103657141.23.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
THE KINGS and QUEENS of BRITAIN, PART I (From Geoffrey of Monmouth’S Historia Regum Britanniae, Tr
THE KINGS AND QUEENS OF BRITAIN, PART I (from Geoffrey of Monmouth’s Historia Regum Britanniae, tr. Lewis Thorpe) See also Bill Cooper’s extended version (incorporating details given by Nennius’s history and old Welsh texts, and adding hypothesised dates for each monarch, as explained here). See also the various parallel versions of the Arthurian section. Aeneas │ Ascanius │ Silvius = Lavinia’s niece │ Corineus (in Cornwall) Brutus = Ignoge, dtr of Pandrasus │ ┌─────────────┴─┬───────────────┐ Gwendolen = Locrinus Kamber (in Wales) Albanactus (in Scotland) │ └Habren, by Estrildis Maddan ┌──┴──┐ Mempricius Malin │ Ebraucus │ 30 dtrs and 20 sons incl. Brutus Greenshield └Leil └Rud Hud Hudibras └Bladud │ Leir ┌────────────────┴┬──────────────┐ Goneril Regan Cordelia = Maglaurus of Albany = Henwinus of Cornwall = Aganippus of the Franks │ │ Marganus Cunedagius │ Rivallo ┌──┴──┐ Gurgustius (anon) │ │ Sisillius Jago │ Kimarcus │ Gorboduc = Judon ┌──┴──┐ Ferrex Porrex Cloten of Cornwall┐ Dunvallo Molmutius = Tonuuenna ┌──┴──┐ Belinus Brennius = dtr of Elsingius of Norway Gurguit Barbtruc┘ = dtr of Segnius of the Allobroges └Guithelin = Marcia Sisillius┘ ┌┴────┐ Kinarius Danius = Tanguesteaia Morvidus┘ ┌──────┬────┴─┬──────┬──────┐ Gorbonianus Archgallo Elidurus Ingenius Peredurus │ ┌──┴──┐ │ │ │ (anon) Marganus Enniaunus │ Idvallo Runo Gerennus Catellus┘ Millus┘ Porrex┘ Cherin┘ ┌─────┴─┬───────┐ Fulgenius Edadus Andragius Eliud┘ Cledaucus┘ Clotenus┘ Gurgintius┘ Merianus┘ Bledudo┘ Cap┘ Oenus┘ Sisillius┘ ┌──┴──┐ Bledgabred Archmail └Redon └Redechius -
Some Rare and Unpublished Ancient British Coins
AN ACCOUNT OF SOME RARE AND UNPUBLISHED ANCIENT BRITISH COINS, COMMUNICATED TO THE NUMISMATIC SOCIETY OF LONDON BY JOHN EVANS, F.S.A., F.G.S., HON. SEC. NUM.SOC. LONDON: 1860. 1·~~~ ANCIENT BRITISH COi NS. AN ACCOUNT or SOME RARE AND UNPUBLISHED ANCIENT BRITISH COINS, COMMUNICATED TO THE NUMISMATIC SOCIETY OF LONDON BY JOHN EVANS, F.S. .A., F.G.S., BON. SBC. NUM. SOC. LONDON: 1860. Stack Annex !:>01.5346 SOME RARE AND UNPUBLISHED ANCIENT BRITISH COINS. Read before the Numismatic Society, Jan. 26th, 1860.] r HAVE again the satisfaction of presenting to the Society a plate of ancient British coins, most ofof them hithetto un- published, and all of the highest degree of rarity. Unlike the last miscellaneous plate of these coins that I , drew, which consisted entirely of uninscrihed coins, these areall i11scribed, and comprise Specimens of the coinage of Cuno beline, Taseiovanus, Dubnovellaunus, and the Iceni, beside others of rather more doubtful attribution. l need not, however, make any prefatory remarks conceming them, hut will at once proceed to the description of the various coins, and the considerations which arc suggested by thei1· several types and inscriptions. T'he first three are of Cunobeline. No. 1. Obv. - CA-MVon either side of an ear of bearded corn, as usual on the gold coins of Cunobeline, hut rather more widely spread. The stalk terminating in an ornament shaped like Gothic trefoil. Rev.-CVNO beneath a horse, galloping, to the left; ahove, an ornament, in shape like the Prince of Wales' plume, resting on a reversed crescent. -
Shakespeare on Travel in As You Like It and Othello
Selected Papers of the Ohio Valley Shakespeare Conference Volume 11 Article 4 2020 Knowing the World: Shakespeare on Travel in As You Like It and Othello David Summers Capital University, [email protected] Follow this and additional works at: https://ideaexchange.uakron.edu/spovsc Part of the Literature in English, British Isles Commons Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Recommended Citation Summers, David (2020) "Knowing the World: Shakespeare on Travel in As You Like It and Othello," Selected Papers of the Ohio Valley Shakespeare Conference: Vol. 11 , Article 4. Available at: https://ideaexchange.uakron.edu/spovsc/vol11/iss1/4 This Article is brought to you for free and open access by Literary Magazines at IdeaExchange@UAkron, the institutional repository of The University of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Selected Papers of the Ohio Valley Shakespeare Conference by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. Knowing the World: Shakespeare on Travel in As You Like It and Othello David Summers, Capital University etting to know the world through personal travel, particularly by means of the “semester abroad,” seems to G me to be one of the least controversial planks in the Humanities professors’ manifesto. However, reading Shakespeare with an eye toward determining his attitude toward travel creates a disjuncture between our conviction that travel generally, and studying abroad in particular, is an enriching experience, and Shakespeare’s tendency to hold the benefits of travel suspect. -
The Thirteenth Mt Haemus Lecture
THE ORDER OF BARDS OVATES & DRUIDS MOUNT HAEMUS LECTURE FOR THE YEAR 2012 The Thirteenth Mt Haemus Lecture Magical Transformation in the Book of Taliesin and the Spoils of Annwn by Kristoffer Hughes Abstract The central theme within the OBOD Bardic grade expresses the transformation mystery present in the tale of Gwion Bach, who by degrees of elemental initiations and assimilation becomes he with the radiant brow – Taliesin. A further body of work exists in the form of Peniarth Manuscript Number 2, designated as ‘The Book of Taliesin’, inter-textual references within this material connects it to a vast body of work including the ‘Hanes Taliesin’ (the story of the birth of Taliesin) and the Four Branches of the Mabinogi which gives credence to the premise that magical transformation permeates the British/Welsh mythological sagas. This paper will focus on elements of magical transformation in the Book of Taliesin’s most famed mystical poem, ‘The Preideu Annwfyn (The Spoils of Annwn), and its pertinence to modern Druidic practise, to bridge the gulf between academia and the visionary, and to demonstrate the storehouse of wisdom accessible within the Taliesin material. Introduction It is the intention of this paper to examine the magical transformation properties present in the Book of Taliesin and the Preideu Annwfn. By the term ‘Magical Transformation’ I refer to the preternatural accounts of change initiated by magical means that are present within the Taliesin material and pertinent to modern practise and the assumption of various states of being. The transformative qualities of the Hanes Taliesin material is familiar to students of the OBOD, but I suggest that further material can be utilised to enhance the spiritual connection of the student to the source material of the OBOD and other Druidic systems. -
Celtic Folklore Welsh and Manx
CELTIC FOLKLORE WELSH AND MANX BY JOHN RHYS, M.A., D.LITT. HON. LL.D. OF THE UNIVERSITY OF EDINBURGH PROFESSOR OF CELTIC PRINCIPAL OF JESUS COLLEGE, OXFORD VOLUME II OXFORD CLARENDON PRESS 1901 Page 1 Chapter VII TRIUMPHS OF THE WATER-WORLD Une des légendes les plus répandues en Bretagne est celle d’une prétendue ville d’ls, qui, à une époque inconnue, aurait été engloutie par la mer. On montre, à divers endroits de la côte, l’emplacement de cette cité fabuleuse, et les pecheurs vous en font d’étranges récits. Les jours de tempéte, assurent-ils, on voit, dans les creux des vagues, le sommet des fléches de ses églises; les jours de calme, on entend monter de l’abime Ie son de ses cloches, modulant l’hymne du jour.—RENAN. MORE than once in the last chapter was the subject of submersions and cataclysms brought before the reader, and it may be convenient to enumerate here the most remarkable cases, and to add one or two to their number, as well as to dwell at some- what greater length on some instances which may be said to have found their way into Welsh literature. He has already been told of the outburst of the Glasfryn Lake and Ffynnon Gywer, of Llyn Llech Owen and the Crymlyn, also of the drowning of Cantre’r Gwaelod; not to mention that one of my informants had something to say of the sub- mergence of Caer Arianrhod, a rock now visible only at low water between Celynnog Fawr and Dinas Dintte, on the coast of Arfon. -
The Fiddler Magazine General Store Prices Listed in U.S
The Fiddler Magazine General Store Prices listed in U.S. funds. Online ordering (PayPal) available on our website: www.fiddle.com (www.fiddlermagazine.com) SPECIAL OFFERS: • Get a free back issue of your choice with your 3-year subscription! Please indicate 1st, 2nd, and 3rd choices on the order form. • Choose any ten back issues for $50 plus postage, or ALL available back issues for $150 plus postage. Over a $250 value! BACK ISSUES (Only avail. issues are listed below. Quantities limited.) Winter ’02/’03: Matt Glaser; Ruthie Dornfeld; Patrick Ourceau; Bob Fulcher & Music of the Cumberland Trail; History of Swing to Bebop, Part I; Thoth… Spring ’94: Martin Hayes; County Clare Fiddling; Laurie Lewis… Spring ’03: Doug Kershaw; Brendan McGlinchey; Arto Järvelä; Seán Smyth; Taraf Fall ’94 (Note: B&W photocopy): A Short History of Cajun Fiddling; Michael de Haïdouks; History of Swing to Bebop, Part II… Doucet; Barbara Lamb; London Auctions; Barn Dances & House Dances… Summer ’03: Dan Gellert; Rayna Gellert; Bobby Hicks; Paddy Glackin; Chris Fall ’95: Donegal Fiddling; Mairéad Ní Mhaonaigh; Canray Fontenot; Oliver Daring; Daniel Slosberg; Dorado Schmitt; Swing to Bebop, Part III… Schroer; “Cindy” Lyrics; Fiddling in the 1700s; Fiddling Bob Taylor… Fall ’03: Norwegian Fiddling; Håkon Høgemo; Vegar Vårdal; Cowboy Fiddler Bus Win. ’95/’96: Appalachian Fiddling; Charlie Acuff; Stéphane Grappelli; Violet Hensley; Boyk; Pat McManus; Gene Goforth… Jess Morris: Texas Cowboy Fiddler; Violin Books; Learning Tips… Winter ’03/’04: Hollis Taylor; Matt Cranitch; -
A Welsh Classical Dictionary
A WELSH CLASSICAL DICTIONARY DACHUN, saint of Bodmin. See s.n. Credan. He has been wrongly identified with an Irish saint Dagan in LBS II.281, 285. G.H.Doble seems to have been misled in the same way (The Saints of Cornwall, IV. 156). DAGAN or DANOG, abbot of Llancarfan. He appears as Danoc in one of the ‘Llancarfan Charters’ appended to the Life of St.Cadog (§62 in VSB p.130). Here he is a clerical witness with Sulien (presumably abbot) and king Morgan [ab Athrwys]. He appears as abbot of Llancarfan in five charters in the Book of Llandaf, where he is called Danoc abbas Carbani Uallis (BLD 179c), and Dagan(us) abbas Carbani Uallis (BLD 158, 175, 186b, 195). In these five charters he is contemporary with bishop Berthwyn and Ithel ap Morgan, king of Glywysing. He succeeded Sulien as abbot and was succeeded by Paul. See Trans.Cym., 1948 pp.291-2, (but ignore the dates), and compare Wendy Davies, LlCh p.55 where Danog and Dagan are distinguished. Wendy Davies dates the BLD charters c.A.D.722 to 740 (ibid., pp.102 - 114). DALLDAF ail CUNIN COF. (Legendary). He is included in the tale of ‘Culhwch and Olwen’ as one of the warriors of Arthur's Court: Dalldaf eil Kimin Cof (WM 460, RM 106). In a triad (TYP no.73) he is called Dalldaf eil Cunyn Cof, one of the ‘Three Peers’ of Arthur's Court. In another triad (TYP no.41) we are told that Fferlas (Grey Fetlock), the horse of Dalldaf eil Cunin Cof, was one of the ‘Three Lovers' Horses’ (or perhaps ‘Beloved Horses’). -
Journey Planet 57—January 2021 ~Table of Contents~ 2
Arthur, King of the Britons Editors Chris Garcia, Chuck Serface, James Bacon Journey Planet 57—January 2021 ~Table of Contents~ 2 Page 5 King Arthur Plays Vegas: The Excalibur Editorial by Christopher J. Garcia by Christopher J. Garcia Page 38 Page 7 In Time of Despair and Great Darkness Letters of Comment by Ken Scholes by Lloyd Penney Page 49 Page 12 Camelot Instant Fanzine Article: Arthur and Merlin by Laura Frankos by Christopher J. Garcia and Chuck Serface Page 55 Page 16 A Retro-Review: Monty Python’s Spamalot The Story of Arthur by Steven H Silver Retold by Bob Hole Page 58 Page 19 Arthurs for Our Time: Recent Interpretations Arthur, Alfred, and the Myth of England of the Legend by Julian West by Chuck Serface Page 62 Page 23 Lady Charlotte and King Arthur Two Cups of Blood: Dracula vs. King Arthur by Cardinal Cox by Derek McCaw Page 64 Page 29 From a Certain Point of View: Merlin & Nimue Knights of Pendragon: The Other Arthurian Comic by Steven H Silver by Helena Nash Page 31 Page 75 Interview with Dorsey Armstrong Tristan, Isolde, and Camelot 3000 by Christopher J. Garcia by Christopher J. Garcia Page 35 King Arthur in Fifteen Stamps Page 77 by Bob Hole “It’s Only a CGI Model”: Arthurian Movies of the Twenty-First Century Page 36 by Tony Keen Arthur, King of the Britons 3 ~Table of Contents~ Page 81 Cover by Vanessa Applegate Terry Gilliam's The Fisher King by Neil Rest Page 1—DeepDreamGenerator Combination of Page 84 King Arthur Tapestry of the Nine Worthies and My Barbarian’s “Morgan Le Fey” . -
CHARLES FUSSELL: CYMBELINE CHARLES FUSSELL B
CHARLES FUSSELL: CYMBELINE CHARLES FUSSELL b. 1938 CYMBELINE: DRAMA AFTER SHAKESPEARE (1984, rev. 1996) CYMBELINE [1] I. Prelude 4:03 [2] II. Duet: Imogen and Posthumus 3:26 [3] III. Interlude 1:39 [4] IV. Aria: Iachimo 1:10 [5] V. Imogen 3:39 [6] VI. Scene with Arias: Iachimo 10:19 [7] VII. Interlude 2:14 [8] VIII. Scene: Cloten 1:21 [9] IX. Song: Cloten 3:22 [10] X. Recitative and Arioso: Imogen and Belarius 3:04 ALIANA DE LA GUARDIA soprano [11] XI. Duet, Dirge: Guiderius and Arviragus 3:58 MATTHEW DiBATTISTA tenor [12] XII. Battle with Victory March 4:05 DAVID SALSBERY FRY narrator [13] XIII. Scene: Ghosts (Mother and Sicilius) and Jupiter 5:17 [14] XIV. Duet: Imogen and Posthumus 3:07 BOSTON MODERN ORCHESTRA PROJECT [15] XV. Finale: Soothsayer and Cymbeline 4:14 Gil Rose, conductor TOTAL 55:02 COMMENT By Charles Fussell The idea of a musical depiction of this work came as a result of seeing the Hartford Stage productions of Shakespeare. Their Cymbeline, directed by Mark Lamos (who later moved to opera), ended with an unforgettable scene between Imogen and her husband: “Why did you throw your wedded lady from you? Think that you are upon a rock and throw me again.” His reply, “Hang there like fruit, my soul, till the tree die.” This exchange touched me deeply and really convinced me to try some music for the songs that appear in the play as well as this beautiful expression of love. I noticed the familiar “Hark, hark the lark” was sung by the frightful Cloten. -
In England, Scotland, and Wales: Texts, Purpose, Context, 1138-1530
Victoria Shirley The Galfridian Tradition(s) in England, Scotland, and Wales: Texts, Purpose, Context, 1138-1530 A Thesis Submitted for the Degree of Doctor of Philosophy in English Literature Cardiff University 2017 i Abstract This thesis examines the responses to and rewritings of the Historia regum Britanniae in England, Scotland, and Wales between 1138 and 1530, and argues that the continued production of the text was directly related to the erasure of its author, Geoffrey of Monmouth. In contrast to earlier studies, which focus on single national or linguistic traditions, this thesis analyses different translations and adaptations of the Historia in a comparative methodology that demonstrates the connections, contrasts and continuities between the various national traditions. Chapter One assesses Geoffrey’s reputation and the critical reception of the Historia between the twelfth and sixteenth centuries, arguing that the text came to be regarded as an authoritative account of British history at the same time as its author’s credibility was challenged. Chapter Two analyses how Geoffrey’s genealogical model of British history came to be rewritten as it was resituated within different narratives of English, Scottish, and Welsh history. Chapter Three demonstrates how the Historia’s description of the island Britain was adapted by later writers to construct geographical landscapes that emphasised the disunity of the island and subverted Geoffrey’s vision of insular unity. Chapter Four identifies how the letters between Britain and Rome in the Historia use argumentative rhetoric, myths of descent, and the discourse of freedom to establish the importance of political, national, or geographical independence. Chapter Five analyses how the relationships between the Arthur and his immediate kin group were used to challenge Geoffrey’s narrative of British history and emphasise problems of legitimacy, inheritance, and succession. -
Phonographic Bulletin
iasa International Association of Sound Archives Association Internationale d'Archives Sonores Internation~le Vereinigun~ 'd,er,Schallarchive phonographic bulletin no.29/March 1981 PHONOGRAPHIC BULLETIN Journal of the International Association of Sound Archives IASA Organe de 1 'Association Internationale d'Archives Sonores IASA Zeitschrift der Internationalen Vereinigung der Schallarchive IASA Associate Editors: Ann Briegleb, Ethnomusiocology Archives, UCLA, Los Angeles; Frank J. Gillis, Archives of Traditional Music, Indiana University, B1oomington. Technical Editor: Dr. Dietrich SchUller, Phonograrrunarchiv der Oesterreichischen Akademie der Wissenschaften, Wien. The PHONOGRAPHIC BULLETIN is published three times a year and is sent to all members of IASA. Applications for membership in IASA should be sent to the Secretary (see list of officers be low). The annual dues are at the moment 25.-Deutsche Mark for individual members and 60. Deutsche Mark for institutional members. Back copies of the PHONOGRAPHIC BULLETIN from 1971 are available at 15.-Deutsche Mark for each year's issue, including postage. Subscriptions to the current year's issues of the PHONOGRAPHIC BULLETIN are also available to non-members at a cost of 25.-Deutsche Mark. Le journal de 1 'Association internationale d'archives sonores, le PHONOGRAPHIC BULLETIN, est publie trois fois 1 'an et distribue a tous les membres. Veuillez envoyer vos demandes d'adhesion au \secretaire dont vous trouverez 1 'adresse ci-dessous. Les cotisations annuel1es sont en ce . moment de 25.-Deutsche Mark pour les membres individuels et 60.-Deutsche Mark pour les membres . institutionne1s. Les numeros precedents (a partir de 1971) du PHONOGRAPHIC BULLETIN sont dis ponibles au cout de 15.-Deutsche Mark par annee (frais de port inclus). -
MANY MOTIVES: GEOFFREY of MONMOUTH and the REASONS for HIS FALSIFICATION of HISTORY John J. Berthold History 489 April 23, 2012
MANY MOTIVES: GEOFFREY OF MONMOUTH AND THE REASONS FOR HIS FALSIFICATION OF HISTORY John J. Berthold History 489 April 23, 2012 i ABSTRACT This paper examines The History of the Kings of Britain by Geoffrey of Monmouth, with the aim of understanding his motivations for writing a false history and presenting it as genuine. It includes a brief overview of the political context of the book at the time during which it was first introduced to the public, in order to help readers unfamiliar with the era to understand how the book fit into the world of twelfth century England, and why it had the impact that it did. Following that is a brief summary of the book itself, and finally a summary of the secondary literature as it pertains to Geoffrey’s motivations. It concludes with the claim that all proposed motives are plausible, and may all have been true at various points in Geoffrey’s career, as the changing times may have forced him to promote the book for different reasons, and under different circumstances than he may have originally intended. Copyright for this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin Eau Claire with the consent of the author. ii CONTENTS INTRODUCTION 1 Who was Geoffrey of Monmouth? 3 Historical Context 4 The Book 6 Motivations 11 CONCLUSION 18 WORKS CITED 20 WORKS CONSULTED 22 1 Introduction Sometime between late 1135 and early 1139 Geoffrey of Monmouth released his greatest work, Historia Regum Britanniae (History of the Kings of Britain in modern English).