English Version

Total Page:16

File Type:pdf, Size:1020Kb

English Version LOGGIA Nº12 Northern Arabia the patterns and repetitive devices Earth architecture ENGLISH VERSION applied by tribesmen to their woodwork and to the mud Strong in compression and weak in tension, massive by which coats their buildings has a quality which makes nature and generally heavy, earths and brick are, with them unique in time and place; and in that sense they stone, the characteristic material of walling. Being inert John Warren are as important as the great terracottas displayed on in a practical, if not a chemical sense, they are durable Form, Meaning and Purpose: Italian Renaissance buildings. The culture is and take on special hues and characteristics with age. Ethical and Aesthetic Objectives in commemorated in the artefact, and the qualities of the The methods of assembly – bonding – and forms of the Conservation of Earth Buildings society that created a civilization are measured in the construction have produced a wide variety of historic architecture left behind as much as in their literature or characteristics intrinsic are appropriate to the context Conservation serves several purposes. In the social their music. Societies may disappear but the cultural and produce a result that is acceptable in terms of the context, the fabric of mans built past is meaningful to artefact remains to provide a direct access to those who historic qualities of the place or building. him in same fundamental way as the landscape he created it. If man’s earliest constructions were of mud simply piled inhabits, and people deprived of the environmental asset The very rarity of some fragments of past societies may together and dressed into an homogeneous mass the of their past lack a part of the understanding of their in itself be a special reason for, and give a particular next step was to provide for the use of hardened mud, own history. The sense of loss can be tangible, resulting purpose to, conservation. The city of Bokhara in easier to transport, to be laid in place and joined with a in instability and a yearning for environmental security. Uzbekistan preserves a mausoleum with an wetter mud. So the first mortar was created. Only where The distinctive shapes of the earth villages of sub- extraordinary intricacy of patterned brickwork mud is used in plastic state can a mortar be avoided, so Sahara Africa provide their inhabitants with evidence of attributable to the tenth century King, Ismail the the form of a masonry structure from earliest times has their origins in just the same way as do the mellow Samanid. No other comparable building survives. Were been significantly dependent on the bonding and the brick walls of some great Spanish town whose citizens it not for this one rich example, patterned like a tribal nature of mortar used as well as the character of the sense in the environment the deep roots of their past. rug in solid brickwork, there would be almost no brick whether of mud or of burnt clay. Early bricks No conservator need be ashamed of admitting that one evidence of culture known otherwise only by were of a type known as plano-convex, that is to say fundamental purpose of his work is the retention of a fragmentary remains in poetry and literature. Rather having curved upper surfaces, being hand moulded like fabric which meets the deep psychological needs of more is known earlier Sasanian civilisation in a lump of dough. These have been exposed in the those who inherit it and pass it on. Mesopotamia but of Sasanian building skills the one excavations of the Nile and the Tigris-Euphrates valleys The primary objective in consolidating or strengthening structure that gives measure to their achievement is the in buildings dating back several millenia but these and structures is to improve their stability. Where a visible great parabolic brick vault standing today at Salman many other forms of unbaked earth bricks have been intervention is called for, as is usually yhe case, a series Pak, south of Baghdad. This single remaining structure covered with mud or render as an external coating so of questions is raised. These lie outside the structural of the great palace of Chosroes Anushirvan at Ctisphon that the intrinsic nature of the wall structure will have problem itself. It is these that we now seek to explore. is the single building by which the structure been concealed from the outset. It is the nature of mud Structurally the strength of the building and probably achievement of that world power can now be assessed. brick construction to be rendered over with a mud also its longevity will have been enhanced. The These arguments of purpose are historical and to them plaster and the quality that arises in earth structures, intervention must raise ethical considerations which by must be added one other – science. Any historic fabric therefore, is that of a superficial layer or coating definition relate to the rightness of the action and the is evidence of the circumstances and techniques of its designed to be sacrificial and to be frequently renewed. honesty of its handling. Other practical considerations age of construction. The circumstances of its building, This layer may be of exactly the same material as the then follow. determined by available materials and the use of wall. It may be reinforced, perhaps with straw to give it A building has four functions to perform: structural, techniques inherited or invented, are the prime greater cohesion to reduce the nature and size of the practical, aesthetic and evidential. Ideally every activity evidence of the movement of civilisations and one cracking and so to give it more weathering resistance in strengthening a building will meet these performance purpose of conservation must be to retain this and the straw will, itself, become a telling feature in the criteria which fall within practical and aesthetic evidence. But the artefact encapsulates scientific quality of the surface. It may be coated with a hardened dimension. The intervention will be: information. Fragments of organic material permit mud, perhaps containing a calcareous material such as i. economical- a practical dimension; ii. it will be dating by the measurement of atomic decay- the crushed lime or chalk. It may have been coated with a durable: also a practical dimension; iii. it will be Carbon 14 technique. Other analytical techniques material based on burned lime, at the simplest a lime effective in its designated use – a further practical include Thermoluminescence and Optical Dating, both wash, providing decoration and a coating weather dimension; iv. it will be sympathetic or visually of which use the effects of long burial to provide resistant qualities. acceptable – an aesthetic consideration; v. it will be alternative methods of dating by sampling. Other The handworked nature of such operations has given a explicit – an ethical and aesthetic consideration; techniques are known but little used – such as the special quality to such walls, many of which defy the vi. it will retain historic values – an ethical qualitative measurement of saline impregnation; others normal rules of level and plumb bob, being battered consideration; vii. it will not diminish the authenticity of have yet to be perfected or even to be discovered. The back as they reduce in thickness with height to shape monument – also an ethical consideration. analysis of soil particles and airborne deposits such as the building, curving and being modelled with subtle If these criteria are met the investment in strengthening pollen can provide evidence of conditions and dates of contours that suit the hand and please the eye. Such will be a success. construction. These and other forms of scientific buildings with natural organic shapes possess special Restrengthening of a structure must achieve an analysis provide information on sources of material qualities of their own which are best and, perhaps only immediate objective in restoring or enhancing the and distribution of the origins of materials which in the able to be perpetuated by the same methods as were ability of the construction to perform the task required long future of conservation will add to man’s used to create them. The batter or inward inclination of it. It must also be given longevity consistent with knowledge of the past. The loss or destruction of such frequently given to walls built in unbaked earths reflects acceptable costs. In practical terms the building must evidence is to be deplored. the natural instincts of the builder in handling material work well: in aesthetic terms it should please the user Conservation can serve one further purpose, sometimes of uncertain compressive strength and although earths and viewer. In ethical terms its retention is important treated as a justification; the economic utilisation of the under suitable compaction can achieve remarkable because it is tangible of the past. It is a surviving structures. As has been discovered by many builders in values in compression, their tendencies to become artefact. the past it can be less expensive to reuse a building fissiparous mean thet they are relatively weak structures - The visual quality of the structure may be enhanced or than to build anew. The adaptation of historic structures in tension, capable, nevertheless of being carried to diminished; to new or enhanced usefulness is often a economic heights of 30 m.; but it is out of this characteristic that - The interpretation may make a positive statement in ground for conservation. Earths and brickwork are the need for massive lower courses derives and hence terms of method, or time and of its funcion. massive and involve substantial labour. Patination and the tendency of builders towards the use of a batter - It may also enhance or alter the function of the the maturity of age are qualities which they gather and (inward slope) rarely found in more robust forms of structure.
Recommended publications
  • Vinaròs.Castelló
    VINARÒS.CASTELLÓ “VINARÒS, UN PERFECTO “VINARÒS, UN ÉQUILIBRE “VINARÒS: A PERFECT EQUILIBRIO ENTRE MAR Y PARFAIT ENTRE MER ET BALANCE BETWEEN THE SEA MONTAÑA” MONTAGNE” AND THE MOUNTAINS” Vinaròs, pertenece a la provincia de Castelló y Vinaròs appartient à la province de Castelló et Vinaròs pertains to Castelló province and lies 79 dista 79 km de su capital, Castelló de la Plana. A su se trouve à 79 km de la capitale, Castelló de la km from the capital, Castelló de la Plana. It is, vez, es la capital de la comarca del Baix Maestrat Plana. La ville est à la fois le chef-lieu de la région in turn, the capital of the Baix Maestrat district y es el primer municipio de la zona norte de la du Baix Maestrat et elle est la première ville de and the largest city in the northern area of the Comunidad Valenciana. Vinaròs se sitúa a orillas la zone nord de Valence. La ville de Vinaròs est Valencian Community. Vinaròs stands beside del mar Mediterráneo pero esta muy próxima située au bord de la mer Méditerranée mais très the Mediterranean Sea but is very close to a comarcas montañosas como la Tinença de proche des zones montagneuses de la Tinença de mountainous areas such as Tinença de Benifassà Benifassà o Els Ports. Benifassà ou Els Ports. and Els Ports. VINARÒS.CASTELLÓ 1 “VESTIGIOS DE UN GRAN PASADO HISTÓRICO” Vinaròs, municipio de la Comunidad Valenciana, VINARÒS está situado en el norte de la provincia de Castelló y es la capital de la comarca del Baix Maestrat.
    [Show full text]
  • The Towns of the Vall D'albaida
    The towns of the Vall d’Albaida ENG More than 100 reasons to visit Points of TOURIST INFO AIELO DE MALFERIT information tour MUSEU DE NINO BRAVO in the Vall d’Albaida Passeig de l’Eixample, s/n 46812 Aielo de Malferit T 96 236 07 20 / 654 394 296 aielodemalferit.es [email protected] Llutxent Inland Aielo de Malferit TOURIST INFO ALBAIDA experience MUSEU INTERNACIONAL Albaida Ontinyent DE TITELLES D’ALBAIDA (MITA) Plaça del Pintor Segrelles, 19 (Palau dels Milà i Aragò) Bocairent 46860 Albaida T 96 239 01 86 albaidaturisme.com [email protected] MANCOMUNITAT DE MUNICIPIS TOURIST INFO BOCAIRENT DE LA VALL D’ALBAIDA Plaça de l’Ajuntament, 2 DEPARTAMENT DE TURISME 46880 Bocairent The Vall d’Albaida region, made up of 34 c/ Sant Francesc, 8 pl. Baixa T 96 290 50 62 municipalities and located in the south of 46870 Ontinyent bocairent.org T 96 238 90 91 [email protected] the province of Valencia, is an inland jewel F 96 238 85 45 that is home to numerous cultural and valldalbaida.com TOURIST INFO LLUTXENT natural attractions. Its proximity to the mancovall.com Av. de València, 66 coast and the provincial capitals makes the [email protected] 46838 Llutxent Vall d’Albaida a perfect place for rural and T 96 229 43 86 / 96 229 40 01 inland tourism. llutxent.es [email protected] La Vall d’Albaida is surrounded by the TOURIST INFO ONTINYENT Mariola Mountain range, the Grossa Plaça de Sant Roc, 2 (Palau de la Vila) Mountain range, the Agullent mountain 46870 Ontinyent range, the Benicadell mountain range T 96 291 60 90 turismo.ontinyent.es and bathed by the Clariano River and [email protected] the Albaida River.
    [Show full text]
  • To Download the Country Reports
    Deliverable D1.2 Dissemination Level (PU) 785211-PRO-Heritage Co-funded by the European Community Horizon 2020 Program Project Title: PROtect traditional built HERITAGE Skills PRO-Heritage Grant Agreement No: 785211 Collaborative Project D1.2 Country reports on certified and non-certified education for craftsmen in energy issues Deliverable No. D1.2 Workpackage WP1 Task T1.2 Lead beneficiary AEGPC Authors Verónica Buey Cieslak and Ana Velasco Rebollo (AEGPC), with contributions from BHOe, EH, CT (NECT), NTSK, SGPR, UBW Delivery date 15/05/2020 Status Pending File Name D1.2_Country_reports_v1.0.docx Dissemination level PU Public, fully open, e.g. web X CO Confidential, restricted under conditions set out in Model Grant Agreement CI Classified, information as referred to in Commission Decision 2001/844/EC. D1.2 Country reports on certified and non-certified education for craftsmen in energy issues Page 2 of 73 D1.2 Country reports on certified and non-certified education for No & name craftsmen in energy issues Status Draft Due M13 Date 2020-02-28 Author(s) AEGPC, BHOe, EH, CT (NECT), NTSK, SGPR, UBW Description The implementation of this task includes the following steps: of the - Definition of the structure of the country reports related task and - Desk research for detailed information about selected relevant training for the energy efficiency and renewable energy for historic buildings deliverable - Create country reports for AT, ES, SK, PT and UK and (as a brief overview) in the DoA for BE, DE, FR, HU, PL and NO on certified and non-certified education for craftsmen, architects, designers and engineers for (protected) historic buildings, especially for energy efficient historic buildings and renewable energy used in historic buildings.
    [Show full text]
  • Sailing the Sea Cloud: Malta to Valencia 10 Days from $11,685 Per Person Private Journey
    800 554 7016; M-F 8-7, Sat 9-1 CT or speak to your travel professional N E W LU XU RY TA I LO R MA D E TR AV EL Sailing the Sea Cloud: Malta to Valencia 10 days from $11,685 per person Private Journey Exploration by cruise is an inspiring addition to a Luxury Tailor Made Journey. The 'Sea Cloud' offers a variety of alternative routings and departure dates. Speak to your A&K Travel Consultant or your travel professional to create a customized journey including a cruise experience. Step aboard the grand, historic sailing vessel ‘Sea Cloud’ for a leisurely cruise that reveals iconic cities of the Mediterranean, from the Tyrrhenian to the Balearic Sea, as well as lesser-known ports of call, all while enjoying luxurious cabin accommodations, attentive service and fine dining. Included With Every Luxury Tailor Made Journey • One-of-a-kind Itinerary Designed for You • Hand-Selected Luxury Accommodations • Exclusive Insider-Access Opportunities and Inspiring Sightseeing • English-Speaking Local Guides • Airport Meet and Greet with Private Transfers • Full Breakfast Daily • Entrance Fees and Taxes • 24/7 A&K On-Call Support A&K Advantages Cruise the Mediterranean aboard the historic yacht of Marjorie Merriweather Post, past host to business tycoons and royal heads of state Visit the UNESCO World Heritage Site of Syracuse, a Sicilian city built by the Greeks and inhabited by the Romans, Arabs, Byzantines and Normans Explore Lipari — one of the Aeolian Islands of Sicily — known for its natural beauty, volcanic formations and remote tranquility Stop
    [Show full text]
  • Wood Supply Background on the Banks of Júcar
    Geography Papers 2015, 61 doi:http://dx.doi.org/10.6018/geografia/2015/213261 ISSN: 1989-4627 WOOD SUPPLY BACKGROUND ON THE BANKS OF JÚCAR Teresa Izquierdo Aranda Universidad Politécnica de Valencia In the Middle Ages, wood was an essential material in the human life (GAY, 2001). It was indispensable for the architecture and the navy industry (FLORIDO, 2004; IZQUIERDO, 2014). Just because of trunks traffic the Ribera del Júcar region played an important function in the wood supply in the Valencia coast, a densely populated area, deficient in forests. Probably, the use of the river Jucar as means of trunks’ transport goes back to the roman period. It is documented since Almoravid epoch in the Muslim geographer Mohamed-al-Idrisi, who leave proof of river navigation was the preferential means of transport to supply the region. After the conquest, the pacification of the borders with Aragon enlarged the possibilities for the wood provision, putting up the Iberian forests at Valencia inhabitants’ and opening the fluvial traffic form Guadalaviar. In this way, the navigation was in the kingdom of Valencia a traditional waterway of supplying. Jucar rises in Montes Universales and it converges with river Cabriel in Cofrentes. In its lower route it goes into the valley of Ayora since the Hoya de Buñol and the Vall dels Alcalans bordering the waterfalls of Cofrentes, Cortes de Pallás and Mijares in the Canal de Navarrés. 2. AL-IDRISI, FIRST TESTIMONY OF LOGS RIVER NAVIGATION BY THE JÚCAR In the second half of the twelfth century, Al-Idrisi (c.1100-1165) provided the first documented reference on wood supply in the region.
    [Show full text]
  • València Tourist Guide
    VALÈNCIA TOURIST GUIDE EN 2018 Edition 2€ CITY OF ARTS AND SCIENCES 20th anniversary What to do? · What to visit? · Restaurants guide Useful information · Activities for young tourists · Maps VISITVALÈNCIA.COM València INDEX Tourist Card 8 ORGANISE YOUR VISIT · Free public transport* by bus and Metro · 20 free museums 10 MUST-VISITS · Discounts: attractions, entertainment, restaurants… SIGHTSEEING BY DISTRICT 24 Historic Centre · 2 free tapas 28 Ruzafa, Ensanche And much more… 32 City of Arts and Sciences and Pla del Real 36 Cabecera Park, Bioparc and the Conference Centre Symbols used throughout this guide 40 Seaside Neighbourhoods, Beaches and Marina Telephone 44 The Horta of València Opening time 48 Albufera Natural Park 52 Trips near València Address Bus 56 VALÈNCIA CULTURE 74 FESTIVALS Metro 78 GASTRONOMY Prices 98 GREEN VALÈNCIA VLC Green 104 VALÈNCIA WITH CHILDREN *(includes the metro journey to and from the airport, 108 SHOPPING Michelin starred restaurants which normally costs 8,40€) 112 NIGHTLIFE **7 days card transport not included Restaurants with a Sol Repsol 116 SPORT 118 VALÈNCIA EXCELLENCE Spaces for Children València Tourist Card discount available 120 PRACTICAL INFORMATION 120 València Hotels Restaurants included in Menu VLC 122 Tourist Activities Accessible 15€ 20€ 124 Rent a Car 124 Health and Wellness V-961-2007 GTUKD.L. 02/2018 100% recycled paper 25€ 12€ Follow us Valenciacity ValenciaCity visitvalencia Visit_Valencia DOWNLOAD YOUR GUIDE HERE! www.valenciatouristcard.com Turisvalencia Lladró Boutique Valencia Poeta
    [Show full text]
  • Immersive Virtual Reality to Visualise the Visible and Infrared Layer of a Medieval Altarpiece
    European Journal of Science and Theology, June 2020, Vol.16, No.3, 165-178 _______________________________________________________________________ IMMERSIVE VIRTUAL REALITY TO VISUALISE THE VISIBLE AND INFRARED LAYER OF A MEDIEVAL ALTARPIECE Greta García1, Begoña Sáiz2*, Gemma Contreras1, David Juanes1 and Alfonso Soriano3 1 Institut Valencià de Conservació, Restauració i Investigació, Generalitat Valenciana (IVCR+i), C/ Genaro Lahuerta nº 25, Valencia, 46010, Spain 2 Universitat Politècnica de València, Institute of Information and Communication Technologies (ITACA), Camino de Vera, s/n, Valencia, 46022, Spain 3 Innoarea Project Company, C/ Pintor Salvador Abril nº 36, Valencia, 46006, Spain (Received 12 October 2019, revised 5 March 2020) Abstract This article describes the conception, development and implementation process of an interactive, immersive virtual reality experience for a museum environment, which allows viewers to virtually explore the „Retablo de San Jorge del Centenar de la Ploma‟ in detail and in its entirety. This altarpiece is a pivotal work in the International Valencian Gothic style. It is also an example of Relocated Heritage, which has belonged to the Victoria & Albert Museum in London since 1864. Currently, it is exhibited there in the room housing the Raphael Cartoons. The fact that it is impossible to physically view this work in the Museo de Bellas Artes de Valencia along with other medieval Valencian Gothic altarpieces has motivated the creation of this virtual reality experience. This will enable researchers and visitors interested in this period to virtually examine the work. To produce this experience, different data-gathering technology has been used, such as visible and infrared radiation, photogrammetry and computer design programs like Blender and Unreal Engine.
    [Show full text]
  • Via De La Plata
    Spain Spain Gothic Art Gothic Art EUROPEAN COMMUNITY European Regional Development Fund I TABLE OF CONTENTS SPANISH TOURIST INFORMATION UNITED STATES OF AMERICA Introduction 1 OFFICES ABROAD Los Angeles Tourist Office of Spain Gothic Art 2 CANADA. Toronto The three great cathedrals 8 8383 Wilshire Blvd, Suite 960 Tourist Office of Spain Beverly Hills, California 90211 A Tour 2 Bloor Street West Suite 3402 % 1(323) 658 71 88 Andalusia 14 Toronto, Ontario M4W 3E2 ) 1(323) 658 10 61 Aragon 20 % (1416) 961 31 31 www.okspain.org Asturias 24 ) Ireland (1416) 961 19 92 e-mail: [email protected] The Balearic Isles 26 United www.tourspain.toronto.on.ca Chicago The Canary Islands 27 Dublin e-mail: [email protected] Cantabria 28 Kingdom Tourist Office of Spain Castile-La Mancha 30 GREAT BRITAIN. London Water Tower Place, suite 915 East Castile and León 35 London Spanish Tourist Office 845 North Michigan Avenue Catalonia 45 PO BOX 4009 Chicago, Illinois 60 611 Murcian Region 49 London W1A 6NB % 1(312) 642 19 92 Valencian Region 50 % (44207) 486 80 77 ) 1(312) 642 98 17 Extremadura 53 Paris ) (44207) 486 80 34 www.okspain.org Galicia 56 www.tourspain.co.uk e-mail: [email protected] La Rioja 60 e-mail: [email protected] Miami Madrid 62 France Tourist Office of Spain Navarre 64 JAPAN. Tokyo 1221 Brickell Avenue Basque Country66Bay of Biscay Tourist Office of Spain Miami, Florida 33131 Daini Toranomon Denki % Glossary 70 1(305) 358 19 92 Bldg.6F. 3-1-10 ) 1(305) 358 82 23 General information 72 Toranomon.
    [Show full text]
  • VINARÒS Castellón
    VINARÒS CASTELLÓN “Vinaròs, un perfecto equilibrio “Vinaròs, un équilibre parfait entre “Vinaròs: a perfect balance between entre mar y montaña” mer et montagne” the sea and the mountains” Vinaròs appartient à la province de Castelló Vinaròs, pertenece a la provincia de et se trouve à 79 km de la capitale, Castelló Vinaròs pertains to Castellón province and Castellón y dista 79 km de su capital, de la Plana. La ville est à la fois le chef-lieu lies 79 km from the capital, Castellón de la Castellón de la Plana. A su vez, es la capital de la région du Baix Maestrat et elle est la Plana. It is, in turn, the capital of the Baix de la comarca del Baix Maestrat y es el première ville de la zone nord de Valence. Maestrat district and the largest city in the primer municipio de la zona norte de la La ville de Vinaròs est située au bord de northern area of the Valencian Community. Comunidad Valenciana. Vinaròs se sitúa a la mer Méditerranée mais très proche des Vinaròs stands beside the Mediterranean orillas del mar Mediterráneo pero esta muy zones montagneuses de la Tinença de Sea but is very close to mountainous areas próxima a comarcas montañosas como la Benifassà ou Els Ports. such as Tinença de Benifassà and Els Ports. Tinença de Benifassà o Els Ports. 01 HISTORIA · HISTOIRE · HISTORY “Vestigios de un gran pasado “Vestiges d’un grand passé “Vestiges of a major historical histórico” historique” past” Vinaròs, municipio de la Comunidad Vinaròs est une ville de la Communauté Vinaròs, a city in the Valencian Community, Valenciana, está situado en el norte de la Valencienne située au nord de la province is located in the north of Castellón provincia de Castellón y es la capital de la de Castellón, et le chef-lieu de la région du province and is the capital of the Baix comarca del Baix Maestrat.
    [Show full text]
  • Gothic Architecture in Spain: Invention and Imitation
    GOTHIC ARCHITECTURE IN SPAIN: INVENTION AND IMITATION Edited by: Tom Nickson Nicola Jennings COURTAULD Acknowledgements BOOKS Publication of this e-book was generously Gothic Architecture in Spain: Invention and Imitation ONLINE supported by Sackler Research Forum of The Edited by Tom Nickson and Nicola Jennings Courtauld Institute of Art and by the Office of Scientific and Cultural Affairs of the Spanish With contributions by: Embassy in London. Further funds came from the Colnaghi Foundation, which also sponsored the Tom Nickson conference from which these papers derive. The Henrik Karge editors are especially grateful to Dr Steven Brindle Javier Martínez de Aguirre and to the second anonymous reader (from Spain) Encarna Montero for their careful reviews of all the essays in this Amadeo Serra Desfilis collection. We also thank Andrew Cummings, Nicola Jennings who carefully copyedited all the texts, as well as Diana Olivares Alixe Bovey, Maria Mileeva and Grace Williams, Costanza Beltrami who supported this e-book at different stages of its Nicolás Menéndez González production. Begoña Alonso Ruiz ISBN 978-1-907485-12-1 Series Editor: Alixe Bovey Managing Editor: Maria Mileeva Courtauld Books Online is published by the Research Forum of The Courtauld Institute of Art Vernon Square, Penton Rise, King’s Cross, London, WC1X 9EW © 2020, The Courtauld Institute of Art, London. Courtauld Books Online is a series of scholarly books published by The Courtauld Institute of Art. The series includes research publications that emerge from Courtauld Research Forum events and Courtauld projects involving an array of outstanding scholars from art history and conservation across the world.
    [Show full text]
  • Guia Valencia En.Pdf
    Valencia "An authentic garden, with prosperous buildings, to my eye it´s quite the best I've seen." Lope de Vega www.comunitatvalenciana.com VALENCIA The key to Valencia - clues to discovering an unusual city 04 Valencia. 05 Between blue and green 08 Open city 12 A history to tell 18 The future is already here 19 Science Non-fiction 20 Sea road - City of Arts and Sciences 27 Port and the Juan Carlos I Royal Marina 29 Western horizon 30 Cities within the city 38 Itinerary 38 1. Way of the river 44 2. River of the 20th century 50 3. Valencia of the sea 56 4. Foundations of the city 64 5. Commercial city 70 6. Outward expansion 74 7. Modernist expansion 80 8. A nature park 86 Culture is capital 87 Museums of Valencia 90 Always on the go 92 More than just rice 96 Sleepless hours 98 A city for sports 100 Design and avant-garde 101 City shopping spree 102 Getaways - From sea to mountains 104 Fiestas and traditions 110 Directory of Museums in Valencia 114 Directory of Monuments in Valencia 116 Practical Information Author: Francisco Pérez Puche Valencia 04 Between blue and green - Valencia The city both new and classic: incredibly futuristic yet always urbane Terracotta, white and sienna; spires and cobalt blue cupolas. It is the third largest city in Spain. A surprising city, an unexpected city, which in the first years of the new millevnnium has become fashionable to visit. This is the Valencia of videos, of trencadis, of digital temptation. Synonymous with all that is modern, the new taste that innovative chefs are equivalent to what is unusual, it can all be found awakening.
    [Show full text]
  • Town by Town of the Vall D'albaida Region
    Inland experience Town by town of the ENG Vall d’Albaida region Points of information tour TOURIST INFO AIELO DE MALFERIT in the Vall d’Albaida MUSEO DE NINO BRAVO Passeig de l’Eixample, s/n 46812 Aielo de Malferit T 96 236 07 20 / 654 394 296 Llutxent aielodemalferit.es [email protected] Aielo de Malferit Albaida TOURIST INFO ALBAIDA Ontinyent MUSEO INTERNACIONAL DE TÍTERES DE ALBAIDA (MITA) Plaça del Pintor Segrelles, 19 Bocairent (Palau dels Milà i Aragò) 46860 Albaida T 96 239 01 86 albaidaturisme.com MANCOMUNITAT [email protected] DE MUNICIPIS DE LA VALL D’ALBAIDA TOURIST INFO BOCAIRENT DEPARTAMENT DE TURISME Plaça de l’Ajuntament, 2 C/ Sant Francesc, 8 pl. Baja 46880 Bocairent 46870 Ontinyent T 96 290 50 62 T 96 238 90 91 bocairent.org F 96 238 85 45 [email protected] valldalbaida.com mancovall.com TOURIST INFO LLUTXENT [email protected] Av. de València, 66 46838 Llutxent T 96 229 43 86 / 96 229 40 01 llutxent.es [email protected] TOURIST INFO ONTINYENT Plaça de Sant Roc, 2 (Palau de la Vila) 46870 Ontinyent T 96 291 60 90 turismo.ontinyent.es [email protected] TOURIST INFO VALL D’ALBAIDA c/ Sant Francesc, 8 pl. Baja 46870 Ontinyent T 673 346 177 [email protected] 2 | 3 The La Vall d’Albaida region is formed by 34 towns and located in the south of València province. The Vall is an inland jewel that offers many cultural and natural attractions. Its proximity to the coast and the most important cities in the region makes it a perfect place for rural and inland tourism.
    [Show full text]