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Cast Biographies RILEY KEOUGH (Christine Reade) PAUL SPARKS
Cast Biographies RILEY KEOUGH (Christine Reade) Riley Keough, 26, is one of Hollywood’s rising stars. At the age of 12, she appeared in her first campaign for Tommy Hilfiger and at the age of 15 she ignited a media firestorm when she walked the runway for Christian Dior. From a young age, Riley wanted to explore her talents within the film industry, and by the age of 19 she dedicated herself to developing her acting craft for the camera. In 2010, she made her big-screen debut as Marie Currie in The Runaways starring opposite Kristen Stewart and Dakota Fanning. People took notice; shortly thereafter, she starred alongside Orlando Bloom in The Good Doctor, directed by Lance Daly. Riley’s memorable work in the film, which premiered at the Tribeca film festival in 2010, earned her a nomination for Best Supporting Actress at the Milan International Film Festival in 2012. Riley’s talents landed her a title-lead as Jack in Bradley Rust Gray’s werewolf flick Jack and Diane. She also appeared alongside Channing Tatum and Matthew McConaughey in Magic Mike, directed by Steven Soderbergh, which grossed nearly $167 million worldwide. Further in 2011, she completed work on director Nick Cassavetes’ film Yellow, starring alongside Sienna Miller, Melanie Griffith and Ray Liota, as well as the Xan Cassavetes film Kiss of the Damned. As her camera talent evolves alongside her creative growth, so do the roles she is meant to play. Recently, she was the lead in the highly-anticipated fourth installment of director George Miller’s cult- classic Mad Max - Mad Max: Fury Road alongside a distinguished cast comprising of Tom Hardy, Charlize Theron, Zoe Kravitz and Nick Hoult. -
Tv Pg 4B 01-04.Indd
4b The Goodland Star-News / Friday, January 4, 2008 Like puzzles? Then you’ll love sudoku. This mind-bending puzzle FUN BY THE NUM B ERS will have you hooked from the moment you square off, so sharpen your pencil and put your sudoku savvy to the test! Here’s How It Works: Sudoku puzzles are formatted as a 9x9 grid, broken down into nine 3x3 boxes. To solve a sudoku, the numbers 1 through 9 must fill each row, column and box. Each number can appear only once in each row, column and box. You can figure out the order in which the numbers will appear by using the numeric clues already provided in the boxes. The more numbers you name, the easier it gets to solve the puzzle! ANSWER TO TUESD A Y ’S SATURDAY EVENING DECEMBER 29, 2007 SUNDAY EVENING DECEMBER 30, 2007 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 ES E = Eagle Cable S = S&T Telephone ES E = Eagle Cable S = S&T Telephone aaac The First 48: Houdini; Inno- The First 48: Blood Trail; “Jesus Camp” (‘07, Documentary) Religious sum- The First 48: Houdini; Inno- “GoodFellas” (‘90, Drama) Robert De Niro, Ray Liotta. A young man Flip This House: Little “GoodFellas” (‘90) 36 47 A&E 36 47 A&E confronts suspicion and violence within the New York Mafia. (R) House of Horrors (R) aaac Man in the Mafia. cence Lost (R) 50G Murder (R) mer camp for children. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
EVELYN WAUGH NEWSLETTER and STUDIES Volume 27, Number 3 Winter 1993
EVELYN WAUGH NEWSLETTER AND STUDIES Volume 27, Number 3 Winter 1993 BARD IA MARTIN STANNARD'S MILITARY MUDDLE By Donat Gallagher (James Cook University, Australia) When reading Martin Stannard's No Abiding City [entitled Evelyn Waugh, The Later Years in the USA], for review, I was struck by what seemed an exceptionally large number of factual errors, unsupported claims, imputations of motive, overstatements and misreadings. The inaccuracy seemed so pervasive as to undermine the book's value as a work of record. In order to test this impression, I decided to examine a short neutral passage that would serve as a fair sample. The passage chosen for scrutiny had to be brief, and about an easily researched subject. The subject also had to be incapable of having stirred the prejudices of the biographer or the reviewer, or of awakening those of the readers of the book or review. Pages 28-31 of No Abiding City were selected because they dealt with a very minor military operation, viz. a Commando raid on Bardia, and with a humdrum article Waugh wrote about it. No issue of class, religion, politics, literary theory or internal military squabbling arises. Nor does the spectre of professional rivalry, for no one, I imagine, seeks the bubble reputation in a war of words about Bardia. The three pages narrate the events of the raid, using information drawn from Waugh's article and diaries. In addition, criticisms are made of Waugh on the basis of real and purported discrepancies between the article and the diaries. Little is said about the genesis of the article or about the administrative difficulties attending its publication. -
ANGEL DEANGELIS Hair Stylist IATSE 798
ANGEL DEANGELIS Hair Stylist IATSE 798 FILM HUSTLERS Department Head Director: Lorene Scafaria PRIVATE LIFE Department Head Director: Tamara Jenkins SHOW DOGS Department Head – Las Vegas Shoot Director: Raja Gosnell COLLATERAL BEAUTY Department Head Director: David Frankel Cast: Helen Mirren, Ed Norton, Keira Knightley THE AMAZING SPIDER-MAN 2 Department Head Director: Marc Webb Cast: Dane DeHaan THE HEAT Department Head Director: Paul Feig Cast: Melissa McCarthy MUHAMMAD ALI’S GREATEST FIGHT Department Head Director: Stephen Frears Cast: Christopher Plummer, Benjamin Walker, Frank Langella JACK REACHER Department Head Director: Christopher McQuarrie Cast: Rosamund Pike, Robert Duvall, Richard Jenkins, Werner Herzog, Jai Courtney, Joseph Sikora, GODS BEHAVING BADLY Department Head Director: Marc Turtletaub Cast: Alicia Silverstone, Edie Falco, Ebon Moss-Bachrach, Oliver Platt, Christopher Walken, Rosie Perez, Phylicia Rashad THE AMAZING SPIDER-MAN Key Hair (New York) Director: Marc Webb Cast: Embeth Davidtz NEW YEAR’S EVE Department Head Director: Garry Marshall Cast: Jessica Biel, Zac Efron, Cary Elwes, Alyssa Milano, Carla Gugino, Jon Bon Jovi, Sofia Vergara, Lea Michele, James Belushi, Abigail Breslin, Josh Duhamel, Cherry Jones, THE MILTON AGENCY 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Angel DeAngelis Telephone: 323.466.4441 Facsimile: 323.460.4442 Hair [email protected] www.miltonagency.com Page 1 of 5 THE SITTER Department Head Director: David Gordon Green Cast: Jonah Hill, Ari Graynor PREMIUM RUSH Department Head -
Tax Man Chases Dread Pirate Roberts
Robert W. Wood THE TAX LAWYER Dec. 25 2012 Tax Man Chases Dread Pirate Roberts (Like A Rodent Of Unusual Size) Cary Elwes’ defining role was as Robin Wright Penn’s beloved farm boy Westley in The Princess Bride. He morphed from farm boy into Dread Pirate Roberts and managed to survive due in part to his immunity to Iocane Powder. Unfortunately, it appears that the actor isn’t immune to tax liens or to the tax problems they evidence. In fact, tax (Photo credit: Wikipedia) collectors in the Golden State claim Elwes hasn’t paid his state taxes since 2009 and now owes $26,207.82. See Princess Bride Star Cary Elwes Running From The Tax Man. There are suggestions Elwes has other debts too. A tax lien is hardly as scary as RODENTS OF UNUSUAL SIZE, and things can fall through the cracks. This may sound like a minor tax debt, but California tax authorities want their money. Of course, Elwes clearly isn’t the first celebrity to be caught in the tax crosshairs. Even big names like Martin Scorsese ($2.85 million) and Al Pacino ($188,000) have faced tax liens, although both their oops tax problems were tied to convicted celebrity accountant Kenneth Starr. Scorsese, See Pacino Whacked by IRS Tax Liens. Sometimes tax liens are even wrong. See Dionne Warwick Proves IRS Tax Liens Can Be Wrong. Most of the time, though, tax liens are steps in the tax collection process and eventually lead to payment. The IRS and the states can file liens and any lien can be significant. -
Monday, June 29, Prime-Time: Broadcast Channels 7:30 Pm 8:00
Monday, June 29, Prime-time: Broadcast Channels 7:30 pm 8:00 pm 8:30 pm 9:00 pm 9:30 pm 10:00 pm 10:30 pm 11:00 pm 11:30 pm CBS Entertainment The Neighbor- Bob Hearts All Rise (TVPG) Å Bull (TV14) Å News (N) Å Stephen Colbert Tonight (N) Å hood (TVPG) Å Abishola Å (TVPG) (11:35) NBC All Access The Titan Games (TVPG) (N) Å The Wall (TVPG) (N) Å Cannonball (TVPG) (N) News (N) Å Jimmy Fallon (TVPG) Å (TV14) Å CW 2 & 1/2 Men Whose Line Is It Whose Line Is It Penn & Teller: Fool Us Penn tries News Å Sports Final (N) News Å Friends (TVPG) (TVPG) Å Anyway? (TV14) Anyway? (TV14) to fool Teller; featured ma- (10:45) Å (11:35) Å Guest comic Guest Cedric gicians include Eric Leclerc, Greg Proops. the Entertain- Dev Sherman, Conan Liu and (N) Å er. Å Rubén Vilagrand. (N) Å ABC Wheel of Fortune The Bachelor: The Greatest Seasons: Ever! (TVPG) JoJo Fletcher shares how she handled the romantic News Å Jimmy Kimmel (TVG) Å challenge of falling in love with two people; discussing the exploits of Chad; Wells and his fian- Live! (TV14) cee, Sarah Hyland, talk about his rise as a Bachelor Nation favorite; quarantine check-in with (11:35) Å Tyler Cameron. (N) Å KCAL Family Feud Å News Å News Å News Å Sports Central black-ish Å black-ish Å FOX Extra (TVPG) 9-1-1 (TV14) Å 9-1-1: Lone Star (TV14) Å News Å Extra (TVPG) TMZ (TVPG) Å MyNet Modern Family The Black Report The Mike & Donny Show Å Seinfeld (TVPG) Seinfeld (TVPG) King of Queens King of Queens KCET California’s Gold- Death in Paradise (TVPG) Å Father Brown (TVPG) Å Miss Fisher’s Murder Mysteries Amanpour and Company Å en Parks (TVPG) Å UNIVISION La Rosa de Gua- Te doy la vida (TVPG) Amor eterno (TVPG) (N) Como tú no hay dos (TVPG) Noticias (10:59) Sabor de mañana dalupe (7) (N) KOCE Antiques Road- Antiques Roadshow (TVG) (N) Å POV (TVPG) Women of color transform politics from the ground American Masters (TV14) Å show Recut up as they fight for a reflective democracy. -
U.S. Army Special Forces Group (Airborne) (U)
CONFIDENTIAL DEPARTMENT OF THE ARMY FIELD MANUAL U.S. ARMY SPECIAL FORCES GROUP (AIRBORNE) (U) Classified by______DA________ Subject to GDS of EO 11652 Automatically Downgrade at Two Year Intervals Declassified on May 3, 1976. DEPARTMENT OF THE ARMY AUGUST 1955 CONFIDENTIAL CONFIDENTIAL CONFIDENTIAL *FM 31-20 FIELD MANUAL DEPARTMENT OF THE ARMY No. 31-20 WASHINGTON 25, D.C., 10 August 1955 U.S. ARMY SPECIAL FORCES GROUP (AIRBORNE) (U) Paragraphs Page PART ONE. SPECIAL FORCES GROUP ORGANIZATION AND MISSION CHAPTER 1. GENERAL............................................. 1-8 5 2. SPECIAL FORCES GROUP HEADQUARTERS AND STAFF Section I. The unit staff........................................ 9-14 11 II. The special staff ................................. 15-26 17 CHAPTER 3. SPECIAL FORCES AD- MINISTRATIVE UNITS............................................ 27-30 28 CHAPTER 4. SPECIAL FORCES OPER- TIONAL TEAMS.......................... 31-35 34 PART TWO. SPECIAL FORCES GROUP FUNCTIONS AND OP-ERATIONS CHAPTER 5. THE SPECIAL FORCES BASE Section I. Introduction........................................ 36-39 38 II. Command and staff structure..............40,41 41 III. Base functions.................................... 42-46 42 CHAPTER 6. SPECIAL FORCES AD- MINISTRATION........................... 47-51 45 7. SPECIAL FORCES IN- TELLIGENCE ............................... 52-54 49 8. SPECIAL FORCES TRAINING.................................... 55-57 51 *This manual supersedes FM 31-20, 1 February 1951. CONFIDENTIAL 1 CONFIDENTIAL CHAPTER 9. SPECIAL FORCES -
Counterterrorism and the Role of Special Operations Forces
C O R P O R A T I O N CHILDREN AND FAMILIES The RAND Corporation is a nonprofit institution that helps improve policy and EDUCATION AND THE ARTS decisionmaking through research and analysis. ENERGY AND ENVIRONMENT HEALTH AND HEALTH CARE This electronic document was made available from www.rand.org as a public service INFRASTRUCTURE AND of the RAND Corporation. TRANSPORTATION INTERNATIONAL AFFAIRS LAW AND BUSINESS Skip all front matter: Jump to Page 16 NATIONAL SECURITY POPULATION AND AGING PUBLIC SAFETY Support RAND SCIENCE AND TECHNOLOGY Browse Reports & Bookstore TERRORISM AND Make a charitable contribution HOMELAND SECURITY For More Information Visit RAND at www.rand.org Explore RAND Testimony View document details Testimonies RAND testimonies record testimony presented by RAND associates to federal, state, or local legislative committees; government-appointed commissions and panels; and private review and oversight bodies. Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non- commercial use only. Unauthorized posting of RAND electronic documents to a non-RAND website is prohibited. RAND electronic documents are protected under copyright law. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. For information on reprint and linking permissions, please see RAND Permissions. Testimony Counterterrorism and the Role of Special Operations Forces Seth G. Jones RAND Office of External Affairs CT-408 April 2014 Testimony presented before the House Foreign Affairs Committee, Subcommittee on Terrorism, Non-Proliferation, and Trade on April 8, 2014 This product is part of the RAND Corporation testimony series. -
Press/Distribution Contact Indican Pictures 3489 Cahuenga Blvd
Press/Distribution Contact Indican Pictures 3489 Cahuenga Blvd. West | Los Angeles, CA | (323) 969-8827 | www.abitofbadluck.com Written and Directed by John Fuhrman Produced by: Gerrarda O’Beirne, Stephen Lineweaver, Jory Weitz, Polina Zaika WRITER/DIRECTOR - John Fuhrman John wrote the script for A Bit Of Bad Luck and makes his directorial debut with the film as well. Fuhrman was raised in Tacoma, Washington and has practiced law in the area for over twenty years. John is also a former officer in the Washington Army National Guard and served in Baghdad, Iraq during Operation Iraqi Freedom where he was awarded the Bronze Star Medal. THE PRODUCERS GERRARDA O’BEIRNE Gerrarda was born in County Roscommon, Ireland. She moved to Seattle over twenty years to attend graduate school at the University of Washington School of Dentistry. A lifelong independent film lover, A Bit Of Bad Luck is her first film. In addition to producing the film, she assisted her husband, John Fuhrman, in writing the screenplay. She and John reside in downtown Seattle with their four-year-old son, Rory. STEPHEN J. LINEWEAVER Mr. Lineweaver is one of Hollywood’s most accomplished production designers. His career spans over thirty years and has included such well known films as Ted, Jerry Maguire, City Slickers II and Ace Ventura: When nature Calls. In addition to serving as a producer, Mr. Lineweaver was also the Production Designer for A Bit Of Bad Luck. Stephen has worked with some of the greatest directors of our time. JORY WEITZ Jory Weitz is a veteran Hollywood casting director and producer. -
Ausa Background Brief (
AUSA BACKGROUND BRIEF ( No. 42 April 1992 SPECIAL OPERATIONS FORCES: A PRIMER Introduction A small but critical portion of the Total Force is made up of the special operations forces (SOF) of the Army, Navy and Air Force, which are comprised of special operations, psychological operations and civil affairs organizations. Special operations forces are task organized to conduct contingency operations. Special operations forces are designed to augment theater-based forces and, in response to a crisis situation, normally operate with an appropriate mix of conventional forces under theater control. ( Almost all SOF missions require joint planning; also, they are used for missions with allied or coalition forces as well as for a number of ongoing ground missions in many countries. U.S. Special Operations Command The joint nature ofSOF operations was recognized in the establishment of a permanent unified command, the U.S. Special Operations Command (USSOCOM). The USSOCOM commander-in chief commands all active and reserve Special Operations, Psychological Operations and Civil Affairs forces of the Army, Navy and Air Force (about 47,000 personnel). USSOCOM supports other unified commands responsible for crisis responses in their respective geographic areas of responsibility. The U.S. Special Operations Command is composed of four subordinate commands: U.S. Army Special Operations Command, Naval Special Warfare Command, Air Force Special Opera tions Command and Joint Special Operations Command. U.S. Army Special Operations Command (USASOC), headquartered at Fort Bragg, North Carolina, is composed of active component and reserve component Army forces consisting of Special Forces groups, a Ranger regiment, Psychological Operations groups, a Special Operations Aviation regiment, Civil Affairs commands, and special operations signal and support units. -
Incorporating Law of Armed Conflict Training Into Afghanistan's Special Forces' Curriculum
R M Y A P R E E S H S T F S O A R S APOJ 16-15 T N L A E K A , V H 1 April 2016 ENWORT Incorporating Law of Armed Conflict Training into Afghanistan’s Special Forces’ Curriculum By Lt. Col. Todd Burkhardt and Maj. Rob Williamson Afghan Special Operation Commandos conduct a combat air assault mission. As the war in Afghanistan runs well into its second decade and U.S. and NATO forces continue to draw- down, the notions of transparency and legitimacy for the government of Afghanistan become increasingly import- ant. As the Afghan government and its military continue to accept more of the onus, they will have to continually find ways to incorporate their capabilities in a concerted effort in order to not only effectively degrade and defeat the enemies of their state, but also mitigate corruption and maintain accountability. A step in that direction where these concepts are especially apparent is with that of the Afghan National Army Special Operations Command (ANASOC) which has partnered with U.S., Canadian, and Slovak Special Operations advisors in various endeavors. These Special Operation Forces (SOF) conduct security forces as- sistance (SFA) which consists of advising, assisting, mentoring, and training (when applicable) in order for the Afghan SOF to truly become not only autonomous, but sustainable as well. A critical component to a unit’s au- tonomy is being recognized as a professional force. A professional force is not only trained very well with regard to basic soldier (shoot, move, and communicate) and occupational skills (engineer, communications, mortar, medic, etc.) as well as operational and leadership development, but also that force is mentally tough, disciplined, and fights within the confines of international law.