DOCSLIB.ORG

64. Oberhausen

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
64. Oberhausen Internationale Kurzfilmtage Oberhausen International Short Film Festival 64. Oberhausen Internationale Kurzfilmtage Oberhausen International Short Film Festival 64. Oberhausen 3. – 8. Mai 2018 3 – 8 May 2018 CIP-Kurztitelaufnahme in der Deutschen Bibliothek Lailach, Christian/Scholz, Alexander (Redaktion) Katalog der 64. Internationalen Kurzfilmtage Oberhausen 3.5.–8.5.2018 Herausgeberin Editor Internationale Kurzfilmtage Oberhausen gGmbH Grillostraße 34 46045 Oberhausen, Deutschland Germany Tel +49 208 825-2652 Fax +49 208 825-5413 [email protected] kurzfilmtage.de Verlag Publisher Karl Maria Laufen, Oberhausen Vorführformat Screening format ISBN: 978-3-87468-369-2 Das Vorführformat sämtlicher Festivalfilme ist DCP, sofern nicht anders vermerkt. All films in the Festival will Redaktion Editorial staff be screened from DCP, unless otherwise stated. Christian Lailach, Alexander Scholz Bildnachweis Picture credits Übersetzungen Translations Verleiher, Archive, Filmemacher distributors, archives, Bettina Arlt, Gülçin Erentok, Timothy Jones, film-makers; 5 MKW/Bettina Engel-Albustin; 6 Christof Andrea Kirchhartz, Anja Schulte Rieken; 7 Eduard Meltzer; 12 ↓ Sakari Viika; 76 ↗ Daniel Seiffert; 172 ↖ Adriana Bianchedi; 172 ↓ Eva Neuzilova Korrektur Proofreading Mary Dobrian, Jutta Temmen, Eva Tüttelmann Verantwortlich für die Durchführung der 64. Internati- onalen Kurzfilmtage Oberhausen ist die Internationale Gestaltung Layout Kurzfilmtage Oberhausen gGmbH. Träger der Kurz- nondesign, Köln filmtage ist die Stadt Oberhausen, Hauptförderer das Katalogkonzept: BOROS, Wuppertal Ministerium für Kultur und Wissenschaft des Landes Nordrhein-Westfalen. The Internationale Kurzfilmtage Satz Setting Oberhausen gGmbH is responsible for the management Christian Lailach, Alexander Scholz and organisation of the 64th International Short Film Festival Oberhausen. The City of Oberhausen and the Druck Printing Ministry of Culture and Science of North Rhine-Westphal- Brochmann GmbH, Essen ia bear the main financial responsibility for the Festival. Vertrieb Distribution Nachdruck (auch auszugsweise) nur mit schrift- Internationale Kurzfilmtage Oberhausen gGmbH licher Genehmigung der Herausgeberin bzw. der © Internationale Kurzfilmtage Oberhausen gGmbH 2018, Autoren. Reprinting (also in extract) only by written Autoren Authors permission of the editor resp. authors. Inhalt Content 4 Grußworte 9 Internationaler Wettbewerb Words of welcome International Competition 73 Deutscher Wettbewerb 389 Informationen Information German Competition 101 NRW-Wettbewerb 393 Institutionelle Partner NRW Competition Institutional partners 117 Kinder- und Jugendkino Children’s and Youth Cinema 395 Dank Acknowledgements 169 MuVi 396 Förderer und Partner Supporters and partners Thema Theme 398 Register Index 191 Abschied vom Kino Leaving the Cinema 406 Zeitplan Timetable Profile Profiles 227 Salomé Lamas 233 Louise Botkay 242 Vătămanu & Tudor 250 Eva Könnemann Archive Archives 259 Slovenský filmový ústav 263 Cinémathèque Luxembourg & CNA 269 Asia Culture Center 272 Filmoteca de Catalunya 277 re-selected 283 Labs 299 Lectures 309 Conditional Cinema 317 Podium 329 Andere Programme Other programmes 351 Verleiher Distributors Oberbürgermeister der Stadt Oberhausen Grußwort Lord Mayor of the City of Oberhausen A word of welcome I have the honour once more this year of welcoming you very warmly to another edition of the International Short Film Festival here with us in Oberhausen. From 3 to 8 May, our city will again be the focus of attention for cinema lovers from all over the world. And many of them will have even found their way to us so they can attend the 64th International Short Film Festival Oberhausen in person. During the festival, as has already become a tradition, old and new elements will come face to face. Four whole new sections have enlarged the spectrum of this year’s pro- gramme. Two of them focus on analogue film, very much in keeping with the motto ‘back to the roots’. Here the aim is, on the one hand, to redefine the value of the analogue format and, on the other, to offer peaceful resistance to blanket digitisation. All those for whom the festival is not a personal première will feel a soothing sense of Auch in diesem Jahr darf ich Sie ganz herzlich zu einer familiarity when looking at the event schedule – with the weiteren Auflage der Internationalen Kurzfilmtage bei uns International, German and NRW Competition, the MuVi in Oberhausen begrüßen. Vom 3. bis zum 8. Mai richten and the Children’s and Youth Cinema, the sections again die Cineasten aus aller Welt erneut den Blick auf unsere include some perennial favourites. Stadt. Und viele von ihnen haben sich sogar auf den Weg zu uns gemacht, um bei den 64. Internationalen Kurzfilm- And a note for the prize-hunters among you: this year tagen selbst dabei sein zu können. we won’t keep you in suspense for too long, as the prize presentations will take place a day earlier. In schon traditioneller Manier treffen beim Festival alte und neue Elemente aufeinander. Gleich vier neue Sektio- A warm welcome to Oberhausen! Roll it! nen erweitern das diesjährige Programmspektrum, zwei davon legen den Fokus auf den analogen Film – ganz nach dem Motto „back to the roots“. Dabei geht es einerseits Daniel Schranz um die Neubestimmung des Wertes der analogen Variante Oberbürgermeister der Stadt Oberhausen und andererseits um nicht weniger als einen friedlichen Lord Mayor of the City of Oberhausen Widerstand gegen die flächendeckende Digitalisierung. All diejenigen, für die das Festival keine persönliche Pre- miere darstellt, werden beim Blick auf den Veranstaltungs- kalender eine wohltuende Gewohnheit verspüren. Denn mit dem Internationalen, Deutschen und NRW-Wettbe- werb, dem MuVi sowie dem Kinder- und Jugendkino sind bei den Sektionen auch bekannte Dauerbrenner dabei. Und für die Preisjägerinnen und Preisjäger unter Ihnen sei noch erwähnt: In diesem Jahr werden wir Ihre Nerven nicht allzu lange strapazieren, denn die Preisverleihung findet bereits einen Tag früher statt. Herzlich willkommen in Oberhausen. Film ab! 4 Ministerin für Kultur und Wissenschaft des Grußwort Landes Nordrhein-Westfalen Minister of Culture and Science of the A word of welcome State of North Rhine-Westphalia meiner Sicht eine ganz wichtige Investition in die Zukunft des Kinos! Ich wünsche allen Besucherinnen und Besuchern der Kurzfilmtage Eindrücke und Gespräche, die nachwirken. It was not least the Oberhausen Manifesto’s rejection of commercial cinema in 1962 that caused short film to look for new forums. One can no longer imagine museums and galleries without this medium and art form. And Ober- hausen has also long ceased to be a classic film festival: an engagement with the “moving image in contemporary art” is a matter of course here, as is a look back at experi- mental film of the 60s. In a total of four new sections, the Short Film Festival is striking out in fresh directions: discursive elements are Nicht zuletzt die Absage des Oberhausener Manifests an being expanded and the analogue format in filmic and den Kommerz im Jahr 1962 hat dazu geführt, dass sich cinematographic practice interrogated as to its impor- der Kurzfilm neue Foren gesucht hat. Als Medium und tance for the future of cinema while, in the new section Kunstform ist er aus Museen und Galerien heute nicht Labs, artistic reactions to the ‘dictatorship of the digital’ mehr wegzudenken. Und auch die Kurzfilmtage sind will be shown. In addition, the panel discussions will look längst kein klassisches Filmfestival mehr: Die Auseinan- at the interactions between cinema and internet. dersetzung mit dem „Bewegtbild in der zeitgenössischen Kunst“ ist hier eine Selbstverständlichkeit, ebenso wie This programme also offers food for the discussion of der Rückblick auf den Experimentalfim der 1960er-Jahre. issues connected with cultural politics: What will film funding be like in the future? What will become of the In gleich vier neuen Sektionen setzen die Kurzfilmtage cinema as a space for joint encounters with the art form Akzente: Diskursive Elemente werden ausgebaut, das of film when films are distributed and watched mostly via analoge Format der filmischen und kinematografischen the internet? Praxis wird auf seine Bedeutung für die Zukunft des Kinos befragt und die neue Sektion Labs zeigt künstleri- But despite all these theoretical considerations, Ober- sche Reaktionen auf die „Diktatur des Digitalen“. In den hausen also aims to make children and young people Podien geht es außerdem um die Wechselwirkungen familiar with short film – something which, in my view, is zwischen Kino und Internet. a very important investment in the future of cinema! Anregungen bietet dieses Programm auch für die Dis- I wish all visitors to the International Short Film Festival kussion kulturpolitischer Fragen: Wie sieht die Filmförde- Oberhausen many impressions and discussions with a rung der Zukunft aus? Was wird aus dem Kino als Raum lasting impact. gemeinsamer Begegnung mit der Kunstform Film, wenn Filme zukünftig vor allem über das Internet vertrieben und angeschaut werden? Isabel Pfeiffer-Poensgen Ministerin für Kultur und Wissenschaft des Landes Bei aller theoretischen Betrachtung ist es den Kurzfilm- Nordrhein-Westfalen tagen auch ein Anliegen, Kinder und Jugendliche mit Minister of Culture and Science of the State of North der filmischen Kurzform vertraut zu machen – das ist aus Rhine-Westphalia 5 Staatsministerin für Kultur und Medien Grußwort Minister of State to the Federal Chancellor and
Load more

Recommended publications
  • U.S. Postal Service Salutes Legendary Author Celebrating 100Th Anniversary of Edgar Rice Burroughs’ Creation of Tarzan
    FOR IMMEDIATE RELEASE National Contact: Roy Betts August 16, 2012 [email protected] 202-268-3207 Local Contact: Richard Maher [email protected] 714-662-6350 usps.com/news Release No. 12-094 U.S. Postal Service Salutes Legendary Author Celebrating 100th anniversary of Edgar Rice Burroughs’ Creation of Tarzan To obtain a high-resolution image of the stamp for media use only, email [email protected]. TARZANA, CA — The U.S. Postal Service will honor tomorrow one of the most prolific authors of the early 20th century and inventor of the iconic character Tarzan with the issuance of the Edgar Rice Burroughs Forever Stamp. The stamp issuance coincides with the 100th anniversary of the publication of Burroughs’ first story, Under the Moons of Mars, and his first Tarzan story, Tarzan of the Apes, in 1912. The Edgar Rice Burroughs Forever Stamp will be dedicated tomorrow at 11:30 a.m. PT at the Tarzana Community and Cultural Center in Tarzana, CA, and will go on sale tomorrow at Post Offices nationwide, online at usps.com and by phone at 800-782-6724. Best known for inventing the legendary character Tarzan, Burroughs wrote more than 70 books, including historical fiction and several popular series of science fiction tales. “At the Postal Service, we’re proud to honor wonderful writers like Mr. Burroughs,” said Giselle Valera, vice president and managing director, Global Business. “These creative geniuses make lasting contributions to our cultural heritage, and we want more Americans to learn about them. Our stamp featuring Mr.
    [Show full text]
  • General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
    “A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and
    [Show full text]
  • Sundance Institute Presents Institute Sundance U.S
    1 Check website or mobile app for full description and content information. description app for full Check website or mobile #sundance • sundance.org/festival sundance.org/festival Sundance Institute Presents Institute Sundance The U.S. Dramatic Competition Films As You Are The Birth of a Nation U.S. Dramatic Competition Dramatic U.S. Many of these films have not yet been rated by the Motion Picture Association of America. Read the full descriptions online and choose responsibly. Films are generally followed by a Q&A with the director and selected members of the cast and crew. All films are shown in 35mm, DCP, or HDCAM. Special thanks to Dolby Laboratories, Inc., for its support of our U.S.A., 2016, 110 min., color U.S.A., 2016, 117 min., color digital cinema projection. As You Are is a telling and retelling of a Set against the antebellum South, this story relationship between three teenagers as it follows Nat Turner, a literate slave and traces the course of their friendship through preacher whose financially strained owner, PROGRAMMERS a construction of disparate memories Samuel Turner, accepts an offer to use prompted by a police investigation. Nat’s preaching to subdue unruly slaves. Director, Associate Programmers Sundance Film Festival Lauren Cioffi, Adam Montgomery, After witnessing countless atrocities against 2 John Cooper Harry Vaughn fellow slaves, Nat devises a plan to lead his DIRECTOR: Miles Joris-Peyrafitte people to freedom. Director of Programming Shorts Programmers SCREENWRITERS: Miles Joris-Peyrafitte, Trevor Groth Dilcia Barrera, Emily Doe, Madison Harrison Ernesto Foronda, Jon Korn, PRINCIPAL CAST: Owen Campbell, DIRECTOR/SCREENWRITER: Nate Parker Senior Programmers Katie Metcalfe, Lisa Ogdie, Charlie Heaton, Amandla Stenberg, PRINCIPAL CAST: Nate Parker, David Courier, Shari Frilot, Adam Piron, Mike Plante, Kim Yutani, John Scurti, Scott Cohen, Armie Hammer, Aja Naomi King, Caroline Libresco, John Nein, Landon Zakheim Mary Stuart Masterson Jackie Earle Haley, Gabrielle Union, Mike Plante, Charlie Reff, Kim Yutani Mark Boone Jr.
    [Show full text]
  • Martian Crater Morphology
    ANALYSIS OF THE DEPTH-DIAMETER RELATIONSHIP OF MARTIAN CRATERS A Capstone Experience Thesis Presented by Jared Howenstine Completion Date: May 2006 Approved By: Professor M. Darby Dyar, Astronomy Professor Christopher Condit, Geology Professor Judith Young, Astronomy Abstract Title: Analysis of the Depth-Diameter Relationship of Martian Craters Author: Jared Howenstine, Astronomy Approved By: Judith Young, Astronomy Approved By: M. Darby Dyar, Astronomy Approved By: Christopher Condit, Geology CE Type: Departmental Honors Project Using a gridded version of maritan topography with the computer program Gridview, this project studied the depth-diameter relationship of martian impact craters. The work encompasses 361 profiles of impacts with diameters larger than 15 kilometers and is a continuation of work that was started at the Lunar and Planetary Institute in Houston, Texas under the guidance of Dr. Walter S. Keifer. Using the most ‘pristine,’ or deepest craters in the data a depth-diameter relationship was determined: d = 0.610D 0.327 , where d is the depth of the crater and D is the diameter of the crater, both in kilometers. This relationship can then be used to estimate the theoretical depth of any impact radius, and therefore can be used to estimate the pristine shape of the crater. With a depth-diameter ratio for a particular crater, the measured depth can then be compared to this theoretical value and an estimate of the amount of material within the crater, or fill, can then be calculated. The data includes 140 named impact craters, 3 basins, and 218 other impacts. The named data encompasses all named impact structures of greater than 100 kilometers in diameter.
    [Show full text]
  • Vol. 23, No. 8 August 2019 You Can’T Buy It
    ABSOLUTELY FREE Vol. 23, No. 8 August 2019 You Can’t Buy It As Above, So Below Artwork is by Diane Nations and is part of her exhibit Under the Influence of Jung on view at Artworks Gallery in Winston-Salem, North Carolina through August 31, 2019. See the article on Page 28. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Artworks Gallery (Winston-Salem) - Diane Nations Page 3 - Ella Walton Richardson Fine Art Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 5 - Wells Gallery at the Sanctuary & Halsey MCallum Studio Page 4 - Redux Contemporary Art Center & Charleston Artist Guild Page 6 - Thomas Dixon for Mayor & Jesse Williams District 6 Page 5 - Charleston Museum & Robert Lange Studios Page 7 - Emerge SC, Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, Page 6 - Robert Lange Studios cont., Ella Walton Richardson Fine Art & Rhett Thurman, Anglin Smith Fine Art, Halsey Institute of Contemporary Art, Lowcountry Artists Gallery The Wells Gallery at the Sanctuary & Saul Alexander Foundation Gallery Page 9 - Lowcountry Artists Gallery cont. & Halsey Institute / College of Charleston Page 8 - Halsey Institute / College of Charleston Page 10 - Halsey Institute / College of Charleston & Art League of Hilton Head Page 9 - Whimsy Joy Page 11 - Art League of Hilton Head cont. & Society of Bluffton Artists Page 10 - Halsey Institute
    [Show full text]
  • Mars Exploration Rovers: 4 Years on Mars
    https://ntrs.nasa.gov/search.jsp?R=20080047431 2019-10-28T16:17:34+00:00Z Mars Exploration Rovers: 4 Years on Mars Geoffrey A. Landis This January, the Mars Exploration Rovers "Spirit" and "Opportunity" are starting their fifth year of exploring the surface of Mars, well over ten times their nominal 90-day design lifetime. This lecture discusses the Mars Exploration Rovers, presents the current mission status for the extended mission, some of the most results from the mission and how it is affecting our current view of Mars, and briefly presents the plans for the coming NASA missions to the surface of Mars and concepts for exploration with robots and humans into the next decade, and beyond. Four Years on Mars: the Mars Exploration Rovers Geoffrey A. Landis NASA John Glenn Research Center http://www.sff.net/people/geoffrey.landis Presentation at MIT Department of Aeronautics and Astronautics, January 18, 2008 Exploration - Landis Mars viewed from the Hubble Space Telescope Exploration - Landis Views of Mars in the early 20th century Lowell 1908 Sciaparelli 1888 Burroughs 1912 (cover painting by Frazetta) Tales of Outer Space ed. Donald A. Wollheim, Ace D-73, 1954 (From Winchell Chung's web page projectrho.com) Exploration - Landis Past Missions to Mars: first close up images of Mars from Mariner 4 Mariner 4 discovered Mars was a barren, moon-like desert Exploration - Landis Viking 1976 Signs of past water on Mars? orbiter Photo from orbit by the 1976 Viking orbiter Exploration - Landis Pathfinder and Sojourner Rover: a solar-powered mission
    [Show full text]
  • Persevering with Our Martian Fantasies Unresolved Questions and the Hope of fiNding Life on the Planet Have Intrigued Experts for Decades
    Persevering with our Martian fantasies Unresolved questions and the hope of finding life on the planet have intrigued experts for decades er will roam around this crater and sample carbonate rocks that might host algal mats called stromatolites, as we find in the oldest carbonate rocks on Earth. C.P. Rajendran Still a mystery But as a geologist, I will remain scep- tical until I see some hard evidence The recent NASA mission of putting on biogenic remains. My concern is its latest rover, Perseverance, on not about the existence of the origi- Mars — a breathtaking technological nal conducive conditions for the mi- feat — has once again ignited our Mar- crobial forms of life to thrive, some tian fantasies and the fascination four billion years ago. It may have with discovering alien life forms. In- New horizons: A section of a composite image taken by the Perseverance rover been a reality. My concern would be grained in our minds is the idea that shows the rim of the Jezero crater. * AP the complex factors that control the Mars holds some sort of wherewithal preservation potential of organic in the innumerable crannies within After painstaking telescopic work dence of clays that may have formed matter and other biosignatures in the its rocks to support traces of life. The that was set up on the desert of Ari- after solid rocks were exposed to wa- four-billion to 3.5-billion-year-old question that whether humans will zona, Lowell, after years of observa- ter, as analogous examples of Earth’s phyllosilicate-rich terrain of Mars, be able to make use of even such tion, talked about hundreds of canals rock inventory would testify.
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]
  • Filmfestival Rotterdam Op Naar Miljoen Bezoekers?
    Colofon Eindredactie Paul Verstraeten Met bijdragen van Simon Field, Sandra den Hamer, Mirjam Klootwijk, Geert Hoeven, Carlie Janszen, Femke Wolting Fotografie André Bakker, Cynthia van Elk Vormgeving Publish, Amsterdam / Jan Pieter Ekker Druk Tripiti, Rotterdam Omslag Max Kisman Het Jaarverslag is een uitgave van de Stichting Film Festival Rotterdam Kruiskadehof 36b Postbus 21696 3001 AR Rotterdam telefoon 010 411 80 80 fax OIO 413 51 32 e-mail [email protected] Vooraf Citaten uit de media 3 Awards 4 Festivai in cijfers 5 Inleiding 6 1 Programma 1.1 Tiger Awards competitie 9 1.2 Hubert Bals Fonds Oogst 9 1.3 Hoofdprogramma 9 1.4 The Cruel Machine 10 1.5 Exploding cinema 11 1.6 Film-makers in Focus 12 1.7 Italian Exploitation 12 1.8 Dutch Perspective 12 1.9 Critics’Choice 12 2 Festival als evenement 2.1 Samenwerkingsverbanden en co-producties 13 2.2 Gasten 14 2.3 Opening en sluiting 14 2.4 Lezingen, talkshows en introducties 14 3 CineMart 3.1 Inleiding 15 3.2 Werving en selectie projecten 15 3.3 Programma CineMart 16 3.4 CineMart Consultancy Service 16 3.5 Industry Office 17 3.6 CineMart USA 17 3.7 Resultaten en reacties 17 4 Hubert Bals Fonds 4.1 Inleiding 19 4.2 Jaaroogst 1998 19 4.3 Hubert Bals Fonds Conferentie 19 4.4 Geselecteerde projecten 97/98 20 4.5 Distributie 20 4.6 Overige activiteiten en samenwerking 21 5 Communicatie & Marketing 5.1 Kaartverkoop en publiekssamenstelling 22 5.1.1 Inleiding 22 5.1.2 Toegangsprijzen en kaartenbeleid 22 5.1.3 Resultaten publieksonderzoek 23 5.2 Media en promotionele acties 25 5.2.1 Inleiding 25 5.2.2
    [Show full text]
  • Das Februar-Programm Im Kino Im Kesselhaus
    www.kinoimkesselhaus.at PRESSEINFORMATION DAS FEBRUAR-PROGRAMM IM KINO IM KESSELHAUS ⋅ FILMGESPRÄCHE: THE END OF MEAT (1.2. Kooperation mit Attac Krems), LIFE GUIDANCE (23.2. Regisseurin Ruth Mader zu Gast) ⋅ CINEZONE (15.2.) – Film/Live-Remix: TRAINS OF THOUGHTS / Konzert: SOFA SURFERS ⋅ MALEN IN DER FILMBAR nach der Kinderkino-Vorstellung (12.2.) ⋅ FILMFRÜHSTÜCK MIT DJ MARKY MUSHROOM (18.2.) ⋅ KINDERTHEATER: KLUPPE WÄSCHEKIND (25.2.) ⋅ SPIELFILME: DAS LEUCHTEN DER ERINNERUNG (31.1.-4.2. / 11.+25.2), WONDER WHEEL (7.-11.2.), DJANGO (8.-11.2.), DER ANDERE LIEBHABER (16.-18.2.), THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (22.-28.2.), DIE DUNKELSTE STUNDE (21.-28.2.) u.v.m. Kino im Kesselhaus, Dr.-Karl-Dorrek-Straße 30, A-3500 Krems, Tickets/Informationen: Tel. 02732/90 80 00 www.kinoimkesselhaus.at → PRESSETEXT ALS PDF : http://www.kinoimkesselhaus.at/de/presse/1802_KINO_IM_KESSELHAUS_KREMS.pdf → PRESSEFOTOS : https://celum.noeku.at/pindownload/login.do?pin=9OHM6 Die SPIELFILME des Februarspielplans stehen ganz im Zeichen großen SchauspielerInnen-Kinos: Helen Mirren und Donald Sutherland reisen in DAS LEUCHTEN DER ERINNERUNG (31.1.-4.2. / 11.+25.2. Filmfrühstück) mit einem alten Wohnmobil durch ihre Vergangenheit. Paolo Virzì erzählt in seinem tragikomischen Roadmovie vom Ende eines erfüllten gemeinsamen Lebens. Gary Oldman ist die Rolle des Winston Churchill in Joe Wrights elektrisierendem politischen Thriller DIE DUNKELSTE STUNDE (21.-28.2.) förmlich auf den Leib geschrieben. Frances McDormand spielt in der klugen pechschwarzen Tragikomödie THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (22.-28.2.) eine Frau, die den Tod ihrer Tochter rächen will. Sie wurde für ihre Darstellung mit dem Golden Globe ausgezeichnet.
    [Show full text]
  • The Future: the Fall and Rise of the British Film Industry in the 1980S
    THE FALL AND RISE OF THE BRITISH FILM INDUSTRY IN THE 1980S AN INFORMATION BRIEFING National Library Back to the Future the fall and rise of the British Film Industry in the 1980s an information briefing contents THIS PDF IS FULLY NAVIGABLE BY USING THE “BOOKMARKS” FACILITY IN ADOBE ACROBAT READER SECTION I: REPORT Introduction . .1 Britain in the 1980s . .1 Production . .1 Exhibition . .3 TV and Film . .5 Video . .7 “Video Nasties” & Regulation . .8 LEADING COMPANIES Merchant Ivory . .9 HandMade Films . .11 BFI Production Board . .12 Channel Four . .13 Goldcrest . .14 Palace Pictures . .15 Bibliography . .17 SECTION II: STATISTICS NOTES TO TABLE . .18 TABLE: UK FILM PRODUCTIONS 1980 - 1990 . .19 Written and Researched by: Phil Wickham Erinna Mettler Additional Research by: Elena Marcarini Design/Layout: Ian O’Sullivan © 2005 BFI INFORMATION SERVICES BFI NATIONAL LIBRARY 21 Stephen Street London W1T 1LN ISBN: 1-84457-108-4 Phil Wickham is an Information Officer in the Information Services of the BFI National Library. He writes and lectures extensively on British film and television. Erinna Mettler worked as an Information Officer in the Information Services of the BFI National Library from 1990 – 2004. Ian O’Sullivan is also an Information Officer in the Information Services of the BFI National Library and has designed a number of publications for the BFI. Elena Marcarini has worked as an Information Officer in the Information Services Unit of the BFI National Library. The opinions contained within this Information Briefing are those of the authors and are not expressed on behalf of the British Film Institute. Information Services BFI National Library British Film Institute 21 Stephen Street London W1T 1LN Tel: + 44 (0) 20 7255 1444 Fax: + 44 (0) 20 7436 0165 Try the BFI website for film and television information 24 hours a day, 52 weeks a year… Film & TV Info – www.bfi.org.uk/filmtvinfo - contains a range of information to help find answers to your queries.
    [Show full text]
  • Performance Art Context R
    Literature: Literature: (...continued) Literature: Literature: Literature: (... continued) Literature: Literature: (... continued) Literature: Kunstf. Bd.137 / Atlas der Künstlerreisen Literature: (...continued) Literature: (... continued) Richard Kostelnatz / The Theater of Crossings (catalogue) E. Jappe / Performance Ritual Prozeß Walking through society (yearbook) ! Judith Butler !! / Bodies That Matter Victoria Best & Peter Collier (Ed.) / article: Kultur als Handlung Kunstf. Bd.136 / Ästhetik des Reisens Butoh – Die Rebellion des Körpers PERFORMANCE ART CONTEXT R. Shusterman / Kunst leben – Die Ästhetik Mixed Means. An Introduction to Zeitspielräume. Performance Musik On Ritual (Performance Research) Eugenio Barber (anthropological view) Performative Acts and Gender Constitution Powerful Bodies – Performance in French Gertrude Koch Zeit – Die vierte Dimension in der (Kazuo Ohno, Carlotta Ikeda, Tatsumi des Pragmatismus Happenings, Kinetic Environments ... ! Ästhetik / Daniel Charles Richard Schechner / Future of Ritual Camille Camillieri (athropolog. view; (article 1988!) / Judith Butler Cultural Studies !! Mieke Bal (lecture) / Performance and Mary Ann Doane / Film and the bildenden Kunst Hijikata, Min Tanaka, Anzu Furukawa, Performative Approaches in Art and Science Using the Example of "Performance Art" R. Koberg / Die Kunst des Gehens Mitsutaka Ishi, Testuro Tamura, Musical Performance (book) Stan Godlovitch Kunstforum Bd. 34 / Plastik als important for Patrice Pavis) Performativity and Performance (book) ! Geoffrey Leech / Principles
    [Show full text]