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Remembering Neville Thomas
THE WELSH SOCIETY OF VANCOUVER Cymdeithas Gymraeg Vancouver Cambrian News Chwefror February 2017 2017 Society Newsletter – Cylchgrawn y Gymdeithas Santa visits the Society’s Children’s Party CAMBRIAN HALL, 215 East 17th Ave, Vancouver B.C. V5V 1A VANCOUVER WELSH SOCIETY The Cambrian News Officers: President: From the Editor: Lynn Owens-Whalen Vice-President After a series of very successful Fall and Paul Lievesley Christmas events at the Red Dragon, Secretary: we’ve welcomed in the New Year and Antone Minard now look forward to to the many Treasurer: activities and events scheduled for 2017. Gaynor Evans These include regular twmpath/barn Membership Secretary: dances, a St. Dwynwen’s Day dinner, an Jackie Chapman Open House, a St. David’s Day Banquet, Immediate Past President: the Spring Sale and Silent Auction and, David Llewelyn Williams hopefully, performances of A Child’s Directors: Christmas in Wales for December. This Ruth Baldwin year more events will be held during Tim Darvell daylight hours, as several members have Patricia Morris voiced concern about driving to and from Kathy Thomas the hall during the hours of darkness. Wynford Thomas Sadly, we mark the recent passing of two stalwarts of the Welsh Society in Contacts: Vancouver: Captain Ieuan Lampshire- Building Committee: Jones, on 30 December and Neville Patricia Morris Thomas on 4 January. Obituaries for Cambrian Circle Singers: Ieuan and Neville appear below. Nerys Haqq At a recent luncheon, a new initiative was Church Service: launched by several UK cultural groups Various -
Cymdeithas Gymreig Vancouver
THE WELSH SOCIETY OF VANCOUVER Cymdeithas Gymreig Vancouver Cambrian News Medi September 2017 2017 Society Newsletter – Cylchgrawn y Gymdeithas Pat Morris at the Canadian Multicultural Day Fair held at Vancouver Central Library on 24 June CAMBRIAN HALL, 215 East 17th Ave, Vancouver B.C. V5V 1A6 VANCOUVER WELSH SOCIETY The Cambrian News Officers: From the Editor: President: Lynn Owens-Whalen As the long hot summer draws to a close Vice-President and the evenings shorten with the Paul Lievesley approach of autumn, the social committee Secretary: welcomes Society members and their Antone Minard friends to a host of great fall/winter Treasurer: events and activities! These include a pub Gaynor Evans night, a noson lawen, the Anniversary Membership Secretary: Dinner, the Welsh Weekend, a Jackie Chapman twmpath/ceilidh, the children’s Christmas Immediate Past President: party and two performances of A Child’s David Llewelyn Williams Christmas in Wales. See the Directors: “Forthcoming Events” section for dates Ruth Baldwin and details and then browse the photo Tim Darvell gallery of recent events and festivities to Patricia Morris see what members have been up to since Kathy Thomas the last newsletter was sent out. Wynford Owen Also included in this issue is a fascinating article on the Welsh in British Columbia Contacts: by Eifion Williams. Building Committee: Sadly, several members have passed Paul Lievesley away this summer, including long- Cambrian Circle Singers: standing and well-loved member, Peter Nerys Haqq Byrne. An obituary for Peter is included Church Service: at the end of the newsletter. Various We were sad to hear of the passing of Welsh Speaking Group: Maureen Grecht’s son, David Bosek, in Roy Beavon June and we send our sincere condolences Rentals: to Maureen and her family. -
{Dоwnlоаd/Rеаd PDF Bооk} History and the Morris Dance: a Look
HISTORY AND THE MORRIS DANCE: A LOOK AT MORRIS DANCING FROM ITS EARLIEST DAYS UNTIL 1850 PDF, EPUB, EBOOK Dr. John Cutting | 204 pages | 31 Jan 2010 | Dance Books Ltd | 9781852731083 | English | Hampshire, United Kingdom Modern dance | Britannica Cunningham, who would have turned this year, would sometimes flip a coin to decide the next move, giving his work a nonlinear, collagelike quality. These were ideas simultaneously being explored in visual art, which was engaged in a similar resetting of boundaries as Pop, Minimalism and conceptual art replaced Abstract Expressionism, with which modern dance was closely aligned; for one, both were preoccupied with working on the floor, as in the paintings of Jackson Pollock and the dances of Martha Graham. Postmodernists remained keen on gravity, however. Certain choreographers would come to treat the floor as a dance partner, just as multidisciplinary artists like Ana Mendieta and Bruce Nauman used it in their performance pieces as a site for symbolic regeneration or heady writhing. Forti considered her work as much dance as sculpture, its human performers art objects like any other — but it hardly mattered, since, for this brief and exceptional window, art, dance and music were almost synonymous. The s New York art scene was famously small, and disciplines blended together as a result. In time, though, the moment of equilibrium passed and the community collapsed, reality itself acting as a sort of score. After the last Judson dance concert in , Childs taught elementary school for five years to support herself before returning to the field. Forti lived for a time in Rome, crossing paths with the Arte Povera movement, and Deborah Hay eventually landed in Austin, where she hosted group workshops. -
Building New Business Strategies for the Music Industry in Wales
Knowledge Exploitation Capacity Development Academic Expertise for Business Building New Business Strategies for the Music Industry in Wales Final report School of Music BANGOR UNIVERSITY This study is funded by an Academia for Business (A4B) grant, which is managed by the Welsh Assembly Government’s Department for Economy and Transport, and is financed by the Welsh Assembly Government and the European Union. 1 Table of Contents Executive Summary.......................................................................................................5 The following conclusions are drawn from this study......................................................5 The following recommendations are made in this study ................................................6 Preface ..............................................................................................................................8 Introduction ....................................................................................................................9 Part 1: Background and Context: The Infrastructure of the WelshLanguage Popular Music Industry from 1965–c.2000......................................................... 12 1.1 Overview...................................................................................................................................... 12 1.2 Record companies and sales .............................................................................................. 13 1.3 TV, radio and Welshlanguage music journalism .................................................... -
“Completed and Restored to Use”
“COMPLETED AND RESTORED TO USE” REVIVAL AND DISSEMINATION OF MANX FOLKLORE AND TRADITION DURING THE TWENTIETH CENTURY “COMPLETED AND RESTORED TO USE” 1 REVIVAL AND DISSEMINATION OF MANX FOLKLORE AND TRADITION DURING THE twentieth CENTURY 2 “COMPLETED AND RESTORED TO USE” 1 REVIVAL AND DISSEMINATION OF MANX FOLKLORE AND TRADITION DURING THE TWENTIETH CENTURY 2 Edited by Stephen Miller Chiollagh Books 2004 This edition first published in 2004 by Chiollagh Books 26 Central Drive Onchan Isle of Man British Isles IM3 1EU Contact by email only: [email protected] © 2004 Chiollagh Books on behalf of the individual contributors All original material by Mona Douglas © 2004 Estate of Mona Douglas Administered by the Trustees of the Manx Museum and National Trust (Manx National Heritage) All Rights Reserved isbn 1-898613-17-6 CONTENTS 1 Introduction i Seminar Flyer ix Abstracts xi * PART ONE THE SEMINAR PAPERS April 2000 Parallels Between Descriptive Revival Models and the Manx Traditional Music Scene: From the 1970s to the Present Day Chloë Woolley 1 The Revival and Reconstruction of Manx Traditional Dance Robert Carswell 15 Revival and Reconstruction of Manx Traditional Dance Music David Speers 29 The Role and Influence of Inter-Celtic Festivals on the Revival of Language, Music and Dance Brian Stowell 37 * Appendix The Manx Song and Music Tradition (1979) George Broderick 43 Manx Traditional Music 25 Years On (2000) George Broderick 47 * Part Two Mona Douglas: A Bibliography Stephen Miller 51 “My Own Family Circle”: The Dancing Forebears of Mona -
Read the Cwrs Newspaper
AmserauAmserau CamroseCamrose Cwrs Goleuni’r Gogledd Gorffennaf 19-26, 2009 Disgwyliwch y Byd University of Alberta, Camrose, Alberta, Canada Croeso! Cwrs Goleuni’r Gogledd Rhagolygon y Tywydd gan Elizabeth Williams Wallace After the Welsh Not Sul, Gorffennaf 19 The practice of putting a wooden sign saying "Welsh Not" around the Mae hi’n storumus a gwyntog gyda’r necks of school children has gone into the history books as one of the main posibilirwydd o tornêdo. reasons for the decline of yr hen iaith during the nineteenth century. By the mid-twentieth century there were generations of children who had learned NOT to speak Welsh for fear of being pun- ished and ridiculed. And even for those who managed to retain their language, the message was deeply ingrained: Speak- ing English was better than speaking Welsh. In the mid-twentieth century, well after the Welsh Not had become firewood, I was born into a Welsh-speaking home in a village on the outskirts of Swansea. My mother and father spoke the language together all the time. My extended family members on both sides, including aunts, uncles and older cousins also spoke Welsh—to each other, that is. No one spoke Welsh to me. ...even for those who Why? My family only wanted the best for me, and the best was thought to be the ability to speak English well. After all, there was evidence all around managed to retain their that English was the language of commerce, of government, of power. Appar- language, the message ently, my family didn't appreciate the benefits that they, themselves, enjoyed by being completely bilingual. -
General Rules of the Eisteddfod
Rhestr Testunau – English Version GENERAL RULES OF THE EISTEDDFOD Please note the Rules stated below are relevant to every Eisteddfod – Local, Regional and National. 1. Language policy The Eisteddfod aims to promote Welsh culture and to protect the Welsh Language. Welsh is the language of the Eisteddfod. All creative works and competitions must be in Welsh except where noted otherwise for a particular competition. i) Where there is no call for knowledge of the Welsh language the competitions are open to any member of the Urdd born in Wales, or any person who has a parent born in Wales, or any person living in Wales immediately before the festival or any person who can speak or write in Welsh. Words used in any work must be in Welsh. ii) Recitation / Action Song / Dramatic Presentation / Theatre An exception may be made to use another language when there is a need to put part of the work into context. However, over - use of another language will not be permitted. iii) Disco/Hip Hop/Street Dancing / Creative Dancing It is permitted to use any instrumental music or music with Welsh language vocals only. 2. Only fully enrolled members of Urdd Gobaith Cymru may compete in Local, County/Regional and National Eisteddfodau. No one shall be considered a full member unless the membership fee has been paid and a Membership Card and number have been received for the year 2017/18. Membership must be registered in good time. Registration to compete can not be accepted without a membership number. It is possible to enrol through the website urdd.cymru/aelodaeth. -
Barn Dances, Ceilidhs, and Country Dancing in England 1945-2020: an Examination of Non-Specialist English Social Folk Dance
Barn Dances, Ceilidhs, and Country Dancing in England 1945-2020: An Examination of Non-Specialist English Social Folk Dance Chloe Elizabeth Middleton-Metcalfe MA, BA (Hons) A thesis submitted in partial fulfilment of the requirement for the degree of PhD Department of Dance University of Roehampton 2021 1 Barn Dances, Ceilidhs, and Country Dancing in England 1945-2020 CEMM Abstract This thesis is a genre-centred investigation of one dance form which is known by a variety of names including: barn dance, ceilidh, country dance, and (English) folk dance. A hitherto academically neglected dance genre, this thesis takes a mixed diachronic and synchronic approach to explain and contextualise the developments of English social folk dance from the mid-twentieth century. In so doing it contributes to an under-studied area of research: the experiences of occasional, or novice adult dancers. In order to answer the central question of ‘why do people hold English social folk dances?’ this thesis examines the genre’s recent history. The approach of Douglas Kennedy, head of the English Folk Dance and Song Society (EFDSS) from 1924-1961 is examined. Consideration is given to the influence of other dance genres (in particular square dance and old time) on the formation of an English folk repertoire. The neo-traditionalist approach of the ceilidh movement in the 1970s and the quest for an English sound and dancing style is examined. Folk dance in English schools is charted, providing a counter- story to modern educational dance centred histories. The second half of this thesis utilises ethnographic fieldwork from thirty dance events (2017-2018), supplemented with interviews and questionnaire data. -
NAFOW Program Booklet
Wisconsin Cows Caws Wisconsin North American Festival of Wales Gŵyl Cymru Gogledd America Milwaukee, Wisconsin August 29–September 1, 2019 Celebrating 90 years, 1929-2019 WWW.NAFOW.ORG ’ For over 130 years, working to celebrate, preserve, The Calgary Welsh Society and promote Welsh cultural heritage in the Cymdeithas Gymreig Calgary Southwestern Pennsylvania region. PROUD TO SUPPORT NAFOW 2019 in MILWAUKEE Founded by John Morris – ‘Morris Bach’ in 1906 Proud supporters of the Welsh North American Association Website: calgarywelshsociety.com Facebook page: Calgary Welsh Society Welsh Language Classes DEWCH I YMWELD Â NI Cultural Festivals COME & VISIT US at the Wales-Pennsylvania Digitization Project GREAT PLAINS WELSH HERITAGE CENTRE Museum • Library • One-Room School Annual Daffodil Luncheon Archive For Welsh America Gymanfa Ganu Visitors & researchers welcome! St. David’s and Owain Glyndŵr Pub Crawls Learn more at our table in the marketplace. 307 S. Seventh Street Carnegie Library Welsh Collection P.O. Box 253 Wymore, NE 68466 University of Pittsburgh Welsh Nationality Room welshheritageproject.org Visit: stdavidssociety.org (402) 645-3186 [email protected] Facebook: welshsociety.pittsburgh Photo: Welsh Nationality Room in Cathedral of Learning at University of Pittsburgh 1 Croeso! Welcome to the North American Festival of Wales Milwaukee 2019 Cynnwys/Table of Contents Hotel Floor Plan ........................................................................................... 4–5 Schedule at a Glance .................................................................................... -
103657141.23.Pdf
THE GLEN COLLECTION OF SCOTTISH MUSIC Presented by Lady Dorothea Ruggles-Brise to the National Library of Scotland, in memory of her brother, Major Lord George Stewart Murray, Black Watch, killed in action in France in 1914. 28th January 1927. % i % I % / 1 9 ' //f . y////**'/' .m/i ■/'/•. /ft /uhj x+fre//tq, 'f/ZmA /tot tr ■- //or/ //ti///t /'/‘otv //o /ftat/ //t/o/tay. t s/t /t/ //f/r/ty (//t //ivrtrtoj, ///sr/iy a /a/ »ur/x><<>.///ay, W/uJt /////// // // (/Da rt/ /u/// ( /ti/tte// //tony a <//«/, 7' jPu&lifked (urord/ng to Act of 'Z*a/ftt/ntc/it Jleb. hr sooZ fiv IA*Jones, in Zcrcl Stew on'As /b-uit -yard, SfJhnuirS'jP*ahue BARDIC MUSEUM, OF P RIM1TIVE BRITISH LITERATURE; AND OTHER ADMIRABLE RARITIES ; FORMING THE SECOND VOLUME OF THE jftflustcal, poetical, anti Historical 3kritriis Clit WleteO jBartis anu Biutos DRAWN FROM AUTHENTIC DOCUMENTS OF REMOTE ANTI$UITT; (WITH GREAT PAINS NOW RESCUED FROM OBLIVION,) AND NE TER BEFORE PUBLISHED : CONTAINING, THE BARDIC TRIADS ; HISTORIC ODES ; EULOGIES ; SONGS ; ELEGIES ; MEMORIALS OF THE TOMBS OF THE WARRIORS; OF KING ARTHUR AND HIS KNIGHTS; REGALIAS; THE WONDERS OF WALES, ET CIETERA : WITH ENGLISH TRANSLATIONS AND HISTORIC ILLUSTRATIONS: LIKEWISE, THE ANCIENT WAR-TUNES OF THE BARDS ; Fix. The Tjubanau ; Cjibbiganau; Blobau ; Ealajibonau ; ^oppebbau; Tlypau ; CDpynebbau; Hymns Paftorals ; Jigs; and Delights: TO THESE NATIONAL MELODIES ARE ADDED NEW BASSES; WITH VARIATIONS, FOR THE EIARP, OR HARPSICHORD ; VIOLIN, or FLUTE; {DEDICATED sr PERMISSION to HIS ROTAL HIGHNESS the PRINCE of WALES,) BY EDWARD JONES, B-1R D TO THE PRINCE. -
Welsh Language News Or News in the Welsh Language
Cambrian Heritage Society Newsletters. Language note: The original title of our newsletter was Newyddion Cymraeg, literally Welsh Language News or News in the Welsh Language. Since most of the newsletter has been and will continue to be written in the English language but about Welsh-related issues and events, a more correct title would be Newyddion Cymreig (meaning Welsh News, where the title means related to Wales in general rather than the language). Some of the issues below were published under the former and less correct title bu thave had their titles changed below for the sake of correctness. Newyddion Cymreig Cambrian Heritage Society Madison, wisconsin Christmas 2012 newsletter Vol. 18 # 2 Do something Welsh with your family this Christmas! Please join us for a fun, interactive, child-friendly performace of “A Child’s Christmas in Wales” a short story by Dylan Thomas Performed by Michael O’Rourke Saturday, December 8th, 11:00am – 1:30pm Sequoya Library 4340 Tokay Blvd. Madison, WI Te Bach (cider & snacks) to follow. Call Trina Muich at 957-2961 for details. Welsh Weekend #7: Mark Your Calendars By:Mary Williams-Norton Seventh Welsh Weekend for Everyone (Seithfed Penwythnos Cymreig i Bawb) is scheduled for May 3, 4, and 5, 2013, in Appleton. Following the very successful model of the weekend this past May in Reedsburg, the event will begin with a supper and “pub night” at the recommended hotel, the Radisson Paper Valley in Appleton, on Friday night, May 3, continue with workshops, children’s activities, displays, supper, Noson Lawen, and awarding of the Eisteddfod Chair on May 4, and conclude with the State Gymanfa Ganu on Sunday afternoon, May 5. -
Volume 39; Number 3
Volume 40. Number 4 Rhagfyr / December. 2006. Dewi Sant Welsh United Church 33 Melrose Avenue, Toronto, Ontario. M5M 1Y6 Phone 416-485-7583 Fax 416-485-2978 Web www.dewisant.com Email [email protected] Gair gan y Gweinidog A word from the Minister. It does not matter where you go, be it here in Toronto or anywhere in the world, more or less, you just cannot avoid being reminded that it is the Christmas season. Note that I use the proper term – not ‘Holiday Season’ or ‘Holidays’ but CHRISTMAS. I simply cannot understand why anyone, of any creed or background, could find fault with one Christian or group of Christians wishing their counterparts a joyful Christian Festival. In fact I know for a fact that this issue has nothing to do with people of other religions, it seems to stem from a strange idea that some so-called Christians have that to mention a Christian festival within earshot of one who is not a Christian may cause offence. Let me tell it straight – it gives me offence when we do NOT mention Christmas by name at this time of year. It insults our faith and it insults the Lord. I have been pleasantly educated since my arrival here that for those who worship at Dewi Sant and most other U.C. Churches this is a time when we concentrate mostly on giving rather than receiving. I have witnessed my third White Gifts Sunday, and the kindness in giving, the joy through giving and the spiritual uplift as a result of the giving is a wonder to behold.