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E9x Picture Game Challenges.Docx
1/ E92 ON A BRIDGE 2/ "Your E9X at the movies" 3/ Your E9x by a fountain or waterfall 4/ E9x at the beach 5/ E9X should be on a mountain road 6/ Your E9X on a roof 7/ E9X in an alley near some dumpsters 8/ e9X next to a Lamborghini or Ferrari 9/ e9x parked in a chinatown or next to an asian restaurant 10/ your E9X next to a playground 11/ Your E9X in a Mercedes dealership service lane 12/ Your E9x with a firetruck 13/ Your E9X at a doughnut shop 14/ YOUR E9X UNDERGROUND 15/ Your E9X on a boat/ferry 16/ Your E9x IN a road tunnel 17/ e9x in mcdonalds drive through 18/ E9x next to a police motorcycle 19/ A picture of your E9X next to a stadium 20/ You on a busy street, with a Sandwich board. On this sandwich board you need to have a 8x10 pic of your E9X with the words "Can you spare change for gas?" at the bottom of this pic 21/ Your E9X parked between two Priuses 22/ Take a picture of your E9X underneath another another BMW(ex. another bmw on a lift, doesn't have to be that but someway that another bmw is above yours and you can see it) 23/ your e9x parked in front of a club at night showing the line to get in. Club must be open for business with lights on. If there's no line out front, that's ok still. ANY type of club is acceptable, but I think you get the drift.. -
COMING EVENTS Thursday, September 17, 2015
Page 8A East Oregonian COMING EVENTS Thursday, September 17, 2015 THURSDAY, SEPT. 17 S.W. Dorion Ave. Gym activities baked goods and plants, locally 2-mile and 5K run/walk. $5 entry VFW COWBOY BREAKFAST, and life skills for middle and high crafted jewelry and items for the fee, $10 shirt. Proceeds bene¿t the 6-10 a.m., Stillman Park, 413 S.E. school students. Free, but registra- home. EBT, debit and credit cards Morrow County cross country team. Byers Ave., Pendleton. Famous tion requested. (Danny Bane 541- welcome. (pendletonfarmersmar- DRIVE ONE 4 UR SCHOOL VFW pancakes, eggs, ham and 379-4250). ket.net). FUNDRAISER, 8 a.m. to 4 p.m., coffee or juice for $8 adults, $4 chil- THE ARC UMATILLA COUNTY VFW BINGO, doors open at 6 Hermiston High School, 600 S. dren under 12. BINGO, 6 p.m. doors open, bingo p.m., games start at 7 p.m., Herm- First St. Take a test drive in a new FREE ADMISSION AT HERI- starts at 7 p.m. 215 W. Orchard iston VFW, 45 W. Cherry St. Ford vehicle and help the high TAGE STATION MUSEUM, 10 a.m. Ave., Hermiston. (541-567-7615). THE EOSCENES, 6:30 p.m. school marching band attend the to 4 p.m., 108 S.W. Frazer Ave., FIDDLER’S NIGHT, 6:30-8:30 doors open, 7 p.m. concert, Pend- Holiday Bowl in December. Food Pendleton. Admission is free Mon- p.m., Hermiston Terrace Assisted leton Center for the Arts, 214 N. vendors and daycare will be avail- day-Thursday of Round-Up Week. -
Press Contacts for the Television Academy: 818-264
FOR IMMEDIATE RELEASE Post-awards presentation (approximately 7:00PM, PDT) September 11, 2016 WINNERS OF THE 68th CREATIVE ARTS EMMY® AWARDS ANNOUNCED (Los Angeles, Calif. - September 11, 2016) The Television Academy tonight presented the second of 2016 Creative Arts Emmy® Awards ceremonies for programs and individual achievements at the Microsoft Theater in Los Angeles and honored variety, reality and documentary programs, as well as the many talented artists and craftspeople behind the scenes who create television excellence. Executive produced by Bob Bain, this year’s Creative Arts Awards featured an array of notable presenters, among them Derek and Julianne Hough, Heidi Klum, Jane Lynch, Ryan Seacrest, Gloria Steinem and Neil deGrasse Tyson. In recognition of its game-changing impact on the medium, American Idol received the prestigious 2016 Governors Award. The award was accepted by Idol creator Simon Fuller, FOX and FremantleMedia North America. The Governors Award recipient is chosen by the Television Academy’s board of governors and is bestowed upon an individual, organization or project for outstanding cumulative or singular achievement in the television industry. For more information, visit Emmys.com PRESS CONTACTS FOR THE TELEVISION ACADEMY: Jim Yeager breakwhitelight public relations [email protected] 818-264-6812 Stephanie Goodell breakwhitelight public relations [email protected] 818-462-1150 TELEVISION ACADEMY 2016 CREATIVE ARTS EMMY AWARDS – SUNDAY The awards for both ceremonies, as tabulated by the independent -
BROKEN PROMISES: Continuing Federal Funding Shortfall for Native Americans
U.S. COMMISSION ON CIVIL RIGHTS BROKEN PROMISES: Continuing Federal Funding Shortfall for Native Americans BRIEFING REPORT U.S. COMMISSION ON CIVIL RIGHTS Washington, DC 20425 Official Business DECEMBER 2018 Penalty for Private Use $300 Visit us on the Web: www.usccr.gov U.S. COMMISSION ON CIVIL RIGHTS MEMBERS OF THE COMMISSION The U.S. Commission on Civil Rights is an independent, Catherine E. Lhamon, Chairperson bipartisan agency established by Congress in 1957. It is Patricia Timmons-Goodson, Vice Chairperson directed to: Debo P. Adegbile Gail L. Heriot • Investigate complaints alleging that citizens are Peter N. Kirsanow being deprived of their right to vote by reason of their David Kladney race, color, religion, sex, age, disability, or national Karen Narasaki origin, or by reason of fraudulent practices. Michael Yaki • Study and collect information relating to discrimination or a denial of equal protection of the laws under the Constitution Mauro Morales, Staff Director because of race, color, religion, sex, age, disability, or national origin, or in the administration of justice. • Appraise federal laws and policies with respect to U.S. Commission on Civil Rights discrimination or denial of equal protection of the laws 1331 Pennsylvania Avenue, NW because of race, color, religion, sex, age, disability, or Washington, DC 20425 national origin, or in the administration of justice. (202) 376-8128 voice • Serve as a national clearinghouse for information TTY Relay: 711 in respect to discrimination or denial of equal protection of the laws because of race, color, www.usccr.gov religion, sex, age, disability, or national origin. • Submit reports, findings, and recommendations to the President and Congress. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Fawlty Towers - Episode Guide
Performances October 6, 7, 8, 13, 14, 15 Three episodes of the classic TV series are brought to life on stage. Written by John Cleese & Connie Booth. Music by Dennis Wilson By Special Arrangement With Samuel French and Origin Theatrical Auditions Saturday June 18, Sunday June 19 Thurgoona Community Centre 10 Kosciuszko Road, Thurgoona NSW 2640 Director: Alex 0410 933 582 FAWLTY TOWERS - EPISODE GUIDE ACT ONE – THE GERMANS Sybil is in hospital for her ingrowing toenail. “Perhaps they'll have it mounted for me,” mutters Basil as he tries to cope during her absence. The fire-drill ends in chaos with Basil knocked out by the moose’s head in the lobby. The deranged host then encounters the Germans and tells them the “truth” about their Fatherland… ACT TWO – COMMUNICATION PROBLEMS It’s not a wise man who entrusts his furtive winnings on the horses to an absent-minded geriatric Major, but Basil was never known for that quality. Parting with those ill-gotten gains was Basil’s first mistake; his second was to tangle with the intermittently deaf Mrs Richards. ACT THREE – WALDORF SALAD Mine host's penny-pinching catches up with him as an American guest demands the quality of service not normally associated with the “Torquay Riviera”, as Basil calls his neck of the woods. A Waldorf Salad is not part of Fawlty Towers' standard culinary repertoire, nor is a Screwdriver to be found on the hotel's drinks list… FAWLTY TOWERS – THE REGULARS BASIL FAWLTY (John Cleese) The hotel manager from hell, Basil seems convinced that Fawlty Towers would be a top-rate establishment, if only he didn't have to bother with the guests. -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Pbc La 2018 Sessions Information Saturday, June 9Th 9
PBC LA 2018 SESSIONS INFORMATION SATURDAY, JUNE 9TH 9:30AM – 10:45AM CONVERSATION WITH: JIM GIANOPULOS & NEAL H. MORITZ Location: Paramount Theatre Speakers: • Jim Gianopulos, Chairman and CEO, Paramount Pictures Corporation • Neal H. Moritz, Principal, Original Film; “Fast and the Furious” Franchise, “Jump Street” Franchise THE ART OF PRODUCING ANIMATION The industry’s (and the global audience’s) appetite for animated content has continued to expand. This panel will give attendees insight into the unique challenges of producing animation for both film and television. Our session’s panelists span all forms of animation, ranging from major studio to independent productions, and from CG to 2D to stop-motion. Panelists will discuss the comparative complexity of working in a variety of formats and share realistic expectations for creating successful and memorable animated features and shows. Location: Sherry Lansing Speakers: • Allison Abbate, EVP, Warner Animation Group; “Fantastic Mr. Fox,” “Corpse Bride” • Andrew Goldberg; "Big Mouth," "Family Guy" • Jinko Gotoh; "The Little Prince," "9" • Jorge R. Gutiérrez; “The Book of Life,” “El Tigre, The Adventures of Manny Rivera” • Rosa Tran; "Final Space," "Anomalisa" Moderator: Bonnie Arnold, Producer, DreamWorks Animation; "How to Train Your Dragon," "Toy Story" WHAT DO YOU MEAN THAT'S NOT COVERED? LESSONS LEARNED IN MANAGING RISKS AND COSTS IN YOUR PRODUCTION sponsored by HUB Entertainment Insurance Insurance may be one of the last arrangements you make in your production, but it is for certain one of the most important. Done properly, it can mean all the difference in executing a safe, smart, and profitable production. In this panel, we bring perspectives from production executives and risk management & insurance professionals to explore real-life production disasters – ranging from weather delays to death of cast family members to #MeToo related turnover and reputation damages – and how you can learn from these incidents and prevent them (or at least contain their consequences). -
The Dealership of Tomorrow 2.0: America’S Car Dealers Prepare for Change
The Dealership of Tomorrow 2.0: America’s Car Dealers Prepare for Change February 2020 An independent study by Glenn Mercer Prepared for the National Automobile Dealers Association The Dealership of Tomorrow 2.0 America’s Car Dealers Prepare for Change by Glenn Mercer Introduction This report is a sequel to the original Dealership of Tomorrow: 2025 (DOT) report, issued by NADA in January 2017. The original report was commissioned by NADA in order to provide its dealer members (the franchised new-car dealers of America) perspectives on the changing automotive retailing environment. The 2017 report was intended to offer “thought starters” to assist dealers in engaging in strategic planning, looking ahead to roughly 2025.1 In early 2019 NADA determined it was time to update the report, as the environment was continuing to shift. The present document is that update: It represents the findings of new work conducted between May and December of 2019. As about two and a half years have passed since the original DOT, focused on 2025, was issued, this update looks somewhat further out, to the late 2020s. Disclaimers As before, we need to make a few things clear at the outset: 1. In every case we have tried to link our forecast to specific implications for dealers. There is much to be said about the impact of things like electric vehicles and connected cars on society, congestion, the economy, etc. But these impacts lie far beyond the scope of this report, which in its focus on dealerships is already significant in size. Readers are encouraged to turn to academic, consulting, governmental and NGO reports for discussion of these broader issues. -
(FCC) Complaints About Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020
Description of document: Federal Communications Commission (FCC) Complaints about Saturday Night Live (SNL), 2019-2021 and Dave Chappelle, 11/1/2020-12/10/2020 Requested date: 2021 Release date: 21-December-2021 Posted date: 12-July-2021 Source of document: Freedom of Information Act Request Federal Communications Commission Office of Inspector General 45 L Street NE Washington, D.C. 20554 FOIAonline The governmentattic.org web site (“the site”) is a First Amendment free speech web site and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. Federal Communications Commission Consumer & Governmental Affairs Bureau Washington, D.C. 20554 December 21, 2021 VIA ELECTRONIC MAIL FOIA Nos. -
Reality TV and Interpersonal Relationship Perceptions
REALITY TV AND INTERPERSONAL RELATIONSHIP PERCEPTIONS ___________________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of MissouriColumbia ______________________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________________________________________________ by KRISTIN L. CHERRY Dr. Jennifer Stevens Aubrey, Dissertation Supervisor MAY 2008 © Copyright by Kristin Cherry 2008 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled REALITY TV AND INTERPERSONAL RELATIONSHIP PERCEPTIONS presented by Kristin L. Cherry, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Jennifer Stevens Aubrey Professor Michael Porter Professor Jon Hess Professor Mary Jeanette Smythe Professor Joan Hermsen ACKNOWLEDGEMENTS I would like to acknowledge all of my committee members for their helpful suggestions and comments. First, I would like to thank Jennifer Stevens Aubrey for her direction on this dissertation. She spent many hours providing comments on earlier drafts of this research. She always made time for me, and spent countless hours with me in her office discussing my project. I would also like to thank Michael Porter, Jon Hess, Joan Hermsen, and MJ Smythe. These committee members were very encouraging and helpful along the process. I would especially like to thank them for their helpful suggestions during defense meetings. Also, a special thanks to my fiancé Brad for his understanding and support. Finally, I would like to thank my parents who have been very supportive every step of the way. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS……………………………………………………………..ii LIST OF FIGURES……………………………………………………………..…….…iv LIST OF TABLES………………………………………………………………….……v ABSTRACT………………………………………………………….…………………vii Chapter 1. -
Race, Surveillance, Resistance
Race, Surveillance, Resistance CHAZ ARNETT The increasing capability of surveillance technology in the hands of law enforcement is radically changing the power, size, and depth of the surveillance state. More daily activities are being captured and scrutinized, larger quantities of personal and biometric data are being extracted and analyzed, in what is becoming a deeply intensified and pervasive surveillance society. This reality is particularly troubling for Black communities, as they shoulder a disproportionate share of the burden and harm associated with these powerful surveillance measures, at a time when traditional mechanisms for accountability have grown weaker. These harms include the maintenance of legacies of state sponsored, racialized surveillance that uphold systemic criminalization, dispossession, and exploitation of Black communities. This Article highlights Baltimore City, Maryland as an example of an urban area facing extraordinary challenges posed by an expanding police surveillance apparatus, fueled in part by corruption and limited channels of formal constraint. As Black residents experience the creep of total surveillance and its attendant aims of control and subordination, the need for avenues of effective resistance becomes apparent. This Article argues that these communities may draw hope and inspiration from another period in American history where Black people were subjected to seemingly complete surveillance with limited legal recourse: chattel slavery. People enslaved in or passing through Maryland used a variety of means to resist surveillance practices, demonstrating creativity, bravery, and resourcefulness as they escaped to freedom on the Underground Railroad. Internalizing and building upon these lessons of agency and resistance will be critical for Black communities in Baltimore and other similarly situated places across America that are seeking relief from the repressive effects of pervasive police surveillance.