The Maya and Their Neighbours Internal and External Contactsthroughtin1e
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Planet Venus and Temple 22 at Copán
Michael P. Closs - Anthony F. Aveni - Bruce Crowley The Planet Venus and Temple 22 at Copán La importancia que tenía Venus para los antiguos mayas es bien conocida. Sin embargo, ¿Qué razones básicas pueden aducirse para el lugar destacado que ocupa en la mitología maya? Este estudio ofrece una respuesta parcial. Discute la orientación de Venus en la arquitectura maya, la iconografía del Templo 22 de Copán, las apariciones de Venus por la inusitada ventana en el muro occidental de este templo, la mitología asociada con Venus, y los datos ethnohistóricos concernientes al ciclo agrícola de los mayas. Usando el Templo 22 como nexo, el presente trabajo reúne el material obtenido de estas diversas fuentes en un todo cohesivo. Al proceder de este modo, hemos revelado también uno de los papeles cosmo- lógico-míticos más significativos de Venus en el mundo maya. VENUS AND THE MAYA Of all the objects in the heavens none was paid more attention by the Maya than the planet Venus. The Venus table in the Dresden Codex re- veals that these people kept close watch on the planet, tracing its heliacal rise to an accuracy of one hour in 400 years (Thompson 1972, Closs 1977). When the planet made its first appearance in the pre-dawn sky, its dazzling rays penetrated the earth. Pictures in the Dresden reveal mani- festations of the Venus god spearing his victims with arrows which sym- bolize the first rays of Venus. Speared victims and attendant ritual cere- INDIANA 9 (1984): 221-248 ISBN 3-7861-1312-2 221 Ibero-Amerikanisches Institut, Stiftung Preußischer Kulturbesitz monies are also depicted. -
Ce Acatl Topiltzin Quetzalcoatl and His Position in the Succession of Toltec Rulers: an Interpretation Through Colhua History
Ce Acatl Topiltzin Quetzalcoatl y su lugar en la sucesión de gobernantes toltecas. Una interpretación a través de la historia colhua Ce Acatl Topiltzin Quetzalcoatl and his Position in the Succession of Toltec Rulers: An Interpretation through Colhua History ERIK DAMIÁN Doctor en historia por la Universidad Nacional Autónoma REYES MORALES de México. Profesor de la Facultad de Ciencias Políticas y Sociales en la misma universidad. Su principal línea de investigación es el pensamiento geopolítico en la nobleza prehispánica. Su última publicación, escrita en coautoría con José Rubén Romero Galván, es “Aztlan, Teocolhuacan, el inicio de una migración y el fin de una triple alianza. Tiempos y lugares” (Estudios de Cultura Náhuatl, 2019). [email protected] RESUMEN Una de las principales discusiones sobre el papel de Ce Acatl Topiltzin Quetzalcoatl en la historia de Mesoamérica se ha centrado en el lugar que éste ocupó en la sucesión de gobernantes de Tula. Paul Kirchhoff y Wigberto Jiménez Moreno iniciaron esta discusión. A partir de entonces, algunos autores sostienen que Ce Acatl fue uno de los primeros tlahtoque de los toltecas; otros, que fue contemporáneo de Huemac y testigo de la caída de Tula. Este artículo ofrece un análisis de la historia de Ce Acatl desde la tradición colhua, a través de la cual es posible establecer que este gobernante se ubicó en la mitad de la línea de sucesión. Además, en el texto se abordan temas como los vínculos familiares de Ce Acatl, el contexto en el que se estableció la primera excan tlahtoloyan y las características del sistema de gobierno entre los toltecas. -
Toltec.Html Toltec
Text and pictures adapted from http://www.crystalinks.com/toltec.html Toltec The Atlantes are columns in the form of Toltec warriors in Tula The word Toltec in Mesoamerican studies has been used in different ways by different scholars to refer to actual populations and polities of pre-Columbian central Mexico or to the mythical ancestors mentioned in the mythical/historical narratives of the Aztecs. It is an ongoing debate whether the Toltecs can be understood to have formed an actual ethnic group at any point in Mesoamerican history or if they are mostly or only a product of Aztec myth. The scholars who have understood the Toltecs to have been an actual ethnic group often connect them to the archeological site of Tula, Hidalgo which is then supposed to have been the Tollan of Aztec myth. This tradition assumes the "Toltec empire" to have dominated much of central Mexico between the 10th and 12th century AD. Other Mexican cities such as Teotihuacán have also been proposed to have been the historical Tollan "Place of Reeds", the city from which the name Tolteca "inhabitant of Tollan" is derived in the Nahuatl language. The term Toltec has also been associated with the arrival of certain Central Mexican cultural traits into the Mayan sphere of dominance that took place in the late classic and early postclassic periods, and the Postclassic Mayan civilizations of Chichén Itzá, Mayapán and the Guatemalan highlands have been referred to as "toltecized" or "mexicanized" Mayas. For example the striking similarities between the city of Tula, Hidalgo and Chichen Itza have often been cited as direct evidence for Toltec dominance of the Postclassic Maya. -
A Mat of Serpents: Aztec Strategies of Control from an Empire in Decline
A Mat of Serpents: Aztec Strategies of Control from an Empire in Decline Jerónimo Reyes On my honor, Professors Andrea Lepage and Elliot King mark the only aid to this thesis. “… the ruler sits on the serpent mat, and the crown and the skull in front of him indicate… that if he maintained his place on the mat, the reward was rulership, and if he lost control, the result was death.” - Aztec rulership metaphor1 1 Emily Umberger, " The Metaphorical Underpinnings of Aztec History: The Case of the 1473 Civil War," Ancient Mesoamerica 18, 1 (2007): 18. I dedicate this thesis to my mom, my sister, and my brother for teaching me what family is, to Professor Andrea Lepage for helping me learn about my people, to Professors George Bent, and Melissa Kerin for giving me the words necessary to find my voice, and to everyone and anyone finding their identity within the self and the other. Table of Contents List of Illustrations ………………………………………………………………… page 5 Introduction: Threads Become Tapestry ………………………………………… page 6 Chapter I: The Sum of its Parts ………………………………………………… page 15 Chapter II: Commodification ………………………………………………… page 25 Commodification of History ………………………………………… page 28 Commodification of Religion ………………………………………… page 34 Commodification of the People ………………………………………… page 44 Conclusion ……………………………………………………………………... page 53 Illustrations ……………………………………………………………………... page 54 Appendices ……………………………………………………………………... page 58 Bibliography ……………………………………………………………………... page 60 …. List of Illustrations Figure 1: Statue of Coatlicue, Late Period, 1439 (disputed) Figure 2: Peasant Ritual Figurines, Date Unknown Figure 3: Tula Warrior Figure Figure 4: Mexica copy of Tula Warrior Figure, Late Aztec Period Figure 5: Coyolxauhqui Stone, Late Aztec Period, 1473 Figure 6: Male Coyolxauhqui, carving on greenstone pendant, found in cache beneath the Coyolxauhqui Stone, Date Unknown Figure 7: Vessel with Tezcatlipoca Relief, Late Aztec Period, ca. -
The Bilimek Pulque Vessel (From in His Argument for the Tentative Date of 1 Ozomatli, Seler (1902-1923:2:923) Called Atten- Nicholson and Quiñones Keber 1983:No
CHAPTER 9 The BilimekPulqueVessel:Starlore, Calendrics,andCosmologyof LatePostclassicCentralMexico The Bilimek Vessel of the Museum für Völkerkunde in Vienna is a tour de force of Aztec lapidary art (Figure 1). Carved in dark-green phyllite, the vessel is covered with complex iconographic scenes. Eduard Seler (1902, 1902-1923:2:913-952) was the first to interpret its a function and iconographic significance, noting that the imagery concerns the beverage pulque, or octli, the fermented juice of the maguey. In his pioneering analysis, Seler discussed many of the more esoteric aspects of the cult of pulque in ancient highland Mexico. In this study, I address the significance of pulque in Aztec mythology, cosmology, and calendrics and note that the Bilimek Vessel is a powerful period-ending statement pertaining to star gods of the night sky, cosmic battle, and the completion of the Aztec 52-year cycle. The Iconography of the Bilimek Vessel The most prominent element on the Bilimek Vessel is the large head projecting from the side of the vase (Figure 2a). Noting the bone jaw and fringe of malinalli grass hair, Seler (1902-1923:2:916) suggested that the head represents the day sign Malinalli, which for the b Aztec frequently appears as a skeletal head with malinalli hair (Figure 2b). However, because the head is not accompanied by the numeral coefficient required for a completetonalpohualli Figure 2. Comparison of face date, Seler rejected the Malinalli identification. Based on the appearance of the date 8 Flint on front of Bilimek Vessel with Aztec Malinalli sign: (a) face on on the vessel rim, Seler suggested that the face is the day sign Ozomatli, with an inferred Bilimek Vessel, note malinalli tonalpohualli reference to the trecena 1 Ozomatli (1902-1923:2:922-923). -
Encounter with the Plumed Serpent
Maarten Jansen and Gabina Aurora Pérez Jiménez ENCOUNTENCOUNTEERR withwith thethe Drama and Power in the Heart of Mesoamerica Preface Encounter WITH THE plumed serpent i Mesoamerican Worlds From the Olmecs to the Danzantes GENERAL EDITORS: DAVÍD CARRASCO AND EDUARDO MATOS MOCTEZUMA The Apotheosis of Janaab’ Pakal: Science, History, and Religion at Classic Maya Palenque, GERARDO ALDANA Commoner Ritual and Ideology in Ancient Mesoamerica, NANCY GONLIN AND JON C. LOHSE, EDITORS Eating Landscape: Aztec and European Occupation of Tlalocan, PHILIP P. ARNOLD Empires of Time: Calendars, Clocks, and Cultures, Revised Edition, ANTHONY AVENI Encounter with the Plumed Serpent: Drama and Power in the Heart of Mesoamerica, MAARTEN JANSEN AND GABINA AURORA PÉREZ JIMÉNEZ In the Realm of Nachan Kan: Postclassic Maya Archaeology at Laguna de On, Belize, MARILYN A. MASSON Life and Death in the Templo Mayor, EDUARDO MATOS MOCTEZUMA The Madrid Codex: New Approaches to Understanding an Ancient Maya Manuscript, GABRIELLE VAIL AND ANTHONY AVENI, EDITORS Mesoamerican Ritual Economy: Archaeological and Ethnological Perspectives, E. CHRISTIAN WELLS AND KARLA L. DAVIS-SALAZAR, EDITORS Mesoamerica’s Classic Heritage: Teotihuacan to the Aztecs, DAVÍD CARRASCO, LINDSAY JONES, AND SCOTT SESSIONS Mockeries and Metamorphoses of an Aztec God: Tezcatlipoca, “Lord of the Smoking Mirror,” GUILHEM OLIVIER, TRANSLATED BY MICHEL BESSON Rabinal Achi: A Fifteenth-Century Maya Dynastic Drama, ALAIN BRETON, EDITOR; TRANSLATED BY TERESA LAVENDER FAGAN AND ROBERT SCHNEIDER Representing Aztec Ritual: Performance, Text, and Image in the Work of Sahagún, ELOISE QUIÑONES KEBER, EDITOR The Social Experience of Childhood in Mesoamerica, TRACI ARDREN AND SCOTT R. HUTSON, EDITORS Stone Houses and Earth Lords: Maya Religion in the Cave Context, KEITH M. -
When Money Grew on Trees by Amy Butler Greenfield
When money grew on trees By Amy Butler Greenfield Cacao fruit and seeds Notes: 1. Say cacao: KAH-KAY-OH! 2. Tribute is payment given in money or costly gifts to rulers for peace, protection, or security. 3.Say cacahuatl: CAH-CAH-WAH-TUL! 4. Hernando Cortés (1485-1547) was a Spanish explorer who conquered Mexico. Illustrated by Barbara Knuts ©2001 Blooming cacao tree by Amy Butler Greenfield Several thousand years ago, forest dwellers in Central America discovered an amazing tree in the rain forest. Small white flowers sprang from its branches and its trunk. The flowers ripened into bright red-and yellow fruit. This fruit contained seeds, or beans, that humans could eat. The small brown beans were bitter, but they had a flavor that the forest dwellers liked. By 500 B.C. people in Mexico and Central America were growing these cacao trees in special orchards. Over time cacao beans became very valuable, so valuable that the great Aztec rulers collected them as a tribute. By the late 1400’s, people were treating the beans like coins: they used them to buy food and clothing. In the early 1500s, for instance, three cacao beans would buy you a rabbit. 1 Nowadays most governments produce money in the form of bills and coins. The Aztec rulers, however, did not mint coins, perhaps in part because cacao beans were already so handy. Cacao beans grew naturally, and they were easy to carry. They were also simple to measure. Cacao beans had other good points, too. They were cheap enough to be used for small purchases and usually lasted for several years, even with rough treatment. -
Aztec Deities
A ztec Z T E C Deities E I T I E S Aztec Z T E C Deities E I T I Figurte 1 “Roland's Friend: 2002” E S Other Works ™ ramblin/rose publications My Father's Room The Four Season's of the Master Myth If Only…A collaboration with Bill Pearlman Mexican Vibrations, Vibraciones Méxicanas Mexican Secrets, Estrangement and Once Again…Alone; with poems by Bill Pearlman Twenty A Magical Number with Tonalphalli: The Count of Fate & Convergence: 2002 CD/DVD: Gods, Land & People of Mexico Con tu permiso: Dioes, Tierra y Gente de México CD/DVD: Work in Progress: The Four Seasons of the Master Myth Books can be downloaded free: www.salazargallery.com www.E-artbooks.com Aztec Z T E C Deities E I T I Figurte 1 “Roland's Friend: 2002” E S Roland Salazar Rose ™ PUBLISHED BY RAMBLIN/ROSE PUBLICATIONS Images Copyright Roland Salazar Rose 2000-2008 All content, identified in this book “Aztec Deities” published 2008, marked by this notice: “1, 2, 3, 4, 5, 6, 7, 8, 9, 10 & 11” are “from Wikipedia®, the free encyclopedia and are considered “copyleft”; therefore the following copyright notice applies to each and every page of written text so identified by “1,2,3,4,5,6,7,8,9,10&11”. “Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, with no Front-Cover Texts, and with no Back-Cover Texts. -
Tenochtidán: Ceremonial Center Miraculous Appearance of a Whirlwind That Connected at the Heart Oftenochtitlán Stood One of the Most Prorni- Earth with Heaven
T or Serpent Wall, consisting of a line of serpents sculpted miraculous spring of red and blue waters-revealed to the from stone, was erected on a platform around three sides Mexica the location where they should settle and end of the base of the pyramid. North and south of the pyra- their wanderings. The Mexica raised their temple in that mid are small adoratorio altars, as well as a depiction of a spot, which represented the threshold of the opening that xiuhcoatl (fire serpent), its head crested with points indi- communicated between the world of humans and the cating a relation to the cult of the sun, the renewal ensu- world where gods dwelt. This portal was represented by ing from the New Fire Ceremony, and the periodic cycle either an anthill, a sabine tree (Juniperus mexicana), a of fifty-two years. double cave, or a double spring. These binary elements, along with the colors red and blue, would later determine FURTHER READINGS the principal characteristics of the main pyramid dedi- León Portilla, M. 1967. El proceso de aculturación de los cated to Huitzilopochtli (god of war, a solar deiry) and to Chichimecas de Xólotl. Estudios de Cultura Náhuatl Tlaloc (god of rain, an earth-related deiry), two gods who 7:59-86. played opposite but complementary roles. Marquina,1. 1935. Tenayuca, estudio arqueológico de la Thirteen years later, around A.D. 1337, a group of dis- pirámide de Este Lugar. Talleres Gráficos del Museo contented Mexica broke away from the rest and founded Nacional de Arqueología, Historia y Ethnografia, 35. -
Mexican Culture, the Particularly Evangelical Protestantism
g e n e r a l i n f o r m a t i o n ν You should formally address the patients and family members, especially adults (i.e., Mr./Mrs. or Señor/Señora) and keep the he following information is provided to help Tyou become more aware of your dialogue serious and direct. patients and co-workers’ views, traditions, and actions. While you can use this ν Family is an integral part of the Mexican- information as a guide, keep in mind that all American culture. Patients might want to people within a culture are not the same. Be have their families present 24 hours a day. sure to ask your patients and their families about specific beliefs, practices, and customs ν The majority of Mexicans and Mexican- that may be relevant and important during Americans are Roman Catholic, but a medical treatment and hospitalization. number have converted to Protestantism, When describing the Mexican culture, the particularly evangelical Protestantism. following information could apply to Mexicans visiting from Mexico, first generation of ν Many Mexicans, particularly older patients, Mexican-Americans, or ensuing generation of may bring in objects of religious meaning, Mexican-Americans. Each piece of such as sacred pictures, rosaries or a information does not necessarily apply to all prayer book. Such objects should be left Mexican-Americans. where they are, unless specifically requested by the patient. i n t e r - p e r s o n a l r e l a t i o n s h i p s relationship roles second or third meeting, Mexican men may ν Traditionally the Mexican culture is male- begin with or add the abrazo, the embrace dominated, although in subsequent along with a few pats on the back. -
“Processions, Causeways, and Vistas”
Processions and Aztec State Rituals in the Landscape of the Valley of Mexico Johanna Broda This article explores the dimensions of geography, territory and ritual landscapes in the Valley of Mexico during Aztec times (15th and 16th centuries AD). It applies an interdisciplinary perspective combining anthropology, ethnohistory, archaeology, cultural geography and archaeoastronomy to reconstruct Aztec vision of place that transformed the Basin of Mexico into a sacred geography where lakes and mountains, volcanic landscapes, rocks and boulders, temples as well as towns and settlements of other ethnic groups were reinterpreted by the Aztecs according to their cosmovisión. This geography was the stage for the performance of ritual dramas enacted by the Aztec state (Figure 1). Processions and other ritualized acts in the natural as well as the built environment formed an important part of the Aztec calendar festivals; they usually were integrated into larger rituals. By cosmovision, I mean the structured view by which ancient Mesoamericans combined their notions of cosmology into a coherent whole situating the life of man within this cosmic order. This view implied the observation of nature, but it also related the cosmos to society and to the state. Figure 1. Pathway of the priests after kindling New Fire at Huixachtecatl, Cerro de la Estrella (Codex Borbonicus, p. 34, detail). Broda, “Processions and Aztec State Rituals in the Landscape of the Valley of Mexico” Processions in the Ancient Americas, Penn State University Occasional Papers in Anthropology No. 33 (2016): 179 Ideology, on the other hand, denotes a establish a connection with their Chichimec system of symbolic representation that heritage, hunting and warfare. -
Huitzilopochtli
Huitzilopochtli The god of war, sacrifice and the sun. His name means ‘Hummingbird of the South’. He is always shown wearing a headdress made of large feathers and wielding the turquoise snake, Xiuhcoatl, as a weapon. visit twinkl.com Tlaloc The god of rain and water. Aztecs would pray to Tlaloc for rain to help their crops grow although he could also send storms if he was angry. He is often shown with fangs and large eyes. visit twinkl.com Tezcatlipoca The god of the night, magic and the earth. His name means ‘smoking mirror’. His sacred animal is the jaguar and he is usually shown with yellow and black stripes across his face. visit twinkl.com Chicomecoatl The goddess of agriculture, nourishment and corn. Her name means ‘seven snakes’. She is usually shown as a young girl carrying flowers. visit twinkl.com Quetzalcoatl The god of life and wind. His name means ‘feathered serpent’. Aztecs believe that Quetzalcoatl created mankind. He is often shown as a feathered serpent which could fly (similar to a dragon). visit twinkl.com Xochiquetzal The goddess of beauty and art. She is usually shown as a young, beautiful woman wearing fancy clothes. She looked after mothers and people who made beautiful things, such as craftspeople. visit twinkl.com Chalchiuhtlicue The goddess of rivers and lakes. Her name means ‘she of the jade skirt’. She is also sometimes seen as the protector of navigators. She is usually shown wearing a tasselled headdress and a skirt with a stream of water flowing out of it. visit twinkl.com Mixcoatl The god of the hunt and the stars.