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The American Postdramatic Television Series: the Art of Poetry and the Composition of Chaos (How to Understand the Script of the Best American Television Series)”
RLCS, Revista Latina de Comunicación Social, 72 – Pages 500 to 520 Funded Research | DOI: 10.4185/RLCS, 72-2017-1176| ISSN 1138-5820 | Year 2017 How to cite this article in bibliographies / References MA Orosa, M López-Golán , C Márquez-Domínguez, YT Ramos-Gil (2017): “The American postdramatic television series: the art of poetry and the composition of chaos (How to understand the script of the best American television series)”. Revista Latina de Comunicación Social, 72, pp. 500 to 520. http://www.revistalatinacs.org/072paper/1176/26en.html DOI: 10.4185/RLCS-2017-1176 The American postdramatic television series: the art of poetry and the composition of chaos How to understand the script of the best American television series Miguel Ángel Orosa [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Mónica López Golán [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – moLó[email protected] Carmelo Márquez-Domínguez [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador Sede Ibarra, Ecuador) – camarquez @pucesi.edu.ec Yalitza Therly Ramos Gil [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Abstract Introduction: The magnitude of the (post)dramatic changes that have been taking place in American audiovisual fiction only happen every several hundred years. The goal of this research work is to highlight the features of the change occurring within the organisational (post)dramatic realm of American serial television. -
Boardwalk Empire
BOARDWALK EMPIRE "Pilot" Written by Terence Winter FIRST DRAFT April 16, 2008 EXT. ATLANTIC OCEAN - NIGHT With a buoy softly clanging in the distance, a 90-foot fishing schooner, the Tomoka, rocks lazily on the open ocean, waves gently lapping at its hull. ON DECK BILL MCCOY, pensive, 40, checks his pocket watch, then spits tobacco juice as he peers into the darkness. In the distance, WE SEE flickering lights, then HEAR the rumble of motorboats approaching, twenty in all. Their engines idle as the first pulls up and moors alongside. BILL MCCOY (calling down) Sittin' goddarnn duck out here. DANNY MURDOCH, tough, 30s, looks up from the motorboat, where he's accompanied by a YOUNG HOOD, 18. MURDOCH So move it then, c'mon. ON DECK McCoy yankS a canvas tarp off a mountainous stack of netted cargo -- hundreds of crates marked 'Canadian Club Whiskey·. With workmanlike precision, he and .. three CREWMAN hoist the first load of two dozen crates up and over the side, lowering it down on a pulley. As the net reaches the motorboat: MURDOCH (CONT'D) (to the Young Hood) Liquid gold, boyo. They finish setting the load in place, then Murdoch guns the motorboat and heads off. Another boat putters in to take his slot as the next cargo net is lowered. TRACK WITH MURDOCH'S MOTORBOAT as it heads inland through the darkness over the water. Slowly, a KINGDOM OF LIGHTS appears on the horizon, with grand hotels, massive neon signs, carnival rides and giant lighted piers lining its shore. As we draw closer, WE HEAR faint music which grows louder and LOUDER -- circus calliope mixed with raucous Dixieland jazz. -
How “When They See Us” and “Chernobyl” Make Us Look These New True-Story Series Manage to Make Depressing, Traumatic Material Not Merely Watchable but Mesmerizing
How “When They See Us” and “Chernobyl” Make Us Look These new true-story series manage to make depressing, traumatic material not merely watchable but mesmerizing. By Emily Nussbaum The New Yorker, June 17, 2019 https://www.newyorker.com/magazine/2019/06/24/how- when-they-see-us-and-chernobyl-make-us-look In the third episode of “When They See Us,” Ava DuVernay’s bleak, beautiful drama about the Central Park Five, Linda McCray (Marsha Stephanie Blake) visits her son Antron in a juvenile-detention center. “I feel like everybody in the world hate me, Mom,” Antron (Caleel Harris) tells her. “I know it feels like that,” she says, then adds, fiercely, “But I love you enough to make up for everybody.” As music rises, Linda tells her son that she is always with him: “You cry, I cry. You mad, I’m mad. You scared, I’m scared. You free, I’m free.” The camera cuts to autumn leaves—and to the day of Antron’s release from prison, seven years later, as the child actor is replaced by a handsome adult, embracing his mother. “Hi, baby,” Linda says. It’s an elegant, affecting sequence—at once grand and simple, movingly performed— which captures the central ethos of the show. “When They See Us,” on Netflix, is a harrowing story about a hideous injustice: the railroading of a group of five black and Latino boys for the beating and rape of Trisha Meili, who was attacked while jogging in Central Park, in 1989. The show portrays a racist justice system and an equally hellish penal system, as well as media that amplified the lies that put the boys in prison. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Accepted Manuscript Version
Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper. -
Controlled Burn
Ranger College Air Force Spark thumps Tank winning Pioneers, 85-68 idea takes next SPORTS 12 step at 97 AMW FREEDOM FLYER 8 Serving Altus and Jackson County for over 112 years The 75¢ ALTUSTIMES.COM AltusTimesWEDNESDAY, NOVEMBER 28, 2018 Local Controlled burn owners receive Centennial Farm Award OKLAHOMA CITY — Deputy State Historic Preservation Officer Lyn- da Ozan announced recently that an Oklahoma Centennial Farm Award has been presented to the owners of a Jackson County farm. Edd and Reba (Bruce) Drury own Drury’s Miller Place located in the vicinity of Olus- tee. The family has grown wheat and cotton and raised Hereford cattle since the family started acquiring the land in 1900. To qualify for a Centennial Farm or Ranch Award, a property must be owned by a family member for at least 100 years and must be operated or oc- cupied by a family member or leased out by a family member. The property must include a minimum of 40 acres and gross annual sales of at least Rick Carpenter | Altus Times $1,000. The Oklahoma Historical Soci- ety and the Oklahoma Department of The Altus Fire and Rescue Department was called to extinguish a controlled burn on Nov. 21 about a mile south of the city limits. As it Agriculture, Food and Forestry have turned out, the fire was contained in the burn pit and nothing else caught fire. Firefighters were called because someone noticed the high amount of smoke the fire was generating. sponsored the Centennial Farm and Ranch Awards for 29 years, in which time 30 awards have been given in Jackson County. -
Rachel Sheridan CV Oct 2019
RACHEL SHERIDAN http://www.hamiltonhodell.co.uk/casting-director/rachel-sheridan/ http://www.imdb.com/name/nm4730933/?ref_=fn_al_nm_1 Tel: +44 (0) 203 405 7431 / +44 (0) 7793003462 Email: [email protected] Representation: Hamilton Hodell – Maddie Dewhirst & Sian Smyth [email protected] & [email protected] 020 7636 1221 • CASTING DIRECTOR Drama IN MY SKIN Series 1 & 2 Comedy/Drama: Expectation Entertainment for BBC & BBC Wales By Kayleigh Llewellyn Director: Lucy Forbes • RTS 2021 Winner – Best Drama Producer: Nerys Evans/Sophie Francis Series • BAFTA Cymru 2019 Winner - Best Drama & Best Actress • RTS Cymru 2020 Winner – Best Drama THE LEFT BEHIND Drama: BBC Studios for BBC Wales & BBC 3 By Alan Harris Director: Joseph Bullman • RTS 2020 Winner – Best Single Exec Producer: Aysha Rafaele Drama Producer: Tracie Simpson • BAFTA 2020 Winner – Best Single Drama • BAFTA Cymru 2020 Winner – Best Drama FLACK Series 1 & 2 Drama: Hat Trick for UKTV & POP By Oli Lansley Director: Peter Cattaneo & George Kane (series 1) Alicia MacDonald, Oliver Lansley, Stephen Moyer (series 2) Producer: Mark Talbot (series 1) Debbie Pisani (series 2) BLACK MIRROR – HATED IN THE Drama: Black Mirror Drama Ltd for Netflix NATION (Child Casting Director) Director: James Hawes By Charlie Brooker Producer: Sanne Wohlenberh Comedy I HATE YOU Comedy Series: Big Talk for CH 4 By Robert Popper Director: Damon Beesely Producer: Robert Popper & Lynn Roberts BIG BOYS Comedy Series: Roughcut for CH 4 By Jack Rooke Director: Jim Archer Producer: -
BRITISH ACADEMY TELEVISION CRAFT AWARDS in 2016: Winners in *BOLD
BRITISH ACADEMY TELEVISION CRAFT AWARDS IN 2016: Winners in *BOLD SPECIAL AWARD *NINA GOLD BREAKTHROUGH TALENT sponsored by Sara Putt Associates DC MOORE (Writer) Not Safe for Work- Clerkenwell Films/Channel 4 GUILLEM MORALES (Director) Inside No. 9 - The 12 Days of Christine - BBC Productions/BBC Two MARCUS PLOWRIGHT (Director) Muslim Drag Queens - Swan films/Channel 4 *MICHAELA COEL (Writer) Chewing Gum - Retort/E4 COSTUME DESIGN sponsored by Mad Dog Casting BARBARA KIDD Jonathan Strange & Mr Norrell - Cuba Pictures/Feel Films/BBC One *FOTINI DIMOU The Dresser - Playground Television UK Limited, Sonia Friedman Productions, Altus Productions, Prescience/BBC Two JOANNA EATWELL Wolf Hall - Playground Entertainment, Company Pictures/BBC Two MARIANNE AGERTOFT Poldark - Mammoth Screen Limited/BBC One DIGITAL CREATIVITY ATHENA WITTER, BARRY HAYTER, TERESA PEGRUM, LIAM DALLEY I'm A Celebrity... Get Me Out of Here! - ITV Consumer Ltd *DEVELOPMENT TEAM Humans - Persona Synthetics - Channel 4, 4creative, OMD, Microsoft, Fuse, Rocket, Supernatural GABRIEL BISSET-SMITH, RACHEL DE-LAHAY, KENNY EMSON, ED SELLEK The Last Hours of Laura K - BBC MIKE SMITH, FELIX RENICKS, KIERON BRYAN, HARRY HORTON Two Billion Miles - ITN DIRECTOR: FACTUAL ADAM JESSEL Professor Green: Suicide and Me - Antidote Productions/Globe Productions/BBC Three *DAVE NATH The Murder Detectives - Films of Record/Channel 4 JAMES NEWTON The Detectives - Minnow Films/BBC Two URSULA MACFARLANE Charlie Hebdo: Three Days That Shook Paris - Films of Record/More4 DIRECTOR: FICTION sponsored -
EN EAUX TROUBLES EUPHORIA HÔTEL TRANSYLVANIE 3 : DES VACANCES MONSTRUEUSES Docksbruxsel.Be
JUILLET - AOÛT 2019 Cinéma Série En famille EN EAUX TROUBLES EUPHORIA HÔTEL TRANSYLVANIE 3 : DES VACANCES MONSTRUEUSES docksbruxsel.be Explorez notre monde MERVEILLEUX Explorez un merveilleux monde de mode et de plaisirs culinaires à Docks, où nous nous efforçons de créer un monde plus vert. Pour consulter le calendrier d’événements complet, rendez-vous sur docksbruxsel.be Your day. Your Docks. J11259_Summer_BeTV_v2aw.indd 1 11/06/2019 10:21 JUILLET - AOÛT SOMMAIRE 4 Be événement Quelles vacances sont faites pour vous? 6 Les sélections Darkest minds : rébellion Peppermint 6 Hôtel Transylvanie 3 : des vacances monstrueuses Tag Chernobyl La prophétie de l’horloge En eaux troubles Crazy rich asians 18 24 Venom 34 Ciné+ Premier : Barbara - L’école buissonnière Classic : Cycle John Cassavetes - À bout de souffle Frisson : Soirée Le transporteur - Section zéro - Que dios nos perdone 30 36 AZ PROFITEZ DE BE TV SUR TOUS VOS ÉCRANS Étape 1 Étape 2 Visionnez vos programmes sur : > En téléchargeant l’appli Be tv Go Activez votre compte Be tv Go gratuitement en vous rendant sur https://activation.betvgo.be > En surfant sur https://play.betvgo.be Be tv Réalisation : Sandrine Genicot Be contact : Attention : regarder la télévision peut freiner le développement des Avenue Ariane 5 bte 5 | 1200 Bruxelles Tel. : 02 730 40 50 | [email protected] enfants de moins de 3 ans, même lorsqu’il s’agit de programmes www.betv.be qui s’adressent spécifiquement à eux. Plusieurs troubles du déve- Rédaction : Elodie Murgalé, Nicolas Balmet, loppement ont été scientifiquement observés tels que passivité, Maxime Luypaert, Jeanne Persoon retards de langage, agitation, troubles du sommeil, troubles de la Rédacteur en chef : Frédéric Campodonico concentration et dépendance aux écrans. -
ANNEX J Exposures and Effects of the Chernobyl Accident
ANNEX J Exposures and effects of the Chernobyl accident CONTENTS Page INTRODUCTION.................................................. 453 I. PHYSICALCONSEQUENCESOFTHEACCIDENT................... 454 A. THEACCIDENT........................................... 454 B. RELEASEOFRADIONUCLIDES ............................. 456 1. Estimation of radionuclide amounts released .................. 456 2. Physical and chemical properties of the radioactivematerialsreleased ............................. 457 C. GROUNDCONTAMINATION................................ 458 1. AreasoftheformerSovietUnion........................... 458 2. Remainderofnorthernandsouthernhemisphere............... 465 D. ENVIRONMENTAL BEHAVIOUR OF DEPOSITEDRADIONUCLIDES .............................. 465 1. Terrestrialenvironment.................................. 465 2. Aquaticenvironment.................................... 466 E. SUMMARY............................................... 466 II. RADIATIONDOSESTOEXPOSEDPOPULATIONGROUPS ........... 467 A. WORKERS INVOLVED IN THE ACCIDENT .................... 468 1. Emergencyworkers..................................... 468 2. Recoveryoperationworkers............................... 469 B. EVACUATEDPERSONS.................................... 472 1. Dosesfromexternalexposure ............................. 473 2. Dosesfrominternalexposure.............................. 474 3. Residualandavertedcollectivedoses........................ 474 C. INHABITANTS OF CONTAMINATED AREAS OFTHEFORMERSOVIETUNION............................ 475 1. Dosesfromexternalexposure -
Chernobyl: Aftermath
APRIL 2020 ISSUE 129 PACIFIC MONTHLY GUIDE Chernobyl: AftermAth NEW SERIES! EUROCHANNEL GUIDE APRIL 2020 1 NEW SERIES! LIFELINE IN MAY 2 EUROCHANNEL GUIDE APRIL 2020 TABLE OF CONTENTS MONTHLY GUIDE | APRil 2020 | ISSUE 129 4 Chernobyl: AftermAth 8 HEART to HEART 11 AnatoMY OF A MURDER 17 LegacY Gustavo Vainstein Eurochannel’s CEO 14 THE FURY 16 RED LINE At Eurochannel, we are proud to offer the finest in European audiovisual productions through an exciting selection of exclusive films and series every month. In April, we propose to you an WEEK 1 exclusive collection of TV series for every taste: drama, romance, comedy, action and crime… 20 All, with the unique craft of European television! 22 WEEK 2 This month, we reach the season finales of our current series: Red Line and Legacy. You will witness how the truth finally comes out in these two productions, as the investigators face 24 WEEK 3 the definitive questions in their investigations. Join us on April to discover the truth behind the disappearance of two young students and millions of dollars in ammunition and guns in 28 WEEK 4 Red Line. Also in April, we take you back in time to one of the most difficult events in European history: the 1986 nuclear disaster in Chernobyl. In the four-part drama Chernobyl: Aftermath, you will discover not only the physical toll the accident took in people’s lives but also the emotional EUROCHANNEL GUIDE scars it left in many Ukrainians. Through the story of an impossible romance, you will discover PUBLISHED BY Eurochannel, Inc. -
The Rel World
FINAL-1 Sat, Nov 24, 2018 5:20:03 PM tvupdateYour Weekly Guide to TV Entertainment For the week of December 2 - 8, 2018 The Rel world Sinbad as seen in “Rel” INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 With the help of his ex-con brother, Nat (Jordan L. Jones, “Disjointed”), unfiltered best friend, Brittany (Jessica ‘Jess Hilarious’ Moore, “Wild ‘n Out”), and disappointed father, Milton (Sinbad “Planes,” 2013), Rel (Lil Rel Howery, “Get Out,” 2017), a nurse living on Chicago’s West Side, must rebuild his life after discovering that his wife is having an affair with his barber. On Sunday, Dec. 2, embark on a hilarious quest for love, respect and a new barber in a new episode of “Rel,” on Fox. WANTED WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS GOLD/DIAMONDS BUY SELL To advertise here ✦ 37 years in business; A+ rating with the BBB. TRADE ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 Group Page Shell PARTS & ACCESSORIES please call We Need: SALESMotorsports & SERVICE 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLE1 x 3” (978) 946-2375 We are the ORIGINAL and only AUTHENTIC INSPECTIONS CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 978-851-3777 Open 7 Days A Week ~ www.cashforgoldinc.com WWW.BAY4MS.COM FINAL-1 Sat, Nov 24, 2018 5:20:04 PM COMCAST ADELPHIA 2 Sports Highlights CHANNEL Kingston Atkinson CSNE CSNE Basketball NBA Boston Celtics CSNE Sunday 7:00 p.m.