Digital Technologies in Latin American Architecture
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Developments in Latin America
Go to contents 07 Digital Design Curriculum Developments in Latin America – A Field Report Arturo Montagu*, José Ripper Kós**, Diana Rodriguez Barros*, Alfredo Stipech *, Rodrigo García Alvarado*** SIGraDi - Argentina*, Brazil**, Chile*** http://www.sigradi.org The introduction of early computer graphics procedures in the Architectural and Design fields in Latin America has been a complex and hard task due to different motives that can be summarized as educational prejudices, political instability and financial problems. The paper aims to summarize the origin of the “system approach” view in the region based in experiences of some leading institutions nowadays. A chronological development of the present curricular systems in some Faculties of Architecture and Design will also be included. It must be considered that the great majority of public universities in Latin America are free of charge for the students. Keywords: Pedagogic Evolution; Educational Systems; Latin America; Curricular Differences; Prospective. What I read, I forget. continued at the Architectural Association School of What I see, I remember. Architecture in London and at the Department of What I do, I learn. Building Science of the University of Manchester, (Old Chinese Proverb) Institute of Science and Technology during 1967-68. In 1974 the Faculty of Architecture of the Central In the XVI century when somebody in Flanders University of Venezuela in Caracas, Professor discovered the movements of the earth around Gonzalo Velez Jahn set up the first computer the sun, he became the father of modern laboratory for advanced design procedures. Also in astronomy. When somebody made similar 1981 Professor Leonardo Combes developed the observations in Latin America from Mexico to system laboratory at the Faculty of Architecture of the Patagonia, he was burned by the Spanish State University of Tucuman in the North of Argentina. -
Design Research Quarterly Volume 2, Issue 3
Design Research Society DRS Digital Library Design Research Quarterly DRS Archive 1-7-2007 Design Research Quarterly Volume 2, Issue 3 Peter Storkerson Follow this and additional works at: https://dl.designresearchsociety.org/design-research-quarterly Recommended Citation Storkerson, Peter, "Design Research Quarterly Volume 2, Issue 3" (2007). Design Research Quarterly. 4. https://dl.designresearchsociety.org/design-research-quarterly/4 This Book is brought to you for free and open access by the DRS Archive at DRS Digital Library. It has been accepted for inclusion in Design Research Quarterly by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. V.2:3 July 2007 www.designresearchsociety.org Design Research Society ISSN 1752-8445 Designing the Interface Between Research, Learning and Teaching Linda drew University of the Arts, London Abstract Introduction Table of Contents: This paper’s central argument is that ‘Universities need to set as a mission teaching and research need to be re- goal the improvement of the nexus Articles: shaped so that they connect in a pro- between research and teaching.... The 1 Designing the Interface Between ductive way. This will require actions aim is to increase the circumstanc- Research, Learning and Teaching at a whole range of levels, from the es in which teaching and research Linda Drew individual teacher to the national have occasion to meet, and to provide system and include the international rewards not only for better teaching or 4 DRS 2008 Conference: communities of design scholars. To do for better research but also for demon- Undisciplined! this, we need to start at the level of the strations of the integration between individual teacher and course team. -
Neri Oxman Material Ecology
ANTONELLI THE NERI OXMAN CALLS HER DESIGN APPROACH MATERIAL ECOLOGY— A PROCESS THAT DRAWS ON THE STRUCTURAL, SYSTEMIC, AND AESTHETIC WISDOM OF NATURE, DISTILLED AND DEPLOYED THROUGH COMPUTATION AND DIGITAL FABRICATION. THROUGHOUT HER TWENTY- ECOLOGY MATERIAL NERI OXMAN NERI OXMAN YEAR CAREER, SHE HAS BEEN A PIONEER OF NEW MATERIALS AND CONSTRUCTION PROCESSES, AND A CATALYST FOR DYNAMIC INTERDISCIPLINARY COLLABORATIONS. WITH THE MEDIATED MATTER MATERIAL GROUP, HER RESEARCH TEAM AT THE MIT MEDIA LAB, OXMAN HAS PURSUED RIGOROUS AND DARING EXPERIMENTATION THAT IS GROUNDED IN SCIENCE, PROPELLED BY VISIONARY THINKING, AND DISTINGUISHED BY FORMAL ELEGANCE. ECOLOGY PUBLISHED TO ACCOMPANY A MONOGRAPHIC EXHIBITION OF OXMAN’S WORK AT THE MUSEUM OF MODERN ART, NEW YORK, NERI OXMAN: MATERIAL ECOLOGY FEATURES ESSAYS BY PAOLA ANTONELLI AND CATALOGUE HADAS A. STEINER. ITS DESIGN, BY IRMA BOOM, PAYS HOMAGE TO STEWART BRAND’S LEGENDARY WHOLE EARTH CATALOG, WHICH CELEBRATED AND PROVIDED RESOURCES FOR A NEW ERA OF AWARENESS IN THE LATE 1960S. THIS VOLUME, IN TURN, HERALDS A NEW ERA OF ECOLOGICAL AWARENESS—ONE IN WHICH THE GENIUS OF NATURE CAN BE HARNESSED, AS OXMAN IS DOING, TO CREATE TOOLS FOR A BETTER FUTURE. Moma Neri Oxman Cover.indd 1-3 9.01.2020 14:24 THE NERI OXMAN MATERIAL ECOLOGY CATALOGUE PAOLA ANTONELLI WITH ANNA BURCKHARDT THE MUSEUM OF MODERN ART, NEW YORK × Silk Pavilion I Imaginary Beings: Doppelgänger Published in conjunction with the exhibition Published by Neri Oxman: Material Ecology, at The Museum of The Museum of Modern Art, New York Modern Art, New York, February 22–May 25, 2020. 11 West 53 Street CONTENTS Organized by Paola Antonelli, Senior Curator, New York, New York 10019 Department of Architecture and Design, www.moma.org and Director, Research and Development; and Anna Burckhardt, Curatorial Assistant, © 2020 The Museum of Modern Art, New York 9 FOREWORD Department of Architecture and Design Certain illustrations are covered by claims to copyright cited on page 177. -
Theory and Design in the First Digital
Theory and design in the first digital age Rivka Oxman, Faculty of Architecture and Town Planning Technion, Haifa 32000, Israel Digital design and its growing impact on design and production practices have resulted in the need for a re-examination of current design theories and methodologies in order to explain and guide future research and development. The present research postulates the requirements for a conceptual framework and theoretical basis of digital design; reviews the recent theoretical and historical background; and defines a generic schema of design characteristics through which the paradigmatic classes of digital design are formulated. The implication of this research for the formulation of ‘digital design thinking’ is presented and discussed. Ó 2005 Elsevier Ltd. All rights reserved. Keywords: digital design, design theory, design methodology, design thinking he evolution of digital design as a unique field of design endeavor, motivated by its own body of theoretical sources, promulgated by Ta culture of discourse, supported by new technologies, and pro- ducing unique classes of designs is a phenomenon that has been rapidly crystallizing in the past decade. Among the significances of digital design for the design theoretical community is the way that this form of highly mediated design is beginning to evolve unique design methodologies, unique forms of design interaction and unique formal content. Due to the large body of diverse publication that has accompanied these devel- opments the problem of encompassing the intellectual domain of digital design culture is, in itself, a difficult mandate. Beyond this problem of diversity, there are other, more theoretical, challenges to our interpreta- tion and understanding of digital design. -
Theories and Models of Parametric Design Thinking
Thinking difference: Theories and models of parametric design thinking Rivka Oxman, Faculty of Architecture and Town Planning, Technion Israel Institute of Technology, Haifa, 32000, Israel The paper examines the uniqueness of seminal parametric design concepts, and their impact on models of parametric design thinking (PDT). The continuity and change within the evolution of design thinking is explored through review of key texts and theoretical concepts from early cognitive models up to current models of parametric design thinking. It is proposed that the seminal role for parametric schema, as a strategic medium of parametric design thinking, is formulated at the intersection of three bodies of knowledge: cognitive models of typological and topological design in architecture; process models of digital design; and tectonic order of material fabrication design (MFD). Differentiation is introduced as a key design strategy of PDT and is demonstrated through classification of prominent case studies. Ó 2017 Elsevier Ltd. All rights reserved. Keywords: computational models, parametric design, design cognition, design knowledge, parametric design thinking eyond being another tool for modeling complex forms, parametric design is emerging as a unique and distinctive model of design. BBoth research and praxis in parametric design are influencing the emergence of parametric design theories that are currently undergoing a re- formulation and an epistemological shift. In parallel, the development of cur- rent tools and practices of parametric design are beginning to impact forms of parametric design thinking (PDT). Current parametric design systems are adapting to changing context under the impact of a new generation of script- ing languages and techniques (Burry, 2011), relational topological schema, associative geometries, and re-editing processes (Woodbury, 2010; Jabi, 2015) and computational process models of digital design (Oxman, 2006). -
Materializing Design: the Implications of Rapid Prototyping in Digital Design
Materializing design: the implications of rapid prototyping in digital design Larry Sass, Department of Architecture, Massachusetts Institute of Technology, 77 Massachusetts Avenue, Cambridge, MA 02139, USA Rivka Oxman, Faculty of Architecture and Town Planning, Technion, Israel Institute of Technology, 32000 Haifa, Israel Rapid prototyping (RP) today is absorbed into practice and is being recognized as a significant technology for design. This paper attempts to formulate key aspects of the design methodological framework that are coalescing with RP’s capability to build artifacts as part of the creative design process. In doing so, it attempts to formulate questions and issues of RP as a design medium that supports the full spectrum of digital design as a paperless process. These issues have been the resultant of early experimental and hands-on involvement with RP technologies in research and educational environments. In this paper, a DDF method (Digital Design Fabrication) is introduced. The DDF method is a two-stage process of working that integrates generative computing and RP into one process. Together they support a process to generate diverse candidate artifacts as solutions to design problems. Through a presentation of issues, procedural observations, and research findings, a range of potential applications of the DDF model are defined and presented. It demonstrates a process of design situated between conceptual design and real-world construction. Ó 2005 Elsevier Ltd. All rights reserved. Keywords: digital process, rapid prototyping hysical modeling is one way through which designers realize mental concepts (Cuff, 1992). As a design representational medi- Pum, the model making process can lead to new forms beyond the original concept. -
Design Research Quarterly Volume 2, Issue 4
Design Research Society DRS Digital Library Design Research Quarterly DRS Archive 1-10-2007 Design Research Quarterly Volume 2, Issue 4 Peter Storkerson Follow this and additional works at: https://dl.designresearchsociety.org/design-research-quarterly Recommended Citation Storkerson, Peter, "Design Research Quarterly Volume 2, Issue 4" (2007). Design Research Quarterly. 5. https://dl.designresearchsociety.org/design-research-quarterly/5 This Book is brought to you for free and open access by the DRS Archive at DRS Digital Library. It has been accepted for inclusion in Design Research Quarterly by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. Emerging Trends in Design Research V.2:4 October, 2007 www.designresearchsociety.org Design Research Society 12-15 November, 2007 ISSN 1752-8445 Hong Kong Polytechnic Confessions of a Journal Editor Jeffrey J. Williams Carnegie Mellon University Editor, Minnesota Review Want to know what an editor is really thinking when Table of Contents: he’s reading that article you submitted? Articles: It’s good that people can’t hear me it better. Nowadays there is very little 1 Confessions of a Journal Editor when I edit their writing. “Blah blah serious editing in academe. It’s a scan- Jeffrey J. Williams blah.” “Is this a garbled translation dal, and I think we should change it. (reprinted from The Chronicle of Higher from the Cyrolean?” “Did you reread Editing, like sending thank-you Education) your writing? I’m not your mother.” cards, is one of those things that every- “Urrrh.” It wouldn’t be polite. one acknowledges is a good idea but 4 DRS 2008 Conference: Undisciplined! I have edited a literary and cultur- that few people do. -
Parametric Design and Prototyping Considerations on Gaudí's Sagrada
PP Periodica Polytechnica Between Designer and Design: Architecture Parametric Design and Prototyping Considerations on Gaudí’s Sagrada 47(2), pp. 89-93, 2016 Familia DOI: 10.3311/PPar.10335 Creative Commons Attribution b Rodrigo Makert1*, Gilfranco Alves1 research article Received 28 November 2016 Abstract 1 Introduction Digital technologies have enabled new design methods, cast- This paper analyses the Expiatory Church of the Sagrada ing a reassessment of current theories of design. Rivka Oxman Família, designed by Antoni Gaudí in Barcelona, started at the proposed five paradigmatic classes of digital design models end of the XIX century and still not completed. The objective according to the various relationships between the designer, is to investigate the theory and practice, from the design pro- conceptual content, applied design processes, and the design cesses through to the parametric design thinking and digital object. Kotnik states that catenary curve computational think- fabrication. The catenary curve was chosen as an experiment in ing is changing the way we think and design in architecture; the digital and physical world. it can be distinguished by three main levels of “computabil- Carpo states that the current logic for the project’s idea pres- ity”: representational, parametric and algorithmic. Kolarevic entation before Albert would be something like “if you can’t clarifies that new digital approaches to design (based on com- draw what you have in mind in order to have others make it putational concepts), construction and prototyping can be for you, you can still try to make it yourself” (Carpo, 2011). achieved by computerised numerical control process (CNC). -
Feb 2 7 2004 Libraries Rotch
Architecture Theory 1960-1980. Emergence of a Computational Perspective by Altino Joso Magalhses Rocha Licenciatura in Architecture FAUTL, Lisbon (1992) M.Sc. in Advanced Architectural Design The Graduate School of Architecture Planning and Preservation Columbia University, New York. USA (1995) Submitted to the Department of Architecture, in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy in Architecture: Design and Computation at the MASSACHUSETTS INSTITUTE MASSACHUSETTS INSTITUTE OF TECHNOLOGY OF TECHNOLOGY February 2004 FEB 2 7 2004 @2004 Altino Joso Magalhaes Rocha All rights reserved LIBRARIES The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. Signature of Author......... Department of Architecture January 9, 2004 Ce rtifie d by ........................................ .... .... ..... ... William J. Mitchell Professor of Architecture ana Media Arts and Sciences Thesis Supervisor 0% A A Accepted by................................... .Stanford Anderson Chairman, Departmental Committee on Graduate Students Head, Department of Architecture ROTCH Doctoral Committee William J. Mitchell Professor of Architecture and Media Arts and Sciences George Stiny Professor of Design and Computation Michael Hays Eliot Noyes Professor of Architectural Theory at the Harvard University Graduate School of Design Architecture Theory 1960-1980. Emergence of a Computational Perspective by Altino Joao de Magalhaes Rocha Submitted to the Department of Architecture on January 9, 2004 in Partial Fulfilment of the Requirements for the degree of Doctor of Philosophy in Architecture: Design and Computation Abstract This thesis attempts to clarify the need for an appreciation of architecture theory within a computational architectural domain. It reveals and reflects upon some of the cultural, historical and technological contexts that influenced the emergence of a computational practice in architecture. -
Curriculum Vitae
kevin r klinger. associate professor of architecture ball state university education. 1996. University of Illinois at Urbana-Champaign, School of Architecture, Master of Architecture. Design Option. 1993 - 1994. Versailles Program, UIUC, SAPV, at the Ecole d’Architecture de Versailles, France. 1990. DePauw University, Greencastle, IN. Bachelor of Arts, Studio Art and Economics. 1985 - 1987. Purdue University, Engineering, West Lafayette, IN. positions | projects. 2018 -- CAP Recruitment Faculty Liaison, CAP (College of Architecture and Planning, Ball State). 2018 Spring. MArch Thesis Final Project Coordination, Ball State University. 2006 – 2016. Founding Director, Institute for Digital Fabrication www.bsu.edu/imade Center for Media Design project included in the “Digital Exchange,” Lilly Endowment grant. 2006. Fellow, Virginia B. Ball Center for Creative Inquiry. http://vbcseminar.iweb.bsu.edu Streams: Data-driven Fabrications Connecting Indiana’s White River.” Spring Semester 2006. 2005. Summer Research Fellow, CMD (Center for Media Design), Ball State University, Digital Exchange team: Digital Fabrication Research. 2006 - 2007. Vice-President, ACADIA, (the Association for Computer Aided Design in Architecture). www.acadia.org 2003 - 2005. President, ACADIA, (the Association for Computer Aided Design in Architecture). international scholarly organization concerned with influences of digital technology in architecture. Two-term presidency. 2003. Summer Research Fellow, CERES (Center for Energy Research|Education|Service), Ball State University, visualization team for Enkei Project. 2003. Conference Chair, ACADIA22 Conference2003, Ball State University. 2000 - 2003. Director, Architect.org: an online portal project of the Architecture Research Institute, Inc. 1999. Project team, Research/Development Proposal: Vanua Ni Tui Center for the Study of Fijian Culture, Architecture Research Institute and (Ratu) Kinijoji Rarokoqica Maivalili, Wailevu, Fiji. -
Digital Architecture – Towards a New Discourse
DIGITAL ARCHITECTURE – TOWARDS A NEW DISCOURSE Rivka E. Oxman Ruth Rotenstreich Faculty of Architecture and T.P Faculty of Architecture and T.P Technion, Haifa, Israel Technion, Haifa, Israel 32000 32000 [email protected] [email protected] Abstract Discourse in digital architecture has begun to occupy new design concepts related to digital design. Design concepts are now becoming integrated into the general architectural discourse. This research investigated this process, the emergence, migration, and crystallization of a new conceptual content under the influence of digital design. In order to demonstrate this shift, significant projects were selected to represent features of the expression that reflects the changes and evolution of conceptual content that underlie digital design. This analysis was accomplished employing the ICF analytical framework. Our findings demonstrate the change in the conceptual structure in digital architecture. Certain expressions that are related to digital technology have moved up from a low level descriptive level to a significant conceptual role in formulating current ideational content. The methodology findings and the contribution to the definition of the conceptual content of contemporary discourse in digital architecture are described and presented in this paper. 1. Introduction Beyond the exploitation of digital media and the employment of new methods and tools has the design The evolution of digital design as a unique field process been changed? of design endeavor, motivated by its own body of Are the relations between digital design and digital theoretical sources, promulgated by a culture of thinking creating a new ideational resource for design? discourse, is currently supported by new technologies. -
Theories of the Digital in Architecture Oxman, R
Theories of the digital in architecture Oxman, R. & Oxman, R. (2014). Theories of the digital in architecture / [edited by] Rivka Oxman and Robert Oxman, Routledge, Taylor & Francis Group. THE IMPORTANCE OF UNDERSTANDING RELATED THEORIES To avoid using digital tools as drafting tools. Rather, advanced holistic design thinking tools which we have expanded from historical point of view (on week 2) and think-draw-make collaborations we discussed (on week 3). Photo by Georgia de Lotz on Unsplash 21 Glossary of terminology https://miatedjosaputro.co m/2020/02/22/digital- architecture-glossary/ Theories, concepts and 03 CONCEPTS AND MODELS models 01 ONTOLOGY 04 TECHNOLOGIES 02 COMPUTATIONAL PROCESSES 05 EPISTEMOLOGY 23 DISCLAIMER Most concepts do not fit exactly to one of the schema above. Instead, you will recognise that they interlace and are combinable. Emerging concepts are consisted of a mixture of these concepts. 24 01 ONTOLOGY THEORY Photo by Levi Midnight on Unsplash 25 01 ONTOLOGY THEORY . One of the most profound architecture publication in 1990s. Functioned as an antithesis of Deconstructivism. Offered theoretical and operative alternative to Deconstruction. Lynn, G. (1993). Architectural Curvilinearity, The Folded, the Pliant and the Supple. Architectural Design, 8-15. 26 01 ONTOLOGY THEORY . Architecture’s response to complex, disparate, differentiated and heterogeneous cultural and formal contexts were: 1. Conflict and contradiction, or 2. Unity and reconstruction . Lynn suggested an alternative: smoothness. Smoothness accommodates both contradiction and unity. Architectural Curvilinearity. Lynn, G. (1993). Architectural Curvilinearity, The Folded, the Pliant and the Supple. Architectural Design, 8-15. 27 01 . A concept in non-standard architecture, ONTOLOGY is called “Objectile”.