 3 kilometer long island, consisting of two hills separated by a valley. The caves with rock-cut figures and carvings are believed to be carved by the sculptors of Ajanta. They bear mute testimony of the Golden Age in Indian history during the Gupta period and were built to honor Lord Shiva. Upon returning to the Mainland, commence a City Tour of Mumbai. The Gateway of India is a monument built during the British Rule to commemorate the landing of King George V and Queen Mary when they visited India in 1911. The structure is a basalt arch 26 meters high that lies at the end of Chhatrapati Shivaji Marg at the water's edge in Mumbai Harbor.
    [Show full text]