THE LOBSTER Diretto Da Yorgos Lanthimos
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Sundance Institute Presents Institute Sundance U.S
1 Check website or mobile app for full description and content information. description app for full Check website or mobile #sundance • sundance.org/festival sundance.org/festival Sundance Institute Presents Institute Sundance The U.S. Dramatic Competition Films As You Are The Birth of a Nation U.S. Dramatic Competition Dramatic U.S. Many of these films have not yet been rated by the Motion Picture Association of America. Read the full descriptions online and choose responsibly. Films are generally followed by a Q&A with the director and selected members of the cast and crew. All films are shown in 35mm, DCP, or HDCAM. Special thanks to Dolby Laboratories, Inc., for its support of our U.S.A., 2016, 110 min., color U.S.A., 2016, 117 min., color digital cinema projection. As You Are is a telling and retelling of a Set against the antebellum South, this story relationship between three teenagers as it follows Nat Turner, a literate slave and traces the course of their friendship through preacher whose financially strained owner, PROGRAMMERS a construction of disparate memories Samuel Turner, accepts an offer to use prompted by a police investigation. Nat’s preaching to subdue unruly slaves. Director, Associate Programmers Sundance Film Festival Lauren Cioffi, Adam Montgomery, After witnessing countless atrocities against 2 John Cooper Harry Vaughn fellow slaves, Nat devises a plan to lead his DIRECTOR: Miles Joris-Peyrafitte people to freedom. Director of Programming Shorts Programmers SCREENWRITERS: Miles Joris-Peyrafitte, Trevor Groth Dilcia Barrera, Emily Doe, Madison Harrison Ernesto Foronda, Jon Korn, PRINCIPAL CAST: Owen Campbell, DIRECTOR/SCREENWRITER: Nate Parker Senior Programmers Katie Metcalfe, Lisa Ogdie, Charlie Heaton, Amandla Stenberg, PRINCIPAL CAST: Nate Parker, David Courier, Shari Frilot, Adam Piron, Mike Plante, Kim Yutani, John Scurti, Scott Cohen, Armie Hammer, Aja Naomi King, Caroline Libresco, John Nein, Landon Zakheim Mary Stuart Masterson Jackie Earle Haley, Gabrielle Union, Mike Plante, Charlie Reff, Kim Yutani Mark Boone Jr. -
Ian Bartholomew
Ian Bartholomew Theatre Title Role Director Producer Half A Sixpence Chitterlow Rachel Kavanaugh Noel Coward Theatre & Chichester Festival Theatre The Funfair Billy Smoke Walter Meierjohann Home: Manchester Mrs Henderson Presents Vivian Van Damm Terry Johnson HRH Theatres Shakespeare in Love Tilney Declan Donellan Disney Richard III Richard Loveday Ingham Nottingham Playhouse & York Theatre Royal Oh! What a Lovely War Hague and Various Terry Johnson Theatre Royal Stratford East Follow the Star Lofty Wendy Toye Chichester Festival A Night in Old Peking Jack Martin Duncan Lyric Hammersmith School for Scandal Joseph Surface Phyllida Lloyd Royal Exchange Sleeping Beauty Helpful 2 Philip Hedley Theatre Royal, Stratford School for Clowns Weasle Martin Duncan Lillian Baylis Servant of 2 Masters Truffaldino Martin Duncan Cambridge Theatre Diary of a Somebody Kenneth Halliwell Jonathan Myerson Kings Head Theatre Skullduggery Chris Philip Davis Old Red Lion Cinderella Buttoms Philip Hedley Theatre Royal, Stratford Kooney Waka Hoy Nijinsky Old Red Lion Robert Longdon Winter Darkness Boysey Susan Hogg New End Theatre Pravda Doug Phantom David Hare National Theatre The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 Futurists Bruichkov Richard Eyre National Theatre The Gov't Inspector Dobchinsky Richard Eyre National Theatre Schweyck in the 2nd WW Soldier & Others Richard Eyre National Theatre Guys and Dolls Society Max Richard Eyre National Theatre The Beggars Opera Ben Budge Richard Eyre National Theatre Mayakovsky: -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
6 May 2021: Young Vic Reopens Doors to Audiences with a New Season Of
Press Release For release: Thursday 6 May 2021 YOUNG VIC REOPENS DOORS TO AUDIENCES WITH NEW SEASON OF WORK FOR 2021 WELCOME BACK AND WELCOME HOME Young Vic Artistic Director Kwame Kwei-Armah announces a new season of work, welcoming theatre-makers and audiences back through the doors to create and experience live performance for the first time since the Young Vic’s 50th Birthday celebrations in October 2020. AT A GLANCE…. LEGENDARY TALES, REIMAGINED The season opens with Changing Destiny, Booker Prize-winner Ben Okri’s stunning new adaptation of the 4,000-year-old Egyptian poem of Sinuhe the Warrior King, directed by Artistic Director Kwame Kwei-Armah and designed by award-winning architect Sir David Adjaye The complete creative team announced for the highly-anticipated Hamlet, with Cush Jumbo in the title role, directed by her long-time collaborator Greg Hersov PLAYS THAT EXPLORE OUR PAST AND SPEAK TO OUR PRESENT Best of Enemies, a new play by Olivier Award-winner James Graham, follows the debates that changed politics and television forever, directed by Jeremy Herrin in a co-production with Headlong Klippies, the acclaimed debut by Jessica Siân, a coming-of-age drama set in the twentieth year of South Africa's democracy about the intensity of first love, directed by Genesis Future Directors Award recipient Diyan Zora PLAYING WITH DIGITAL A unique collaboration between human and computer minds, AI is a play developed by Chinonyerem Odimba and Nina Segal, written alongside GPT-3 OpenAI technology. Using this advanced deep- learning artificial intelligence system to generate human-like script and dialogue, Genesis Fellow and Associate Director Jennifer Tang and Company will create a new play for the stage. -
Das Februar-Programm Im Kino Im Kesselhaus
www.kinoimkesselhaus.at PRESSEINFORMATION DAS FEBRUAR-PROGRAMM IM KINO IM KESSELHAUS ⋅ FILMGESPRÄCHE: THE END OF MEAT (1.2. Kooperation mit Attac Krems), LIFE GUIDANCE (23.2. Regisseurin Ruth Mader zu Gast) ⋅ CINEZONE (15.2.) – Film/Live-Remix: TRAINS OF THOUGHTS / Konzert: SOFA SURFERS ⋅ MALEN IN DER FILMBAR nach der Kinderkino-Vorstellung (12.2.) ⋅ FILMFRÜHSTÜCK MIT DJ MARKY MUSHROOM (18.2.) ⋅ KINDERTHEATER: KLUPPE WÄSCHEKIND (25.2.) ⋅ SPIELFILME: DAS LEUCHTEN DER ERINNERUNG (31.1.-4.2. / 11.+25.2), WONDER WHEEL (7.-11.2.), DJANGO (8.-11.2.), DER ANDERE LIEBHABER (16.-18.2.), THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (22.-28.2.), DIE DUNKELSTE STUNDE (21.-28.2.) u.v.m. Kino im Kesselhaus, Dr.-Karl-Dorrek-Straße 30, A-3500 Krems, Tickets/Informationen: Tel. 02732/90 80 00 www.kinoimkesselhaus.at → PRESSETEXT ALS PDF : http://www.kinoimkesselhaus.at/de/presse/1802_KINO_IM_KESSELHAUS_KREMS.pdf → PRESSEFOTOS : https://celum.noeku.at/pindownload/login.do?pin=9OHM6 Die SPIELFILME des Februarspielplans stehen ganz im Zeichen großen SchauspielerInnen-Kinos: Helen Mirren und Donald Sutherland reisen in DAS LEUCHTEN DER ERINNERUNG (31.1.-4.2. / 11.+25.2. Filmfrühstück) mit einem alten Wohnmobil durch ihre Vergangenheit. Paolo Virzì erzählt in seinem tragikomischen Roadmovie vom Ende eines erfüllten gemeinsamen Lebens. Gary Oldman ist die Rolle des Winston Churchill in Joe Wrights elektrisierendem politischen Thriller DIE DUNKELSTE STUNDE (21.-28.2.) förmlich auf den Leib geschrieben. Frances McDormand spielt in der klugen pechschwarzen Tragikomödie THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (22.-28.2.) eine Frau, die den Tod ihrer Tochter rächen will. Sie wurde für ihre Darstellung mit dem Golden Globe ausgezeichnet. -
GSU President to Become a Paid Role
FR IDAY, 3RD NOVEMBER, 2017 – Keep the Cat Free – ISSUE 1674 Felix The Student Newspaper of Imperial College London NEWS Event cancelled after speaker accused of rape PAGE 4 MUSIC Our guide to October’s best music releases PAGE 12 From this year onwards, the GSU President will earn £10,000 per year. // Stewart Oak FILM GSU President to become a paid role NEWS Students’ Union”, would Shamso spoke of the postgraduate representa- committee, the majority see the GSU President re- difficulties he had faced tion at Imperial”. He told of whom were voted in Fred Fyles ceiving an annual stipend as a result of taking on Felix that the President last month, the President Editor-in-Chief of £10,000. The money the GSU President role: is “placed under huge should “further student-re- would be funded by Im- “Spending a large amount amounts of pressure, not lated policy and influence The count-down perial’s Education Office, of my time on enriching only having to lead and decisions for the benefit The Graduate Students and would not come from the life of postgraduate motivate a committee of of Imperial College’s of best actresses Union President will be the Union itself. The po- students at Imperial has elected students, but also Postgraduate students”, begins paid an annual stipend sition would be part-time, had a costly effect on the having to deliver the PG “ensure that decisions and PAGE 20 in contrast to the seven progression of my PhD re- voice and opinion at many achievements of the GSU of £10,000, funded by paid sabbatical positions search...I will most likely College committees, some are clearly communicated the Graduate School. -
David Horovitch
David Horovitch FILM Rebecca Coroner Working Title Ben Wheatley Summerland Albert Shoebox Films Jessica Swale The Nun Cardinal Conroy New Line Corin Hardy Marrowbone Redmond Tele5 Sergio G Sanchez HHHH Admiral Hansen Adama Pictures Cedric Jimenez The Sense of an Ending Headmaster BBC Films Ritesh Batra The Chamber The Captain Chamber Films Ben Parker The Infiltrator Saul Mineroff Good Films Ltd Brad Fuman Mr. Turner Dr. Price Film 4 Mike Leigh Blink (Short) Harry Starfish Films Paul Wilkins Young Victoria Sir James Clark Initial Entertainment Group Jean Marc Vallee Veiled Michael Dan Susman In Your Dreams Edward Shoreline Entertainment Gary Sinyor WASP 06 Pop Jelly Roll Prods Woody Allen 102 Dalmations Doctor Pavlov Walt Disney Kevin Lima Max MaxÍs Father Pathú Menno Meyjes One of the Hollywood Ten Ben Margolis Bloom Street Prods Karl Francis Soloman and Gaenor Isaac APT Film & Television Paul Morrison Paper Marriage Frank Haddow Mark Forstater Krzysztof Lang Dirty Dozen: The Deadly Mission Pierre Claudel MGM Lee H. Katzin An Unsuitable Job for a Woman Sergeant Maskell Castle Hill Prods Inc. Christopher Petit TELEVISION Dad's Army Colonel Square UKTV Various Untitled NPX Project Judge Raptor Pictures LTD Various Directors Doctors 2018 Harry Brook BBC Various Churchill's Secret Affairs Jock Colville Channel 4 Holby City Rabbi Stein BBC Various Doctors Gerald Dunlop BBC Various The Assets US Ambassador ABC Jeff T.Thomas/ Rudy Bednar/ Adam Feinstein Casualty Morris BBC Paul Murphy Heartbeat Douglas ITV Roger Bamford Trial & Retribution Alistair Darwin ITV Ben Ross Casualty 1907 Lord Rothchild BBC Bryn Higgins Donovan Palmer Thornhill Granada Ciaran Donnelly Dirty War Lambert BBC Daniel Percival Goodbye Mr. -
Crònica D'un Any 2018 Anna Bayó Jordi Camps Antía Gómez Ramon
Crònica d’un any 2018 Anna Bayó Jordi Camps Antía Gómez Ramon Girona Christian G. Carlos Ingrid Guardiola Imma Merino Salvador Montalt Àngel Quintana Carles Ribas Blanché Jep Soler 18 Marta Sureda Guillem Terribas Paco Vilallonga CRÒNICA DEL DIVUITÈ ANIVERSARI El Truffaut, una relíquia Sabeu si algú ha calculat i seqüenciat les pel·lícules projectades en aquell espai que va ser el cinema Modern? I quantes pel·lícules s’hi han presentat des que va néixer el Truffaut? El Truffaut és una relíquia. I és testimoni real d’un espai real de quan les ficcions cinematogràfiques només es podien veure en una sala pública envoltada de més públic. Ara en restauren el reliquiari. Tornarà igual que com el vam deixar. Només en variaran els accessos i el complex edifici que l’acull. Des de la primavera del 2019 viu un exili en una sala de la plaça Jordi de Sant Jordi. No recordo si ho vaig veure en una pel·lícula, en un documental, en un reportatge escrit o hi vaig ser personalment: als Estats Units hi ha moltes sales de cinema bellíssimes reconvertides en esglésies per a predicadors apocalíptics. Si més no, en conserven l’ordre de les butaques. Arreu del món han desaparegut moltes sales i multisales pioneres. Hi han aixecat pisos, hi han posat tallers, s’han reconvertit en grans magatzems i botigues i, on han tingut més sort, l’Ajuntament se les ha quedat per posar una sala polivalent, un teatre o un auditori. El cinema Truffaut va ser l’única sala de Girona on es va projectarRoma , d’Alfonso Cuarón, la pel·lícula més popular del 2018, estrenada en una plataforma digital amb milers de títols. -
BAFTA David Lean Lecture: Yorgos Lanthimos 2 February 2018, Princess Anne Theatre, BAFTA 195 Piccadilly, London
BAFTA David Lean Lecture: Yorgos Lanthimos 2 February 2018, Princess Anne Theatre, BAFTA 195 Piccadilly, London Anne Morrison: Hello, my name’s Anne Morrison and I’d like to wish you all a very very warm [Laughter] welcome to this year’s David Lean Lecture. This event is named after BAFTA’s founder David Thank you all for coming, I hope you don’t Lean, and is generously supported by the mind me sitting, but I just didn’t want to be David Lean Foundation. Last year was BAFTA’s behind a podium, pretending this is a lecture. 70th Anniversary, and David Lean was appointed the very first Chair in 1947, when the [Laughter] academy was created. Now if you look on the wall outside the theatre, you’ll see his name So yes, thank you for coming here today, and right at the top of the list of Chairs, and as a I’d like to thank BAFTA of course and the David more recent Chair, I’m down the bottom, Lean Foundation for this honour, there have usually behind a table of some sort. been some great filmmakers here before me that have appeared here and I’m hugely [Laughter] honoured to be part of this. I did say that I really don’t want to give a lecture, and I’ve AM: But as somebody who has been involved never thought of myself as someone who can with BAFTA for a long time now, it gives me do that, on any occasion, for any subject. But I enormous pleasure to see how Lean’s legacy thought what I could do here today is, um, if as a pioneering filmmaker, and his passion for we assume that some of my work is of interest… sharing his expertise, is passed on every year through these lectures. -
Cinema 11 Journal of Philosophy and the Moving Image Revista De Filosofia E Da Imagem Em Movimento
CINEMA 11 JOURNAL OF PHILOSOPHY AND THE MOVING IMAGE REVISTA DE FILOSOFIA E DA IMAGEM EM MOVIMENTO FILM AND ETHICS edited by CINEMA E ÉTICA editado por Patrícia Castello Branco Susana Viegas CINEMA 11 EDITORS Patrícia Silveirinha Castello Branco (IFILNOVA) Sérgio Dias Branco (University of Coimbra/CEIS20) Susana Viegas (IFILNOVA/Deakin University) EDITORIAL ADVISORY BOARDD. N. Rodowick (University of Chicago) Francesco Casetti (Catholic University of the Sacred Heart/Yale University) Georges Didi-Huberman (School for Advanced Studies in the Social Sciences) Ismail Norberto Xavier (University of São Paulo) João Mário Grilo (Nova University of Lisbon/IFILNOVA) Laura U. Marks (Simon Fraser University) Murray Smith (University of Kent) Noël Carroll (City University of New York) Patricia MacCormack (Anglia Ruskin University) Raymond Bellour (New Sorbonne University - Paris 3/CNRS) Stephen Mulhall (University of Oxford) Thomas E. Wartenberg (Mount Holyoke College) INTERVIEWS EDITOR Susana Nascimento Duarte (School of Arts and Design, Caldas da Rainha/IFILNOVA) BOOK REVIEWS EDITOR Maria Irene Aparício (Nova University of Lisbon/IFILNOVA) CONFERENCE REPORTS EDITOR William Brown (University of Roehampton) ISSN 1647-8991 CATALOGS Directory of Open Access Journals (DOAJ) Emerging Sources Citation Index, Clarivate Analytics (ESCI) Web of Science TM European Reference Index for the Humanities and the Social Sciences (ERIH PLUS) Regional Cooperative Online Information System for Scholarly Journals from Latin America, the Caribbean, Spain and Portugal -
Thank You for Your Interest in Joining the Board of Talawa Theatre Company
Thank you for your interest in joining the Board of Talawa Theatre Company. Talawa is a successful national touring Theatre company. We are about to embark on a highly exciting and challenging period of work, managed by a small and dedicated team. The Board plays an important role in terms of expertise, advice, support and advocacy. We are committed to raising the profile of Black British theatre through producing high quality productions, and by delivering a year round artist development programme. If you are interested in joining the Board then we would be delighted to hear from you. Please email your CV and a covering letter explaining why the role appeals to you and outline any relevant experience you could bring to the Board. If you would like more information on applying or an informal chat with a Board member to discuss any aspect of the role please don’t hesitate to email [email protected] or call us on 020 7251 6644 (option 1). Greg Hersov Chair INFORMATION FOR PROSPECTIVE BOARD MEMBERS 2017 1. Background Information & Current Position Talawa Theatre Company is led by Artistic Director and CEO Michael Buffong. We exist to produce and tour nationally theatre which shines a spotlight on Black creative talent, creating productions for a diverse range of audiences. In addition, we offer emerging and established artists’ talent development projects in order to progress their careers in the industry, and encourage Black people of all ages and backgrounds to participate more widely in the arts. Today Talawa is a registered charity and an Arts Council England (ACE) National Portfolio Organisation (NPO). -
Nicholas Khan
3rd Floor, Joel House 17-21 Garrick Street London WC2E 9BL Phone: 0207 420 9350 Email: [email protected] Web: www.shepherdmanagement.co.uk Email: [email protected] Website: www.shepherdmanagement.co.uk Nicholas Khan Other: Equity Location: Greater London, England, United Kingdom Eye Colour: Brown Height: 6'2" (187cm) Hair Colour: Black Weight: 13st. (83kg) Hair Length: Short Playing Age: 41 - 50 years Voice Character: Sincere Appearance: Middle Eastern, Mixed Race, White Voice Quality: Strong Stage 2019, Stage, Raf, Approaching Empty, Kiln, Tamasha and Live Theatre, Pooja Ghai 2018, Stage, Tilsley/Nicholas Ridley, Wonderland, Nottingham Playhouse, Adam Penford 2017, Stage, Dr Gibbs, Our Town, Royal Exchange Manchester, Sarah Frankcom 2017, Stage, Monseigneur/ Jerry Cruncher, A Tale of Two Cities, Regents Park Open Air Theatre, Timothy Sheader 2017, Stage, Rahim Khan, The Kite Runner, Wyndhams Theatre/ UK Productions, Giles Croft 2016, Stage, Mansoor et al, Love n' Stuff, Theatre Royal Stratford East, Kerry Michael 2015, Stage, Sir Charles Freeman, THE BEAUX STRATAGEM, National Theatre, Simon Godwin 2015, Stage, Imad/Mir Khalil, DARA, National Theatre, Nadia Fall 2014, Stage, Rahim Khan, The Kite Runner, Nottingham Playhouse/UK Productions/UK TOUR, Giles Croft 2013, Stage, PC Ping, Aladdin, UK Productions Bournmouth Pavillion, Chris Jarvis 2013, Stage, Rahim Khan, The Kite Runner, Nottingham Playhouse/Liverpool Playhouse, Giles Croft 2012, Stage, Dr Carl Sagan, Voyager, Arcola Theatre, Gordon Murray 2012, Stage,