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Download the Programme for the Xvith International Congress of Celtic Studies
Logo a chynllun y clawr Cynlluniwyd logo’r XVIeg Gyngres gan Tom Pollock, ac mae’n seiliedig ar Frigwrn Capel Garmon (tua 50CC-OC50) a ddarganfuwyd ym 1852 ger fferm Carreg Goedog, Capel Garmon, ger Llanrwst, Conwy. Ceir rhagor o wybodaeth ar wefan Sain Ffagan Amgueddfa Werin Cymru: https://amgueddfa.cymru/oes_haearn_athrawon/gwrthrychau/brigwrn_capel_garmon/?_ga=2.228244894.201309 1070.1562827471-35887991.1562827471 Cynlluniwyd y clawr gan Meilyr Lynch ar sail delweddau o Lawysgrif Bangor 1 (Archifau a Chasgliadau Arbennig Prifysgol Bangor) a luniwyd yn y cyfnod 1425−75. Mae’r testun yn nelwedd y clawr blaen yn cynnwys rhan agoriadol Pwyll y Pader o Ddull Hu Sant, cyfieithiad Cymraeg o De Quinque Septenis seu Septenariis Opusculum, gan Hu Sant (Hugo o St. Victor). Rhan o ramadeg barddol a geir ar y clawr ôl. Logo and cover design The XVIth Congress logo was designed by Tom Pollock and is based on the Capel Garmon Firedog (c. 50BC-AD50) which was discovered in 1852 near Carreg Goedog farm, Capel Garmon, near Llanrwst, Conwy. Further information will be found on the St Fagans National Museum of History wesite: https://museum.wales/iron_age_teachers/artefacts/capel_garmon_firedog/?_ga=2.228244894.2013091070.156282 7471-35887991.1562827471 The cover design, by Meilyr Lynch, is based on images from Bangor 1 Manuscript (Bangor University Archives and Special Collections) which was copied 1425−75. The text on the front cover is the opening part of Pwyll y Pader o Ddull Hu Sant, a Welsh translation of De Quinque Septenis seu Septenariis Opusculum (Hugo of St. Victor). The back-cover text comes from the Bangor 1 bardic grammar. -
Phonographic Bulletin
iasa International Association of Sound Archives Association Internationale d'Archives Sonores Internation~le Vereinigun~ 'd,er,Schallarchive phonographic bulletin no.29/March 1981 PHONOGRAPHIC BULLETIN Journal of the International Association of Sound Archives IASA Organe de 1 'Association Internationale d'Archives Sonores IASA Zeitschrift der Internationalen Vereinigung der Schallarchive IASA Associate Editors: Ann Briegleb, Ethnomusiocology Archives, UCLA, Los Angeles; Frank J. Gillis, Archives of Traditional Music, Indiana University, B1oomington. Technical Editor: Dr. Dietrich SchUller, Phonograrrunarchiv der Oesterreichischen Akademie der Wissenschaften, Wien. The PHONOGRAPHIC BULLETIN is published three times a year and is sent to all members of IASA. Applications for membership in IASA should be sent to the Secretary (see list of officers be low). The annual dues are at the moment 25.-Deutsche Mark for individual members and 60. Deutsche Mark for institutional members. Back copies of the PHONOGRAPHIC BULLETIN from 1971 are available at 15.-Deutsche Mark for each year's issue, including postage. Subscriptions to the current year's issues of the PHONOGRAPHIC BULLETIN are also available to non-members at a cost of 25.-Deutsche Mark. Le journal de 1 'Association internationale d'archives sonores, le PHONOGRAPHIC BULLETIN, est publie trois fois 1 'an et distribue a tous les membres. Veuillez envoyer vos demandes d'adhesion au \secretaire dont vous trouverez 1 'adresse ci-dessous. Les cotisations annuel1es sont en ce . moment de 25.-Deutsche Mark pour les membres individuels et 60.-Deutsche Mark pour les membres . institutionne1s. Les numeros precedents (a partir de 1971) du PHONOGRAPHIC BULLETIN sont dis ponibles au cout de 15.-Deutsche Mark par annee (frais de port inclus). -
Download Booklet
Heavenly Harp BEST LOVED classical harp music Heavenly Harp Best loved classical harp music 1 Alphonse HASSELMANS (1845–1912) 10 Henriette RENIÉ (1875–1956) La Source, Op. 44 3:55 Danse des Lutins 3:59 Erica Goodman (8.573947) Judy Loman (8.554347) 2 Hugo REINHOLD (1854–1935) 11 Marcel TOURNIER (1879–1951) Impromptu in C sharp minor, Op. 28, No. 3 5:35 Vers la source dans le bois 4:18 Elizabeth Hainen (8.555791) (‘Towards the Fountain in the Wood’) Judy Loman (8.554561) 3 John THOMAS (1826–1913) Dyddiau Mebyd (‘Scenes of Childhood’) – 3:05 12 Gabriel FAURÉ (1845–1924) II. Toriad y Dydd (‘The Dawn of Day’) Une chatelaine en sa tour, Op. 110 4:41 Lipman Harp Duo (8.570372) Judy Loman (8.554561) 4 Gaetano DONIZETTI (1797–1848) 13 Elias PARISH ALVARS (1808–1849) Lucia di Lammermoor, Act 1 Scene 2 4:25 Serenade, Op. 83 – Serenade 7:13 (arr. A.H. Zabel) Elizabeth Hainen (8.555791) Elizabeth Hainen (8.555791) 14 Gabriel PIERNÉ (1863–1937) 5 Marcel GRANDJANY (1891–1975) Impromptu-caprice, Op. 9 5:51 Fantasy on a Theme of Haydn, Op. 31 7:54 Ellen Bødtker (8.555328) Judy Loman (8.554561) 15 Nino ROTA (1911–1979) 6 Manuel de FALLA (1876–1946) Toccata 2:33 La vida breve, Act II – 4:11 Elisa Netzer (8.573835) Danse espagnole No. 1 (ver. For 2 guitars) Judy Loman (8.554561) 16 John PARRY (1710–1782) Sonata No. 2 – Siciliana 2:06 7 Sophia DUSSEK (1775–1847) Judy Loman (8.554347) Sonata – Allegro 2:39 Judy Loman (8.554347) 17 Carl Philipp Emanuel BACH (1714–1788) 12 Variations on La folia d’Espagne, 9:13 8 Louis SPOHR (1784–1859) Wq. -
Remembering Neville Thomas
THE WELSH SOCIETY OF VANCOUVER Cymdeithas Gymraeg Vancouver Cambrian News Chwefror February 2017 2017 Society Newsletter – Cylchgrawn y Gymdeithas Santa visits the Society’s Children’s Party CAMBRIAN HALL, 215 East 17th Ave, Vancouver B.C. V5V 1A VANCOUVER WELSH SOCIETY The Cambrian News Officers: President: From the Editor: Lynn Owens-Whalen Vice-President After a series of very successful Fall and Paul Lievesley Christmas events at the Red Dragon, Secretary: we’ve welcomed in the New Year and Antone Minard now look forward to to the many Treasurer: activities and events scheduled for 2017. Gaynor Evans These include regular twmpath/barn Membership Secretary: dances, a St. Dwynwen’s Day dinner, an Jackie Chapman Open House, a St. David’s Day Banquet, Immediate Past President: the Spring Sale and Silent Auction and, David Llewelyn Williams hopefully, performances of A Child’s Directors: Christmas in Wales for December. This Ruth Baldwin year more events will be held during Tim Darvell daylight hours, as several members have Patricia Morris voiced concern about driving to and from Kathy Thomas the hall during the hours of darkness. Wynford Thomas Sadly, we mark the recent passing of two stalwarts of the Welsh Society in Contacts: Vancouver: Captain Ieuan Lampshire- Building Committee: Jones, on 30 December and Neville Patricia Morris Thomas on 4 January. Obituaries for Cambrian Circle Singers: Ieuan and Neville appear below. Nerys Haqq At a recent luncheon, a new initiative was Church Service: launched by several UK cultural groups Various -
Cymdeithas Gymreig Vancouver
THE WELSH SOCIETY OF VANCOUVER Cymdeithas Gymreig Vancouver Cambrian News Medi September 2017 2017 Society Newsletter – Cylchgrawn y Gymdeithas Pat Morris at the Canadian Multicultural Day Fair held at Vancouver Central Library on 24 June CAMBRIAN HALL, 215 East 17th Ave, Vancouver B.C. V5V 1A6 VANCOUVER WELSH SOCIETY The Cambrian News Officers: From the Editor: President: Lynn Owens-Whalen As the long hot summer draws to a close Vice-President and the evenings shorten with the Paul Lievesley approach of autumn, the social committee Secretary: welcomes Society members and their Antone Minard friends to a host of great fall/winter Treasurer: events and activities! These include a pub Gaynor Evans night, a noson lawen, the Anniversary Membership Secretary: Dinner, the Welsh Weekend, a Jackie Chapman twmpath/ceilidh, the children’s Christmas Immediate Past President: party and two performances of A Child’s David Llewelyn Williams Christmas in Wales. See the Directors: “Forthcoming Events” section for dates Ruth Baldwin and details and then browse the photo Tim Darvell gallery of recent events and festivities to Patricia Morris see what members have been up to since Kathy Thomas the last newsletter was sent out. Wynford Owen Also included in this issue is a fascinating article on the Welsh in British Columbia Contacts: by Eifion Williams. Building Committee: Sadly, several members have passed Paul Lievesley away this summer, including long- Cambrian Circle Singers: standing and well-loved member, Peter Nerys Haqq Byrne. An obituary for Peter is included Church Service: at the end of the newsletter. Various We were sad to hear of the passing of Welsh Speaking Group: Maureen Grecht’s son, David Bosek, in Roy Beavon June and we send our sincere condolences Rentals: to Maureen and her family. -
The Folk Harp Journal Index of Issue Content March 1986 - Winter 1998
The Folk Harp Journal Index of Issue Content March 1986 - Winter 1998 Author or Year Issue Type Composer/Arranger Title Subtitle Misc 1998 Winter Cover Illustration Make a Joyful Noise 1998 Winter Column Sylvia Fellows Welcome Page 1998 Winter Column Nadine Bunn From the Editor 1998 Winter Column Laurie Rasmussen Chapter Roundup 1998 Winter Column Mitch Landy New Music in Print Harper Tasche; William Mahan 1998 Winter Column Dinah LeHoven Ringing Strings 1998 Winter Column Alys Howe Harpsounds CD Review Verlene Schermer; Lori Pappajohn; Harpers Hall & Culinary Society; Chrys King; John Doan; David Helfand 1998 Winter Article Patty Anne McAdams Second annual retreat for Bay Area folk harpers 1998 Winter Article Charles Tanner A Cool Harp! 1998 Winter Article Fifth Gulf Coast Celtic harp 1998 Winter Article Ann Heymann Trimming the Tune 1998 Winter Article James Kurtz Electronic Effects 1998 Winter Column Nadine Bunn Classifieds 1998 Winter Music Traditional/Sylvia Fellows Three Kings 1998 Winter Music Sharon Thormahlen Where River Turns to sky 1998 Winter Music Reba Lunsford Tootie's Jig 1998 Winter Music Traditional/M. Schroyer The Friendly Beats 12th Century English 1998 Winter Music Joyce Rice By Yon Yangtze 1998 Winter Music Traditional/Serena He is Born Underwood 1998 Winter Music William Mahan Adios 1998 Winter Music Traditional/Ann Heymann MacDonald's March Irish 1998 Fall Cover Photo New Zealand's Harp and Guitar Ensemble 1998 Winter Column Sylvia Fellows Welcome Page 1998 Fall Column Nadine Bunn From the Editor 1998 Fall Column -
{Dоwnlоаd/Rеаd PDF Bооk} History and the Morris Dance: a Look
HISTORY AND THE MORRIS DANCE: A LOOK AT MORRIS DANCING FROM ITS EARLIEST DAYS UNTIL 1850 PDF, EPUB, EBOOK Dr. John Cutting | 204 pages | 31 Jan 2010 | Dance Books Ltd | 9781852731083 | English | Hampshire, United Kingdom Modern dance | Britannica Cunningham, who would have turned this year, would sometimes flip a coin to decide the next move, giving his work a nonlinear, collagelike quality. These were ideas simultaneously being explored in visual art, which was engaged in a similar resetting of boundaries as Pop, Minimalism and conceptual art replaced Abstract Expressionism, with which modern dance was closely aligned; for one, both were preoccupied with working on the floor, as in the paintings of Jackson Pollock and the dances of Martha Graham. Postmodernists remained keen on gravity, however. Certain choreographers would come to treat the floor as a dance partner, just as multidisciplinary artists like Ana Mendieta and Bruce Nauman used it in their performance pieces as a site for symbolic regeneration or heady writhing. Forti considered her work as much dance as sculpture, its human performers art objects like any other — but it hardly mattered, since, for this brief and exceptional window, art, dance and music were almost synonymous. The s New York art scene was famously small, and disciplines blended together as a result. In time, though, the moment of equilibrium passed and the community collapsed, reality itself acting as a sort of score. After the last Judson dance concert in , Childs taught elementary school for five years to support herself before returning to the field. Forti lived for a time in Rome, crossing paths with the Arte Povera movement, and Deborah Hay eventually landed in Austin, where she hosted group workshops. -
Building New Business Strategies for the Music Industry in Wales
Knowledge Exploitation Capacity Development Academic Expertise for Business Building New Business Strategies for the Music Industry in Wales Final report School of Music BANGOR UNIVERSITY This study is funded by an Academia for Business (A4B) grant, which is managed by the Welsh Assembly Government’s Department for Economy and Transport, and is financed by the Welsh Assembly Government and the European Union. 1 Table of Contents Executive Summary.......................................................................................................5 The following conclusions are drawn from this study......................................................5 The following recommendations are made in this study ................................................6 Preface ..............................................................................................................................8 Introduction ....................................................................................................................9 Part 1: Background and Context: The Infrastructure of the WelshLanguage Popular Music Industry from 1965–c.2000......................................................... 12 1.1 Overview...................................................................................................................................... 12 1.2 Record companies and sales .............................................................................................. 13 1.3 TV, radio and Welshlanguage music journalism .................................................... -
Harp Start Book 1 Handbook and Guide
Harp Start Book 1 Handbook and Guide 1 2 Harp Start Book 1 - Guidebook Introduction Welcome to the Handbook and Guide to Harp Start Book 1. This material is provided as extra information that you might have missed at your lesson, or you want to read in advance of learning the pieces in Harp Start. There are little versions of each page for reference, though if you have an earlier edition of Harp Start Book 1, you may detect some small differences as I continually try to improve the book. There are 3 appendices at the back: Appendix 1 is “How to Read Music Notation”, which may be profitably consulted by those with no musical literacy background. It is a harp-centered approach to the subject, and though it scratches the surface, it should get you through the beginning stages. Appendix 2 is “Sharps, Flats and Levers”. Appendix 3 is “Using the Harp Start Bonus Tuning Reference Chart” which will help you tune your harp and organize your levers. Some people use this book with a teaher, and others without. The italic notes are info for teachers with more detail about how I use the pages, but will be good advice for everyone. I use harp jewels in my teaching. They are little stick-on plastic jewels, sometimes known as diamonds ⋄ . I use them mostly just above the knuckle to be a tactile and very sparkly landing pad for the tip of the thumb. (I don’t wrap the thumb around the finger, but relax onto the pointy pillow on the side of, just above, the knuckle. -
<I>Cerdd Dant</I>
STUDIA CELTICA, XXXV (2001), 325–340 Issues in Dating the Repertory of Cerdd Dant SALLY HARPER University of Wales, Bangor Secular music in late medieval Wales largely falls under the umbrella term of cerdd dant, literally ‘the art of the string’, which implies performance on harp or crwth.1 Because such music was largely reliant on improvisation, there are few written sources, and the nature and extent of the repertory therefore remain somewhat elusive.2 This essay offers a preliminary survey of issues relating to the dating of cerdd dant, exploring the periods of formulation, decline and proliferation. Given their implied etymological association, one might expect cerdd dant and cerdd dafod, its poetic sister art, to share broadly similar chronological parameters, with the set forms of string music blossoming concurrently with the strict-metre cywydd from the early fourteenth century until the mid 1520s, when it is generally agreed that the great era of cerdd dafod had drawn to a close.3 But this can by no means be proved. The ear- liest extant document associated with cerdd dant is a scarcely legible page of twenty-two titles in NLW MS Peniarth 55, copied around 1496.4 Copies of more substantial docu- ments dealing with theoretical aspects of the art – some of which imply that cerdd dant was conceived as early as 1100 – date only from after 1550, and even then the evidence is partial and often confused.5 There are no musical sources to match the comprehen- 1 This piece would not have been possible without 4 NLW MS Peniarth 55, p. -
Benjamin, His Harp & Some Friends
Benjamin, his harp and some friends COMPERE Mari Griffith Angharad Evans (harp) Ann Griffiths (harp) Jane Groves (flute) Catherine Handley (flute) Mali Llywelyn (harp) Eluned Pierce (harp) Dylan Rowlands (harp) Eluned Scourfield (harp) & Under 12’s harp trio Martha Holeyman Tomos Xerri & Benjamin Concert Sponsored by BBC Children in Need Appeal Pencerdd Harps Pilgrim Harps Salvi - Lyon & Healy Harps Telynau Vining Harps Norwegian Church Arts Centre Wednesday 13th November 2002 BBC Children In Need accepts no responsibility for this event but we are delighted that such an effort is being made on our behalf. Defnyddiau, crefftwaith a sain o safon uchel am bris cystadleuol Mae telynau ac offer telyn Camac ar gael drwy gwmni Telynau Vining, Caerdydd… Camac harps and accessories are available through Telynau Vining of Cardiff… Telynau pedal Pedal harps Telynau Celtaidd Celtic harps Telynau trydan Electric harps Offer telyn Harp accessories Gorchuddion telyn Harp covers Cerddoriaeth i’r delyn Music for the harp Cysylltwch â/Contact Elen Vining Telynau Vining Cyf 21 Heol Wingfield, Yr Eglwys Newydd, Caerdydd CF14 1NJ Ffôn & Ffacs / Tel & Fax: (029) 2052 9084 E-bost / E-mail: [email protected] Quality of materials, craftsmanship and sound at a competitive price GARDNERS THE PIANO SPECIALISTS OF CARDIFF Established 1953 STOP PRESS ****** CONGRATULATIONS ****** STOP PRESS On Saturday 9th November 2002 Martha Holeyman won second place in the Under 12s Solo Harp Competition at the Gwyl Cerdd Dant. The is a very prestigious National Festival, -
Medium of Performance Thesaurus for Music
A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭.