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Star Channels, Jan. 5-11, 2020
JANUARY 5 - 11, 2020 staradvertiser.com HEARING VOICES In an innovative, exciting departure from standard television fare, NBC presents Zoe’s Extraordinary Playlist. Jane Levy stars as the titular character, Zoey Clarke, a computer programmer whose extremely brainy, rigid nature often gets in the way of her ability to make an impression on the people around her. Premiering Tuesday, Jan. 7, on NBC. Delivered over 877,000 hours of programming Celebrating 30 years of empowering our community voices. For our community. For you. olelo.org 590191_MilestoneAds_2.indd 2 12/27/19 5:22 PM ON THE COVER | ZOEY’S EXTRAORDINARY PLAYLIST A penny for your songs ‘Zoey’s Extraordinary Playlist’ ...,” narrates the first trailer for the show, “... her new ability, when she witnesses an elabo- what she got, was so much more.” rate, fully choreographed performance of DJ premieres on NBC In an event not unlike your standard super- Khaled’s “All I Do is Win,” but Mo only sees “a hero origin story, an MRI scan gone wrong bunch of mostly white people drinking over- By Sachi Kameishi leaves Zoey with the ability to access people’s priced coffee.” TV Media innermost thoughts and feelings. It’s like she It’s a fun premise for a show, one that in- becomes a mind reader overnight, her desire dulges the typical musical’s over-the-top, per- f you’d told me a few years ago that musicals to fully understand what people want from formative nature as much as it subverts what would be this culturally relevant in 2020, I her seemingly fulfilled. -
True Blood, Game of Thrones, Boardwalk Empire and Capadocia Are Part of Hbo’S 2012 Lineup
TRUE BLOOD, GAME OF THRONES, BOARDWALK EMPIRE AND CAPADOCIA ARE PART OF HBO’S 2012 LINEUP Miami, December 05, 2011HBO Latin America announced its 2012 lineup, which includes returning acclaimed series True Blood, Game of Thrones, Boardwalk Empire and the HBO Latin America Original, Capadocia. The premiere of new HBO original productions Luck, Veep and Girls, as well as blockbuster titles such as Harry Potter & the Deathly Hallows Parts 1 and 2, Pirates of the Caribbean on Stranger Tides and Cars 2, will likewise headline HBO’s stellar programming among other award-winning original productions and big screen hits. “HBO thrives on providing subscribers with the best content on paid TV. Throughout the years, we have continued to invest in top of the line productions that exceed in creativity, talent and technology. These, along with our offer of the most competitive cable packages available, have been key for our leadership,” said Emilio Rubio, President of Distribution and New Media, HBO Latin America Group. Series and Miniseries After an intense fourth season, True Blood returns sexier and more captivating than ever, with fantastic plot twists featuring fairies, vampires, witches and werewolves. Similarly, highly acclaimed series Boardwalk Empire, created by Emmy® winning screenwriter Terence Winter of “The Sopranos” and produced by Academy Award® and Emmy® winning director Martin Scorsese, will also return for a third season. The new season follows politician/gangster Enoch “Nucky” Thompson (Steve Buscemi) in the fascinating, and occasionally dangerous, Atlantic City of the 1920’s. Returning to HBO’s lineup is also the Emmy® award-winning fantasy series, Game of Thrones, based on George R.R. -
Screening the Male: Exploring Masculinities in Hollywood Cinema I
SCREENING THE MALE Exploring masculinities in Hollywood cinema Edited by Steven Cohan and Ina Rae Hark London and New York First published 1993 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2002. Disclaimer: For copyright reasons, some images in the original version of this book are not available for inclusion in the eBook. Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 © 1993 Routledge, collection as a whole Individual chapters © 1993 respective authors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Screening the Male: Exploring Masculinities in Hollywood Cinema I. Cohan, Steven II. Hark, Ina Rae 791.4309 Library of Congress Cataloguing in Publication Data Screening the male: exploring masculinities in Hollywood cinema/edited by Steven Cohan and Ina Rae Hark. p. cm. 1. Men in motion pictures. 2. Sex in motion pictures. I. Cohan, Steven. II. Hark, Ina Rae. PN1995.9.M46S36 1993 791.43´652041–dc20 92–5815 ISBN 0–415–07758–3 (hbk) ISBN 0–415–07759–1 (pbk) ISBN 0–203–14221–7 Master e-book ISBN ISBN 0–203–22072–2 (Glassbook Format) 8 ANIMALS OR ROMANS Looking at masculinity in Spartacus Ina Rae Hark When Laura Mulvey’s ‘Visual Pleasure and Narrative Cinema’ detailed how the cinematic apparatus and the conditions of cinema spectatorship invariably place woman as an object of the desiring male gaze, required to present herself as spectacle, its argument did not necessarily exclude the possibility that the apparatus could similarly objectify men who symbolically if not biologically lacked the signifying phallus. -
The American Postdramatic Television Series: the Art of Poetry and the Composition of Chaos (How to Understand the Script of the Best American Television Series)”
RLCS, Revista Latina de Comunicación Social, 72 – Pages 500 to 520 Funded Research | DOI: 10.4185/RLCS, 72-2017-1176| ISSN 1138-5820 | Year 2017 How to cite this article in bibliographies / References MA Orosa, M López-Golán , C Márquez-Domínguez, YT Ramos-Gil (2017): “The American postdramatic television series: the art of poetry and the composition of chaos (How to understand the script of the best American television series)”. Revista Latina de Comunicación Social, 72, pp. 500 to 520. http://www.revistalatinacs.org/072paper/1176/26en.html DOI: 10.4185/RLCS-2017-1176 The American postdramatic television series: the art of poetry and the composition of chaos How to understand the script of the best American television series Miguel Ángel Orosa [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Mónica López Golán [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – moLó[email protected] Carmelo Márquez-Domínguez [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador Sede Ibarra, Ecuador) – camarquez @pucesi.edu.ec Yalitza Therly Ramos Gil [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Abstract Introduction: The magnitude of the (post)dramatic changes that have been taking place in American audiovisual fiction only happen every several hundred years. The goal of this research work is to highlight the features of the change occurring within the organisational (post)dramatic realm of American serial television. -
The Wire: a Comprehensive List of Resources
The Wire: A comprehensive list of resources Contents Introduction ............................................................................................................................ 2 W: Academic Work on The Wire........................................................................................... 3 G: General Academic Work ................................................................................................... 9 I: Wire Related Internet Sources .......................................................................................... 11 1 Introduction William Julius Wilson has argued that: "The Wire’s exploration of sociological themes is truly exceptional. Indeed I do not hesitate to say that it has done more to enhance our understandings of the challenges of urban life and urban inequality than any other media event or scholarly publication, including studies by social scientists…The Wire develops morally complex characters on each side of the law, and with its scrupulous exploration of the inner workings of various institutions, including drug-dealing gangs, the police, politicians, unions, public schools, and the print media, viewers become aware that individuals’ decisions and behaviour are often shaped by - and indeed limited by - social, political, and economic forces beyond their control". Professor William Julius Wilson, Harvard University Seminar about The Wire, 4th April 2008. We have been running courses which examine this claim by comparing and contrasting this fictional representation of urban America -
DVD Langue Anglaise
Tableau 1 L’Affaire Chelsea Deardon Ivan Reitman 1986 L’Affaire CIA Michael Keusch 2006 Les Affranchis Martin Scorsese 1990 2 DVD Age difficile obscur Mike Mills 2005 L’Agence tous risques Joe Carnahan 2010 A God Year Ridley Scott 2006 L’Aigle de le 9ème légion Kevin Macdonald 2011 Alabama Monroe Felix Van Groeningen 2012 Alamo John Wayne 1960 Alatriste Capitaine Agustin Diaz Yanes Alice n0est plus ici Martin Scorsese 1974 Alien Resurrection Jean-Pierre Jeunet 1997 Amadeus Milos Formann 1984 American Beauty Sam Mendes 1999 American gangster Ridley Scott 2007 Amicalement votre Ange & Démons Ron Howard 2009 L’Ange et le mal James Edward Grant 1934 Un Ange à ma table Jane Campion 1990 Annie Hall Woody Allen 1977 L’Antre de la Folie John Carpenter 2007 Anzio Edward Dmytryk 1968 Appaloosa Ed Harris 2008 Apparence Robert Zemeckis 2000 Apocalypse la 2ème guerre mondiale - séries 6 films Guillaud, de Turème, Clarke et Costelle 2009 Apocalypse Now Francis Ford Coppola 1979 Apocalypto Mel Gibson 2006 L’Arme fatale Richard Donner 1987 L’Arme fatale 2 Richard Donner 1987 L’Arme fatale 3 Richard Donner 1992 L’Arme fatale 4 Richard Donner 1998 Assassins Richard Donner 1998 Arrête toi si tu peux Steven Spielberg 2002 Attraction fatale Matthew Parkhill 2003 Au nom de la loi, saison 1 épisodes 21 à 24 1958 Au nom du père Jim Sheridan 1993 Australia Bad Luhrmann 2008 Autant en emporte le vent Victor Flemming 1939 Avatar James Cameron 2009 A Very british gangster Donald Macintyre 2006 Bad comapny Joël Schumacher 2002 Bad Cop William Kaufman 2010 Le Bagarreur du Kentucky Georges Waggner 1968 Bagdad café Percy Adlon 1987 Balade entre les Tombes Scott Frank 2014 Ballistic Ecks vs. -
KIMBERLY WILSON Supervising Sound Editor
KIMBERLY WILSON Supervising Sound Editor SUPERVISING SOUND EDITOR | SELECT TELEVISION CREDITS ALL RISE Mike Robin WBTV ELEMENTARY Carl Beverly CBS Television Studios DAVID MAKES MAN Tarell Alvin McCraney Warner Horizon Television LOVE IS Salim Akil OWN DIALOGUE EDITOR | SELECT TELEVISION CREDITS & AWARDS ELEMENTARY Carl Beverly CBS Television Studios BALLERS Stephen Levinson HBO Jon Amiel Lifetime Television DELIVERANCE CREEK (2015) SHAMELESS John Wells Showtime Networks WITCHES OF EAST END Maggie Friedman Fox 21 THE WIRE David Simon HBO AMERICANA Phillip Noyce ABC Studios DIALOGUE EDITOR | SELECT FEATURE CREDITS SONG TO SONG Terrence Malick FilmNation Entertainment Sony Pictures SPARKLE Salim Akil Entertainment HONEY 2 Billy Woodruff Universal Pictures THE LAST SONG Julie Ann Robinson Touchstone Pictures BEVERLY HILLS CHIHUAHUA Raja Gosnell Walt Disney Pictures COLLEGE ROAD TRIP Roger Kumble Walt Disney Pictures BLACK SNAKE MOAN Craig Brewer Paramount Classics INVINCIBLE Ericson Core Walt Disney Pictures YOU, ME AND DUPREE Anthony Russo/Joe Russo Universal Pictures THE LAKE HOUSE Alejandro Agresti Warner Bros. THE HILLS HAVE EYES Alexandre Aja Fox Searchlight Pictures GUESS WHO Kevin Rodney Sullivan Columbia Pictures WHITE CHICKS Keenan Ivory Wayans Columbia Pictures Warner Bros. Post Production Creative Services | 4000 Warner Blvd. | Burbank, CA 91522 | 818.954.5305 Award Key: W for Win | N for Nominated OSCAR | BAFTA | EMMY | MPSE | CAS GANGS OF NEW YORK Martin Scorsese Miramax SOLARIS Steven Soderbergh Twentieth Century Fox FRIDA Julie Taymor Miramax SIDEWALKS OF NEW YORK Edward Burns Paramount Classics BAMBOOZLED Spike Lee New Line Cinema CHINESE COFFEE Al Pachino Fox Searchlight Pictures SUMMER OF SAM Spike Lee Touchstone Pictures Warner Bros. Post Production Creative Services | 4000 Warner Blvd. -
Boardwalk Empire
BOARDWALK EMPIRE "Pilot" Written by Terence Winter FIRST DRAFT April 16, 2008 EXT. ATLANTIC OCEAN - NIGHT With a buoy softly clanging in the distance, a 90-foot fishing schooner, the Tomoka, rocks lazily on the open ocean, waves gently lapping at its hull. ON DECK BILL MCCOY, pensive, 40, checks his pocket watch, then spits tobacco juice as he peers into the darkness. In the distance, WE SEE flickering lights, then HEAR the rumble of motorboats approaching, twenty in all. Their engines idle as the first pulls up and moors alongside. BILL MCCOY (calling down) Sittin' goddarnn duck out here. DANNY MURDOCH, tough, 30s, looks up from the motorboat, where he's accompanied by a YOUNG HOOD, 18. MURDOCH So move it then, c'mon. ON DECK McCoy yankS a canvas tarp off a mountainous stack of netted cargo -- hundreds of crates marked 'Canadian Club Whiskey·. With workmanlike precision, he and .. three CREWMAN hoist the first load of two dozen crates up and over the side, lowering it down on a pulley. As the net reaches the motorboat: MURDOCH (CONT'D) (to the Young Hood) Liquid gold, boyo. They finish setting the load in place, then Murdoch guns the motorboat and heads off. Another boat putters in to take his slot as the next cargo net is lowered. TRACK WITH MURDOCH'S MOTORBOAT as it heads inland through the darkness over the water. Slowly, a KINGDOM OF LIGHTS appears on the horizon, with grand hotels, massive neon signs, carnival rides and giant lighted piers lining its shore. As we draw closer, WE HEAR faint music which grows louder and LOUDER -- circus calliope mixed with raucous Dixieland jazz. -
Ben Salisbury
Craft / Geoff Barrow of Portishead with Ben Salisbury quite dry, quite traditional. I was expecting it might be like ‘The Kids from Fame’. But they weren’t, the vast majority of students wanted to be music teachers! The benefit was there was a brand new recording studio at Newcastle University, and there was only me and one other guy who were interested in using it, so we had the run of it. It was absolutely state-of-the- art, when samplers and digital stuff were just taking off. So that was really my introduction into composing. Music for Film and TV at Bournemouth in the early ’90s was a brilliant course, in that you had your own workstation. You were sat down, you had deadlines, and it was quite pressurised, so was actually quite similar to life as a commercial composer. Weirdly, that was probably exactly the same time Geoff [Barrow] was using samplers to make Portishead’s Dummy. What was your first real break? I came out of Bournemouth with a credit to my name, because I did music for a short film that went on to win an award, and was broadcast on Channel Four. It was directed by a guy called Ben Salisbury Miguel Sapochnik who I’ve worked with since on other short films. Now he directs episodes of DAVE ROBINSON meets the nature documentary composer Game of Thrones! One person, that’s all it took: one director who has his (laser) sights on sci-fi chose a bit of music I’d done for that film as temp music for his film about elephants and en Salisbury is a name you can expect Your father worked at the BBC Natural said, “Look, you’re very inexperienced, but to see more and more of on your History Unit: that must have been useful to we’ve got this music in there. -
Word Search Tiffany (Simon) (Dreama) Walker Conflicts Call (972) 937-3310 © Zap2it
Looking for a way to keep up with local news, school happenings, sports events and more? February 10 - 16, 2017 2 x 2" ad 2 x 2" ad We’ve got you covered! waxahachietx.com How Grammy V A H A D S D E A M W A H K R performances 2 x 3" ad E Y I L L P A S Q U A L E P D Your Key M A V I A B U X U B A V I E R To Buying L Z W O B Q E N K E H S G W X come together S E C R E T S R V B R I L A Z and Selling! 2 x 3.5" ad C N B L J K G C T E W J L F M Carrie Underwood is slated to A D M L U C O X Y X K Y E C K perform at the 59th Annual Grammy Awards Sunday on CBS. R I L K S U P W A C N Q R O M P I R J T I A Y P A V C K N A H A J T I L H E F M U M E F I L W S G C U H F W E B I L L Y K I T S E K I A E R L T M I N S P D F I T X E S O X F J C A S A D I E O Y L L N D B E T N Z K O R Z A N W A L K E R S E “Doubt” on CBS (Words in parentheses not in puzzle) Sadie (Ellis) (Katherine) Heigl Lawyers Place your classified Solution on page 13 Albert (Cobb) (Dulé) Hill Justice ad in the Waxahachie Daily 2 x 3" ad Billy (Brennan) (Steven) Pasquale Secrets Light, Midlothian1 xMirror 4" ad and Cameron (Wirth) (Laverne) Cox Passion Ellis County Trading Post! Word Search Tiffany (Simon) (Dreama) Walker Conflicts Call (972) 937-3310 © Zap2it 2 x 3.5" ad 2 x 4" ad 4 x 4" ad 6 x 3" ad 16 Waxahachie Daily Light homa City Thunder. -
A Poignant Chronicle…This Inspiring Documentary Stresses Peaceful Resistance
WINNER WINNER WINNER AUDIENCE AWARD SPECIAL JURY MENTION AUDIENCE AWARD WINNER SECOND PRIZE HONORABLE MENTION OF THE JURY TRIBECA BERLIN INTL FILM FESTIVAL BIOS FILM FESTIVAL JERUSALEM CULTURAL BRIDGE GALA INTL FILM FESTIVAL JULIA BACHA (Director, Producer, Editor) RULA SALAMEH (Producer) Julia Bacha is an award-winning filmmaker who has worked on Rula is the Outreach Coordinator at Just Vision and a long-time films exhibited at the Sundance, Tribeca, Berlin, Jerusalem, and Palestinian journalist who co-founded the Palestinian Broad- Dubai International Film Festivals, and broadcast on the BBC, casting Corporation in 1993, following the Oslo Agreement. HBO, Sundance, CBC and Al Arabiya television channels. Julia Rula has worked as a reporter for Qatari Radio where she wrote and co-directed the feature documentary Encounter became the first Palestinian to cover the Gulf Region, and for Point (Typecast Films, 2006). Encounter Point premiered at the Arab Media Center, the main press office in East Jerusalem JUST VISION PRESENTS Tribeca Film Festival in 2006 and won five major international during the first Intifada. She was also a producer of the main awards, including the Audience Award for Best Documentary live political program at Ajjyal Radio, an FM Radio Station at the San Francisco Film Festival. Julia also co-wrote and in Ramallah. Prior to joining Just Vision, Rula was the Project edited Jehane Noujaim’s critically acclaimed documentary, Coordinator for Middle East Non-Violence and Democracy Control Room (Magnolia Pictures, 2004), which premiered at (MEND) for three years. the Sundance Film Festival and for which she was nominated to the Writer’s Guild of America Award in 2005. -
Huron University College Department of English English 2550F: Heroes
Huron University College Department of English English 2550F: Heroes and Superheroes Intersession 2021 Dr. Adrian Mioc Class: Tue 9:30 AM -12:30 PM, Th 9:30 AM - 12:30 PM Office: UC 3314 Office Hours: Thu 12:30-2:30 PM Email: [email protected] Prerequisite(s): At least 60% in 1.0 of English 1020-1999 or permission of the Department. Although this academic year might be different, Huron University is committed to a thriving campus. We encourage you to check out the Digital Student Experience website to manage your academics and well-being. Additionally, the following link provides available resources to support students on and off campus: https://www.uwo.ca/health/. Technical Requirements: Stable internet connection Laptop or computer Working microphone Working webcam General Course Description This course aims to explore the figure of the hero and superhero as it evolves and is depicted in contemporary comic books as well as in other forms of popular culture such as movies and TV series. Methodologically, it will combine the study of literature with contemporary popular culture while incorporating a theoretical component as well. Specific Focus: In the beginning, we will briefly explore myths that are relevant and will help us understand the figure of the modern day superhero. After a quick historical exploration, which will offer a substantial foundation for the study of the 20th and 21st-century manifestation of the superheroes, the main focus of this course will be placed on the problematic of this figure. Besides well-known characters (Superman, Batman and Spiderman), we will tackle less-spoken-about figures such as Jessica Jones or Harley Qinn.