Developments in Latin America

Total Page:16

File Type:pdf, Size:1020Kb

Developments in Latin America Go to contents 07 Digital Design Curriculum Developments in Latin America – A Field Report Arturo Montagu*, José Ripper Kós**, Diana Rodriguez Barros*, Alfredo Stipech *, Rodrigo García Alvarado*** SIGraDi - Argentina*, Brazil**, Chile*** http://www.sigradi.org The introduction of early computer graphics procedures in the Architectural and Design fields in Latin America has been a complex and hard task due to different motives that can be summarized as educational prejudices, political instability and financial problems. The paper aims to summarize the origin of the “system approach” view in the region based in experiences of some leading institutions nowadays. A chronological development of the present curricular systems in some Faculties of Architecture and Design will also be included. It must be considered that the great majority of public universities in Latin America are free of charge for the students. Keywords: Pedagogic Evolution; Educational Systems; Latin America; Curricular Differences; Prospective. What I read, I forget. continued at the Architectural Association School of What I see, I remember. Architecture in London and at the Department of What I do, I learn. Building Science of the University of Manchester, (Old Chinese Proverb) Institute of Science and Technology during 1967-68. In 1974 the Faculty of Architecture of the Central In the XVI century when somebody in Flanders University of Venezuela in Caracas, Professor discovered the movements of the earth around Gonzalo Velez Jahn set up the first computer the sun, he became the father of modern laboratory for advanced design procedures. Also in astronomy. When somebody made similar 1981 Professor Leonardo Combes developed the observations in Latin America from Mexico to system laboratory at the Faculty of Architecture of the Patagonia, he was burned by the Spanish State University of Tucuman in the North of Argentina. inquisition. Also in the 70’s in Chile, computers were first (Old Latin American Proverb). related to urban models of transport based on British developments. Introduction At the end of 1983, Professor Montagu, at the It can be assumed that during 1963 the first digital Faculty of Architecture Design & Urbanism of the computer was installed in the Faculty of Science of University of Buenos Aires and the National Research the University of Buenos Aires. Council of Argentina, set up a research group In 1965 at the Faculty of Architecture of the same concerning with the implementation of a pedagogical university it was launched the first idea of “automatic strategy to teach CAD systems to a massive number drafting” as a conceptual possibility based in a system of architectural and design students, becoming approach. Due to political turmoil in 1966, it was further simultaneously a challenge and a commitment. 202 Education & Curricula – 07 The Ideal Digital Design Curriculumn Go to contents 07 Due to intensive financial and political In the mid eighties this concept was gradually breakdowns, each country have developed different substituted by teaching designed strategies based in approaches based mainly on individual actions more an “organizational criteria of digital documents”. than in an integration policy inside the curricular At the end of the 80’s the fast evolution of software system of the educational institutions. and hardware allowed the improvement of the concept This short introduction aims to provide an of “organizational criteria of digital documents”, setting overview on the initial stages to establish a computer up new pedagogical and information procedures, graphics policy in the educational environment in the based on integration of “oriented languages” and region. Therefore, this paper will present the origin of “customization” of CAD systems. The architectural and a few research centers and groups and a variety of design studios at the faculties were reluctant to easily pedagogical strategies representing also the diversity accept the integration of the design process using of the environmental situation of each institution. Some analog and digital documents. It was possible to examples from Argentina, Brazil and Chile are also observe just a few examples in our region. included. The Nineties The Sixties Influenced by IT, the new topics of research in the The mid sixties were the period where the “system process of “teaching/learning” digital procedures, approach”, originated mainly in Great Britain and some created new areas of knowledge in the field of American institutions, were responsible to the major architectural education. Between 1994 and 1995, influence over the schools of architecture and design most architectural and design faculties in Latin around the world. There were also some individual America started to be related trough IP protocols. This actions in Latin America due to the influence over the possibility presented a new kind of relationship among design process of “high level computer languages” them; as a product of these events, SIGraDi was as Fortran and Algol as an analogy with the system organized as a relational and knowledge interchange approach. tool. The Seventies Proposal, main hypothesis and During this period, it was developed integrated breakdowns computer graphics systems on minicomputers scale, Today is an era of “teaching-learning process” (Papert which covered a wide spectrum during the entire 1996) decade. Systems as IGDS by Intergraph , Computer As a kind of summarized vision of present times, Vision, Calma and ARC of Cambridge, provided our main pedagogical proposal has certain common architects and designers the possibility to avoid points based on three relational parameters: oriented programming, mainly for automatic drafting. Continuity, Integration and Strategies to reuse Digital Instead for the first time in modern history, analogical Information produced by the students”. design procedures can be interfaced directly with powerful graphics routines. Continuity The pedagogical strategy should be a continuous The Eighties process where architectural studio (traditional or At the end of the 70’s and the beginning of the 80’s virtual) should be the central issue. All other technical the graphic routines of the 70’s were transformed into and cultural disciplines or “summum”, converge to a “sequence of commands”, therefore most of the form the corpus of the architectural knowledge. design curriculum of digital procedures in Latin (Breakdown 1: human factor, mainly by architecture America was based in teaching with this methodology. professor’s who have preserved the traditional tutorial Education & Curricula – 07 The Ideal Digital Design Curriculumn 203 Go to contents 07 system, could be a problem). (Breakdown 2: It is still During the design process there is a set of digital difficult to integrate the technical and cultural documents, including those who are coming from the disciplines into the “summun” not because they are technical and cultural disciplines that can be selected behind the system approach, just because the and organized in a set of files. “architectural studio” is not prepared, digitally These files should be analyzed with different speaking, to receive the information. It’s a kind of slow criteria of evaluation procedures. A comparative down in the process of continuity and further). strategy should be used in order to select the original features from each student work. Afterwards those Integration I features can be transferred to a working paper in three The organization and development of IP protocols in different types of support: working document, or a CD the mid 90’s around Latin American educational or a set of WEB pages. institutions acted as a “turning point” for pedagogical (Breakdown 4: again, human factors could be an procedures. Communication among institutions with impediment to develop the idea. The first one came the extended use of WEB sites as an alternative from the librarian, the second one came from the source of information has improved the richness and professor who doesn’t want to deploy his teaching the amount of information used in the design field. strategy, the third one is the student who wants to (Breakdown 3: again the vast amount of information show his own ideas). could produce a syndrome of data overload, therefore the present pedagogical strategy should be “how data Conclusions and information can be fragmented and transformed into knowledge”). Improving the Digital Culture A combination of Intranet-Internet system could Taking in consideration the graphic environment, be an appropriate tool for the convergence of the where today there are more than 30 different types of complementary disciplines using free hostings Architectural and Design fields oriented software available in the virtual environment. including IT, it will be necessary to “develop a new field” concern with a new way of integrating the Integration II students with the digital culture. Integration could be the creative part of the process Finally one of our proposal is oriented to organize because the final result will depend on how data shall several “Linux study groups” in order to find “software be assembled. There are well-known examples in the alternatives” taking in consideration that it is architectural field: in one side the complex forms of impossible (financially speaking) for Latin American the Guggenheim Museum at Bilbao-Spain by F. Ghery universities, to follow the present trends of the originated from an analog-digital procedure. In the software
Recommended publications
  • Curriculum Vitae
    kevin r klinger. associate professor of architecture ball state university education. 1996. University of Illinois at Urbana-Champaign, School of Architecture, Master of Architecture. Design Option. 1993 - 1994. Versailles Program, UIUC, SAPV, at the Ecole d’Architecture de Versailles, France. 1990. DePauw University, Greencastle, IN. Bachelor of Arts, Studio Art and Economics. 1985 - 1987. Purdue University, Engineering, West Lafayette, IN. positions | projects. 2018 -- CAP Recruitment Faculty Liaison, CAP (College of Architecture and Planning, Ball State). 2018 Spring. MArch Thesis Final Project Coordination, Ball State University. 2006 – 2016. Founding Director, Institute for Digital Fabrication www.bsu.edu/imade Center for Media Design project included in the “Digital Exchange,” Lilly Endowment grant. 2006. Fellow, Virginia B. Ball Center for Creative Inquiry. http://vbcseminar.iweb.bsu.edu Streams: Data-driven Fabrications Connecting Indiana’s White River.” Spring Semester 2006. 2005. Summer Research Fellow, CMD (Center for Media Design), Ball State University, Digital Exchange team: Digital Fabrication Research. 2006 - 2007. Vice-President, ACADIA, (the Association for Computer Aided Design in Architecture). www.acadia.org 2003 - 2005. President, ACADIA, (the Association for Computer Aided Design in Architecture). international scholarly organization concerned with influences of digital technology in architecture. Two-term presidency. 2003. Summer Research Fellow, CERES (Center for Energy Research|Education|Service), Ball State University, visualization team for Enkei Project. 2003. Conference Chair, ACADIA22 Conference2003, Ball State University. 2000 - 2003. Director, Architect.org: an online portal project of the Architecture Research Institute, Inc. 1999. Project team, Research/Development Proposal: Vanua Ni Tui Center for the Study of Fijian Culture, Architecture Research Institute and (Ratu) Kinijoji Rarokoqica Maivalili, Wailevu, Fiji.
    [Show full text]
  • 1 Curriculum Vitae of Eric Goldemberg
    CURRICULUM VITAE OF ERIC GOLDEMBERG EDUCATION - Master of Science in Advanced Architectural Design, 2002 Graduate School of Architecture, Planning and Preservation, Columbia University, Architecture - Titulo Profesional de Arquitecto, 2000 Facultad de Arquitectura Diseno y Urbanismo, Universidad de Buenos Aires, Argentina PROFESSIONAL REGISTRATION - Licensed Architect, Professional Council of Architecture and Urbanism, Buenos Aires, Argentina, Mat. No. 23297 (since 2004) OFFICES HELD IN PROFESSIONAL SOCIETIES - Member, Central Association of Architects, Buenos Aires, Argentina - Member, Professional Council of Architecture and Urbanism, Buenos Aires, Argentina FULL-TIME ACADEMIC EXPERIENCE - Florida International University, Associate Professor, Architecture, August 2006 to present NON-ACADEMIC EXPERIENCE - MONAD Studio, Miami Beach, Principal, 2009 to present - Asymptote Architecture, New York, Senior Designer, 2004 to 2005 - Eisenman Architects, New York, Senior Designer, 2002 to 2004 - Estudio STAFF, Buenos Aires, Architect, 1997-2000 - Estudio Clorindo Testa, Buenos Aires, Designer, 1995-1996 PUBLICATIONS IN DISCIPLINE Books: - Goldemberg, Eric. Pulsation in Architecture. Fort Lauderdale: J.Ross Publishing Inc, 2011. Foreword, afterword, project reviews and concept design by Eric Goldemberg Pulsation in Architecture is based on the discussion and showcase of architecture practices that make extensive use of the fundamental animate capacity of digital design to unveil the rhythmic, perceptual qualities of space. Articles: - Goldemberg, Eric. -AD – ARCHITECTURAL DESIGN - Essay: “The Sonic Spectacle of the Enhanced Body” for the issue ‘Body Architectures’ edited by Neil Leach and Behnaz Farahi and published by WILEY. - Goldemberg, Eric. AD – ARCHITECTURAL DESIGN - Essay: “Mood, Posture and Rhythmic Feedback” for the issue ‘Evoking Through Design: Contemporary Moods in Architecture’ edited by Matias del Campo and published by WILEY. - Goldemberg, Eric.
    [Show full text]
  • Meta-Infografía: Loops Informativos En La Historia De Sigradi / Beyond Digital Graphics: Loops of Information About the History of Sigradi
    MX 2007 Meta-infografía: Loops Informativos en la historia de SIGraDi / Beyond digital graphics: loops of information about the history of SIGraDi Underlea Bruscato / UNISINOS, São Leopoldo, RS, Brasil / [email protected] www.unisinos.br / Pedro A. Soza Ruiz / U de Chile, Santiago, Chile / [email protected] www.uchile.cl Abstract This paper exposes a collaborative work between students and faculties from Brazil and Chile in development of interactive illustrations about computer graphics and the iberoamerican society of digital graphics. That experience tells about visual communication of own advancements and relationship of visual communication, then it is a reflection on own history and capabilities. It describes the course and exercises developed, presentations and discussion taken by videoconferences, concepts and products developed and conclusions about this experience. Introducción - antecedentes La in- Objetivo El objetivo general de este estudio fografía es una técnica aplicada de Diseño de Información a fue implementar, en el sitio web de SIGraDi, material visual modo de representación visual en la cual interviene una des- interactivo, tomando la infografía como excusa. El actual si- cripción, relato o proceso de manera gráfica que puede o no tio de la sociedad opera sobre la plataforma OpenSource interactuar con textos y cuyo objetivo es ordenar una serie Joombla, pero en su diseño e implementación se privilegio de datos abstractos en un patrón reconocible y accesible la información y los contenidos ante la interactividad y el visualmente. El término también se ha popularizado para re- diseño visual. Este ejercicio, busco así aportar y explotar la ferirse a todas aquellas imágenes generadas por ordenador.
    [Show full text]
  • Digital Technologies in Latin American Architecture
    Digital Technologies in Latin American Architecture A Literature Review from the Third to the Fourth Industrial Revolution Pablo C Herrera1, Frederico Braida2 1Universidad Peruana de Ciencias Aplicadas 2Universidade Federal de Juiz de Fora; Universidade Tecnológica Federal do Paraná [email protected] [email protected] This paper approaches the literature that combines the fields of Architectural Computing and Architecture and Urbanism produced in Latin America during the first two decades of the 21st Century. The main objective is to map the advancement of Digital Technology in Architecture and Urbanism in the context of the Third Industrial Revolution, in order to identify perspectives towards a Fourth Industrial Revolution. As methodology was applied a chronological survey of the literature produced in book format, predominantly printed in the 21st Century by Latin Americans researches in leading digital themes. At last, it can be verified that the production is still very scarce and still has not incorporated, in a significant way, the themes related to the Fourth Industrial Revolution. Keywords: Latin America, Digital Technologies, Industrial Revolution, Literature Review, Architectural Computing INTRODUCTION search, the bibliography considered was the one de- In the history of Architecture, the topics on emerging veloped in the geographic territory where SIGraDi digital technologies have been transversal to Econ- has been present during the first two decades of the omy, Society, Industry, where construction and
    [Show full text]
  • Politics of Digital in Latin America
    capa_homo-faber.pdf 1 17/10/2018 14:52 politics of digital in latin america rodrigo scheeren pablo c. herrera david m. sperling editors 2.0 politics of digital in latin america RODRIGO SCHEEREN PABLO C. HERRERA DAVID M. SPERLING EDITORS são carlos instituto de arquitetura e urbanismo 2018 CONTENTS CONCEPTUAL 46 [TAMACO] Furetsu PROTOTYPES 48 [LAPAC] Funicular Shells + 50 [DOMVS] Computational Resources, Design Processes TECHNOLOGICAL 52 [FAB LAB MONTEREY] Bichos PRODUCTS 54 [OPEN BRAIN] Attractors and Voronoi 56 [GP ARTE, DESIGN E MÍDIAS DIGITAIS] Form(a)ctivity II 58 [FORMS] Coastal Fog Tower 60 [DUM DUM LAB] Discrete Structures 62 [MORFOLAB] Bio-Inspired Parametric Surfaces 64 [NEXUS] Leaf Brick 9 Homo Faber 2.0: 66 [IEHU] Curved Folding A political approach on the current state of 68 [EDRO] 360º Furniture production in Latin America 70 [FABHAUS UC] Knot # 72 [LM+P] Northeast House 1.0 74 [UTFSM] XIII Architecture Competition Madera21 18 [CIPIT LAB] Maker, Tinker, Learn COLLABORATIVE 76 [TU TALLER DESIGN] Maker Home 20 [NIMBU] Interactive Electronic Modules PROCESSES 78 [SUBDV] Lounge for Brazilian Venture Capital Firm 22 [LEAUD] ArchBricks Building Blocks + 80 [DESSIN TECHNISCH] Viajes Rosario Boutique Travel Agency 24 [NÓ.LAB] Responsive Object in the Teaching Process TECHNOLOGICAL 82 [FRONTIS 3D] General Facade, Square 85 Project SUBVERSION 26 [ESTUDIO GUTO REQUENA] Mapped Empathy 28 [LAMO 3D] Tornado, Ruled Surface Pavilion 30 [ONION LAB] Helix Sculpture ARTISANAL- 88 [FABLAB UNIPILOTO] Artisanal-Digital Tile Fabrication 32 [LABORATÓRIO
    [Show full text]
  • Daniel Cardoso Llach Address Carnegie Mellon University
    Daniel Cardoso Llach Address Carnegie Mellon University, Pittsburgh, US 15213. Margaret Morrison Carnegie Hall, Of. 412. Phone +1 857 272 6181 E-mail [email protected] URL http://www.dcardo.com Education 2007-12 Ph.D. in Architecture: Design and Computation. Massachusetts Institute of Technology, Cambridge, US. School of Architecture and Planning. Presidential Fellow. 2005-07 Master of Science in Architectural Studies (SMArchS): Design and Computation. Massachusetts Institute of Technology, Cambridge, US. School of Architecture and Planning. Best Thesis Award. 1997-01 Professional Bachelor of Architecture. Universidad de los Andes, Bogotá, Colombia. Academic Appointments Faculty 2016- Assistant Professor in Architecture: Computational Design at Carnegie Mellon Positions University School of Architecture, Pittsburgh, US. 2015-2016 Special Faculty in Architecture: Computational Design at Carnegie Mellon University School of Architecture, Pittsburgh, US. 2012-2015 Assistant Professor in Architecture: Design Computing at Penn State Department of Architecture, University Park, US. 2002-2005 Instructor in Architecture, Universidad de los Andes, School of Architecture and Design, Bogotá, Colombia. Fellowships & 2016 Visiting Scholar at the Martin Centre for Architectural and Urban Studies, Scholarly Visits Department of Architecture, University of Cambridge, Cambridge, UK. Jan-Aug. 2016 Research fellow at the Institute for the Advanced Study of Media Cultures of Computer Simulation (MECS), Leuphana Universitat, Lüneburg, Germany. Apr- May. Teaching & 2006-2012 Massachusetts Institute of Technology, School of Architecture and Planning, Research Assistantships Department of Architecture Design and Computation Group, Digital Design and Fabrication Group, Mobile Experience Laboratory. Cambridge MA, US. Daniel Cardoso Llach, Ph.D. 2018 CV 1 2001-2002 Universidad de los Andes, School of Architecture and Design Research Center (Centro de Investigaciones de la Facultad de Arquitectura y Diseño, CIFAD), Bogotá, Colombia.
    [Show full text]
  • Evolving Stages of Digital Fabrication in Latin America
    eCAADe SIGraDi 2019 Architecture in the Age of the 4th Industrial Revolution Volume 2 eCAADe SIGraDi 2019 Architecture in the Age of the 4th Industrial Revolution Volume 2 Proceedings The 37th Conference on Education and Research in Computer Aided Architectural Design in Europe The 23rd Conference of the Iberoamerican Society Digital Graphics Conference 11th-13th September 2019 Porto, PortuGal Faculty of Architecture University of Porto Edited by José Pedro Sousa Gonçalo Castro Henriques João Pedro Xavier Volume 2 - eCAADe 37 SIGraDi 23 | iii ORGANIZATION DIAMOND SPONSORS GOLD SPONSORS SUPPORT TECHNICAL SUPPORT eCAADe SPECIAL SUPPORT OpenConf (Winchester) ProceeDings (Wurzer, Lorenz, Coraglia) CuminCAD (Martens, Cerovsek) Voting System (Winchester) INSTITUTIONAL PARTNERS iv | eCAADe 37 SIGraDi 23 - Volume 2 Evolving stages of digital fabrication in Latin America Outlines of a research and extension project Rodrigo Scheeren1, Pablo C. Herrera2, David Sperling3 1,3University of São Paulo (USP) 2Universidad Peruana de Ciencias Aplicadas (UPC) [email protected] [email protected] 3sperling@sc. usp.br The introduction of digital fabrication technologies in Latin America faces diverse, heterogeneous and decentralized conditions. After several years, there was not a comprehensive perspective on the situation in the region. The goal of this paper is to present a project called ``Homo Faber: Digital Fabrication in Latin America'' and some of its results. The project comprehends the creation of a database that led to researches and exhibitions about digital fabrication in design, architecture and building construction in Latin America. The questions that guide the investigation try to understand which factors contribute and limit the potential of automation in material processes towards 4.0 industry.
    [Show full text]
  • Full Curriculum Vitae
    EDUCATION ……………..……………..……………..……………..…………… ……..……………..………… 1994 Ph.D. in Education. Dissertation: Interfacial Education. University of Minnesota (Minneapolis). 1990 Master of Architecture. Thesis: Rethinking Architectural Foundations. University of Minnesota (Minneapolis). 1982 Diploma Arquitecto (prof. degree) with Gold Medal Honors. Universidad Católica de Santa Fe, Argentina. HONORS ……………..……………..……………..……………..……………..……………..………… 2021 ACSA Distinguished Professor. This award recognizes an individual’s positive, stimulating, and nurturing influence upon students over an extended period of time and/or teaching which inspired a generation of students who themselves have contributed to the advancement of architecture. 2017 Tau Sigma Delta Silver Medal for Outstanding Teaching. Nomination and vote by Tau Sigma Delta students (The Catholic University of America) 2010 Sasada Award. International recognition for sustained contributions with a significant impact on the field of computer- aided design. The Association for Computer-Aided Architectural Design Research in Asia (CAADRIA). 2007 College of Architecture + Planning Professor of the Year Award. Nomination and vote by students (University of Utah). 2006 ACADIA Award for Teaching Excellence. National recognition for distinguished contributions to pedagogy related to the digital practice of architecture. The Association for Computer-Aided Design in Architecture. 2005 Premio Trayectoria Creativa Arturo Montagú. International recognition for high creative accomplishments in digital graphics and design/research throughout the recipient’s career. The Sociedad Iberoamericana de Grafica Digital (SIGraDi). 2004-05 ACSA Creative Achievement Award with Jim Agutter. National recognition of their research/design work in Information Visualization (CROMDI: Center for the Representation of Multi-Dimensional Information). The Association of Collegiate Schools of Architecture (Washington, DC). 2005 Information Visualization Design work (with Jim Agutter) is ranked in the top 10 research programs in the U.S.
    [Show full text]
  • Daniel Cardoso Llach Education Publications Peer Reviewed
    CV DANIEL CARDOSO LLACH Daniel Cardoso Llach Address: 155 Summer St., Somerville, MA 02143. USA Phone: +1.857.272.6181 (US) E-mail: [email protected], [email protected] url: http://mit.edu/~dcardoso/www Education Doctor of Philosophy (Ph.D) Candidate Massachusetts Institute of Technology, School of Architecture (2012) Minor: Science, Technology and Society (STS) studies. Master of Science in Architectural Studies (SMArchS) Massachusetts Institute of Technology, School of Architecture (2007) Courses on digital fabrication, computer programming, systems integration, and cultural anthropology. Thesis (best SMArchS thesis prize 2007): Cardoso, D. (2007). A Generative Grammar for 2D Manufacturing of 3D Ob- jects. Massachusetts Institute of Technology, Architecture. Cambridge: Massachusetts Institute of Technology. Thesis committee: Prof. Lawrence Sass, Prof. William Mitchell, Prof. Terry Knight Professional Degree in Architecture Universidad de los Andes, Bogotá, Colombia (2001) 5 year professional degree in Architecture, emphasis in digital media design. Thesis: Erosión en el tejido urbano de San Victorino. (Urban Erosion in San Victorino). Thesis committee: Prof. Phillip Weiss, Prof. Marcela Angel, Prof. Fernando Arias. Publications Peer Reviewed Journal Articles Cardoso, D. (2011). Perfect Slaves: Coons, Ross and the Computer Aided Design Project at MIT (1959-1966). Dearqui- tectura, 10. (Under review) Cardoso, D. (2011). Inertia of an Automated Utopia: Design Commodities and Authorial Agency 40 years after “The Architecture Machine.” Thresholds, 39. Cardoso, D. (2012). A Report on BIM and Digital Synthesis. Journal of Steel Construction (Accepted for publication). Cardoso, D. (2010). Scripts in the Architecture Studio. In D. Li, S. Cheng, S. Li, & J. Lobel (Eds.), Computational Con- structs: Architectural Design, Logic and Theory (pp.
    [Show full text]
  • Alfredo Andía, Ph.D. Associate Professor PCA 374B, School of Architecture Florida International University Miami, Florida, USA
    Alfredo Andía, Ph.D. Associate Professor PCA 374B, School of Architecture Florida International University Miami, Florida, USA Education University of California at Berkeley, Ph.D. Architecture Harvard University, Master of Design Studies, History-Theory Universidad Católica, Valparaiso, Chile, Architect Teaching Experience Florida International University, Associate Professor 1999-present University of Cincinnati, Assistant Professor 1996-1998 University of California at Berkeley, Instructor 1999-1995 Invited visiting professor, studio critic, and/or lecturer: 1994-present U.T.F.S.M., Chile (2004, 2001); U. Pretoria, South Africa (2003); U. Catolica de Quito (2002); Universidad Uniacc, Chile (2003, 1998); U. Buenos Aires, Argentina (2000, 2001); U. Guayaquil, Ecuador (2001); U. Central de Venezuela (1999); Instituto Superior de Artes, Havana, Cuba (1998); U. of Detroit at Mercy, Detroit, MI, (1996); Kansas State University (1996); U. of Cincinnati, OH (1996); Cornell U., NY (1995); Politecnico di Milano, Italy (1994). Professional Experience Alfredo Andía Design Studio 1996- Cyra Technologies, California 1995-1996 Taisei Corporation, Japan 1992-1994 Anshen & Allen, California 1991-1992 Stone, Marraccini and Patterson, California 1991-1991 Anderson, de Bartolo & Pan, California 1989-1990 Kotas Architect, CA 1988-1988 Architekturburo Barnath, Austria 1987-1987 Private Practice, Chile, Argentina 1984-1986 Honors Selected list of awards and honors: Florida International University Faculty Award for Excellence in Teaching 2005 Invited Architect,
    [Show full text]