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See It Big! Action Features More Than 30 Action Movie Favorites on the Big
FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films -
Accepted Manuscript Version
Research Archive Citation for published version: Tony Shaw, and Tricia Jenkins, ‘An Act of War? The Interview Affair, the Sony Hack, and the Hollywood– Washington Power Nexus Today’, Journal of American Studies, April 2017. DOI: https://doi.org/10.1017/S0021875817000512 Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: © 2017 Cambridge University Press and British Association for American Studies. This version is free to view and download for private research and study only. Not for re-distribution, re-sale or use in derivative works. Enquiries If you believe this document infringes copyright, please contact the Research & Scholarly Communications Team at [email protected] An Act of War? The Interview Affair, the Sony Hack, and the Hollywood/Washington Power Nexus Today An early quasi-police procedural showing J. Edgar Hoover’s Federal Bureau of Investigation “smashing” a communist sleeper cell in Boston, Alfred L. Werker’s 1952 docudrama Walk East on Beacon looks at first much like any other Red-baiting Hollywood production of the McCarthy era. On closer inspection, the movie offers us a keen insight into the Hollywood/Washington power nexus during the Cold War. Recently declassified documents reveal that the FBI’s top brass not only helped to inspire Walk East on Beacon but also to cast and market the film. More intriguingly, America’s most powerful military Cold War think tank, the RAND Corporation, was at the heart of the movie’s screenplay. Hollywood scriptwriter Leo Rosten worked as a part-time adviser on social sciences for RAND and based key elements of his plot for Walk East on Beacon on top-secret RAND projects, principally the military uses of satellites and computers. -
Cast Biographies RILEY KEOUGH (Christine Reade) PAUL SPARKS
Cast Biographies RILEY KEOUGH (Christine Reade) Riley Keough, 26, is one of Hollywood’s rising stars. At the age of 12, she appeared in her first campaign for Tommy Hilfiger and at the age of 15 she ignited a media firestorm when she walked the runway for Christian Dior. From a young age, Riley wanted to explore her talents within the film industry, and by the age of 19 she dedicated herself to developing her acting craft for the camera. In 2010, she made her big-screen debut as Marie Currie in The Runaways starring opposite Kristen Stewart and Dakota Fanning. People took notice; shortly thereafter, she starred alongside Orlando Bloom in The Good Doctor, directed by Lance Daly. Riley’s memorable work in the film, which premiered at the Tribeca film festival in 2010, earned her a nomination for Best Supporting Actress at the Milan International Film Festival in 2012. Riley’s talents landed her a title-lead as Jack in Bradley Rust Gray’s werewolf flick Jack and Diane. She also appeared alongside Channing Tatum and Matthew McConaughey in Magic Mike, directed by Steven Soderbergh, which grossed nearly $167 million worldwide. Further in 2011, she completed work on director Nick Cassavetes’ film Yellow, starring alongside Sienna Miller, Melanie Griffith and Ray Liota, as well as the Xan Cassavetes film Kiss of the Damned. As her camera talent evolves alongside her creative growth, so do the roles she is meant to play. Recently, she was the lead in the highly-anticipated fourth installment of director George Miller’s cult- classic Mad Max - Mad Max: Fury Road alongside a distinguished cast comprising of Tom Hardy, Charlize Theron, Zoe Kravitz and Nick Hoult. -
SEAN CHEESMAN Choreographer Resumé
THE COOPER COMPANY A Production and Artist Representation Group SEAN CHEESMAN FILM AND TELEVISION So You Think You Can Dance - choreographer/Guest CTV - Canada choreographer Canada Judge So You Think You Can Dance - USchoreographer Fox So You Think You Can Dance - choreographer BBC London UK resumé Die Wette choreographer Germany Eine Unter Tausend choreographer Germany Courage to Love choreographer Showtime TV Movie The Bodyguard choreographer Kasdan Pictures Black Achievement Awards MANAGEMENT Saturday Night Live - Janet choreographer/Director Canada Jackson choreographer NBC The Cooper Company ABC TV Special - Prince Phone: (212) 302-5559 Guys Next Door choreographer ABC Facsimile: (212) 302-1498 MTV VMAs - Prince choreographer NBC MTV VMAs - Janet Jackson choreographer MTV Soul Train Awards - Vanessa Williams choreographer MTV Top of the Pops - No Angels choreographer US TV Echo Awards - No Angels choreographer Germany Just Add Moves - MTV/Nike choreographer Germany Musicool choreographer MTV Dirty Dancing Time of Your Life choreographer Channel 4 REPRESENTATION LIVE TOURS Brendan Filuck Janet Jackson - The Janet Tour choreographer/dancer World Tour Bloc Agency Prince - The Diamonds and Pearlschoreographer/artistic World Tour (323) 954 - 7730 Tour director Prince - The Thunder Tour choreographer/artistic World Tour director Peter Andre - Revelation Tour choreographer/creative UK Tour director MUSICAL THEATER Yuma Friedeick choreographer/creative Berlin, Germany director Daddy Cool choreographer London West End/World Tour Qi - Eine -
Fighting for Women Existence in Popular Espionage Movies Salt (2010) and Zero Dark Thirty (2012)
Benita Amalina — Fighting For Women Existence in Popular Espionage Movies Salt (2010) and Zero Dark Thirty (2012) FIGHTING FOR WOMEN EXISTENCE IN POPULAR ESPIONAGE MOVIES SALT (2010) AND ZERO DARK THIRTY (2012) Benita Amalina [email protected] Abstract American spy movies have been considered one of the most profitable genre in Hollywood. These spy movies frequently create an assumption that this genre is exclusively masculine, as women have been made oblivious and restricted to either supporting roles or non-spy roles. In 2010 and 2012, portrayal of women in spy movies was finally changed after the release of Salt and Zero Dark Thirty, in which women became the leading spy protagonists. Through the post-nationalist American Studies perspective, this study discusses the importance of both movies in reinventing women’s identity representation in a masculine genre in response to the evolving American society. Keywords: American women, hegemony, representation, Hollywood, movies, popular culture Introduction The financial success and continuous power of this industry implies that there has been The American movie industry, often called good relations between the producers and and widely known as Hollywood, is one of the main target audience. The producers the most powerful cinematic industries in have been able to feed the audience with the world. In the more recent data, from all products that are suitable to their taste. Seen the movies released in 2012 Hollywood from the movies’ financial revenues as achieved $ 10 billion revenue in North previously mentioned, action movies are America alone, while grossing more than $ proven to yield more revenue thus become 34,7 billion worldwide (Kay, 2013). -
Sean Penn 2007)
Journal of American Studies of Turkey 25 (2007) : 99-101 Into the Wild (Sean Penn 2007) Mark Bousquet Hollywood has had a long love affair with the American landscape. Typically focused on the open expanses of the American West (evidenced most prominently in the westerns of John Ford, Clint Eastwood, and Kevin Costner), directors have seemingly operated on the principle that intrinsic to any story set against nature is to highlight the bigness and beauty of the land. Sean Penn’s approach (seen through the cinematography of Eric Gautier) to shooting the landscape in Into the Wild operates largely antithetically to the western. Instead of focusing on the largeness of the American wilderness, Penn’s approach owes a stylistic debt to Terence Malick (whom Penn worked with on The Thin Red Line 1998), crafting an intimate relationship with the natural world. Into the Wild is an excellent and effective adaptation of Jon Krakauer’s book by the same name, relating the true journey of Christopher McCandless (Emile Hirsch), who left American civilization behind to seek a romanticized relationship to the wilderness of his literary heroes Jack London and Henry David Thoreau. After graduating from Emory University, McCandless donates the bulk of his savings ($24,000) to Oxfam America and severs his ties with civilization, both official (destroying his identification and credit cards) and personal (deliberately misleading his family about his plans). Chris heads out on the road in search of his ultimate destination of Alaska. Along the way, McCandless -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Paul Rudd Strikes a Comedic Pose While Bowling for Children Who Stutter
show ad Funnyman with a heart of gold! Paul Rudd strikes a comedic pose while bowling for children who stutter By Shyam Dodge PUBLISHED: 03:33 EST, 22 October 2013 | UPDATED: 03:34 EST, 22 October 2013 30 View comments He's known for being one of the funniest men working in Hollywood today. But Paul Rudd proved he's also got a heart of gold as he hosted his second annual All-Star Bowling Benefit for children who stutter in New York, on Monday. The 44-year-old actor could be seen throughout the fund raising event performing various comedic antics while bowling at the lanes. Gearing up: Paul Rudd hosted his second annual All-Star Bowling Benefit for children who stutter in New York, on Monday The I Love You, Man star taught some of the fundamentals of the sport to the children gathered for the event. But when it came his turn to demonstrate his bowling prowess it appeared he may have needed some practise in the art. Performing a comedic kick in the air after seeming to land the ball in the gutter the surrounding kids erupted into both applause and giggles. Getting a rise: The 44-year-old actor looked to have missed his mark during the event The set up: Rudd got his form down before letting loose But the antics also seemed to have been choreographed to entertain the youngsters, who the star was intent upon helping. Wearing brown suede loafers and tan chinos, Rudd went casual in a simple chequered button down shirt. -
Tv Pg 4B 01-04.Indd
4b The Goodland Star-News / Friday, January 4, 2008 Like puzzles? Then you’ll love sudoku. This mind-bending puzzle FUN BY THE NUM B ERS will have you hooked from the moment you square off, so sharpen your pencil and put your sudoku savvy to the test! Here’s How It Works: Sudoku puzzles are formatted as a 9x9 grid, broken down into nine 3x3 boxes. To solve a sudoku, the numbers 1 through 9 must fill each row, column and box. Each number can appear only once in each row, column and box. You can figure out the order in which the numbers will appear by using the numeric clues already provided in the boxes. The more numbers you name, the easier it gets to solve the puzzle! ANSWER TO TUESD A Y ’S SATURDAY EVENING DECEMBER 29, 2007 SUNDAY EVENING DECEMBER 30, 2007 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 6PM 6:30 7PM 7:30 8PM 8:30 9PM 9:30 10PM 10:30 ES E = Eagle Cable S = S&T Telephone ES E = Eagle Cable S = S&T Telephone aaac The First 48: Houdini; Inno- The First 48: Blood Trail; “Jesus Camp” (‘07, Documentary) Religious sum- The First 48: Houdini; Inno- “GoodFellas” (‘90, Drama) Robert De Niro, Ray Liotta. A young man Flip This House: Little “GoodFellas” (‘90) 36 47 A&E 36 47 A&E confronts suspicion and violence within the New York Mafia. (R) House of Horrors (R) aaac Man in the Mafia. cence Lost (R) 50G Murder (R) mer camp for children. -
Sundance Institute Presents Institute Sundance U.S
1 Check website or mobile app for full description and content information. description app for full Check website or mobile #sundance • sundance.org/festival sundance.org/festival Sundance Institute Presents Institute Sundance The U.S. Dramatic Competition Films As You Are The Birth of a Nation U.S. Dramatic Competition Dramatic U.S. Many of these films have not yet been rated by the Motion Picture Association of America. Read the full descriptions online and choose responsibly. Films are generally followed by a Q&A with the director and selected members of the cast and crew. All films are shown in 35mm, DCP, or HDCAM. Special thanks to Dolby Laboratories, Inc., for its support of our U.S.A., 2016, 110 min., color U.S.A., 2016, 117 min., color digital cinema projection. As You Are is a telling and retelling of a Set against the antebellum South, this story relationship between three teenagers as it follows Nat Turner, a literate slave and traces the course of their friendship through preacher whose financially strained owner, PROGRAMMERS a construction of disparate memories Samuel Turner, accepts an offer to use prompted by a police investigation. Nat’s preaching to subdue unruly slaves. Director, Associate Programmers Sundance Film Festival Lauren Cioffi, Adam Montgomery, After witnessing countless atrocities against 2 John Cooper Harry Vaughn fellow slaves, Nat devises a plan to lead his DIRECTOR: Miles Joris-Peyrafitte people to freedom. Director of Programming Shorts Programmers SCREENWRITERS: Miles Joris-Peyrafitte, Trevor Groth Dilcia Barrera, Emily Doe, Madison Harrison Ernesto Foronda, Jon Korn, PRINCIPAL CAST: Owen Campbell, DIRECTOR/SCREENWRITER: Nate Parker Senior Programmers Katie Metcalfe, Lisa Ogdie, Charlie Heaton, Amandla Stenberg, PRINCIPAL CAST: Nate Parker, David Courier, Shari Frilot, Adam Piron, Mike Plante, Kim Yutani, John Scurti, Scott Cohen, Armie Hammer, Aja Naomi King, Caroline Libresco, John Nein, Landon Zakheim Mary Stuart Masterson Jackie Earle Haley, Gabrielle Union, Mike Plante, Charlie Reff, Kim Yutani Mark Boone Jr. -
Netflix's Dead to Me Ups Its Game for Season Two with Cooke Optics S7/I
PRESS RELEASE Netflix’s Dead to Me Ups Its Game for Season Two with Cooke Optics S7/i Full Frame Plus Prime Lenses - Cinematographer Toby Oliver, ACS, enhances photography with the ‘Cooke Look - Leicester, UK – 07 May 2020 – The Netflix original series Dead to Me has moved production to Cooke Optics S7/i Full Frame Plus prime lenses for season two to take advantage of the ‘Cooke Look®’ to bring a flattering look for stars Christina Applegate (nominated for a Golden Globe for Best Performance by an Actress in a Television Series - Musical or Comedy for season one) and Linda Cardellini. With season two set to air in 2020, the series chronicles the story of a powerful friendship that blossoms between a tightly wound widow and a free spirit with a shocking secret. When series creator and showrunner Liz Feldman wanted her main actresses to look their best on screen for season two, cinematographer Toby Oliver, ACS — who was brought on to lens the second season — decided that the “Cooke Look” would be exactly what was needed. “Liz wanted to maintain as much of the overall look of season one as possible, but she also wanted the main actresses to appear warmer on screen,” said Oliver. “To improve the photography from the first season, I decided that the Cooke S7/i Full Frame Plus prime lenses would give her exactly what she was looking for. I’ve used Cookes a lot over the years, and they are quite flattering, especially with close-ups. There’s just something about the ‘Cooke Look’ that makes actors look really good on screen – it gives the skin a nice glow.” This was to be Oliver’s first full frame project, shooting on Sony Venice cameras in 6K mode, using all of the full-frame sensor, so he did a range of lens tests at camera and lens supplier Alternative Rentals in Los Angeles. -
Copy of Copy of Copy of Streetwear Creative Wide Presentation
"Life's most persistent and urgent question is; what are you doing for others?" -MLK OUR VISION For over a decade, MDC has helped establish rewarding relationships between thousands of individuals, businesses and charities who care deeply about the well-being of others and the community. Through our work (video production, event planning & consulting) we want to share stories that matter, organize events that build bridges, highlight extraordinary individuals, create simple and effective ways of giving back, and act as professional matchmakers. Our mission has always been to connect the people who want to help with the people who need help the most. From the start, we've witnessed heartbreaking scenarios where trauma and hardship causes a child or family to feel isolated and hopeless. Despite what we're taught, time is more precious than gold and we strive to make every day, hour and minute count. The world does not stop when tragedy strikes; but good people can and do. We enlist the help of caregivers across every business sector around the globe and rely on them to help us create special moments in time that bring hope and joy to those suffering through hardship. We've created an Active Response Team; an unofficial team of do-gooders who are willing to step up to the plate when needed. And just like the word "team" signifies, together everyone achieves more. MDC works by cause, not by client -- and in doing so, it allows us to foster collaboration and look after the interests of all involved. The impact we make by working together is more powerful and far-reaching than most individuals can achieve on their own.