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Sundance Institute Presents Institute Sundance U.S
1 Check website or mobile app for full description and content information. description app for full Check website or mobile #sundance • sundance.org/festival sundance.org/festival Sundance Institute Presents Institute Sundance The U.S. Dramatic Competition Films As You Are The Birth of a Nation U.S. Dramatic Competition Dramatic U.S. Many of these films have not yet been rated by the Motion Picture Association of America. Read the full descriptions online and choose responsibly. Films are generally followed by a Q&A with the director and selected members of the cast and crew. All films are shown in 35mm, DCP, or HDCAM. Special thanks to Dolby Laboratories, Inc., for its support of our U.S.A., 2016, 110 min., color U.S.A., 2016, 117 min., color digital cinema projection. As You Are is a telling and retelling of a Set against the antebellum South, this story relationship between three teenagers as it follows Nat Turner, a literate slave and traces the course of their friendship through preacher whose financially strained owner, PROGRAMMERS a construction of disparate memories Samuel Turner, accepts an offer to use prompted by a police investigation. Nat’s preaching to subdue unruly slaves. Director, Associate Programmers Sundance Film Festival Lauren Cioffi, Adam Montgomery, After witnessing countless atrocities against 2 John Cooper Harry Vaughn fellow slaves, Nat devises a plan to lead his DIRECTOR: Miles Joris-Peyrafitte people to freedom. Director of Programming Shorts Programmers SCREENWRITERS: Miles Joris-Peyrafitte, Trevor Groth Dilcia Barrera, Emily Doe, Madison Harrison Ernesto Foronda, Jon Korn, PRINCIPAL CAST: Owen Campbell, DIRECTOR/SCREENWRITER: Nate Parker Senior Programmers Katie Metcalfe, Lisa Ogdie, Charlie Heaton, Amandla Stenberg, PRINCIPAL CAST: Nate Parker, David Courier, Shari Frilot, Adam Piron, Mike Plante, Kim Yutani, John Scurti, Scott Cohen, Armie Hammer, Aja Naomi King, Caroline Libresco, John Nein, Landon Zakheim Mary Stuart Masterson Jackie Earle Haley, Gabrielle Union, Mike Plante, Charlie Reff, Kim Yutani Mark Boone Jr. -
THE STOPOVER (Voir Du Pays)
ArchiPel 35 PreseNTs THE STOPOVER (Voir Du pays) A fILm wRITTEN & dIREcTEd by DELphINE & MURIEL COULIN 102 min – DcP – 2.39 INTERNATIONAL PRESS RENDEZ-VOUS Viviana Andriani, Audrey Grimaud 2 rue Turgot 75009 Paris, France Ph. +33 1 42 66 36 35 In Cannes: +33 6 80 16 81 39 [email protected] INTERNATIONAL SALES FILMS DISTRIBUTION 5 rue Nicolas Flamel 75004 Paris, France www.filmsdistribution.com Download press materials: www.rv-press.com SYNOPSIS At the end of their tour of duty in Afghanistan, two young military women, Aurore and Marine, are given three days of “decompression leave” with their unit, among tourists, at a five-star resort in cyprus. But it’s not that easy to forget the war and leave violence behind. DECOMPRESSION PROGRAM since 2008, every French soldier returning from a tour of duty goes through a “decompression period” (canadians do the same thing – us soldiers too). They are taken to a five-star hotel for three days where they are supposed to forget about the war and relax among tourists enjoying their vacation. The program, devised by army psychologists, includes aqua- gym and relaxation classes, boat excursions and group mee- tings where everyone must tell the story of their individual experience during the six months spent in a war zone. This military therapy is more or less successful. TWO POWERFUL WOMEN Aurore and Marine are two young women with strong per- sonalities. They’ve known each other since childhood, come from modest backgrounds and grew up in lorient, an ave- rage town, where there aren’t a lot of alternatives for young people to build a future. -
Thimios Bakatakis Director of Photography
THIMIOS BAKATAKIS DIRECTOR OF PHOTOGRAPHY FILM MASTER OF NONE (SERIES 3) Director: Aziz Ansari Production Company : NBC & Universal HETV THE LODGE Director: Veronika Franz & Severin Fiala Production Company: Hammer Films Official Selection, Sundance Film Festival (2019) Official Selection, London Film Festival (2019) THE KILLING OF A SACRED DEER Director: Yorgos Lanthimos Production Company: Element Pictures & Film4 Nominated, Best Cinematography, Independent Spirit Awards (2017) Winner, Best Screenplay, Cannes Film Festival (2017) Official Selection, Toronto Film Festival (2017) Official Selection, London Film Festival (2017) UNA Director: Benedict Andrews Production Company: Jean Doumanian Productions & Film4 Official Selection, Toronto Film Festival (2016) Official Selection, London Film Festival (2015) THE LOBSTER Director: Yorgos Lanthimos Production Company: Sony Pictures Classics Nominated, Outstanding British Film, BAFTA Awards (2016) Winner, Jury Prize, Cannes Film Festival (2015) Official Selection, Toronto Film Festival (2015) Official Selection, London Film Festival (2015) Official Selection, Sundance Film Festival (2015) LUX ARTISTS | 1 BLIND Director: Eskil Vogt Production Company: Motlys Winner, Label Europa, Berlin Film Festival (2014) Winner, Screenwriting Award, Sundance Film Festival (2014) KEEP THE LIGHTS ON Director: Ira Sachs Production Company: Parts & Labor Winner, Best Feature Film, Berlin International Film Festival (2012) Official Selection, Sundance Film Festival (2012) L Director: Babis Makridis Production -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Writers and Creative Advisors Selected for Faliro House | Sundance Institute Mediterranean Screenwriters Workshop in Greece, July 3-9
FOR IMMEDIATE RELEASE Media contacts: June 29, 2017 Esmeralda Momferratou [email protected] Writers and Creative Advisors Selected for Faliro House | Sundance Institute Mediterranean Screenwriters Workshop in Greece, July 3-9 Eight Projects Selected for 2017 Faliro House | Sundance Institute Mediterranean Screenwriters Workshop, in Recognition and Support of Emerging Independent Filmmakers from Greece, Cyprus, Italy, Portugal and Spain Athens, Greece: Christos V. Konstantakopoulos’ Faliro House Productions (The Founder, The Lobster), in collaboration with Sundance Institute, will host the second edition of the Faliro House | Sundance Institute Mediterranean Screenwriters Workshop in Costa Navarino, Greece July 3-9. The workshop is designed to support emerging filmmakers from Greece, Spain, Italy, Portugal, and this year will include filmmakers from Cyprus. The Workshop is a five-day writer’s intensive that gives independent screenwriters the opportunity to work on their feature film scripts in an environment that encourages innovation and creative risk-taking. Greek filmmaker Athina Rachel Tsangari (Chevalier, Attenberg), who initiated the Workshop with Christos and serves as Co-Director, consulted with Sundance Institute and Faliro House during project selection. Filmmaker Gyula Gazdag, longtime Artistic Director at the Institute’s renowned Directors Lab in the U.S., will serve as Artistic Director, and will lead group sessions, alongside one-on-one story meetings with each project, where Tsangari and Gazdag will be joined by Creative Advisors Lisa Cholodenko (Olive Kitteridge, The Kids Are Alright), Julie Delpy (Before Midnight, 2 Days In Paris), Jeff Nichols (Loving, Take Shelter), Ruben Östlund (Palme d’Or winner The Square, Force Majeure), Ira Sachs (Little Men, Love Is Strange), Zach Sklar (JFK), and Eva Stefani (Bathers, Acropolis). -
The Capsule Athina Rachel Tsangari Press Kit July 2012 Copy 3
1 2012 — Greece — 35’ DCP, 1:1.78, Color, 5.1 surround, French Synopsis Seven girls, a mansion perched on a Cycladic rock, a cycle of lessons on discipline, desire and demise—infinitely. 2 The film Athina Rachel Tsangari has created both a film and a projection installation for the DesteFashion- Collection 2012, commissioned by art collector Dakis Joannou. It is a “Greek Gothic” mystery inspired by the work of the young Polish artist Aleksandra Waliszewska. Tsangari curated an haute couture “capsule” for the DesteFashionCollection 2012, selecting works by young, avant-garde designers who boldly challenge the boundaries of fashion as wearable sculpture. 3 The pieces feature in both her film and projection installation, re-agitating the ongoing, essential dialogue between cinema, fashion, and the fine arts. A distinguished international all-female cast of seven is participating, including Ariane Labed, winner of the Coppa Volpi for Best Actress at the 2010 Venice Film Festival in Tsangari’s “Attenberg”; Clémence Poésy, known for her roles in the “Harry Potter” series and Danny Boyle’s “127 hours”; and Isolda Dychauk, the lead in Aleksander Sokurov’s “Faust”. 4 The installation The CAPSULE installation repurposes digital 3D technology to create a kaleidoscopic illusion apparatus, a modern-day adaptation of early cinema’s “Kinetoscope”. It invites an unsuspecting audience of passers-by to enter an adventure of visual perception, dependent on their distance from the screen and their respective heights. Viewers are invited to either fully engage and “discover” the story 5 unfolding on the screen, or fleetingly experience the images as mysterious, oneiric tableaux. -
GREEK CINEMA PERSISTS AGAINST ALL ODDS By: Niko Franghias
1 HELLENIC CURRENT: GREEK CINEMA PERSISTS AGAINST ALL ODDS By: Niko Franghias (Article reproduced with the kind permission of THE GREEK STAR - February 9, 2012 Edition "DOES GREECE MATTER?") It started early 2008, when an unusual Greek thriller, TALE 52, was announced in official competition at the Rotterdam International Film Festival, the essential hub in Holland for discovering film talent from around the globe. The film, written and directed by young filmmaker Alexis Alexiou with the support of the government-funded Greek Film Centre (GFC), was well received and soon was acquired by a European distribution label. TALE 52 moved on to Sitges – the Catalonian International Film Festival in Spain - where it won best Screenplay. And then, there was Light! An awakening! Every filmmaker went through a revelation “why can’t I?” That’s not to imply that in the past, Greek films were not recognized by major European film events and international audiences. Visual storytellers like Michael Cacoyannis, Costa Gavras, Pantelis Voulgaris, the late Theo Angelopoulos, Greece’s exceptional film poet, and others, have been embraced by Cannes, Berlin and Venice respectively. But, in my view, all these worthy distinctions through such a long passage of time loomed more like rare flashes of clarity in a storyteller’s mind that has been in a coma for the last 37 years. Three Greek films lit sunbeams in major European festivals in 2009 and the Greek film community could not believe the stroke of good luck. In Berlinale’s Panorama, STRELLA, A WOMAN’S WAY, by director/writer/producer Panos H. -
Das Februar-Programm Im Kino Im Kesselhaus
www.kinoimkesselhaus.at PRESSEINFORMATION DAS FEBRUAR-PROGRAMM IM KINO IM KESSELHAUS ⋅ FILMGESPRÄCHE: THE END OF MEAT (1.2. Kooperation mit Attac Krems), LIFE GUIDANCE (23.2. Regisseurin Ruth Mader zu Gast) ⋅ CINEZONE (15.2.) – Film/Live-Remix: TRAINS OF THOUGHTS / Konzert: SOFA SURFERS ⋅ MALEN IN DER FILMBAR nach der Kinderkino-Vorstellung (12.2.) ⋅ FILMFRÜHSTÜCK MIT DJ MARKY MUSHROOM (18.2.) ⋅ KINDERTHEATER: KLUPPE WÄSCHEKIND (25.2.) ⋅ SPIELFILME: DAS LEUCHTEN DER ERINNERUNG (31.1.-4.2. / 11.+25.2), WONDER WHEEL (7.-11.2.), DJANGO (8.-11.2.), DER ANDERE LIEBHABER (16.-18.2.), THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (22.-28.2.), DIE DUNKELSTE STUNDE (21.-28.2.) u.v.m. Kino im Kesselhaus, Dr.-Karl-Dorrek-Straße 30, A-3500 Krems, Tickets/Informationen: Tel. 02732/90 80 00 www.kinoimkesselhaus.at → PRESSETEXT ALS PDF : http://www.kinoimkesselhaus.at/de/presse/1802_KINO_IM_KESSELHAUS_KREMS.pdf → PRESSEFOTOS : https://celum.noeku.at/pindownload/login.do?pin=9OHM6 Die SPIELFILME des Februarspielplans stehen ganz im Zeichen großen SchauspielerInnen-Kinos: Helen Mirren und Donald Sutherland reisen in DAS LEUCHTEN DER ERINNERUNG (31.1.-4.2. / 11.+25.2. Filmfrühstück) mit einem alten Wohnmobil durch ihre Vergangenheit. Paolo Virzì erzählt in seinem tragikomischen Roadmovie vom Ende eines erfüllten gemeinsamen Lebens. Gary Oldman ist die Rolle des Winston Churchill in Joe Wrights elektrisierendem politischen Thriller DIE DUNKELSTE STUNDE (21.-28.2.) förmlich auf den Leib geschrieben. Frances McDormand spielt in der klugen pechschwarzen Tragikomödie THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (22.-28.2.) eine Frau, die den Tod ihrer Tochter rächen will. Sie wurde für ihre Darstellung mit dem Golden Globe ausgezeichnet. -
THE LOBSTER Diretto Da Yorgos Lanthimos
THE LOBSTER Diretto da Yorgos Lanthimos distribuzione: uscita: 16 ottobre 2015 Ufficio Stampa: Studio PUNTOeVIRGOLA www.studiopuntoevirgola.com cast tecnico Diretto da Yorgos Lanthimos Scritto da Yorgos Lanthimos e Efthimis Filippou Direttore della Fotografia Thimios BAKATAKIS Scenografie Jacqueline Abrahams Montaggio Yorgos Mavropsaridis Costumi Sarah Blenkinsop Casting Jina Jay Una Produzione Element Pictures e Scarlet Films Prodotto da Ed Guiney, Lee Magiday, ceci, Dempsey e Yorgos Lanthimos Produttori Esecutivi Andrew Lowe, Tessa Ross e Sam Lavender Co-Prodotto da Christos V. Konstantakopoulos, Leontine Petit, Carole Scotta, Joost De Vries and Derk-Jan Warrink durata 118 cast artistico David Colin Farrell La Donna Miope Rachel Weisz La Donna che Sanguina dal Naso Jessica Barden Olivia Colman Manager dell’Hotel Ashley Jensen La donna dei biscotti Ariane Labed La domestica Angeliki Papoulia La Donna Spietata John C. Reilly L’Uomo col Difetto di Pronuncia Léa Seydoux Il capo dei solitari Michael Smiley Il Nuotatore Solitario Ben Whishaw L’Uomo Zoppo 2 sinossi The Lobster è una storia d’amore ambientata in un futuro prossimo, dove i Single, secondo quanto stabiliscono le regole della Città, vengono arrestati e trasferiti nell’Hotel, dove sono obbligati a trovarsi un partner entro 45 giorni. Se falliscono vengono trasformati in un animale a loro scelta e liberati nei Boschi. Un uomo disperato fugge dall’Hotel e va nei Boschi, dove vivono i Solitari; lì s’innamorerà, trasgredendo alle regole. il making of di The Lobster The Lobster è il primo film in lingua inglese di Yorgos Lanthimos, la cui seconda pellicola, Kynodontas, ha vinto numerosi premi internazionali, tra cui il premio ‘Un Certain Regard’ a Cannes. -
GSU President to Become a Paid Role
FR IDAY, 3RD NOVEMBER, 2017 – Keep the Cat Free – ISSUE 1674 Felix The Student Newspaper of Imperial College London NEWS Event cancelled after speaker accused of rape PAGE 4 MUSIC Our guide to October’s best music releases PAGE 12 From this year onwards, the GSU President will earn £10,000 per year. // Stewart Oak FILM GSU President to become a paid role NEWS Students’ Union”, would Shamso spoke of the postgraduate representa- committee, the majority see the GSU President re- difficulties he had faced tion at Imperial”. He told of whom were voted in Fred Fyles ceiving an annual stipend as a result of taking on Felix that the President last month, the President Editor-in-Chief of £10,000. The money the GSU President role: is “placed under huge should “further student-re- would be funded by Im- “Spending a large amount amounts of pressure, not lated policy and influence The count-down perial’s Education Office, of my time on enriching only having to lead and decisions for the benefit The Graduate Students and would not come from the life of postgraduate motivate a committee of of Imperial College’s of best actresses Union President will be the Union itself. The po- students at Imperial has elected students, but also Postgraduate students”, begins paid an annual stipend sition would be part-time, had a costly effect on the having to deliver the PG “ensure that decisions and PAGE 20 in contrast to the seven progression of my PhD re- voice and opinion at many achievements of the GSU of £10,000, funded by paid sabbatical positions search...I will most likely College committees, some are clearly communicated the Graduate School. -
Mise En Page 1
NOUS VOUS ACCOMPAGNONS DANS L'ÉPREUVE NOUS REMPLAÇONS VOS PROCHES DISPARUS NOUS SOMMES ALPS “ÊTES-VOUS PRÊT POUR LA POP ?” ALPS SORTIE LE 27 MARS 2013 A3 DISTRIBUTION PRÉSENTE MOSTRA DE VENISE FESTIVAL DU FILM DE SYDNEY FESTIVAL DU FILM DE BELFORT 2011 2012 2011 OSELLA DU MEILLEUR SCÉNARIO MEILLEUR FILM SÉLECTION OFFICIELLE PAR LE RÉALISATEUR DE “CANINE" ALPS DISTRIBUTION : A3 DISTRIBUTION UN FILM DE YORGOS LANTHIMOS 50/52 RUE DU FBG SAINT-DENIS – 75011 PARIS - TEL : 01 44 93 91 77 [email protected] - WWW.A3DISTRIBUTION.COM GRÈCE / 93 MN / COULEUR / 2.35 / DOLBY SRD RELATIONS PRESSE : RENDEZ-VOUS VIVIANA ANDRIANI, AURÉLIE DARD - 2 RUE TURGOT - 75009 PARIS - TEL : 01 42 66 36 35 [email protected] / [email protected] WWW.RV-PRESS.COM DOSSIER DE PRESSE ET PHOTOS TÉLÉCHARGEABLES SUR WWW.RV-PRESS.COM SYNOPSIS ALPS EST LE NOM D’UNE SOCIÉTÉ SECRÈTE. ALPS PROPOSE D’ÉTRANGES SERVICES AU MOMENT DU DÉCÈS D’UN PROCHE. EST-CE QU’IL S’AGIT DE TROMPER LA MORT OU LA VIE ? QU’IMPORTE, AVANT TOUT, IL S’AGIT D’OBÉIR À MONT BLANC. ET POUR MONT BLANC, IL FAUT RESPECTER LES RÈGLES, TOUTES LES RÈGLES … — RÈGLE N°10 — DOIVENT TOUJOURS ÊTRE ÉLÉGANTS, PROPRES, PONCTUELS ET EN PARFAITE MAÎTRISE DE SOI. LES 15 REGLES DU GROUPE ALPS LES MEMBRES DU GROUPE : 1. DOIVENT DÉCLARER PAR AVANCE CE QU’ILS NE SONT PAS DISPOSÉS À FAIRE EN REMPLISSANT LE FORMULAIRE 1. (PAR EXEMPLE EMBRASSER, SOULEVER DES POIDS, VOYAGER, ETC) 2. DOIVENT DÉCLARER PAR AVANCE LES CHOSES POUR LESQUELLES ILS SONT COMPÉTENTS EN REMPLISSANT LE FORMULAIRE 2. -
Crònica D'un Any 2018 Anna Bayó Jordi Camps Antía Gómez Ramon
Crònica d’un any 2018 Anna Bayó Jordi Camps Antía Gómez Ramon Girona Christian G. Carlos Ingrid Guardiola Imma Merino Salvador Montalt Àngel Quintana Carles Ribas Blanché Jep Soler 18 Marta Sureda Guillem Terribas Paco Vilallonga CRÒNICA DEL DIVUITÈ ANIVERSARI El Truffaut, una relíquia Sabeu si algú ha calculat i seqüenciat les pel·lícules projectades en aquell espai que va ser el cinema Modern? I quantes pel·lícules s’hi han presentat des que va néixer el Truffaut? El Truffaut és una relíquia. I és testimoni real d’un espai real de quan les ficcions cinematogràfiques només es podien veure en una sala pública envoltada de més públic. Ara en restauren el reliquiari. Tornarà igual que com el vam deixar. Només en variaran els accessos i el complex edifici que l’acull. Des de la primavera del 2019 viu un exili en una sala de la plaça Jordi de Sant Jordi. No recordo si ho vaig veure en una pel·lícula, en un documental, en un reportatge escrit o hi vaig ser personalment: als Estats Units hi ha moltes sales de cinema bellíssimes reconvertides en esglésies per a predicadors apocalíptics. Si més no, en conserven l’ordre de les butaques. Arreu del món han desaparegut moltes sales i multisales pioneres. Hi han aixecat pisos, hi han posat tallers, s’han reconvertit en grans magatzems i botigues i, on han tingut més sort, l’Ajuntament se les ha quedat per posar una sala polivalent, un teatre o un auditori. El cinema Truffaut va ser l’única sala de Girona on es va projectarRoma , d’Alfonso Cuarón, la pel·lícula més popular del 2018, estrenada en una plataforma digital amb milers de títols.